CRAMMON, THE STAINLESS KNIGHT

I

From the days of his earliest manhood, Crammon, a pilgrim upon the

paths of pleasantness and delight, had been a constant wayfarer from

capital to capital and from country-seat to country-seat. He came of an

Austrian family whose landed estates lay in Moravia, and his full name

was Bernard Gervasius Crammon von Weissenfels.

In Vienna he owned a small but beautifully furnished house. Two old,

unmarried ladies were its guardians--the Misses Aglaia and Constantine.

They were his distant kinswomen, but he was devoted to them as to

sisters of his blood, and they returned his affection with an equal

tenderness.

On an afternoon in May the two sat by an open window and gazed

longingly down into the street. He had announced the date of his

arrival by letter, but four days had passed and they were still waiting

in vain. Whenever a carriage turned the corner, both ladies started and

looked in the same direction.

When twilight came they closed the window and sighed. Constantine took

Aglaia’s arm, and together they went through the charming rooms, made

gleamingly ready for their master. All the beautiful things in the

house reminded them of him, just as every one of them was endeared to

him because it united him to some experience or memory.

Here was the chiselled fifteenth century goblet which the Marquis

d’Autichamps had given him, yonder the agate bowl bequeathed him by

the Countess Ortenburg. There were the coloured etchings, part of the

legacy of a Duchess of Gainsborough, the precious desk-set which he

had received from the old Baron Regamey, the Tanagra figurines which

Felix Imhof had brought him from Greece. There, above all, was his own

portrait, which the English artist Lavery had painted on an order from

Sir Charles MacNamara.

They knew these things and esteemed them at their true worth. They

stopped before his picture, as they so often delighted to do. The

well rounded face wore a stern, an almost sombre expression. But that

expression seemed deceptive, for a tell-tale gleam of worldly delight,

of irony and roguishness, played about the clean-shaven lips.

When night fell the two ladies received a telegram informing them that

Crammon had been forced to put off his return home for a month. They

lit no lights after that, and went sadly to bed.

The World's Illusion, Volume 1 (of 2): Eva · 第 11 / 137 题