CHAPTER I.

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DIDEROT AND THE ENCYCLOPAEDISTS

BY

JOHN MORLEY

VOL. II.

London

MACMILLAN AND CO., LIMITED

NEW YORK: THE MACMILLAN COMPANY

1905

_First published elsewhere_

_New Edition 1886. Reprinted 1891, 1897, 1905_

CONTENTS OF VOL. II.

PAGE

CHAPTER I.

OTHER DIALOGUES.

(1) _The Conversations of a Father with his Children_ 1

Remarks upon it.

(2) _The Inconsistency of Public Judgment on Private Actions_ 8

Observations.

(3) _Supplement to Bougainville's Travels_ 14

Philosophical qualities of the discussion not satisfactory 19

Nothing gained by his criticism on marriage 21

CHAPTER II.

ROMANCE.

Digression inevitable in dealing with Diderot 24

Richardson's influence in Europe 26

Diderot's _Eloge_ upon him 28

Rousseau and Richardson 29

Diderot writes _The Nun_ (1796) 31

Circumstances of its composition 32

Its intention 33

And characteristics 35

Sterne 36

Diderot writes _Jacques le Fataliste_ 37

Its history 38

Goethe's criticism on it 38

Nature of Diderot's imitation of Richardson and Sterne 40

No true creation in _Jacques le Fataliste_ 41

Its unredeemed grossness 43

Its lack of poetry and of flavour 44

CHAPTER III.

ART.

The _Salons_ 45

Qualities of their criticism 45

Deep foundation of Diderot's critical quality 46

French art-criticism 48

Dufresnoy, Dubos, Webb, Andre, Batteux 48, 49

Travellers in Italy 50

Diderot never in Italy 52

Spirit of French art in his day 52

Greuze, Diderot's favourite 56

Greuze's _Accordee de Village_ 57

Hogarth would have displeased Diderot 59

Diderot's considerateness in criticism 60

Boucher 62

Fragonard 62

Diderot adds literary charm to scientific criticism 63

His readiness for moral asides 65

His suggestions of pictorial subjects 68

His improved versions 69

Illustration of his variety of approach 72

Diderot's Essay on Painting 73

Goethe's commentary 73

Difference of type between Goethe and Diderot 76

Diderot's Essay on Beauty 78

His anticipation of Lessing 82

Music 83

CHAPTER IV.

ST. PETERSBURG AND THE HAGUE.

Diderot's resolution to visit the Empress of Russia 84

The Princess Dashkow 84

Prince Galitzin 85

Diderot in Holland (1773) 86

St. Petersburg and Russian civilisation 89

The Empress 91

Accounts of her by men of affairs 92

Her pursuit of French culture 94

Her interest in the French philosophic party 96

Partly the result of political calculation 98

The philosophers and the Partition of Poland 101

Rulhiere's narrative of Catherine's accession 102

Falconet, the first Frenchman welcomed by her 104

Diderot arrives at St. Petersburg (1773) 106

His conversations with the Empress 107

Not successful as a politician 108

General impression of him 109

Grimm outstrips him in court favour 110

Diderot's return to the Hague 112

Bjoernstaehl's report of him 114

Contemporary literature in Holland 117

Hemsterhuys 118

The Princess Galitzin 119

Diderot's return to Paris 121

CHAPTER V.

HELVETIUS.

Three works of which Diderot was regarded as the inspirer 123

Helvetius's _L'Esprit_ 123

Contemporary protests against it 123

Turgot's weighty criticism 124

Real drift of the book 127

Account of Helvetius 127

The style of his book 134

The momentous principle contained in it 135

Adopted from Helvetius by Bentham 136

Helvetius's statement of doctrine of Utility 137

Miscarriage of the doctrine in his hands 139

His fallacy 140

True side of his objectionable position 140

Helvetius's reckless presentation of a true theory 141

Confusion of beneficence with self-love 142

Imitation from Mandeville 143

Mean anecdotes 144

Nature of Helvetius's errors 144

Explanation of them 146

Positive side of his speculation 147

Its true significance 149

Second great paradox of _L'Esprit_ 149

Benjamin Constant's _Adolphe_ 152

CHAPTER VI.

HOLBACH'S SYSTEM OF NATURE.

