Who does not admire the extraordinary splendour, the vivacity, the
prodigious variety of colours of these brilliant inhabitants of the
air? Some amateurs have devoted to the purchase of certain butterflies
large sums of money. "Diamonds," says Réaumur on the subject, "have
perhaps beauties no more real than those of a butterfly's wings; but
they have a beauty which is more acknowledged by the world in general,
and which is more recognised in commerce." The essential character of
butterflies and moths makes them very easily recognisable among all
other insects. All have four wings, which are covered with scales,
that communicate to them the brilliant colours with which they are
decorated. It is these scales which adhere to the fingers when we
seize one of these charming creatures.
[Illustration: Fig. 133.--Different forms of the scales of Butterflies,
after Réaumur.]
For a long time this dust was thought to be formed of very small
feathers, but Réaumur showed that it is composed of little scales.
Their form varies singularly, as we may see in Fig. 133, borrowed from
the Memoirs of Réaumur,[45] which represents the different forms of
the scales which cover the wings of Lepidoptera. M. Bernard Deschamps
has closely studied them. According to this naturalist, they are
composed of three membranes, or plates, superposed one on the other,
of which the first is covered with granulations of a rounded form,
which give to these scales their splendid and varied colours; the
second plate is covered with silk, forming sometimes curious designs;
the third plate, viz., that which is applied to the membrane of the
wing, has the peculiar property of reflecting colours the most
brilliant and the most varied, although the surface of the scales
visible to the eye is often dull and colourless.
[45] Tome i., planche 7, Figs. 1 à 23.
"Supposing," says M. Bernard Deschamps, "that a painter was
possessed of colours rich enough to represent on canvas with all
their splendour, gold, silver, the opal, the ruby, the sapphire, the
emerald, and the other precious stones which the East produces, that
with these colours he formed all the shades which could result from
their combination, one might affirm without the chance of contradiction,
that he would have none of these colours and of their various shades,
whatever might be the number, which could not be discovered by the
microscope on part of the scales of the Lepidoptera, which Nature has
been pleased to conceal from our gaze."
[Illustration: Fig. 134.--Portion of the wing of a Moth (_Saturnia
pavonia major_), magnified.]
Each of these scales adheres to the membrane of the wing by a small
tube, which is solidly fixed to it. Réaumur has called our attention
to the admirable arrangement of these scales, which are disposed like
those of fish, that is to say, in such a manner that those of a row
shall partially overlap those in the following one.
In Fig. 134, representing a portion of the wing of the _Saturnia
pavonia major_, magnified, which we borrow from Réaumur's Memoir, the
scales are arranged in rows; isolated scales, and the points where
other scales were fixed before they were taken off, are represented.
The membranous frame which supports the coloured scales of butterflies
and moths is well worth a moment's consideration. It consists of two
membranes intimately united by their interior surfaces, and divided
into many distinct parts by horny, fistulous threads, more or less
ramified, which seem intended to support the two membranes mentioned
above, and which branch out from the base to the edge of the wing.
Their number, counting from the exterior edge, is not always the same
in the upper and lower wings. It varies from eight to twelve.
With its large and light wings, the butterfly can fly for a long time.
But this flight is not in the least regular; it is not made in a
straight line. When the insect has to go some distance, it flies
alternately up and down. The line it takes is composed of an infinity
of zig-zags, going up and down, and from right to left. This
irregularity of flight saves the little insect from falling a prey to
birds. "I saw one day with pleasure," says Réaumur, "a sparrow which
pursued in the air a butterfly for nearly ten minutes without being
able to catch it. The flight of the bird was nevertheless considerably
more rapid than that of the butterfly, but the butterfly was always
higher or lower than the place to which the bird flew, and where it
thought it would catch it."
But let us leave the wings to pass on to the other parts of the
butterfly. These other parts are the _thorax_ or chest, the body or
_abdomen_, and the _head_.
The thorax is solidly put together, so as to bear the movements of the
wings and legs. These latter are composed, as in other insects, of
five parts: the coxa, the trochanter, the thigh, the shank, and the
tarsus.
Many butterflies have all their six legs of equal length. In others,
the two fore legs are very small, and are not suited for walking. In
others, again, they are rudimentary, being deprived of hooks, very
hairy, and applied on to the front of the breast.
[Illustration: Fig. 135.--Leg of Butterfly armed with hooks.]
[Illustration: Fig. 136.--Leg not suitable for walking.]
This difference of structure may be seen in Figs. 135 and 136, one of
which represents, after Réaumur, a leg unsuited for walking, very
hairy, and terminated in a sort of brush resembling the tail on a
tippet; and the other a leg furnished with hooks.
