XI

Christian wondered whether Amadeus would come. Two days passed in

slightly depressing suspense.

He had really intended to go to Waldleiningen to look after his horses.

Sometimes he could actually see their spirited yet gentle eyes, their

velvet coats, and that fine nervousness that vibrated between dignity

and restiveness. He recalled with pleasure the very odour of the

stables.

The pure bred Scotch horse which he had bought of Denis Lay was to run

in the spring races. His grooms told him that the beautiful animal had

been in poor form for some weeks, and he thought that perhaps it missed

his tender hand. Nevertheless he did not go to Waldleiningen.

On the third day Amadeus Voss sent a gardener to ask whether he might

call that evening. Instead Christian went down to the forester’s house

that afternoon at four, and knocked at the door.

Voss looked at him suspiciously. With the instinct of the oppressed

classes he divined the fact that Christian wanted to keep him from his

house. But Christian was far from being as clear about his own motives

as Amadeus suspected. He scented a danger. Some magic in it drew him on

half-consciously to go forth to meet it.

Looking about in the plain but clean and orderly room Christian saw on

the tinted wall above the bed white slips of paper on which verses of

Scripture had been copied in a large hand. One was this: “He was led

as a sheep to the slaughter; and like a lamb dumb before his shearer,

so opened he not his mouth.” And another was this: “For it is a day of

trouble, and of treading down, and of perplexity by the Lord God of

hosts in the valley of vision, breaking down the walls, and of crying

to the mountains.” And this other: “The Lord said unto me, Within a

year, within the years of an hireling, and all the glory of Kedar shall

fail.” And finally there was this: “I know thy works, that thou art

neither cold nor hot; I would thou were cold or hot. So then because

thou art lukewarm, and neither cold or hot, I will spue thee out of my

mouth.”

* * * * *

Christian looked at Amadeus Voss long and curiously. Then he asked,

in a very careful voice, and yet not without an inevitable tinge of

worldly mockery: “Are you very religious?”

Amadeus frowned and answered: “Whether I answer one way or the other

it will mean equally little to you. Did you come to cross-question

me? Have we anything in common that an answer to that question could

reveal? Amadeus Voss and Christian Wahnschaffe--are those not the

names of sundered poles? What image is there that could express the

differences that divide us? Your faith and mine! And such things are

possible on the same earth!”

“Was your youth especially hard?” Christian asked, innocently.

Voss gave a short laugh, and looked at Christian sidewise. “D’you know

what meal days are? Of course you don’t. Well, on such days you get

your meals at strangers’ houses who feed you out of charity. Each day

of the week you’re with another family. Each week repeats the last.

Not to be thought ungrateful you must be obedient and modest. Even if

your stomach revolts at some dish, you must pretend it’s a delicacy.

If the grandfather laughs, you must laugh too; if an uncle thinks

he’s a wit, you must grin. If the daughter of the house chooses to be

insolent, you must be silent. If they respond to your greeting, it’s a

great favour; the worn overcoat with ragged lining they gave you when

winter came binds you in eternal gratitude. You come to know all the

black moods of all these people with whom you sit at table, all their

shop-worn opinions, their phrases and hypocritical expressions; and for

the necessary hour of each day you must learn to practise its special

kind of dissembling. That is the meaning of meal days.”

He got up, walked to and fro, and resumed his seat. “The devil appeared

to me early,” he said in a hollow voice. “Perhaps I took a certain

experience of my childhood more grievously to heart than others,

perhaps the poison of it filtered deeper into me. But you cannot

forget. It is graven upon my soul that my drunken father beat my

mother. He did it every Saturday night with religious regularity. That

image is not to be obliterated.”

Christian did not take his eyes from the face of Amadeus.

Softly, and with a rigid glance, Voss continued: “One night before

Easter, when I was eight years old, he beat her again. I rushed into

the yard, and cried out to the neighbours for help. Then I looked up

at the window, and I saw my mother stand there wringing her hands in

despair. And she was naked.” And his voice almost died into silence as

he added: “Who is it that dare see his own mother naked?”

Again he arose and wandered about the room. He was so full of himself

that his speech seemed indeed addressed to himself alone. “Two things

there are that made me reflect and wonder even in my childhood.

First, the very many poor creatures, whom my father reported because

they stole a little wood, and who were put in prison. I often heard

some poor, little old woman or some ragged half-starved lad beg for

mercy. There was no mercy here. My father was the forester, and had

to do his duty. Secondly, there were the many rich people who live

in this part of the country in their castles, on their estates, in

their hunting-lodges, and to whom nothing is denied that their wildest

impulses demand. Between the two one stands as between two great

revolving cylinders of steel. One is sure to be crushed to bits in the

end.”

