APPLICATION OF THE FOREGOING CHAPTER WITH SOME FURTHER REMARKS ON SEX
DIFFERENCES
I.--_Women and Labour_
"The fullest ideal of the woman-worker is she who works not
merely or mainly for men as the help and instrument of their
purpose, but who works with men as the instrument yet material
of her purpose."--GEDDES AND THOMPSON.
When we come to consider the detailed differences between woman and
man, a sharp separation of them into female qualities and male
qualities no longer squares with the known facts. Any attempt to
lessen the natural differences, as also to weaken at all the
attractions arising from this divergence, must be regarded with
extreme distrust. There is a real and inherent prejudice against the
masculine woman and the feminine man. It is nevertheless necessary
very carefully to discriminate between innate qualities of femaleness
and maleness and those differences that have been acquired as the
direct result of peculiarities of environmental conditions. It is
certain that many differences in the physical and mental capacity of
women must be referred not to Nature but to Nurture, _i.e._ the
effects of conditions and training. Let me give one concrete case, for
one clear illustration is more eloquent than any statement. Long ago
Professor Karl Vogt pointed out that women were awkward manipulators.
Thomas, in _Sex and Society_, answers this well: "The awkwardness in
manual manipulation shown by these girls was surely due to lack of
practice. The fastest type-writer in the world is to-day a woman; the
record for roping steers (a feat depending on manual dexterity rather
than physical force) is held by a woman." I may add to this an example
of my own observation. In a recent International Fly and Bait Casting
Tournament, held at the Crystal Palace, a woman was among the
competitors, and gave an admirable exhibition of skill in salmon
fly-casting. In this competition she threw one cast 34 feet and two of
33 feet, making an aggregate of 100 yards, which gained her the prize
over the male competitors. It has also been recently stated that women
show equal skill with men in shooting at a target.
It is plain that the more we examine the question of sex-differences
the more it baffles us. The only safeguard against utter confusion and
idleness of thought is to fall back on the common-sense view that
_woman is what she is largely, because she has lived as she has_, and
further, that in the present transition no _arbitrary rules may be
laid down by men as to what she should, or should not, can, or cannot
do_. Even in fear of possible danger to be incurred, woman must no
longer be "grandfathered." The scope of this chapter is to make this
clear.
It is no part of my purpose, even if it were possible for me within
the limits at my command, to enter into an examination of all the
numerous statements and theories with regard to the real or supposed
secondary sexual characters of woman. For though the practical
utility of such detailed knowledge is obvious, while there is no
certainty of opinion even among experts to fix the distinctions
between the sexes, it is wiser in one who, like myself, can claim no
scientific knowledge to avoid the hazard of any conclusion. I confess
that a most careful study of the many differing opinions has left me
in a state of mental confusion. One is tempted to adopt those views
that fit in with one's own observations and to neglect others probably
equally right that do not do this. What is wanted is a much larger
number of careful experiments and scientific observations. Some of
these have been made already, and their value is great, but the basis
is still too narrow for any safe generalisations. All kinds of error
are clearly very likely to arise. I may, perhaps, be allowed to state
my surprise, not to say amusement, at the conviction evidenced by some
male writers in their estimate of the character of my sex. I find
myself given many qualities that I am sure I have not got, and
deprived of others that I am equally certain I possess. Thus, I have
found myself wondering, as I sought sincerely to find truth, whether I
am indeed woman or man? or, to be more exact, whether the female
qualities in me do not include many others regarded as masculine? This
has forced the thought--is the difference between the sexes, after
all, so complete?
I am aware that what I am now saying appears to be in contradiction
with my other statements. I cannot help it. The fact is, that truth is
always more diverse than we suspect. This is a question that reaches
so deeply that apparent contradiction is sometimes inevitable. We find
we are rooted into outside things, and we melt away, as it were, into
them, and no woman or man can say, "I consist absolutely of this or
that"; nor define herself or himself so certainly as to be sure where
the differences between the sexes end and the points of contact begin.
Many qualities of the personality appear no more female than male; no
more belonging to the woman than the man. And yet, underlying these
common qualities there is a deep under-current in which all our nature
finds expression in our sex.
Science has of late years advanced far in this matter, yet it has not
much more than begun. There is, as yet, no approximation to unanimity
of decision, though the way has been cleared of many errors. This is
all that has really been done by the ablest observers, who seem,
however, unwilling, if one may say so without presumption, to accept
the conclusions to which their own experiments and observations would
seem to point. Take an illustration. The early certitude on the
sex-differences in the weight of the brain and in the proportion of
the cerebral lobes has been completely turned upside down. The long
believed opinion of the inferiority of the woman in this direction has
been proved to be founded on prejudice, fallacies, and over-hasty
generalisations, so that now it is allowed that the sexual differences
in the brain are at most very small. An even more instructive example
arises from the ancient theory that there was a natural difference in
the respiratory movements of the sexes. Hutchinson even argued that
this costal breathing was an adaptation to the child-bearing function
in woman. Further investigations, however, with a wider basis and more
accurate methods--and one may surely add more common-sense--have
changed the whole aspect of the matter. This difference has been
proved to be due, not to Nature at all, but wholly to the effect of
corset-wearing and woman's conventional dress. There is, it would
seem, no limit to the quagmire of superstition and error into which
sex-difference have drawn even the most careful inquirers if once they
fail to cut themselves adrift from that superficial view of Nature's
scheme, by which the woman is considered as being handicapped in every
direction by her maternal function.
Enough has now been said to indicate the complication of the facts, to
say nothing of their practical application. I must refer my readers
for further details to convenient summaries of the sexual differences,
in Havelock Ellis's _Man and Woman_; Geddes and Thomson's _Sex and
Evolution_; Thomas's _Sex and Society_; and H. Campbell's _Differences
in the Nervous Organisation of Men and Women_: the first of these is a
treasure store of facts, and may be regarded as the foundation of all
later research; the last is, perhaps, the most generally interesting,
certainly it is the most favourable in its estimate of women. Dr.
Campbell urges with much force the fallacy of many popular views. He
does not seem to believe in the fundamental origin of maleness and
femaleness, holding them rather to be secondary and derived, the
result, in fact, of selection.
I have already sufficiently guarded against being supposed to have any
desire to establish identity between woman and man. I do, however,
object to any general conclusion of an arbitrary and excessive
sex-separation, without the essential preliminary inquiry being made
as to the effects of conditions and training; that is, whether the
opportunities of development have been at all equal. But here, to save
falling into a misconception, it is necessary to point out that I do
not say _the same opportunities, but equal_. This difference is so
important that, risking the fear of being tedious, I must restate my
belief in the unlikeness of the sexes. As Havelock Ellis says, "A man
is a man to his very thumbs, and a woman is a woman down to her little
toes." What I do mean, then, is this: _Have the opportunities of the
woman to develop as woman been equal to the opportunities of the man
to develop as man?_ It is on this question, it seems to me, that our
attention should be fixed.
Leaving for a little any attempt to find out in what directions this
development of woman can be most fully carried out, let us now clear
our way by glancing very briefly at certain plain facts of the actual
position of women as they present themselves in our society to-day.
In 1901 there were 1,070,000 more women than men in this country; this
surplus of women has increased slowly but steadily in every census
since 1841! Thus, those who hold (as all who look straight at this
matter must) that the essential need for the normal woman are
conditions that make possible the fulfilment of her sex-functions, are
placed in an awkward dilemma when they wish to restrict her activities
to marriage and the home. By such narrowing of the sexual sphere they
are not taking into consideration the facts as they exist to-day. In a
society where the women outnumber the men by more than a million, it
is sufficiently evident that justice can be done to these primary
needs of woman only by adopting one of two courses, the placing of
women in a position which secures to them the possession of property,
or, if their dependence on the labours of men is maintained, the
recognition of some form of polygamy. Here is no advocacy of any
sexual licence or of free-love, but I do set up a claim for free
motherhood, and however great the objections that may, and, as I
think, must be raised against polygamy, I am unhesitating in stating
my belief that any open and brave facing of the facts of the sex
relationship is better than our present ignorance or hypocritical
indifference, which is spread like a shroud over our national
conditions of concealed polygamy for men, side by side with enforced
celibacy and unconcealed prostitution for a great number of women. The
most hopeful sign of the woman's movement is a new solidarity that is
surely killing the fatalism of a past acquiescing in wrongs, and is
slowly giving birth to a fine spiritual apprehension of the great
truth that what concerns any woman concerns all women, and, I would
add, also all men. This last--that there can be no woman's question
that is not also a man's question--is so essentially a part of any
fruitful change in our domestic and social relationship that women
must not permit themselves for a moment to forget it. It is the very
plain things that so often we do overlook.
So it becomes clear that the parrot cries "Woman's Place!" "Woman's
Sphere!" "Her place is the home!" have lost much, even if not all,
their significance. For, in the first place, it is obvious that under
present conditions there are not enough homes to go round; and
second, even if we neglect this essential fact, women may well answer
such demands by saying "much depends on the character and conditions
of the home we are to stay in." It was a many-sided home of free and
full activity in which woman evolved and wherein for long ages she
worked; a home, in fact, which gave free opportunities for the
exercise of those qualities of constructive energy that women, broadly
speaking, may be said to possess. The woman's so-called natural
position in the home is not now natural at all. The conditions of life
have changed. Everything is drifting towards separation from worn-out
conditions. We are increasingly conscious of a growing discontent at
waste. The home with its old full activities has passed from women's
hands. But woman's work is not less needed. To-day the State claims
her; the Nation's housekeeping needs the vitalising mother-force more
than anything else.