Publication of the _System of Nature_ (1770) 155

Its startling effect 156

Voltaire's alarm 158

He never understood Holbach's position 159

Account of Holbach 160

Disregard of historic opinion in his book 163

Its remarkable violence against the government 165

The sting of this violence 166

The doctrine from which Holbach's book arose 167

Account of Holbach's Naturalism 168

His proposition concerning Man 173

He uses the orthodox language about the pride of man 177

His treatment of Morals 178

Onslaught upon the theory of Free Will 178

Connection of necessarianism with humanity in punishment 181

His answer to some objections against necessarianism 181

Chapter on the Immortality of the Soul 183

His enthusiasm for reforms 185

The literature of a political revolution 187

Misrepresentation of Holbach's ethical theory 188

The _System of Nature_, a protest against ascetic ideals 191

The subject of the second half of the book 193

Repudiation of the _a priori_ method 194

Replies to the common charges against atheism 197

The chapter on the superiority of Naturalism 198

Political side of the indictment against religion 199

Holbach's propagandism 202

CHAPTER VII.

RAYNAL'S HISTORY OF THE INDIES.

Contemporary estimate of _The History of the Indies_ 204

Account of Raynal 205

Composition of the book 207

Its varied popularity 209

Frederick the Great dislikes it 210

Signal merit of the History 213

Its shortcomings 214

Its idyllic inventions 215

Its animation and variety 218

Superficial causes of its popularity 220

Its deeper source 221

Catholicism in contact with the lower races 222

The other side of this 223

Raynal's book a plea for justice and humanity 224

Morality towards subject races 226

Slavery 227

Raynal's conduct in the Revolution 229

His end 231

CHAPTER VIII.

DIDEROT'S CLOSING YEARS.

Diderot's meditation on life and death 232

Age overtakes him on his return from Russia 233

Writes his life of Seneca 235

Its quality 236

Interest to Diderot of Seneca's career 237

Strange digression in the Essay 239

Reason for Diderot's anger against Rousseau 240

His usual magnanimity 241

Diderot's relations with Voltaire 244

Naigeon 246

Romilly's account of Diderot 247

Palissot and the conservative writers 249

The ecclesiastical champions of the old system 251

The precursors gradually disappearing 253

Galiani 254

Beaumarchais's _Mariage de Figaro_ 255

Diderot's famous couplet 256

His fellow-townsmen at Langres 257

Last days 258

CHAPTER IX.

CONCLUSION.

The variety of Diderot's topics 261

(1) _Thoughts on the Interpretation of Nature_ 262

Maupertuis's _Loi d'Epargne_ 262

General scope of Diderot's aphorisms 263

Prophecy about geometry 264

Utility made to prescribe limits to speculation 267

The other side of this principle 267

On Final Causes 268

Adaptation of the Leibnitzian law of economy 269

(2) _D'Alembert's Dream_ 271

Diderot not the originator of French materialism 272

Materialism of the three dialogues 273

Mdlle. Lespinasse's moral objections 274

(3) _Plan of a University for Russia_ 275

Religious instruction 276

Latin and Greek 277

Letter to the Countess of Forbach 278

(4) _Conversation with the Marechale de ----_ 278

Parable of the young Mexican 279

(5) _Letters to Falconet_ 281

Diderot defends the feeling for posterity 283

APPENDIX.

_Rameau's Nephew: a Translation_ 285

DIDEROT.

CHAPTER I.

OTHER DIALOGUES.

We may now pass to performances that are nearer to the accepted surface

of things. A short but charming example of Diderot's taste for putting

questions of morals in an interesting way, is found in the _Conversation

of a Father with his Children_ (published in 1773). This little dialogue

is perfect in the simple realism of its form. Its subject is the peril

of setting one's own judgment of some special set of circumstances above

the law of the land. Diderot's venerable and well-loved father is

sitting in his arm-chair before the fire. He begins the discussion by

telling his two sons and his daughter, who are tending him with pious

care, how very near he had once been to destroying their inheritance. An

old priest had died leaving a considerable fortune. There was believed

to be no will, and the next of kin were a number of poor people whom the

inheritance would have rescued from indigence for the rest of their

days. They appointed the elder Diderot to guard their interests and

divide the property. He finds at the bottom of a disused box of ancient

letters, receipts, and other waste-paper, a will made long years ago,

and bequeathing all the fortune to a very rich bookseller in Paris.

There was every reason to suppose that the old priest had forgotten the

existence of the will, and it involved a revolting injustice. Would not

Diderot be fulfilling the dead man's real wishes by throwing the

unwelcome document into the flames?