The abdomen has the form of an elongated, or--in the majority of
species--an almost cylindrical oval. It is composed of five segments,
each formed of an upper and a lower ring, joined together by a
membrane. The first are larger than the others, and generally overlap
the edges, which gives to this part of the body the power of dilating
considerably.
We must dwell longer on the head. It is generally rounded, compressed
in front, longer than it is broad, and furnished with fine or scaly
hairs. The important organs of which this part is the seat are the
eyes, the antennæ, the palpi, and the proboscis or trunk.
The eyes are more or less spherical, surrounded by hairs, and composed
of innumerable facettes. Colours are seen on these as various as those
of the rainbow. But the colour which serves as a base to all, is black
in some, grey in others; then again there are different gold or bronze
colours of the greatest splendour, inclining sometimes to red,
sometimes to yellow, sometimes to green. On the compound eye of a
butterfly as many as 17,325 facettes have been counted. Simple eyes,
or stemmata, are moreover observed in certain species, and are
generally more or less hidden by scales.
The antennæ are situated near the upper rim or border of each eye.
Réaumur has pointed out six principal shapes. One terminates in a
little _knob_, and belongs to the butterflies. The others are
variously shaped, and belong to the moths. Some are prismatic, or like
beading. And lastly, others are shaped like feathers. We represent, in
Fig. 137, the different forms of the antennæ, which Réaumur collected
together in plates 8 and 9 of his fifth Memoir.[46]
[46] "Sur les parties extérieures des papillons," tome i., p. 197.
The palpi are four in number, two maxillary and two labial. The first
are generally excessively small; one can only ascertain their
existence by the aid of a strong magnifying glass: the second are in
general very apparent, straight, cylindrical, covered with scales, and
formed of three joints, of which the last is often very small and
sometimes very pointed. They also sometimes bristle with stiff or
silky hairs.
The trunk is placed exactly between the two eyes. As long as the
butterfly does not want to take nourishment, the trunk remains rolled
in a spiral. Some are so short, that they scarcely make one turn and a
half or two turns; some larger sized make three turns and a half or
four turns; lastly, some very long are curled as many as eight or ten
times.
This is how the butterfly makes use of its trunk: When fluttering
around a flower, it will very soon settle on or quite close to it.
The trunk is then brought forward entirely or almost entirely
unrolled; very soon afterwards it is almost straightened, then
directed downwards, and plunged into the flower. Sometimes the insect
draws it out a moment after, curves it, twists it a little, and
sometimes even curls it partially up. Immediately it straightens it
again, to plunge it a second time into the same flower. It repeats the
same manoeuvre seven or eight times, and then flies on to another
flower.
[Illustration: Fig. 137.--Antennæ of Lepidoptera.]
This trunk, of which the butterfly makes such good use, is composed
of two filaments more or less long, horny, concave in their interior
surfaces, and fastened together by their edges. When cut transversely,
one sees, according to Réaumur,[47] that the interior is composed of
three small rings. Consequently, there are three canals in the trunk:
one central, the other two lateral (Fig. 138). Are all these three
used to conduct the juice of flowers into the butterfly's body?
Réaumur has made some very interesting observations on this subject,
by observing a moth which was sucking a lump of sugar whilst its
portrait was being taken.
[47] Planche 9, Fig. 10, 5e Mémoire, "Sur les parties
extérieures des papillons."
[Illustration: Fig. 138.--Section of a Butterfly's Trunk, after Réaumur.]
"I held in one hand," says Réaumur, "a powerful magnifying glass,
which I brought near to that part of the trunk I wished to examine; I
was sometimes half a minute, or nearly a minute, without perceiving
anything, after which I saw clearly a little column of liquid mounting
quickly along the whole length of the trunk. Often this column
appeared to be intersected by little balls, which seemed to be
globules of air which had been drawn up with the liquid.
"This liquid ascended thus during three or four seconds, and then
ceased. At the end of an interval of a greater number of seconds, or
sometimes after an interval as short, I saw some fresh liquid mounting
up along the trunk. But it was straight up the middle of the trunk
that it seemed to ascend.
"The Author of Nature has given to insects means of working, which,
though very simple, we cannot divine, and which often we are not able
even to perceive. Whilst I was observing the trunk of our butterfly,
between the columns of liquid which I saw ascending, there were, but
more rarely, times when I saw, on the contrary, liquid descending from
the base of the trunk to the point. The descending liquid occupied
half or two-thirds of the tube. It was no longer difficult to perceive
how the butterfly is able to nourish itself on honey, the thickest
syrup, and even the most solid sugar. The fluid it sends down is
probably very liquid; it drives against the sugar, moistens, and
dissolves it. The butterfly pumps this liquid up again when it is
charged with sugar, and conducts it along as far as the base of its
trunk, and beyond it."