The old way of looking at the patriarchal family was, from one point
of thought, perfectly right and reasonable as long as every woman was
ensured the protection of, and maintenance by, some man. Nor do I
think there was any unhappiness or degradation involved to women in
this co-operation of the old days, where the man went out to work and
the woman stayed to do work at least equally valuable in the home. It
was, as a rule, a co-operation of love, and, in any case, it was an
equal partnership in work. But what was true once is not true now. We
are living in a continually changing development and modification of
the old tradition of the relationship of woman and man. It is very
needful to impress this factor of constant change on our attention,
and to fix it there. To ignore it, and it is too commonly ignored, is
to falsify every issue. "The Hithertos," as Mr. Zangwill has aptly
termed them, are helpless. Things are so, and we are carried on; and
as yet we know not whither, and we are floundering not a little as we
seek for a way. The women of one class have been forced into labour by
the sharp driving of hunger. Among the women of the other class have
arisen a great number who have turned to seek occupation from an
entirely different cause; the no less bitter driving of an
unstimulating and ineffective existence, a kind of boiling-over of
women's energy wasted, causing a revolt of the woman-soul against a
life of confused purposes, achieving by accident what is achieved at
all. Between the women who have the finest opportunities and the women
who have none there is this common kinship--the wastage not so much of
woman as of womanhood.
Let us consider for a moment the women who have been forced into the
cheating, damning struggle for life. There are, according to the
estimate of labour experts, 5,000,000 women industrially employed in
England. The important point to consider is that during the last sixty
years the women who work are gaining numerically at a greater rate
than men are. The average weekly wage paid is seven shillings.
Nine-tenths of the sweated work of this country is done by women. I
have no wish to give statistics of the wages in particular trades;
these are readily accessible to all. Unfortunately the facts do not
allow any exaggeration; they are saddening and horrible enough in
themselves. The life-blood of women, that should be given to the race,
is being stitched into our ready-made clothes; is washed and ironed
into our linen; wrought into the laces and embroideries, the feathers
and flowers, the sham furs with which we other women bedeck ourselves;
it is poured into our adulterated foods; it is pasted on our matches
and pin-boxes; stuffed into our furniture and mattresses; and spent on
the toys we buy for our children. The china that we use for our foods
and the tins in which we cook them are damned with the lead-poison
that we offer to women as the reward of labour.
It is these wrongs that the mothers with the fathers of the race have
to think out the way to alter. There is no one among us who is
guiltless in this matter. Things that are continuously wrong need
revolutionising, and not patching up.
What, then, is the real cause of the lowness of remuneration offered
to women for work when compared with men? Thousands of women and girls
receive wages that are insufficient to support life. They do not die,
they live; but how? The answer is plain. Woman possesses a marketable
value attached to her personality which man has not got. This enables
her to live, if she has children, to feed them, and also not
infrequently to support the man, forced out of work by the lowness of
the wages she can accept. The woman's sex is a saleable thing.
Prostitution is the door of escape freely opened to all women. It is
because of the reserve fund thus established that their honest wages
suffer. Not all sweated women are prostitutes. Many are legally
married, they exist somehow; but the wages of all women are
conditioned by this sexual resource. It can be readily seen that this
is a survival of the patriarchal idea of the property value of woman.
To-day it affords a striking example of the conflict between the old
rights of men with the rising power of women. The value of woman is
her sexual value; her value as a worker is as yet unrecognised, except
as a secondary matter. You may refuse to be convinced of this. Yet the
fact remains that our society is so organised that women are more
highly paid and better treated as prostitutes than they are as honest
workers.
I shall say no more on this question here, as I propose to deal with
prostitution more fully in a later chapter. I would, however, point
out that what I have said in no way implies an opinion that women
should be driven out of the labour market. This is as unfair as that
they should be driven into it. It is the conditions of labour that
must be changed. I am not even able to accept the opinion that the
strength of woman is necessarily less than that of man, only that it
is different. It is, in fact, just this difference that is so
important. If woman's capacity in work was the same as men's no great
advantage could arise from women's entrance into the work of the
State. It might well lead to even worse confusion. It is the special
qualities that belong to woman that humanity is waiting for. Just as
at the dawn of civilisation society was moulded and in great measure
built up by women, then probably unconscious of their power and the
end it made towards, so, in the future, our society will be carried on
and humanised by women, deliberately working for the race, their
creative energy having become self-conscious and organised in a final
and fruitful period of civilisation.
I want to look a little further into this question of the strength of
woman as compared with the strength of man. On the whole it seems
right to say that the man is the more muscular type, and stronger in
relation to isolated feats and spasmodic efforts. But against this may
be placed the relative greater tenacity of life in women. They are
longer lived, alike in infancy and in old age; they also show a
greater power of resisting death. The difference in the incidence of
disease, again, in the two sexes is far from furnishing conclusive
evidence as to the greater feebleness of women. Their constitution
seems to have staying powers greater than the man's. The theory that
women are "natural invalids" cannot be accepted. Every care must be
taken to guard against any misdifferentiation of function in the kind
of work women are to do, but there is no evidence to prove that
healthy work is less beneficial to women than to men. Indeed, all the
evidence points in the opposite direction. Even in the matter of
muscular power it is difficult to make any absolute statement. The
muscular development of women among primitive peoples is well known.
Japanese women will coal a vessel with a rapidity unsurpassable by
men. The pit-brow women of the Lancashire collieries are said to be of
finer physical development than any other class of women workers. I
have seen the women of Northern Spain perform feats of strength that
seem extraordinary.
It is worth while to wait to consider these Spanish women, who are
well known to me. The industrial side of primitive culture has always
belonged to women, and in Galicia, the north-west province of Spain,
the old custom is still in active practice, owing to the widespread
emigration of the men. The farms are worked by women, the ox-carts are
driven by women, the seed is sown and reaped by women--indeed, all
work is done by women. What is important is that these women have
benefited by this enforced engaging in activities which in most
countries have been absorbed by men. The fine physical qualities of
these workers can scarcely be questioned. I have taken pains to gain
all possible information on this subject. Statistics are not
available, because in Galicia they have not been kept from this point
of view. I find, however, that it is the opinion of many eminent
doctors and the most thoughtful men of the province, that this labour
does not damage the health or beauty of the women, but the contrary,
nor does it prejudice the life and health of their children. As
workers they are most conscientious and intelligent, apt to learn, and
ready to adopt improvements. From my personal observations I can bear
witness that their children are universally well cared for. What
impressed me was that these women looked happy. They are full of
energy and vigour, even to an advanced age. They are evidently happy,
and the standard of beauty among them will compare favourably with the
women of any other nation. I once witnessed an interesting episode
during a motor-ride in the country. A robust and comely Gallegan woman
was riding _a ancas_ (pillion fashion) with a young _caballero_,
probably her son. The passing of our motor-car frightened the steed,
with the result that both riders were unhorsed. Neither was hurt, but
it was the woman who pursued the runaway horse. She caught it without
assistance and with surprising skill. What happened to the man I
cannot say. When I saw him he was standing in the road brushing the
dust from his clothes. I presume the woman returned with the horse to
fetch him.
Women were the world's primitive carriers. In Galicia I have seen
women bearing immense burdens, unloading boats, acting as porters and
firemen, and removing household furniture. I saw one woman with a
chest of drawers easily poised upon her head, another woman bore a
coffin, while another, who was old, carried a small bedstead. A
beautiful woman porter in one village carried our heavy luggage,
running with it on bare feet, without sign of effort. She was the
mother of four children, and her husband was at the late Cuban war.
She was upright as a young pine, with the shapeliness that comes from
perfect bodily equipoise. I do not wish to judge from trivial
incidents, but I saw in the Gallegan women a strength and a beauty
that has become rare among women to-day. I recall a conversation with
an Englishman I met at La Coruna, of the not uncommon strongly
patriotic and censorious type. We were walking together on the quay;
he pointed to a group of the Gallegan burden-bearers, who were
unloading a vessel, remarking in his indiscriminate British gallantry,
"I can't bear to see women doing work that ought to be done by men."
"Look at the women!" was the answer I made him.
It is, of course, impossible to compare the industrial conditions of
such a country as Spain with England. We may associate the position of
women in Galicia with some of the old matriarchal conditions. Women
are held in honour. There is a proverb common over all Northern Spain
to the effect that he who is unfortunate and needs assistance should
"seek his Gallegan mother." Many primitive customs survive, and one of
the most interesting is that by which the eldest daughter in some
districts takes precedence over the sons in inheritance. In no country
does less stigma fall upon a child born out of wedlock. As far back as
the fourth century Spanish women insisted on retaining their own names
after marriage. We find the Synod of Elvira trying to limit this
freedom. The practice is still common for the children to use the name
of the mother coupled with that of the father, and in some cases,
alone, showing the absence of preference for the paternal
descent.[318] The introduction of modern institutions, and especially
the empty forms of chivalry, has lowered the position of women. Yet
there can be no question that some feature of the ancient mother-right
customs have left the imprint on the domestic life of the people.