At this point in the dialogue the doctor enters the room and interrupts

the tale. It appears that he is fresh from the bedside of a criminal who

is destined to the gallows. Diderot the younger reproaches him for

labouring to keep in the world an offender whom it were best to send out

of it with all despatch. The duty of the physician is to say to so

execrable a patient--"I will not busy myself in restoring to life a

creature whom it is enjoined upon me by natural equity, the good of

society, the well-being of my fellow-creatures, to give up. Die, and let

it never be said that through my skill there exists a monster the more

on earth!" The doctor parries these energetic declamations with

sufficient skill. "My business is to cure, not to judge; I shall cure

him, because that is my trade; then the judge will have him hung,

because that is his trade." This episodic discussion ended, the story of

the will is resumed. The father, when on the point of destroying it, was

seized with a scruple of conscience, and hastened to a cure well versed

in casuistry. As in England the agents of the law itself not seldom play

the part of arbitrary benevolence, which the old Diderot would fain have

played against the law, the scene may perhaps be worth transcribing:

"'Nothing is more praiseworthy, sir, than the sentiment of

compassion that touches you for these unfortunate people. Suppress

the testament and succour them--good; but on condition of restoring

to the rightful legatee the exact sum of which you deprive him,

neither more nor less. Who authorised you to give a sanction to

documents, or to take it away? Who authorised you to interpret the

intentions of the dead?'

'But then, father Bouin, the old box?'

'Who authorised you to decide whether the will was thrown away on

purpose, or mislaid by accident? Has it never happened to you to do

such a thing, and to find at the bottom of a chest some valuable

paper that you had tossed there inadvertently?'

'But, father Bouin, the far-off date of the paper, and its

injustice?'

'Who authorised you to pronounce on the justice or injustice of the

document, and to regard the bequest as an unlawful gift, rather

than as a restitution or any other lawful act which you may choose

to imagine?'

'But, these poor kinsfolk here on the spot, and that mere

collateral, distant and wealthy?'

'Who authorised you to weigh in your balance what the dead man owed

to his distant relations, whom you don't know?'

'But, father Bouin, that pile of letters from the legatee, which

the departed never even took the trouble to open?'

'There is neither old box, nor date, nor letters, nor father Bouin,

nor if, nor but, in the case. No one has any right to infringe the

laws, to enter into the intention of the dead, or to dispose of

other people's property. If providence has resolved to chastise

either the heir or the legatee or the testator--we cannot tell

which--by the accidental preservation of the will, the will must

remain.'"[1]

[1] _Oeuv._, v. 289.

Diderot the younger declaims against all this with his usual vehemence,

while his brother, the abbe, defends the supremacy of the law on the

proper ground, that to evade or defy it in any given case is to open the

door to the sophistries of all the knaves in the universe. At this point

a journeyman of the neighbourhood comes in with a new case of

conscience. His wife has died after twenty years of sickness; in these

twenty years the cost of her illness has consumed all that he would

otherwise have saved for the end of his days. But, as it happens, the

marriage portion that she brought him has lain untouched. By law this

ought to go to her family. Equity, however, seems to justify him in

keeping what he might have spent if he had chosen. He consults the party

round the fire. One bids him keep the money; another forbids him; a

third thinks it fair for him to repay himself the cost of his wife's

illness. Diderot's father cries out, that since on his own confession

the detention of the inheritance has brought him no comfort, he had

better surrender it as speedily as possible, and eat, drink, sleep,

work, and make himself happy so.

"'Not I,' cried the journeyman abruptly, 'I shall be off to

Geneva.'

'And dost thou think to leave remorse behind?'

'I can't tell, but to Geneva I go.'

'Go where thou wilt, there wilt thou find thy conscience.'

The hatter went away; his odd answer became the subject of our

talk. We agreed that perhaps distance of place and time had the

effect of weakening all the feelings more or less, and stifling the

voice of conscience even in cases of downright crime. The assassin

transported to the shores of China is too far off to perceive the

corpse that he has left bleeding on the banks of the Seine.

Remorse springs perhaps less from horror of self than from fear of

others; less from shame for the deed, than from the blame and

punishment that would attend its discovery. And what clandestine

criminal is tranquil enough in his obscurity not to dread the

treachery of some unforeseen circumstance, or the indiscretion of

some thoughtless word? What certainty can he have that he will not

disclose his secret in the delirium of fever, or in dreams? People

will understand him if they are on the scene of the action, but

those about him in China will have no key to his words."[2]

[2] v. 295, 296.