The life of the perfect insect is generally very short. Like nearly
all other insects, they die as soon as they have propagated their
species. The female lays her eggs, which vary in shape, on the plant
which is to nourish her progeny. The colour is also very various, and
passes through all sorts of shades. At the moment they are laid, many
are covered with a gummy substance, insoluble in water, which serves
to stick them on the plant.
In some species the mother lays her eggs on the trunks of trees, and
covers them with down or with the hairs which clothe her abdomen, so
as to preserve them from cold and damp. She may also hide them
entirely under a whitish foamy substance. Some do not lay more than a
hundred eggs; others lay some thousands.
To bring the history of the Lepidoptera to an end, it only remains for
us to give a sketch of their classification, and to point out some
species remarkable, either on account of their beauty or their
utility.
We see during the day butterflies flying in our gardens, in meadows
full of flowers, or in the alleys of woods. Towards evening, at the
sombre hour of twilight, the stroller is sometimes surprised to see
pass near him large moths, with a heavy and unequal flight; or, if we
go into a garden on a beautiful calm summer's night, bearing a light,
we see a crowd of moths flying from all parts towards it.
It is on account of these different hours at which the Lepidoptera
show themselves, that naturalists for a long time divided them into
diurnal, crepuscular, and nocturnal. This division was simple,
convenient, and seemed founded on Nature. Unfortunately, the _night_
fliers of the old authors do not all fly by night: some species,
classed by the old naturalists among the crepuscular, or nocturnal,
show themselves in the very middle of the day, seeking their food in
the hottest rays of the sun. In the regions near the poles they appear
during the day, and in other countries they are more or less friends
of the twilight.
So as not to multiply methodical divisions, we will confine ourselves
to classing the Lepidoptera into two sections.
The first section contains those _which fly during the day, which have
club-shaped antennæ, and which have their four wings entirely free,
and standing perpendicularly[48] when the insect is at rest_. They are
called Butterflies, or Rhopalocera. This section is divided into a
number of families, which comprise many genera. We will content
ourselves with calling the attention of the reader to some of the most
remarkable of these groups, and to those species which, either on
account of their beauty or abundance, strike, or ought to strike, the
attention of every one.
[48] There are exceptions to this.--ED.
In the family of the _Papilionidi_, we will mention the genera
_Papilio_, to which belong the Swallow-tailed Butterfly (_Papilio
machaon_), _Papilio podalirius_, &c., and _Parnassius_, of which we
will notice _Parnassius Apollo_, and _Parnassius Mnemosyne_.
[Illustration: Fig. 139.--Swallow-tailed Butterfly (_Papilio machaon_).]
[Illustration: Fig. 140.--Larva and Chrysalis of Papilio machaon.]
The swallow-tailed butterfly is found plentifully in the fens of
Cambridgeshire, and Norfolk and Suffolk, and very commonly in the
environs of Paris. It is seen from the beginning of May till towards
the middle of June; then from the end of July till September. It
frequents gardens, woods, and, above all, fields of lucerne. It is
easily taken when settled, particularly at sunset.
This is one of the largest and the most beautiful of the European
butterflies. The wings are variegated with yellow and black; the eyes,
antennæ, and trunk are black. The body is yellow on the sides and
underneath, and black above. The front wings have rounded edges; the
hind ones, on the contrary, are notched, and one of these notches is
prolonged into a sort of tail. The first are black, spotted and
striped with yellow; the second have their upper part and middle
yellow, with some touches only of black. Near the margin is a broad
black band, dusted with blue; lastly, six yellow spots in the form of
a crescent run along the border, and end in a magnificent eye of a
reddish colour, bordered with blue.
[Illustration: Fig. 141.--Papilio Alexanor.]
The caterpillar of this species is large, smooth, and of a beautiful
light green, with a transverse black band on each ring. These bands
are sprinkled with orange spots. It lives on the fennel, carrot, and
other Umbelliferæ. If teased, it thrusts from the first ring after
the head a fleshy, orange-coloured tentacle. The chrysalis, attached
to a stalk of grass, is sometimes light green, sometimes greyish.
In the low Alps, on the plains near the environs of Digne and
Barcelonette, is found in the months of May and July the _Papilio
Alexanor_ (Fig. 141), and in Corsica and Sardinia is found
the _Papilio hospiton_, a rare species, nearly related to our
swallow-tailed butterfly, but which we will here content ourselves
with mentioning.
[Illustration: Fig. 142.--The scarce Swallow-tailed Butterfly
(_Papilio podalirius_).]