Spanish women have, in certain directions, preserved a freedom and
privilege which in England has never been established and is only now
being claimed.[319]
How completely all difficulties vanish from the relationship of the
sexes where society is more sanely organised--with a wiser
understanding of the things that really matter. The question is not:
are our women fit for labour? but this: are the conditions of labour
in England fit either for women or men? The supply of cheap labour on
which the whole fabric of our society is built up is giving way--and
it has to go. We have to plan out new and more tolerable conditions
for the workers in every sort of employment. But first we have to
organise the difficult period of transition from the present disorder.
I will not dwell on this. I would, however, point out that women must
be trained and ready to take their part with men in this work of
industrial re-organisation. They are even more deeply concerned than
men. The conditions of under-payment for woman's work are not
restricted to sweated workers; it is the same in skilled work, and in
all trades and professions that are open to women. For exactly the
same work a lower rate of payment is offered. Female labour is cheap,
just as slave labour is cheap, the woman is not considered as
belonging to herself.
There is no question here of the real value of woman's labour. The cry
of man to woman under the patriarchal system has always been, and
still for the most part is, "Your value in our eyes is your sexuality,
for your work we care not." But mark this! The penalty of this false
adjustment has fallen upon men. For women, in their turn, have come to
value men first in their capacity as providers for them, caring as
little for the man's sex-value as men care for woman's work-value.
From the moment when woman had to place the economic considerations in
love first, her faculties of discrimination were no more of service
for the selection of the fittest man. Here we may find the explanation
of the kind of men girls have been willing to marry--old men, the
unfit fathers, the diseased. Yes, any man who was able to do for them
what they have not been allowed to do for themselves. And it is the
race that suffers and rots; the sins of the mother must be visited on
the child.
It is clear, then, there is one remedy and one alone. This separation
of values must cease. All women's work must be paid at a rate based on
the quality and quantity of the work done; not upon her sexuality. I
do not mean by this that there should be any ignoring of woman's
special sex-function; to do this, in my opinion, would be fatal. The
bearing of fit children is woman's most important work for the State.
The economic stress which forces women into unlimited competition with
men is, I am certain, harmful. _Women do not do this because they like
it, but because they are driven to it._
The true effort of women, I conceive, should be centred on the freeing
of the sexual relationship from the domination of a viciously directed
compulsion, and from the hardly less disastrous work-struggle of sex
against sex. The emancipated woman must work to gain economic
recognition, not necessarily the same as the man's, but her own. It is
to the direct interest of men to stop under-cutting by women; but the
way to do this is not to force women out of labour, compelling their
return to the home--that is impossible--rather it rests in an equal
value of service being recognised in both sexes. The fully developed
woman of the future is still to be, and first there must be a time of
what may well prove to be dangerous experiments. This may be
regretted, it cannot be avoided. The finding out of new paths entails
some losing of the way.
Women have to find out what work they can best do; what work they want
to do, and _what work men want them to do_. I must insist, against all
the Feminists, on this factor of men's wishes being equally considered
with woman's own. It may not safely be neglected. Woman without man at
her side, after obtaining her freedom, will advance even less far than
man has advanced with his freedom, without her help. To deny this is
to show an absurd misunderstanding of the problem. Neither the
male-force alone, nor the female-power is sufficient; no theory of
sex-superiority shall prevail. The setting up of women against men, or
men against women, to the disadvantage of one or the other, belongs to
a day that is over. We must recognise that both the work of women and
the work of men are in equal measure essential to satisfy the needs of
the State; the force of both sexes must be united to plan and carry
out those measures of reform now called for by the new ideals of a
civilised humanity. It is only by loosening all the chains of all
women and all men alike that the inherent energies of the world's
workers can be set free for the eventual ennobling of the race.
There is a fundamental difference in respect to the modes of energy in
woman and man. Is it, then, too much to hope for, that in the
enlightened civilisation, whose dawn is even now breaking the
darkness, we shall recognise and use this difference in work-power and
claim from women the kinds of labour they can give best to the State;
and reward them for doing this in such a way that their primary
social service of child-bearing is in no way impaired? But as yet the
day is not. There is an outlook that causes foreboding. The female sex
is in a dangerous state of disturbance. New and strange urgencies are
at work amongst us, forces for which the word "revolution" is only too
faithfully appropriate. Little is being done to allay these forces,
much conspires to exasperate them. Whither are they taking us? To this
we women have to find an answer.
Other questions force themselves as wisely we wait to think. What will
women do when they have gained the voice to control the attitude the
State shall assume in the regulation of their work? Will their
decisions be founded on wide knowledge, that recognises all the facts
and accepts the responsibilities and restrictions that any true
freedom for their sex entails, or will it be merely continued revolt,
tending to embitter and intensify the struggle of sex against sex?
Will their action reveal the wise patience, the sympathy and
understanding of the mother, or will it prove to be the illogical,
short-sighted, and bewildered behaviour of the spoilt child? No one
can answer these questions. Hitherto, it has seemed that women stand
in danger of losing sight of great issues in grasping at immediate
gains. Goaded by the wrongs they see so plainly waiting to be righted,
they are in such a desperate hurry. But "hurry" should not belong to
the woman's nature. There is a "grasp" quality of this age that can
bring nothing but harm to women. It is a great thing to be a woman,
greater, as I believe, than to be a man. For the first time for long
ages women are beginning again to understand this and all that it
signifies. Women and not men are the responsible sex in the great
things of life that really matter. They are that "Stubborn Power of
Permanency" of which Goethe speaks. The female not only typifies the
race, she is the race. It is man who constitutes the changing, the
experimenting, sex. Thus, woman has to be steadier than man, yes, and
more self-sacrificing. She may not safely escape from her work as "the
giver," and if she does not give in life, she must give in something.
We have got to do more than bear men, we have to carry them with us
through life--our sons, our lovers, our husbands. We must free them
now as well as ourselves, if our freedom is to count for anything. Let
us not, then, in any impatience, neglect to pause, to prepare, to be
ready, that the pregnancy of the present may bring fair birth when the
days are fulfilled. For, after all, what shall it profit women if, in
gaining the world, they lose themselves?
II.--_Sexual Differences in Mind and the Artistic Impulse in Women_
"The most secret elements of woman's nature, in association with
the magic mystery of her organisation, indicate the existence in
her of peculiar and deep-lying creative ideas."--THEODOR MUNDT.
What is true of the physical differences between women and men is true
also of the mental differences. We may readily accept the saturating
influence of sex on woman's mind. I mean a deep-lying distinction, not
superficial and to be explained away as due to outside things, but
based on the essential fact of her womanhood--her capacity for
maternity. But the impracticability of making any definite statement as
to the exact nature or extent of such mental sexual differentiation is
evident. First must be cleared up the difficulty of distinguishing
between those differences that are fundamental and constitutional as
being directly dependent on the woman character and those that have, or
seem to have, arisen through distinction of training or environment,
which may be termed evolutionary differences, and are likely to be
changed by altered conditions. Even the trained biologist is unable to
draw an undisputed line of demarcation between the two kinds of
differences, and, even if it were drawn, the conclusion would not help
us very much. For with regard to these evolutionary differences that
are liable to change many questions have to be considered. Can they
safely be modified or disregarded? Do we want them changed? Will the
alteration really be of benefit to women? Only such qualities as can be
proved clearly to be mis-differentiations--_i.e._ directly harmful--can
be contemptuously dismissed. Thus the problem is an extraordinarily
difficult one. I can only touch its outer fringe.
It is held that men have greater mental variability and more
originality, while women have greater stability and more common sense.
In this connection may be noticed the characteristic male
restlessness; man is probably more inclined to experiment with his
body and his mind and with other people, while woman's constitution
and temper is relatively more conservative. It is held that women have
the greater integrating intelligence, while men are stronger in
differentiation. The thinking power of woman is deductive, that of
man inductive; woman's influence on knowledge is thus held to be
indirect rather than direct. But women have greater receptive powers,
retain impressions better and have more vivid and surer memories; for
which reason women are generally more receptive for facts than for
laws, more for concrete than for general ideas. The feminine mind
shows greater patience, more open-mindedness and tact, and keener
insight into character, greater appreciation of subtle details and,
consequently, what we call intuition. The masculine mind, on the other
hand, tends to a greater height of sudden efforts, of scientific
insight and experiment, greater frequency of genius, and this is
associated with an unobservant or impatient disregard of details, but
a stronger grasp of general ideas.
Now it is easy to make comparisons of this kind, but to accept them as
at all final calls for great caution. Let me take, as an instance, the
opinion so continuously affirmed, that women are distinguished by good
memories, in particular, for details. Now to regard this as
necessarily a mental sexual character is entirely to mistake the
facts. A tenacious memory for details that are often quite
unimportant, belongs to all people of limited impressions and
unskilled in thought; it maybe noticed in all children. Without a wide
experience of life and practice in constructive thinking the mind
inevitably falls back on fact-memory. I knew an agricultural labourer
who could only tell his age by reckoning the years he had been
dung-spreading. Thus a good memory for details may be a sign of an
untrained mind. It is an entirely different thing from that acuteness
of true memory, which ensures the retention of all experiences that
have made an impression on the mind, with a corresponding rejection of
what has failed to interest. Thus before anything can be said with
regard to this memory power of woman, we have to decide on what it
depends--_i.e._ is it really a mental quality of woman, or is it
simply dependent on, and brought about by, the circumstances of her
life and a limited experience? But to answer this question I shall
wait till later in this chapter.