Two other cases come up. Does the husband or wife who is the first to

break the marriage vow, restore liberty to the other? Diderot answered

affirmatively. The second case arose from a story that the abbe had been

reading. A certain honest cobbler of Messina saw his country overrun by

lawlessness. Each day was marked by a crime. Notorious assassins braved

the public exasperation. Parents saw their daughters violated; the

industrious saw the fruits of their toil ravished from them by the

monopolist or the fraudulent tax-gatherer. The judges were bribed, the

innocent were afflicted, the guilty escaped unharmed. The cobbler

meditating on these enormities devised a plan of vengeance. He

established a secret court of justice in his shop; he heard the

evidence, gave a verdict, pronounced sentence, and went out into the

street with his gun under his cloak to execute it. Justice done, he

regained his stall, rejoicing as though he had slain a rabid dog. When

some fifty criminals had thus met their doom, the viceroy offered a

reward of two thousand crowns for information of the slayer, and swore

on the altar that he should have full pardon if he gave himself up. The

cobbler presented himself, and spoke thus: "I have done what was your

duty. 'Tis I who condemned and put to death the miscreants that you

ought to have punished. Behold the proofs of their crimes. There you

will see the judicial process which I observed. I was tempted to begin

with yourself; but I respected in your person the august master whom you

represent. My life is in your hands: dispose of it as you think right."

Well, cried the abbe, the cobbler, in spite of all his fine zeal for

justice, was simply a murderer. Diderot protested. His father decided

that the abbe was right, and that the cobbler was an assassin.

Nothing short of a transcript of the whole would convey a right idea of

the dramatic ease of this delightful dialogue--its variety of

illustration with unity of topic, the naturalness of movement, the

pleasant lightness of touch. At its close the old man calls for his

nightcap; Diderot embraces him, and in bidding him good-night whispers

in his ear, "Strictly speaking, father, there are no laws for the sage.

All being open to exception, 'tis for him to judge the cases in which we

ought to submit to them, or to throw them over." "I should not be

sorry," his father answers, "if there were in the town one or two

citizens like thee; but nothing would induce me to live there, if they

all thought in that way." The conclusion is just, and Diderot might have

verified it by the state of the higher society of his country at that

very moment. One cause of the moral corruption of France in the closing

years of the old _regime_ was undoubtedly the lax and shifting

interpretations, by which the Jesuit directors had softened the rigour

of general moral principles. Many generations must necessarily elapse

before a habit of loosely superseding principles in individual cases

produces widespread demoralisation, but the result is inevitable, sooner

or later; and this, just in proportion as the principles are sound. The

casuists practically constructed a system for making the observance

alike of the positive law, and of the accepted ethical maxims, flexible

and conditional. The Diderot of the present dialogue takes the same

attitude, but has the grace to leave the demonstration of its

impropriety to his wise and benevolent sire.

* * * * *

II. We shall presently see that Diderot did not shrink from applying a

vigorous doubt to some of the most solidly established principles of

modern society. Let us meanwhile in passing notice that short piece of

plangent irony, which did not appear until many years after his death

(1798), and which he or some one else entitled, _On the inconsistency of

the Public Judgment on our Private Actions_. This too is in the form of

dialogue, but the argument of the story is in its pith as follows.

Desroches, first an abbe, then a lawyer, lastly a soldier, persuades a

rich and handsome widow to marry him. She is aware of his previous

gallantries, and warns him in very dramatic style before a solemn

gathering of friends, that if he once wounds her by an infidelity, she

will shut herself up and speedily die of grief. He makes such vows as

most men would make under such circumstances; he presses her hands

ardently to his lips, bedews them with his tears, and moves the whole

company to sympathy with his own agitation. The scene is absurd enough,

or seems so to us dull people of phlegmatic habit. Yet Diderot, even for

us, redeems it by the fine remark: "'Tis the effect of what is good and

virtuous to leave a large assembly with only one thought and one soul.