For a while he gazed into emptiness. “What is your opinion of an

informer?” he asked, suddenly.

Christian answered with a forced smile: “It’s not a good one.”

“Listen to me. In the seminary I had a fellow-student named Dippel.

His gifts were moderate, but he was a decent chap and a hard worker.

His father was a signalman on the railroad--one of the very poor, and

his son was his one hope and pride. Dippel happened to be acquainted

with a painter in whose studio he came across an album of photographs

displaying the female form in plastic poses. The adolescent boy gazed

at them again and again, and finally begged the painter to lend him the

album. Dippel slept in my dormitory. I was monitor, and I soon observed

the crowding and the sensuous atmosphere about Dippel, who had shown

the pictures to a few friends. It was like a spreading wound. I went

into the matter and ruthlessly confiscated the pictures. I informed the

faculty. Dippel was summoned, sternly examined, and expelled. Next day

we found him swinging dead from the apple tree.”

Christian’s face flushed hotly. The tone of equanimity with which it

was recited was more repulsive than the story itself.

Amadeus Voss continued: “You think that was a contemptible action. But

according to the principles that had been impressed on us I was merely

doing my duty. I was sixteen; and I seemed to be, and was, in a dark

hole. I needed to get out to the air and light. I was like one squeezed

in by a great throng, who cannot see what happens beyond. The fumes of

impatience throttled me, and everything in me cried out for space and

light. It was like living on the eternally dark side of the moon. I was

afraid of the might of evil; and all that I heard of men was more or

less evil. The scales rose and fell in my breast. There are hours in

which one can either become a murderer or die on the cross. I yearned

for the world. Yet I prayed much in those days, and read many books of

devotion, and practised cruel penances. Late at night, when all others

slept, a priest found me absorbed in prayer with the hair-shirt about

my body. During mass or choral singing an incomparable and passionate

devotion streamed through me. But then again I saw flags in the streets

of the city, or well-dressed women, or I stood in the railway station,

and a train of luxurious cars seemed to mock me. Or I saw a man who had

hurled himself out of a window and whose brains spattered the pavement,

and he seemed to cry out to me: Brother, brother! Then the evil one

arose in bodily form and I desired to clutch him. Yes, evil has bodily

form and only evil--injustice, stupidity, lying, all the things that

are repulsive to one to the very core, but which one must embrace and

be, if one has not been born with a silver spoon in one’s mouth. To

save a ray of light for myself, I learned to play the organ. It helped

little. What does music matter, or poems or beautiful pictures, or

noble buildings, or books of philosophy, or the whole magnificent world

without? I cannot reach myself. Between me and that real self there is

something--what is it? A wall of red-hot glass. Some are accursed from

the beginning. If I ask: how could the curse be broken? there is but

one answer: the monstrous would need to come to pass, the unimaginable!

Thus it is with me.”

Christian was shocked. “What do you mean by that?”

“One would have to gain a new experience,” answered Amadeus Voss, “to

know a being truly human--in the highest and deepest sense.” In the

gathering dusk his face had the hue of stone. It was a well-shaped

face--long, narrow, intelligent, full of impassioned suffering. The

lenses in front of his eyes sparkled in the last light of day, and on

his fair hair was a glimmer as upon jewels.

“Are you going to stay in the village?” Christian inquired, not from

a desire to know, but out of the distress which he felt in the heavy

silence. “You were employed by Councillor Ribbeck. Will you return to

him?”

Voss’s nerves twitched. “Return? There is no return,” he murmured.

“Do you know Ribbeck? Well, I hardly know him myself. I saw him just

twice. The first time was when he came to the seminary to engage a

tutor for his sons. When I think of him I have the image of something

fat and frozen. I was picked out at once. My superiors approved of me

highly and desired to smooth my path. Yes. And I saw him for the second

time one night in December, when he appeared at Halbertsroda with a

commissary of police to put me out. You needn’t look at me that way.

There were no further consequences. It wouldn’t have done to permit

any.”

He fell silent. Christian got up. Voss did not urge him to stay longer,

but accompanied him to the door. There he said in a changed voice:

“What kind of a man are you? One sits before you and pours out one’s

soul, and you sit there in silence. How does it happen?”

“If you regret it I shall forget all you have said,” Christian answered

in his flexible, courteous way, that always had a touch of the

equivocal.

Voss let his head droop. “Come in again when you are passing,” he

begged gently. “Perhaps then I’ll tell you about what happened there!”

He pointed with his thumb across his shoulder.

“I shall come,” said Christian.

The World's Illusion, Volume 1 (of 2): Eva · 第 77 / 137 题