It would be easy to follow a similar train of argument with regard to
each of these mental differences of the sexes. Few women have yet
entered even the threshold of the mental world of men, and those who
have done this stand in the position of strangers or visitors. To be
in it, in any true sense, would be to be born into it and to live in
it by right; to absorb the same experiences, not consciously and by
special effort, but unconsciously as a child absorbs words and learns
to speak. Whenever this happens, and not till then, shall we be in a
position to compare positively the mental efficiency of woman with
men. At present no more can be affirmed than that the differences in
woman's mental expression are no greater than they must be in view of
the existing differences in their experience. And I am not sure, even
if such similarity of mental life were possible, that it would be of
benefit to women. Indeed, I am almost sure that it would not. What is
needed is an ungrudging recognition of the value of the special
feminine qualities. This would do much to lessen the regrettable
competition that undoubtedly prevails at present, which is due, it
seems to me, to the foolish denial of the value of any save masculine
characteristics in our art, as also in our public and professional
life.
But leaving this point for the present, there is another question
arising from this first that also brings me doubt. Few will deny that
women are more instinctive than logical; more intuitive than cerebral.
Men find their conclusions by searching for and observing facts, while
women, to a great extent, arrive at the same end by instinct. _They
know, rather than know how, or why, they know._ Now, too often we hear
these qualities of woman treated with contempt. Is this wise? What I
doubt is this: when women by education and evolution have been able to
learn and to practise the inductive process of reasoning--if, indeed,
they do come to do this--will they lose their present faculty of
gaining conclusions by instinct? I believe that they must do so to a
large extent, and I am not convinced that the gain would at all fully
make up for the loss. Looking at human conduct, it is regulated quite
as much by instinct as by reason. I think it will be impossible to
prevent this being so, and if this is true, woman's instinct may
remain of greater service to her than the gaining of a higher
reasoning faculty. The true distinction between the psychology of
woman and man is as the difference between feeling and thought. Woman
thinks through her emotions, man feels through his brain. This is
obviously an exaggeration, but it will show what I mean by the
different process of thought that, broadly speaking, is usual to the
two sexes. Mistakes are, of course, made by both processes, but more
often, as I believe, by reasoning than by instinct--this is probably
because I am a woman. But it is certain that each sex contributes to
the thought-power of the other, each is indispensable to the other, on
the mental plane no less than on the physical.
The importance of the above will become obvious when we consider, as
we will now do, the artistic impulse in woman. Strange difficulties
have been raised on all sides concerning the occurrence of genius
among women. It seems to be accepted that in respect of artistic
endowment the male sex is unquestionably superior to the female.
Havelock Ellis, for instance, in dealing with this question says, "The
assertion of Moebius[320] that the art impulse is of the nature of a
male secondary sexual character, in the same sense as the beard,
cannot be accepted without some qualification, but it may well
represent an approximation of the truth." By some it is held that
genius is linked with maleness: that it represents an ideal
masculinity in the highest form; and from genius the feminine mind
must, therefore, be excluded. But in truth it is not easy to credit
such assumptions, or to see the strangeness of the difficulties in an
exact opposite view, if we understand the significance of those
qualities of femaleness which are allowed to women by those who most
deny to her the possibility of genius. Such a denial serves only to
show the absurd presumption of present knowledge of this kind in its
hope to solve a problem so difficult.
Let me try to sift out the facts. And first we must inquire on what
grounds this opinion is based. I have already alluded to the general
belief in the greater degree of variability in men, which, if
established, would on the psychical side involve an accentuated
individualism and hence a greater possibility of genius. This view
has been supported by John Hunter, Burdach, Darwin, Havelock Ellis,
and others. Ellis, in the chapter on "The Artistic Impulse" in _Man
and Woman_, says, "The rarity of women artists of the first rank is
largely due to the greater variational tendency of men." Now, this
biological fact is certainly of great importance, _if it can be
proved_. But can it? It has recently been contested by anthropologists
at least as distinguished as those who have given it their support.
Manouvrier, Karl Pearson, Frossetto, and especially Guiffrida-Ruggieri
have brought forward evidence to prove the fallacy of this belief in
the slighter variability and infantile character of woman. Now, it is
clearly impossible for me in the space at my command to go into the
conclusions brought forward on both sides of this difficult question.
What I want to make clear is that this greater variability of man has
not been established, and therefore cannot be accepted as a condition
of male genius. I am glad to be able to give a statement on this
question by Professor Arthur Thomson, which will sufficiently show
that my opinion is not put forward wantonly and without due
consideration, but that it coincides with the conclusion of one who is
an acknowledged leader in the advanced biological study of the sexes.
Professor Thomson writes thus[321]--
"We would guard against the temptation to sum up the contrast of
the sexes in epigrams. We regard the woman as relatively more
anabolic, man as relatively more katabolic, and whether this
biological hypothesis is a good one or not, it certainly does no
social harm. But when investigators begin to say that woman is
more infantile and man more senile, that woman is "undeveloped
man" and man is "evolved woman," we get among generalisations
not only unscientific but practically dangerous. Not the least
dangerous of these generalisations is one of the most familiar,
that man is more variable than woman, that the raw materials of
evolution make their appearance in greatest abundance in man.
There seems to be no secure basis for this generalisation; it
seems doubtful whether any generalisation of the kind is
feasible. Prof. Karl Pearson has made seventeen groups of
measurements of different parts of the body, in eleven groups
the female is more variable than the male, and in six the male
is more variable than the female. _Moreover the differences of
variability are slight, less than those between members of the
same race living in different conditions._ Furthermore, an
elementary remark may be pardoned. Since inheritance is
bi-parental, and since variation means some peculiarity in the
inheritance, a greater variability in men, if true, would not
mean that men had any credit for varying. The stimulus to
variation may have come from the mother as well as the father.
_If proved it would only mean that the male constitution gives
free play to the expression of variations, which are kept latent
in the female constitution._ But what is probably true is that
some variations find expression more readily in man and others
more readily in woman."
The italics in the passage are mine, for they make abundantly clear
the falseness of the old view, and show how much the question needs
reopening from the common-sense standpoint of opportunity. I shall,
therefore, only restate my opinion that it is impossible to assume a
fundamental difference in individuality as existing between woman and
man until it can be proved that the same free-play to the expression
has been common alike to both sexes.
To me it seems probable that what Samuel Butler insists upon is true,
and that the origin of variations must be looked for in the needs and
experiences of the creature varying. But let this pass, as it opens up
too large and difficult a question to enter upon here. The effects of
environment and function must act as a kind of arbiter directing
conduct and, in particular, mental expression. It is the very A B C of
the question that appropriate training and opportunities of use are
essential if any mind is to develop. Supply such mental stimuli to the
boy and man, deny them to the girl and woman, and then call "the art
impulse of the nature of a male secondary sexual character," because
woman has as yet played but a small and secondary part in any of the
arts! The source of error is so plain that one can only wonder at the
fallacies that have been accepted as truth. Thus, when one finds so
just and careful an investigator as Havelock Ellis saying, "It is
unthinkable that a woman should have discovered the Copernician
system!" it can but be regarded as an example of that sex-bias which
marks so strikingly men's statements on this subject of mental
sex-differences. We may well ask, Why unthinkable? As answer I will
give the finely just acknowledgment of Iwan Bloch on this very
question. He refers to this statement of Havelock Ellis, and then
says, "I need merely call to mind the widely known physical
discoveries of Madame Curie, whose thoroughly independent work
qualified her to succeed her husband as professor at the Sorbonne. We
cannot, therefore, exclude the possibility that in the sphere of the
natural sciences notable discoveries and inventions may be made in the
future in consequence of the independent work of women."[322] To take
another instance. We find the fact that so far women have gained very
small distinction in music, contrasted with the great number of girls
who are trained to play on musical instruments. But this is surely to
show a complete misunderstanding of the question. It is like saying
that the best preparation for a painter to know the colours reflected
on water by a cloudy or sunny sky would be a course of optics. Music
is at once the most imaginative and the most severely abstract of the
arts, and the absence of women from music must be referred to deeper
causes, which yet, it seems to me, are not far to seek.
Mind, I make no claim for women. I acknowledge fully that in all the
arts, except in acting and in dancing, woman's achievement has been
infinitely less than man's. There have been a few great women
poets--notably a Sappho, many good writers of fiction, and some
capable painters. But to bring forward these particular women and to
try either to exaggerate or belittle their importance can serve
nothing. This search for ability among women is absurd. It already
exists widely, though unused or directed into channels of waste. Of
this I am convinced. The thing that has been rare is opportunity. The
fact that some few women have struggled up out of obscurity does not
so much show that they possessed a special masculine superiority as
that they have been less inextricably bound down than others by the
conventional bonds of a man-ruled society. I believe that this could
be proved in the case of every woman who has attained to fame. And
there is another point. The women who have succeeded in bursting these
bonds have, in most cases, done so at such great cost of energy and
fighting, that their work is rendered crude and often valueless.
Self-assertion can never be the best preparation for achievement. All
this narrows the mental horizon and tends to make the results gained
superficial and unenduring. We have here the explanation of much that
has been, and still is, futile in women's efforts.