How all respect one another, love one another in such moments! For

instance, how beautiful humanity is at the play! Ah, why must we part so

quickly? Men are so good, so happy, when what is worthy unites all their

suffrages, melts them, makes them one."[3] For some time all went well,

and our pair were the happiest of men and women. Then various assaults

were made on the faithfulness of Desroches. He resisted them, until in

endeavouring to serve a friend he was forced to sue for the goodwill of

a lady with whom in his unregenerate days he had had passages of

gallantry. The old intrigue was renewed. Letters of damning proof fell

by ill hazard into his wife's hands. She reassembled her friends,

denounced the culprit, and forthwith carried away her child to seek

shelter with her aged mother. Desroches's fervent remorse was unheeded,

his letters were sent back unopened, he was denied the door. Presently,

the aged mother died. Then the infant. Lastly, the wife herself. Now,

says Diderot to his interlocutor, I pray you to turn your eyes to the

public--that imbecile crowd that pronounces judgment on us, that

disposes of our honour, that lifts us to the clouds or trails us through

the mud. Opinion passed through every phase about Desroches. The

shifting event is ever their one measure of praise and blame. A fault

which nobody thought more than venial became gradually aggravated in

their eyes by a succession of incidents which it was impossible for

Desroches either to foresee or to prevent. At first opinion was on his

side, and his wife was thought to have carried things with too high a

hand. Then, after she had fallen ill, and her child had died, and her

aged mother had passed away in the fulness of years, he began to be held

answerable for all this sea of troubles. Why had not Desroches written

to his wife, beset her doors, waylaid her as she went to church? He

had, as matter of fact, done all these things, but the public did not

know it. The important thing is, not to know, but to talk. Then, as it

befell, his wife's brother took Desroches's place in his regiment; there

he was killed. More exclamations as to the misfortune of being connected

with such a man. How was Desroches responsible for the death of his

mother-in-law, already well stricken in years? How could he foresee that

a hostile ball would pierce his brother-in-law in his first campaign?

But his wife? He must be a barbarian, a monster, who had gradually

pressed a poniard into the bosom of a divine woman, his wife, his

benefactress, and then left her to die, without showing the least sign

of interest or feeling. And all this, cries Diderot, for not knowing

what was concealed from him, and what was unknown and unsuspected even

by those who were daily about her? What presumption, what bad logic,

what incoherence, what unjustified veering and vacillation in all these

public verdicts from beginning to end!

[3] _Oeuv._, v. 342.

Yet we feel that Diderot's impetuous taunts fail to press to the root of

the matter. Diderot excels in opening a subject; he places it in a new

light; he furnishes telling concrete illustrations; he thoroughly

disturbs and unsettles the medium of conventional association in which

it has become fixed. But he does not leave the question readjusted. His

mind was not of that quality which is slow to complain where it cannot

explain; which does not quit a discussion without a calm and orderly

review of the conditions that underlie the latest exhibition of human

folly, shortsightedness, or injustice. The public condemnation of

Desroches for consequences that were entirely strange to his one

offence, was indefensible on grounds of strict logic. But then men have

imagination as well as reason. Imagination is stronger than reason with

most of them. Their imagination was touched by the series of disasters

that followed Madame Desroches's abandonment of her husband. They admit

no plea of remoteness of damage, such as law courts allow. In a way that

was loose and unreasonable, but still easily intelligible, the husband

became associated with a sequel for which he was not really answerable.

If the world's conduct in such cases were accurately expressed, it would

perhaps be found that people have really no intention to pronounce a

judicial sentence; they only mean that an individual's associations have

become disagreeable and doubtful to them. They may think proper to

justify the grievously meagre definition of _homo_ as _animal

rationale_, by varnishing their distaste with reasons; the true reason

is that the presence of a Desroches disturbs their comfort, by recalling

questionable and disorderly circumstances. That this selfish and rough

method many a time inflicts horrible cruelty is too certain, and those

to whom the idea of conduct is serious and deep-reaching will not fall

into it. A sensible man is aware of the difficulty of pronouncing wisely

upon the conduct of others, especially where it turns upon the

intricate and unknowable relations between a man and a woman. He will

not, however, on that account break down the permanent safeguards, for

the sake of leniency in a given case. _A great enemy to indifference, a

great friend to indulgence_, said Turgot of himself; and perhaps it is

what we should all do well to be able to say of ourselves.

Again, though these ironical exposures of the fatuity and recklessness

and inconsistency of popular verdicts are wholesome enough in their

degree in all societies, yet it has been, and still remains, a defect of

some of the greatest French writers to expect a fruit from such

performances which they can never bear. In the long run a great body of

men and women is improved less by general outcry against its collective

characteristics than by the inculcation of broader views, higher

motives, and sounder habits of judgment, in such a form as touches each

man and woman individually. It is better to awaken in the individual a

sense of responsibility for his own character than to do anything,

either by magnificent dithyrambs or penetrating satire, to dispose him

to lay the blame on Society. Society is after all only a name for other

people. An instructive contrast might be drawn between the method of

French writers of genius, from Diderot down to that mighty master of our

own day, Victor Hugo, in pouring fulminant denunciations upon Society,

and the other method of our best English writers, from Milton down to

Mill, in impressing new ideas on the Individual, and exacting a

vigorous personal answer to the moral or spiritual call.