The face of the world, however, is changing for women. It may be that
the future will reveal creative ability in them as yet unsuspected. It
is not safe to prophesy, and no one can say, as yet, just in what
direction women will develop. It may prove that their special
qualities will not find expression in the realm of imagination, but
will be turned to diplomacy and to administration and financial work.
I simply affirm that what women can or cannot do is as yet unproved.
Throughout the ages of patriarchal faith one ideal of womanhood has
been impressed upon the world, which is only now being shaken--the
ideal of self-repression and submission to the will of man, of
society, and of God. Women's minds have reflected only the minds of
men. I think that much of the failure of women's work arises from the
arrogance of men, who have always preferred the flattering image of
woman in their own minds to woman herself. Woman has had to accept
this. She could only realise herself through man, not with man, while
he has been able to realise himself, either with her help or without
her.
There is a wide difference between the mental and social attitudes of
men and women. Men have been responsible to society at large for their
work and conduct, woman's outlook has been much narrower; she has been
responsible to men, and has only touched outside life through them.
In this way women have developed on wrong lines. It is significant,
for instance, how many women have written books under men's names.
Women's work and conduct has been largely restricted by this
adjustment to men, with the result that not only their mental capacity
and work-power has suffered, but their attention has been fixed, for
the most part, to the enhancing of the attractiveness of their persons
as an aid to hold men to their service. The feminine mind and
interests have been set so strongly towards personal display that they
will not easily be diverted. The clothes-peg woman is familiar to all:
she gratifies any whim, well knowing that it is her male protector who
will have to pay, not she. She will, on occasions, use her children
for such base ends. She knows the game is in her hand. Even if the man
resists her for a time, she understands how easily she can break down
his objections by a seductive display of silk stockings! The character
of woman as the inherent coquette is very deeply rooted. It is only a
little more baneful to the freedom of the sexes than that opposite
pernicious side of woman as a sort of angel-child, which we all know
to be such a preposterous pretence.
Nor do I think that the change from these conditions can, or will, be
easy. Women may, and do, protest against the triviality of their
lives, but emotional interests are more immediate than intellectual
ones. Human nature does not drift into intellectual pursuits
voluntarily, rather it is forced into them in connection with urgency
and practical activities. It is much easier to be kept, dressed, and
petted, than to work. Women have not participated in the mental
activities of men because it has not been necessary for them; to do
this has been, indeed, a hindrance to their success. The contrast
between the sexes in this respect has been well compared by
Thomas[323] to the relation of the amateur and the professional in
games. "Women may be desperately interested and work to the limit of
endurance at times; but, like the amateur, they enter into the work
late, and have not had a lifetime of practice.... No one will contend
that the amateur has a nervous organisation less fitted to the game
than the professional; it is admitted that the difference lies in the
constant practice." It is only in the case of woman that the obvious
conclusion is passed over for assumptions that cannot be proved.
The revolt against repression has taken amongst many women another
form of abandonment to lives of sexual preoccupation and intrigue.
Scan the history of woman as she is presented in our literature and
drama, and you will find one expression of her character, one idea
alone of her sphere. It is a point of such interest that I would like
to linger upon it. Wherever woman enters she is a disturbing
influence; she is the centre of emotional action, it is true, but with
no recognised position in life outside of her sex; around her rage
seas of stormy passions, which sometimes she calms, sometimes lashes
into angrier foam. In a sense it may be said that she has scarcely an
individual existence; it is solely in her relation to man that her
nature is considered. If she works, or practises one of the arts, she
does this only until marriage. It does not seem to be conceived as
possible that she can follow work, as the artist must, for herself. It
is curious how far we have been misled by that giving-power of woman,
which, in part, is right and natural to her, but also, in much greater
part, has been harmfully forced upon her. The creator's need to find
expression is, I am certain, at least as strongly rooted in woman as
in man, but no plant can attain to growth unless fitting nourishment
is given to it. To ignore this leads very directly to deception. Thus
we find Mr. Wells, usually so true in his insight, keeps up an old
pretence and affirms in his latest novel, _Marriage_--
"They don't care for art or philosophy, or literature or
anything except the things that touch them directly. And the
work----? It's nothing to them. No woman ever painted for the
love of painting, sang for the sounds she made, or philosophised
for the sake of wisdom as men do."
So it is always. Without question it has been taken for granted by
those who have depicted woman that her sole occupation is an emotional
one; here alone is she justified in literature, as in life.
The fully complete woman of the future is still to be created;
assuredly she is not to be found among the women who have been
portrayed so widely for us by recent writers. These are portraits
arising out of the present confusion; as such they are interesting,
but they are quite unreal in their relation to life. They show us
women, and men too, in revolt. Often these women are really nothing
more than feminist stump-orators preaching the doctrine of an
unconsidered individualism: "Free Motherhood," "Free Love"--free
anything, in fact. These portraits are far removed, indeed, from the
perfected woman that is to be. We want something much more than
this--woman with all sides of her nature adequately worked upon and
fully developed.
Now, to look for a moment at the other side of the question. Woman has
been the cause of emotion in men, the fine instrument by which the
poet has sung and the musician played his exquisite music; the
sculptor, the painter, the writer, all have drawn their inspiration
from her. Have men, then, any right to pride themselves to such a
degree on their achievement in the arts? Could they without woman have
advanced anything like so far? And this becomes abundantly evident if
we look a little deeper and back to the beginning of the arts. "Not,"
writes Karl Buecher,[324] "upon the steep summits of society did poetry
originate, it sprang rather from the depths of the pure, strong soul
of the people. Women have striven to produce it, and as civilised man
owes to woman's work much the best of his possessions, so also are her
thoughts interwoven in the spiritual treasure handed down from
generation to generation."
A glance back at the beginnings of human civilisation show that women
were equal, if not superior, to men in productive poetic activity. To
a large extent men first learned from women the elements of the
various handicrafts. I have already referred to this fact in the
historical section, where we see the reasons whereby women lost their
early control over the industrial arts. I wish to refer to a point of
special importance now, which I find is brought forward, in this
connection, by Iwan Bloch.[325] In the start of the industrial
occupations, in sowing and thrashing and grinding the grain, in baking
bread, in the preparation of food and drinks, of wine and beer, in the
making of pots and baskets, and in spinning, the women worked
together; and, as is common still among primitive peoples, these
occupations were largely carried on in a rhythmical manner. From this
co-operation of the women it resulted that they were the first
creators of poetry and music. The men, on the other hand, hunted
singly in the forests. The birth of their poetic activity followed
only after they had monopolised the labours of material production.
Even to-day among many races the influence of woman's poetry can be
followed for a long way into the literary period. I have myself
witnessed something similar to this among the peasants in the rural
districts of Spain. I have heard women in the evenings relate to one
another and to their children the rich legends of their land, carrying
on the old traditions that have come down from generation to
generation, and thus creating among themselves a communion of heroes.
Then, again, these Spanish women seem never to cease from singing as
they carry on their many and heavy labours. The women sing far more
frequently than the men. Music is to them an instinctive means of
expression; they do not learn it, it belongs to them, like dancing
belongs to the natural child. And these folk songs, where the words
are often improvised by the singer, seem to give utterance to natural
out-door things--a symbol of the people's life, of its action, its
work, very strong in its appeal, which blends so strangely joy with
sadness. A special quality that often surprised me in these songs was
the way in which the people translate and use the music of other
countries. I have heard popular English tunes sung by the women as
they work, which have ceased to be common in their sentiment and
become full of a tenderness into which passion has fallen; even slangy
music-hall tunes take a new character, a lively brilliance that no
longer is vulgar. This music is the true singing of the people, and if
you would feel all the beauty of its appeal you must be in touch with
the spirit that cries in it, with work, and passion, and life.
It may seem that all this has taken us rather far away from our
inquiry into the strength of the artistic impulse in women. The way,
however, is largely cleared. We have proved that there is, at least, a
possible mistake in the opinion that those experiments in creative
expression, which we call variations, are necessarily inherent in the
male, rather than in the female. Speaking biologically, we may regard
woman, in common with man, as a potentially creative agent with a
striving will, and thus able to change under the stimulus of
appropriate opportunity.
Now, to look at the question for a moment in a different light--in
relation to the special qualities that are facts of actual experience
in woman's character as it is to-day. It is proved--if scientific
determination of such qualities were necessary--that women are more
sensitive to suggestion and receptive of outward influences; that they
have keener affectability, and thus tend to be more emotional and,
within certain limits, more imaginative than men. They react to both
physical and psychical stimuli more readily, and it would seem that
their brain action is more rapid. Experimental tests have shown that
in respect of quickness of comprehension and intellectual mobility
women are distinctly superior to men.
It is, of course, an open question how far all this is due to Nature
and how far merely to education. Must we regard this emotional
endowment of woman as permanent or alterable? Havelock Ellis has
detected a decline in the emotivity of modern women under the
influence of new conditions, especially as the result of the more
healthy life and out-door games among girls. But he does not believe
that any present or future change in activities can lead to a complete
abolition of the emotional differences between the sexes. These
qualities are correlated with the essential physical function of
women, and are probably in part of similar deep origin, and are
therefore not likely to change. Nietzsche, as is well known, denies
this emotional capacity of women, and considers them much more
remarkable for their intelligence than for their sensitiveness and
feeling. I believe, however, the view of Havelock Ellis to be the
right one. Throughout Nature it would seem to be indispensable that
the mother should have finer and quicker sensibility than the father.
The female selects the male that she may use him for the race. Women,
for the reasons we have seen, have, as I believe, lost much of the
fineness of their selective sensitiveness. But whether this greater
emotional power in women has been weakened or not, it is--as all
nature proves to us--an actual quality of the female, and in it we
have, therefore, a positive ground to start from in estimating the
potential artistic endowment of women.
Let us accept, then, this sensitiveness both physical and psychical,
as at least the natural character of femaleness. How does it place
women in her relation to the arts?
Consider what are the qualities essential to success in any one of the
arts. Are not the most essential of these a quick reception of
impressions, added to an acute memory for all that has been
experienced? The poet and the writer can reach deeper into the nature
of others, the architect, the sculptor, the painter can see more
clearly, the musician hear more finely; and so it is with all the
arts. Does not the genius, or even the man of talent, take his place
as one who understands incomparably more than others; or, to express
it a little differently, the genius is he who is conscious of most and
of that most acutely. And what is it that enables him to do this, if
it is not a greater sensitiveness and a finer response to every
outward suggestion? It would seem, then, that genius must possess the
emotional qualities that are the natural endowment of woman; while
woman herself is to be excluded from genius. A conclusion that is
plainly absurd.
The further we follow this the more striking the likeness between the
qualities of genius and the high, nervous affectability of woman
becomes. The intuition of woman is really direct vision and may mean
only a quicker power of reasoning. Exactly the same quality must be
acknowledged as distinguishing the genius. He, too, _knows, rather
than reasons how he knows_.
Take, again, the alleged superiority of the feminine mind in matter of
memory. There is the same difference between the memory of the
ordinary man and the man of genius. Mental recognition is proportional
to the intensity of consciousness. Because the life of the genius is
more continuously emotional--nearer, in fact, in its nature to the
woman's--he is more ready to receive impressions and to keep them. And
here we may note the incitement towards autobiography common to gifted
men, which would seem to arise from the same psychological condition
which forces women so strongly to self-revelations. So also with all
the mental qualities we shall find, I believe, the same connection
between the special characters of woman and those of genius. Woman's
mental mobility, her tendency towards nervous outbursts, with a
corresponding irritability and greater susceptibility to fatigue,
except under the support of excitement, as also in the resulting
qualities of her power of ready adaptation to changes of habits and
response to new influences, her tact, her keener insight into
character, her quickness in pity, her impulsiveness, her finer
discrimination, her innate sense of symmetry or fitness--each of these
qualities may be said to accord also with the character of genius, but
no one among them is common to the ordinary man.
Even in so obvious a point as facial expression the same relation may
be traced. It is a matter of constant observation that women's faces
are more expressive than men's, showing greater mobility, through the
instinctive response to suggestions from without and within. A similar
mobility will be readily noted in the appearance of almost all men of
special giftedness. The faces of such men rarely exhibit the
stereotyped expressions that characterise most male countenances. No
one mood leaves a permanent imprint on the features, for through the
amplitude of feeling a new side of the mind is continuously revealed.
Faces with an unchanging expression belong really to people low in
artistic endowment.
Of some significance, again, is the variability in the mental power of
genius, leading to what may be called "a periodicity in production."
Goethe has spoken somewhere of "the recurrence of puberty" in the
artist. This idea may perhaps, without too much straining, be compared
with the functional periodicity of woman. The periods in the life of a
creative artist often assume the character of a crisis--a kind of
climax of vital energy. Sterile years precede productive periods, to
be followed by more barren years. The circle of activity is not
broken, it is but interrupted; the years of apparent sterility really
leading up to, and preparing for, the creative periods. I may point
out here a thought in passing in connection with the child-bearing
functions of women. This is brought forward by many as the most
serious objection to women being able to attain success in any of the
arts. The objection is not really sound. No creative work can be
carried on without interruptions. The important part in all such work
is not to be uninterrupted, but to be able to begin again. The new
experiences gained give new power; a fresh and wider view. And woman
has in her supreme function of motherhood--an experience denied to
men; this should give her greater, and not less, creative capacity.
What is really needed is the freedom, the training and the desire that
shall direct expression, so that woman may enrich the arts with her
own special experience.
It is useless to argue that woman's past record in the arts holds out
no such promise. We know really very little about woman's genius. One
thing is, however, certain: the only possible test of it is trial, for
without this there is no basis of judgment, no means of deciding
whether there be genius or no. If, as I believe, woman's creative
capacity arises out of, and is essentially connected with, her sexual
functions, how can it have been possible to employ such power in the
arts in a society where the natural use of her sex has been restricted
and not allowed a free expression?--a society, moreover, in which the
pregnant woman has been regarded as an object of shame or ridicule.
To look at this question of woman's achievement in the arts in the old
way is no longer possible. We have proved that the natural emotional
endowment of woman is rich and varied. But there are two things
necessary for achievement: inherent aptitude and opportunity--that is,
a favourable environment for expression, in which power may be
directed into useful channels and saved from wastefully expending
itself. To deny genius to women when the opportunity for its
development has been absent is obviously unjust. The influence of
education, and the stronger driving of habit and social opinion, must
be taken into the account. Women have up till now been without two
essential qualities necessary for creating--subjectivity and
initiative. In practice they have not been able, or only very rarely,
to get beyond imitation. Through the circumstances of their lives they
have lacked the courage and conviction, even if opportunity had
arisen, necessary for creative work. For the highest achievement in
the arts they have missed the concentration, the severe devotion to
work, the control of thought and complete self-restraint, which can
come only from discipline, from long training, and freedom. Yet I make
the claim that woman, from her constitutional femininity, is a
compound of all those qualities that genius demands. The channels of
woman's energy have been everywhere choked. No great creative art has
ever been produced by a subjugated class. Art comes with freedom, with
the strong incentive of the communal spirit, and with the sense of
power. For centuries woman has been artificially individualised. Her
special function of motherhood has remained unacknowledged as a
communal work. Her emotional and mental capacities have been turned
back upon herself and her immediate belongings, with the result that
her social usefulness has been suppressed or thwarted. The emotional
feelings of woman are ever pressing, and only need to be brought into
stricter command in order to achieve. What women will accomplish no
man can say.
One word more. Let us look in this new direction, the direction of the
future, because it is there that this possible future entrance of
women into the arts becomes important. We stand in the first rush of a
new movement. It is the day of experiments. The extraordinary
enthusiasm now sweeping through womanhood reveals behind its immediate
fevered expression a great power of emotional and spiritual
initiative. Wide and radically sweeping are the changes in woman's
social outlook. So much stronger is the promise of a vital force,
when they are free to enter and to work in the various departments of
the arts. It is the commonest error to think of art as if it stood
outside the other activities of life. Under the cloak of art much
self-amusement and vulgar self-display tries to justify itself, and
many mercenary interests are concerned in stinting its vitality. All
living and valuable art is really communal. It must fit into its right
place with all phases of human activities, and to do this it must have
somewhere in it the social citizen spirit.
You see how women stand in this matter. The social ideal is becoming a
very near ideal to women. And this quickening in her of the citizen
spirit may well come to revive our art to a more true and social
service. This is no idle fancy. Throughout the ages of patriarchal
faith women have been confined in the home, so that an understanding
of the needs of the home is in their blood. May not the old ideals
remain for service and find expression in the new work? Much that has
passed with us as art has to be swept away. Let women bring this sense
of home into our civic life, and surely it will be reflected in the
arts. It is the sense of fitness to the common use and needs of the
larger family of the State that has been almost wholly eliminated from
our architecture, our statues, our paintings, our music, and much of
our literature. The arts have withered and lost their vitality in our
narrow and blighting commercial society.
I do not want to weary the reader with what can only be suggestions. I
am certain, however, that this vital factor of the home cannot safely
be excluded from the State. Consider any one of the old mediaeval
towns, with its buildings, its cathedral, its churches, its halls, its
homes--all that it contains a splendid witness to the civic life of
its people. Contrast this with what we have been willing to accept as
art in our industrial towns. In the old days the city was in a very
literal sense the home of its citizens, now it is merely a centre of
trade. Is it unfair to connect this with the subjection of women and
the rush of male activities, that has destroyed the need of beauty and
fitness which once was the possession of all? For art you must have
human qualities, and you must have emotion. The time has come when we
are yielding to the new forces, that yet are old. This age will leave
its own track behind it, and those, who are beating out the way now,
must start on the right path--freeing for the service of the future
all the intellectual and emotional forces of women as well as men.
To think boldly, untrammelled by conventions from the past, to search
sedulously for the truth within themselves and follow it fearlessly,
this should be the faith of all those women who love art. Let them
have the courage of their own deep emotions. Let them look forward
into the future, instead of clinging timorously to the stone wall of
their past imitation of men. Then, indeed, woman may be freed--able to
give expression to those creative ideas which are wrapped up with the
elements of her nature. But women must beware of sham emotion and
lachrymose sentimentality. It is her own feelings she must voice, not
the feelings that have been supposed to belong to her. Then, indeed,
the work of women will begin to count. The two things most peculiar
to woman--her pursuing-love of man and her need of a child, will find
their expression in women's art.
It is an appalling commentary on the condition of our thoughts on this
subject that the pregnant woman was but recently considered unfit to
be represented in the statues placed on one of our public buildings.