One other remark may be worth making. It is characteristic of the

immense sociability of the eighteenth century, that when he saw

Desroches sitting alone in the public room, receiving no answers to his

questions, never addressed by any of those around him, avoided, coldly

eyed, and morally proscribed, Diderot never thought of applying the

artificial consolation of the Stoic. He never dreamed of urging that

expulsion from the society of friends was not a hardship, a true

punishment, and a genuine evil. No one knew better than Diderot that a

man should train himself to face the disapprobation of the world with

steadfast brow and unflinching gaze; but he knew also that this is only

done at great cost, and is only worth doing for clear and far-reaching

objects. Life was real to Diderot, not in the modern canting sense of

earnestness and making a hundred thousand pounds; but in the sense of

being an agitated scene of living passion, interest, sympathy, struggle,

delight, and woe, in which the graceful ascetic commonplaces of the

writer and the preacher barely touch the actual conditions of human

experience, or go near to softening the smart of chagrin, failure,

mistake, and sense of wrong, any more than the sweet music of the birds

poised in air over a field of battle can still the rage and horror of

the plain beneath. As was said by a good man, who certainly did not fail

to try the experiment,--"Speciosa quidem ista sunt, oblitaque rhetoricae

et musicae melle dulcedinis; tum tantum cum audiuntur oblectant. Sed

miseris malorum altior sensus est. Itaque quum haec auribus insonare

desierint, insitus animum moeror praegravat."[4]

[4] Boethius.

* * * * *

III. We may close this chapter with a short account of the _Supplement

to Bougainville's Travels_, which was composed in 1772, and published

twenty-four years later. The second title is, _A dialogue on the

disadvantage of attaching moral ideas to certain physical actions which

do not really comport with them_. Those who believe that the ruling

system of notions about marriage represents the last word that is to be

said as to the relations between men and women, will turn away from

Diderot's dialogue with some impatience. Those, on the contrary, who

hold that the present system is no more immovably fixed in ultimate laws

of human nature, no more final, no more unimprovable, no more sacred,

and no more indisputably successful, than any other set of social

arrangements and the corresponding moral ideas, will find something to

interest them, though, as it seems to the present writer, very little to

instruct. Bougainville was the first Frenchman who sailed round the

world. He did in 1766-69 what Captain Cook did about the same time. The

narrative of his expedition appeared in 1771, and the picture of life

among the primitive people of the Southern Seas touched Diderot almost

as deeply as if he had been Rousseau. As one says so often in this

history of the intellectual preparation for the Revolution, the

corruption and artificiality of Parisian society had the effect of

colouring the world of primitive society with the very hues of paradise.

Diderot was more free from this besetting weakness than any of his

contemporaries. He never fell into Voltaire's fancy that China is a land

of philosophers.[5] But he did not look very critically into the real

conditions of life in the more rudimentary stages of development, and

for the moment he committed the sociological anachronism of making the

poor people of Otaheite into wise and benevolent patriots and sound

reasoners. The literary merit of the dialogue is at least as striking as

in any of the pieces of which we have already spoken. The realism of the

scenes between the ship-chaplain and his friendly savage, with too

kindly wife, and daughters as kindly as either, is full of sweetness,

simplicity, and a sort of pathos. A subject which easily takes on an air

of grossness, and which Diderot sometimes handled very grossly indeed,

is introduced with an idyllic grace that to the pure will hardly be

other than pure. We have of course always to remember that Diderot is an

author for grown-up people, as are the authors of the Bible or any other

book that deals with more than the surface of human experience. Our

English practice of excluding from literature subjects and references

that are unfit for boys and girls, has something to recommend it, but it

undeniably leads to a certain narrowness and thinness, and to some most

nauseous hypocrisy. All subjects are evidently not to be discussed by

all; and one result in our case is that some of the most important

subjects in the world receive no discussion whatever.

[5] See, however, above, vol. i. p. 274.

The position which Diderot takes up in the present dialogue may be

inferred from the following extract. The ship-chaplain has been

explaining to the astonished Otaheitan the European usage of strict

monogamy, as the arrangement enjoined upon man by the Creator of the

universe, and vigilantly guarded by the priest and the magistrate. To

which, Orou thus:

"These singular precepts I find opposed to nature and contrary to

reason. They are contrary to nature because they suppose that a

being who thinks, feels, and is free, can be the property of a

creature like itself. Dost thou not see that in thy land they have

confounded the thing that has neither sensibility, nor thought, nor

desire, nor will; that one leaves, one takes, one keeps, one

exchanges, without its suffering or complaining--with a thing that

is neither exchanged nor acquired, that has freedom, will, desire,

that may give or may refuse itself for the moment; that complains

and suffers; and that cannot become a mere article of commerce,

unless you forget its character and do violence to nature? And they

are contrary to the general law of things. Can anything seem more

senseless to thee than a precept which proscribes the law of change

that is within us, and which commands a constancy that is

impossible, and that violates the liberty of the male and the

female, by chaining them together in perpetuity;--anything more

senseless than are oaths of immutability, taken by two creatures of

flesh, in the face of a sky that is not an instant the same, under

vaults that threaten ruin, at the base of a rock crumbling to

dust, at the foot of a tree that is splitting asunder?... You may

command what is opposed to nature, but you will not be obeyed. You

will multiply evil-doers and the unhappy by fear, by punishment,

and by remorse; you will deprave men's consciences; you will

corrupt their minds; they will have lost the polar star of their

pathway." (225.)

After this declamation he proceeds to put some practical questions to

the embarrassed chaplain. Are young men in France always continent, and

wives always true, and husbands never libertines? The chaplain's answers

disclose the truth to the keen-eyed Orou:

"What a monstrous tissue is this that thou art unfolding to me! And

even now thou dost not tell me all; for as soon as men allow

themselves to dispose at their own will of the ideas of what is

just and unjust, to take away, or to impose an arbitrary character

on things; to unite to actions or to separate from them the good

and the evil, with no counsellor save caprice--then come blame,

accusation, suspicion, tyranny, envy, jealousy, deception, chagrin,

concealment, dissimulation, espionage, surprise, lies; daughters

deceive their parents, wives their husbands, husbands their wives;

young women, I don't doubt, will smother their children; suspicious

fathers will despise and neglect their children; mothers will leave

them to the mercy of accident; and crime and debauchery will show

themselves in every guise. I know all that, as if I had lived among

you. It is so, because it must be so; and that society of thine, in

spite of thy chief who vaunts its fine order, is nothing but a

collection of hypocrites who secretly trample the laws under foot;

or of unfortunate wretches who make themselves the instrument of

their own punishment, by submitting to these laws; or of imbeciles,

in whom prejudice has absolutely stifled the voice of nature."

(227.)

The chaplain has the presence of mind to fall back upon the radical

difficulty of all such solutions of the problem of family union as were

practised in Otaheite, or were urged by philosophers in Paris, or are

timidly suggested in our own times in the droll-sounding form of

marriages for terms of years with option of renewal. That difficulty is

the disposal of the children which are the fruit of such unions. Orou

rejoins to this argument by a very eloquent account how valuable, how

sought after, how prized, is the woman who has her quiver full of them.

His contempt for the condition of Europe grows more intense, as he

learns that the birth of a child among the bulk of the people of the

west is rather a sorrow, a perplexity, a hardship, than a delight and

ground of congratulation.

The reader sees by this time that in the present dialogue Diderot is

really criticising the most fundamental and complex arrangement of our

actual western society, from the point of view of an arbitrary and

entirely fanciful naturalism. Rousseau never wrote anything more

picturesque, nor anything more dangerous, nor more anarchic and

superficially considered. It is true that Diderot at the close of the

discussion is careful to assert that while we denounce senseless laws,

it is our duty to obey them until we have procured their reform. "He who

of his own private authority infringes a bad law, authorises every one

else to infringe good laws. There are fewer inconveniences in being mad

with the mad, than in being wise by oneself. Let us say to ourselves,

let us never cease to cry aloud, that people attach shame, chastisement,

and infamy to acts that in themselves are innocent; but let us abstain

from committing them, because shame, punishment, and infamy are the

greatest of evils." And we hear Diderot's sincerest accents when he

says, "Above all, one must be honest, and true to a scruple, with the

fragile beings who cannot yield to our pleasures without renouncing the

most precious advantages of society."[6]

[6] _Oeuv._, ii. 249.

This, however, does not make the philosophical quality of the discussion

any more satisfactory. Whatever changes may ultimately come about in the

relations between men and women, we may at least be sure that such

changes will be in a direction even still further away than the present

conditions of marriage, from anything like the naturalism of Diderot and

the eighteenth-century school. Even if--what does not at present seem at

all likely to happen--the idea of the family and the associated idea of

private property should eventually be replaced by that form of communism

which is to be seen at Oneida Creek, still the discipline of the

appetites and affections of sex will necessarily on such a system be not

less, but far more rigorous to nature than it is under prevailing

western institutions.[7] Orou would have been a thousand times more

unhappy among the Perfectionists under Mr. Noyes than in Paris or

London. We cannot pretend here to discuss the large group of momentous

questions involved, but we may make a short remark or two. One reason

why the movement, if progressive, must be in the direction of greater

subordination of appetite, is that all experience proves the position

and moral worth of women, taking society as a whole, to be in proportion

to the self-control of their male companions. Nobody doubts that man is

instinctively polygamous. But the dignity and self-respect, and

consequently the whole moral cultivation of women, depends on the

suppression of this vagrant instinct. And there is no more important

chapter in the history of civilisation than the record of the steps by

which its violence has been gradually reduced.