How convincingly this speaks to women, "Be not ashamed of anything,
but to be ashamed."
III.--_The Affectability of Woman--Its Connection with the Religious
Impulse_
"Religion shares with the sexual impulse the unceasing yearning,
the sentiment of everlastingness, the mystic absorption into the
depths of life, the longing for the coalescence of
individualities in an eternally blessed union, free from earthly
fetters."--IWAN BLOCH.
Now, this affectability, that we have found to be a characteristic
feminine feature, leads us directly to an inquiry into the part
religion has played in the lives of women, and to the wider
consideration of the religious impulse in general, and its close
connection with the sexual instinct. I had intended to treat this
subject in some detail, especially in relation to religious hypnotic
phenomena, a matter of very deep significance in estimating woman's
character. I should have liked, too, to have traced the influence of
the early and late Christian teaching upon woman's mind, to have
examined her position in the social and domestic relationship, and
then to have contrasted this with the almost complete liberty and
distinction enjoyed by women in Pagan culture. But the field opened up
by these inquiries is too wide. The previous sections of this chapter
have grown to such length that all that is possible to me now, if I am
to have space for the matters I want still to investigate, are a few
scattered remarks and suggestions which seem to me to throw some light
on this important side of woman's life.
No one will question woman's aptitude for religion, whatever the
opinion held as to what the organic basis of that aptitude may be. If
we accept that woman is more sensitive to suggestion, more emotional,
and more imaginative in her nature, it is plain why religion affects
her more deeply than men. The extraordinary way in which woman can be
influenced by religious suggestion is similar in its nature to that
saturation of her innermost thoughts with love, which is due in part,
as I believe, to the special qualities of her sex-functions, but also,
in part, to the over-emphasised sexuality produced in her by an
artificial existence. Women have accepted religious beliefs as they
have accepted man's valuation of temporal things, even although these
may be utterly at variance with their nature and their desires.
It has been said that the disposition of woman makes her peculiarly
conservative and uncritical of religious beliefs. Others suggest that
there is a "specific religious sense" in women related with a higher
standard of character. This I do not believe: it is part of the
fiction of woman's superior morality. I think in most women is hidden
an immense appetite for life, an immense capacity for expenditure of
force. She does not often dare to listen to these deeps within her
soul; yet the insurgent voices fill her. There is in the life of most
women something wanting, some general idea, some aim to hold life
together. The effort of woman--often unconscious, but always
present--to realise herself in love has forced her to practise
duplicity and to accept dependence. And this sense of dependence in
her on a protector, not always forthcoming, and, even when present,
not always able to protect, has sent her in search of something
outside and beyond the known and fallible, and has prepared her to
accept with eagerness any professed revelation of the infallible
unknown.
We have seen again and again in the course of our inquiry how deep and
natural the sex impulse is in woman, and this, combined with the much
greater complexity of her sexual life, renders her position peculiarly
liable to be affected disastrously by any failure of love. It must be
recognised that unbounded piety is often no more than a sex symptom,
proceeding from deprivation or from satiety of love, as also from
love's failure in loveless marriage. It seems to me that this
connection of the religious impulse with sexuality is a very important
thing for women to understand. In our achievement of facing the truth
in the place of evasions about fundamental things, lies the path, I
believe along which woman can escape, if ever she is to escape, from
the confusion of purposes that distract her at present.
The intimate association between religious ideas and feelings and the
sexual life is abundantly proved by the history of all peoples. We
first meet it in the widespread early practice of religious
prostitution, which has aptly been called "lust sacrifice." It is even
more manifest in the ancient religious erotic festivals. Of these we
have examples in the festivals of Isis in Egypt, in the Dionysian and
Eleusinian festivals of the Hellenes, in the Roman Bacchanalia and
festival of Flora, and among the Jews in the feast of Baal-peor. In
these festivals the frenzy of religious mysticism merges with the
wildest sexual licence. Sexual mysticism found its way also into
Christianity, a fact to which the lives of the saints furnish an
illuminating witness. And down to the present day we may notice its
manifestations in the most diverse sects during any period of
religious revival. We still meet with sexual excesses under the shadow
of faith, as, for instance, occurred in the late revival in Wales.
Havelock Ellis has laid stress on the leading significance of
religious sexual perceptions, and their special importance on the
emotional feminine character. This subject is so deeply connected with
women that I shall, I hope, be pardoned if I pause for a moment to
relate a personal experience which may help to make this truth more
clear.
In my girlhood I was strongly drawn to religion, partly through
training and example, but more, as I now know, by the affectability of
my strongly feminine temperament. My religious enthusiasm was so
intense that often I was in a condition which must have been closely
connected with erotic religious ecstasy. Salvation was the essential
fact of my life; seeking for it brought me the excitement I
unconsciously craved of conflicts and fulfilled desires. I sought for
God as the passionate woman seeks her lover. I recall a period--I was
approaching womanhood--during which I prayed continuously and
earnestly that it might be granted to me, as to the saints of old, to
see God and the Risen Christ. For long I received no answer. This did
not weaken my faith, but the great trouble of my mind became for long
a consciousness of my own unworthiness. I began an absurd and childish
system of self-punishments, and what I thought would lead to
purification. Then there came a night--it was summer and I was looking
from my window out at the beautiful evening sky--when my prayer was
answered. I seemed, in very truth, to see God. From that time, and for
long, I lived in extraordinary happiness. I am sure that I must have
become hysterical. I felt that I was set apart by God; I conceived the
idea of founding a new religious sect. That I made no attempt to do
this was due to circumstances, which forced me into active work to
gain my own living. Religion continued very largely in my life, but I
was too healthily occupied to be favoured with any more visions. But
the essential point in all this is its close connection with my sexual
development. So far I had never been in love. I believe that the
natural sex desires awakened consciously in me much later than is
common. My need for religion lasted until my sex needs were fully
satisfied, then, little by little, it faded. I want to state the
truth. I did not then trace, nor should I have understood, this
connection. The knowledge came to me long years afterwards; how it
does not matter, but I am certain that in me the religious impulse and
the sex impulse are one.
Love has in it much of the same supernatural element as religion. Both
the sex-act and the act of finding salvation come into intimate
association with woman's need of dependence; hence arises the
remarkable relation between the two, and that easy transition of
sexual emotion into religious emotion which is manifest in so many
women. In both cases the surrender, the renunciation of personal will,
is an experience fraught with passionate pleasure. "Love," as H.G.
Wells has said, "is the individualised correlation of salvation, like
that it is a synthetic consequence of conflict and confusions." It is
true that few women render love the compliment of taking it seriously.
To many it is merely this: a little amusement, clothes, a home, money
to buy new toys; some mild pleasure, a little chagrin, a little
weariness, and then the end. They do not realise or ever desire love
in its full joy of personal surrender. So, too, many women never, save
in some time of personal bewilderment, desire or seek salvation. But
such aimlessness brings its own emptiness, and women strain and seek
towards the god-head. For the truth remains, woman's need of love is
greater than man's need, and for this reason, where love fails her,
her desire for salvation is deeper than man's desire. And here again,
and once again, we see the difference between the sexes. The woman
pays the higher price for her implicit, unquestioning, and unconscious
obedience to Nature. And society has made the payment still heavier.
Let us for this last pity women! The dice they have had to throw in
the game of life is their sex, and they have only been allowed one
throw, and when they have thrown wastefully--yes, it is here that
religion has entered into the game. It may almost be said to measure
the failures and false boundaries in women's loves. The songs of love
and the songs of faith are alike; and women act worship as also they
are often driven to act love. The woman who knows her own heart must
know that this is true. And one cannot wish to see the opium of
religion taken from women until the game is made a fairer one for them
to play.
There is another point to consider.
Many great thinkers have striven against this profound and primitive
connection between the bodily and spiritual impulses, which has seemed
to them an intrusion of evil, impairing their pure spirituality by the
sexual life. They have thus recommended and followed asceticism in
order to arrive at a heightened spirituality. The error here is
obvious. The spiritual activities cannot be divided from the physical;
as well cut the flower off from its roots, and then expect to gather
the fruit. This is why sex-denial and sex-excesses so often go
together. Hence the undeniable unchastity of the mediaeval cloisters.
Nor need the manifestations of sex be physical. Erotic imagination and
voluptuous revelations are expressions of sex-passion. The monstrous
sexual visions of the saints reflect in a typical manner the
incredible violence of the sexual perception of ascetics.
We observe it, then, as a fact of wide experience that the ascetic
life is rooted really in the functional impulses; and further, that it
is only through sexual perception that the spiritual and imaginative
can be grasped and reached. What the ascetic has done is to fear
overmuch. It must not be overlooked that this continual battle with
the primary force of life is necessarily futile in accomplishing its
own aim. For the woman or man who, for the religious or any other
ideal, wishes to overcome the sex-needs must keep the subject always
before her, or his, consciousness. Thus it comes about that the
ascetic is always more occupied with sex than the normal individual.
It seems to me that this is a truth few women have learnt to face.
I am not for a moment denying that the potential energy of the sexual
impulse may be transformed with benefit into productive spiritual
activities, finding its vent in religion, as also in poetry, in art,
and in all creative work. Plato must have had this in his mind when he
speaks of "thought as a sublimated sexual impulse." Schopenhauer, and
many other thinkers, lay stress on the connection between the work of
productive genius and the modification of the sexual impulse. This may
be illustrated--if examples are needed in proof--by the power that has
been exercised so conspicuously by women throughout the world in
religious movements. Two of the greater festivals of the Catholic
Church, for instance, owe their origin to the illumination of women;
the mystic writings of Santa Teresa of Avila give classic expression
to the highest powers of the spirit. Take again the part played by
women as religious leaders of the convents in the early Middle Ages.
In them women of spirit and capacity found a wide and satisfying
career, many of them showing great administrative ability and a quite
remarkable power for government. In recent times mention may be made
of the Theosophists, the most important modern religious movement
established in this country and led by women; and of Christian
Science, which, under the able guidance of Mrs. Eddy, has sprung up
and flourished. It is instructive to note that both these religions
are connected with, and largely established on, magical faith and
esoteric doctrines and practices. In almost all the religions founded
by women we may trace a similar relation with hypnotic phenomena which
must be regarded as closely dependent on sexual sources. The proof is
wider even than these particular instances. It is without doubt the
transformation of suppressed sexual instincts that has made women the
chief supporters of all religions.
It may be said that the religious impulse has to a large extent lost
its hold upon women. This is true. A new age must expect to see a new
departure. As women take active participation in the work of the world
their sense of dependence and need for protection will diminish, and
we may look for a corresponding decrease in that display of excessive
religious emotion that dependence has fostered. But the needs of woman
can never be satisfied alone with work. The natural desires remain
imperative; deny these, and there will be left only the barren tree
robbed of its fruits. Sexuality first breathes into woman's spiritual
being warm and blooming life.
The religious ascetic is not common among us to-day. Yet the old
seeking for something is there. The impulse towards asceticism has, I
think, rather changed its form than passed from women. The place of
the female saint is being taken by the social ascetic. Desire is not
now set to gain salvation, but is turned towards a heightened
intellectual individuation, showing itself in nervous mental
activity. No one can have failed to note the immense egoism of the
modern woman. Women are still in fear of life and love. They have been
made ascetics through the long exercise of restraint upon their
explosively emotional temperament. They have restrained their natures
to remain _pure_. This false ideal of chastity was in the first place
forced upon them, but by long habit it has been accentuated and has
been backed up by woman's own blindness and fear. Thus to-day, in
their new-found freedom, women are seeking to bind men up in the same
bonds of denial which have restrained them. In the past they have
over-readily imbibed the doctrine of a different standard of purity
for the sexes, now they are in revolt--indeed, they are only just
emerging from a period of bitterness in relation to this matter. Men
made women into puritans, and women are arising in the strength of
their faith to enforce puritanism on men. Is this malice or is it
revenge? In any case it is foolishness. Bound up as the sexual impulse
is with the entire psychic emotional being, there would be left behind
without it only the wilderness of a cold abstraction. The Christian
belief in souls and bodies separate, and souls imprisoned in vile
clay, has wrought terrible havoc to women. I believe the two--soul and
body--are one and indivisible. Women have yet this lesson to learn:
the capacity for sense-experience is the sap of life. The power to
feel passion is in direct ratio to the strength of the individual's
hold upon life; and may be said to mark the height of his, or her,
attainment in the scale of being. It is only another out of many
indications of the strength of sexual emotion in women that so many
of them are afraid of the beauty and the natural joys of love.
There is one thing more I would wish to point out in closing this very
insufficient survey of an exceedingly complicated and difficult
subject. To me it seems that here, in this finer understanding of
love, we open the door to the only remedy that will wipe out the
hateful fear of women, which has wrought such havoc in the
relationship between the sexes. Woman, restrained to purity, has of
necessity fallen often into impurity. And men, knowing this better
than woman herself, have feared her, though they have failed in any
true understanding of the cause. Let me give you the estimate of woman
which Maupassant, in _Moonlight_, has placed in the mouth of a priest.
It is the most illuminating passage in one of the most exquisite of
his stories--
"He hated woman, hated her unconsciously and instinctively
despised her. He often repeated to himself the words of Christ:
'Woman, what have I to do with thee?' And he would add, 'It
seems as if God Himself felt discontented with that particular
creation.' For him was that child of whom the poet speaks,
impure, through and through impure. She was the temptress who
had led away the first man, and still continued her work of
perdition; a frail creature but dangerous, mysteriously
disturbing. And even more than their sinful bodies he hated
their loving souls.... God, in his opinion, had created woman
solely to tempt man, to put him to the proof."
One lesson women and men have to learn: so easy to be put into words,
so difficult to carry out by deeds. To get good from each other the
sexes must give love the one to the other. The human heart in
loneliness eats out itself, causes its own emptiness, creates its own
terrors. Nature gives lavishly, wantonly, and woman is nearer to
Nature than man is, therefore she must give the more freely, the more
generously. There can be no such thing as the goodness of one-half of
life without the goodness of the other half. Love between woman and
man is mutual; is continual giving. Not by storing up for the good of
one sex or in waste for the pleasure of the other, but by free
bestowing is salvation. Wherefore, not in the enforced chastity of
woman, but in her love, will man gain his new redemption.
FOOTNOTES:
[318] Velazquez is known to us only by the name of his mother; his
father's name was de Silva.
[319] I have taken these passages from the chapter on "The Women of
Galicia," in my _Spain Revisited_.
[320] _Man and Woman_, p. 377; Moebius, _Stachylogie_, 1901.
[321] The passage occurs in a lecture by Prof. Thomson and Mrs.
Thomson on "The Position of Woman Biologically Considered," and was
one of a series delivered in Edinburgh to consider and estimate the
recent changes in the position of woman. The addresses have been
published in a book entitled _The Position of Woman, Actual and
Ideal_.
[322] _Sexual Life of Our Times_, p. 74.
[323] _Sex and Society_, pp. 306, 307.
[324] Quoted by Bloch, _Sexual Life of Our Times_, p. 80.
[325] _Sexual Life of Our Times_, pp. 80, 81.
CONTENTS OF CHAPTER X
THE SOCIAL FORMS OF THE SEXUAL RELATIONSHIP
I.--_Marriage_
The difficulty of the problem of marriage--Facts to be
considered--Marriage and the family among the animals--Among
primitive peoples--Progress from lower to higher forms of the
sexual association--An examination of the purpose of
marriage--The fear of hasty reforms--Practical
morality--Marriage an institution older than mankind--The
practical moral ends of marriage--The racial and individual
factors--No real antagonism between the two--What is good for
the individual must react also for the benefit of the
race--Various systems of marriage--Monogamy the form that has
prevailed--The higher law of the true marriage--Conventional
monogamic marriage--Its failure in practical
morality--Coexistence with polygamy and prostitution--Chief
grounds for the reform of marriage--An indictment by Mr.
Wells--Our marriage system based upon the rights of
property--This not necessarily evil--The Egyptian marriage
contracts--The Roman marriage--The influence of
Christianity--Asceticism and the glorification of
virginity--Confusions and absurdities--The failure of our
sexual morality--Mammon marriages--Sins against the race--Two
examples from my own experience--The iniquity of our bastardy
laws--The waste of love--Free-love--Its failure as a
practical solution--The reform of marriage--The tendency to
place the form of the sexual relationship above the facts of
love--The dependence of the consciousness of duty upon
freedom--The sexual responsibility of women.
II.--_Divorce_
Traditional morality--Practical conditions of divorce--The moral
code--This must be modified to meet new conditions--The
enforced continuance of an unreal marriage--This the grossest
form of immorality--The barbarism of our divorce laws--The
action of the Church and State--Confusion and
absurdities--Divorce relief from misfortune, not a
crime--Personal responsibility in marriage--A recognition of
the equality of the mother with the father--Sanction by the
State of free divorce--The example of Egypt and Babylon--The
Roman divorce by consent--The condemnation of free divorce
not the outcome of true morality--The immorality of
indissoluble marriage--Loyalty and duty in love--The claims
of the child--One advantage of free divorce--Adoption of
children under the State--Growing disinclination against
coercive marriage--The waste to the race--Our responsibility
to the future.
III.--_Prostitution_
The dependence of prostitution upon marriage--The extent and
difficulties of the problem involved--Prostitution
essentially a woman's question--Women's past attitude towards
it--The diffusion of disease by means of prostitution--Apathy
and ignorance of women--This changing--What action will women
take in the future?--Grounds for fear--The White Slave
Bill--Its absurd futility--The opinion of Bernard
Shaw--Poverty as a cause of prostitution--This not the only
factor--The real evil lies deeper--The economic reformer--The
moral crusade--Men's passions--Seduction--These causes need
careful examination--Lippert's view--Idleness, frivolity, and
love of finery as causes--The desire for excitement--The need
for personal knowledge of the prostitute--What I have learnt
from different members of this profession--The prostitute's
attitude towards her trade--The sale of sex very profitable
to the expert trader--The sexual frigidity of the
prostitute--Importance and significance of this--A further
examination into the causes of the evil--Poverty seldom the
chief motive for prostitution--The influence of inheritance
upon the sexual life--The degradation of our legitimate loves
the ultimate cause of prostitution--The demand for the
prostitute by men--Causes of this demand--Repression of the
primitive sexual instincts by civilisation--The foolishness
of casting blame upon men--The duplex morality of the
sexes--Its influence on the degradation of passion--Woman's
unprofitable service to chastity--The connection with
prostitution--My belief in passion as the only source of
help.