[7] See Nordhoff's _Communistic Societies of the United States_

(London: Murray, 1875), pp. 259-293. This grave and most instructive

book shows how modifiable are some of those facts of existing human

character which are vulgarly deemed to be ultimate and ineradicable.

There is another side, we admit. The home, of which sentimental

philosophers love to talk, is too often a ghastly failure. The conjugal

union, so tender and elevating in its ideal, is in more cases than we

usually care to recognise, the cruellest of bonds to the woman, the most

harassing, deadening, spirit-breaking of all possible influences to the

man. The purity of the family, so lovely and dear as it is, has still

only been secured hitherto by retaining a vast and dolorous host of

female outcasts. When Catholicism is praised for the additions which it

has made to the dignity of womanhood and the family, we have to set

against that gain the frightful growth of this caste of poor creatures,

upon whose heads, as upon the scapegoat of the Hebrew ordinance, we put

all the iniquities of the children of the house, and all their

transgressions in all their sins, and then banish them with maledictions

into the foul outer wilderness and the land not inhabited.

On this side there is much wholesome truth to be told, in the midst of

the complacent social cant with which we are flooded. But Diderot does

not help us. Nothing can possibly be gained by reducing the attraction

of the sexes to its purely physical elements, and stripping it of all

the moral associations which have gradually clustered round it, and

acquired such force as in many cases among the highest types of mankind

to reduce the physical factor to a secondary place. Such a return to the

nakedness of the brute must be retrograde. And Diderot, as it happened,

was the writer who, before all others, habitually exalted the delightful

and consolatory sentiment of the family. Nobody felt more strongly the

worth of domestic ties, when faithfully cherished. It can only have been

in a moment of elated paradox that he made one of the interlocutors in

the dialogue on Bougainville pronounce Constancy, "The poor vanity of

two children who do not know themselves, and who are blinded by the

intoxication of a moment to the instability of all that surrounds them:"

and Fidelity, "The obstinacy and the punishment of a good man and a

good woman:" and Jealousy, "The passion of a miser; the unjust sentiment

of man; the consequence of our false manners, and of a right of property

extending over a feeling, willing, thinking, free creature."[8]

[8] _Oeuv._, ii. 243.

It is a curious example of the blindness which reaction against excess

of ascetic doctrine bred in the eighteenth century, that Diderot should

have failed to see that such sophisms as these are wholly destructive of

that order and domestic piety, to whose beauty he was always so keenly

alive. It is curious, too, that he should have failed to recognise that

the erection of constancy into a virtue would have been impossible, if

it had not answered first, to some inner want of human character at its

best, and second, to some condition of fitness in society at its best.

How is it, says one of the interlocutors, that the strongest, the

sweetest, the most innocent of pleasures is become the most fruitful

source of depravation and misfortune? This is indeed a question well

worth asking. And it is comforting after the anarchy of the earlier part

of the dialogue to find so comparatively sensible a line of argument

taken in answer as the following. This evil result has been brought

about, he says, by the tyranny of man, who has converted the possession

of woman into a property; by manners and usages that have overburdened

the conjugal union with superfluous conditions; by the civil laws that

have subjected marriage to an infinity of formalities; by religious

institutions that have attached the name of vices and virtues to actions

that are not susceptible of morality. If this means that human happiness

will be increased by making the condition of the wife more independent

in respect of property; by treating in public opinion separation between

husband and wife as a transaction in itself perfectly natural and

blameless, and often not only laudable, but a duty; and by abolishing

that barbarous iniquity and abomination called restitution of conjugal

rights, then the speaker points to what has been justly described as the

next great step in the improvement of society. If it means that we do

wrong to invest with the most marked, serious, and unmistakable

formality an act that brings human beings into existence, with uncounted

results both to such beings themselves and to others who are equally

irresponsible for their appearance in the world, then the position is

recklessly immoral, and it is, moreover, wholly repugnant to Diderot's

own better mind.

Diderot and the Encyclopædists (Vol. 2 of 2) · 第 1 / 10 章