The _Papilio podalirius_ (Fig. 142) is in form very analogous to
_Papilio machaon_. It is of a rather pale yellow colour, marked with
black, as if singed. The lower wings have tails longer and narrower
than those of the latter, and are magnificently ornamented with blue
crescent-shaped spots and an orange-coloured eye bordered below with
blue. This beautiful species is not rare at Montmorency, at Ile-Adam,
and at St. Germain. It is said to have been taken in England, and is
called the scarce Swallow-tail, but its capture is considered as very
questionable. It appears for the first time at the end of April, and
for the second in July and August. The _Parnassius Apollo_ (Fig. 143),
is a beautiful butterfly, which appears in June and July, and is found
commonly enough in the Alps, the Pyrenees, and the Cévennes. Its wings
are of a yellowish white. The upper part of the fore wings presents
five nearly round black spots; the base and the costa, or front edge,
of these wings are sprinkled with black atoms. The upper part of the
hind wings presents two eyes of a vermilion red, the inner border
furnished with whitish hairs amply dotted with black, and marked
towards the extremity with two black spots. The under part of the fore
wings is very similar to the upper. But the under part of the hind
wings presents four red spots bordered by black, forming a transverse
band near the base. The body is black, furnished with russety hairs,
and the antennæ white, with the club black.
[Illustration: Fig. 143.--Parnassius Apollo.]
The larva of the Apollo lives on saxifrages. To affect its
transformation it surrounds itself with a slight network of silk in
which are confined one or more leaves. This caterpillar is thick,
smooth, cylindrical, and covered with small slightly hairy warts, and
ornamented on the first ring with a fleshy tentacle in the shape of a Y.
The chrysalis is conical, sprinkled over with a bluish efflorescence
resembling the bloom on a plum. The _Parnassius Mnemosyne_ is found in
the month of June in the mountains of Dauphiné, in Switzerland, Sicily,
Hungary, Sweden, and in the Pyrenees.
In the family of the _Pieridi_ we will mention many species remarkable
in different ways, such as _Pieris cratægi_, the black-veined White,
_Pieris brassicæ_, the Cabbage Butterfly, _Pieris napi_, _Pieris
callidice_, _Anthocharis cardamines_, the Orange-tip, _Rhodocera_
(_Gonepteryx_) _rhamni_, and _Colias edusa_, or Clouded-yellow.
_Pieris cratægi_ is white both above and below; the veins only of the
wings are black, and become a little broader at the edge of the upper
wings. These black veins on a rather transparent white ground make
this butterfly resemble a gauze veil, hence its French name, _le
gaze_. It flies in spring and summer in meadows and gardens, but is
not generally common in England. In the first volume of his "Travels
in the North of Russia," Pallas relates that he saw insects of this
species flying in great numbers in the environs of Winofka, and that
he at first took them for flakes of snow. The _Pieris cratægi_ fixes
itself at sunset on flowers, where it is easily taken by the hand.
During the day, on the contrary, it is difficult to catch. The larva,
black at first, afterwards assumes short yellow and white hairs, but
it varies much. They live in companies, under a silky web, in which
they pass the winter. The leaves of the hawthorn, the sloe, the cherry
tree, and of many other fruit trees, serve them for food. The pupa,
yellow or white, and sometimes of both colours with little stripes and
spots of black, is angular and terminated in front by a blunt point.
[Illustration: Fig. 144.--Pieris brassicæ.]
The _Pieris brassicæ_ (Fig. 144), or Cabbage Butterfly, is perhaps the
commonest of all butterflies. From the beginning of spring till the
end of autumn one sees it flying about everywhere, in the gardens,
sometimes near and almost in the interior of towns. It is of a dull
white, spotted and veined with black, and it can be seen at a long
distance, when flitting from flower to flower, in a meadow or garden.
And so children wage desperate war against this flying prey. The
pursuit of the cabbage butterfly through the alleys of parks, along
the outskirts of woods, or on the green turf of meadows, is the first
joy and the first passion of children in the country.
The caterpillar (Fig. 145) is of a yellowish green, or rather greenish
yellow, with three yellow longitudinal stripes separated by little
black points, from each of which springs a whitish hair. It lives in
groups on the cabbages in gardens, and on many other Cruciferæ. It is
so voracious that it consumes in a day more than double its own
weight, and, as it multiplies very quickly, commits great ravages in
the vegetable garden. Its pupa (Fig. 145) is of an ashy white, spotted
with black and yellow.
[Illustration: Fig. 145.--Caterpillar and Chrysalis of Pieris brassicæ.]
The _Pieris rapæ_, or Small White Butterfly, differs but little from
the preceding except in size. The caterpillar, which lives on the
cabbage, turnip, mignonette, nasturtium, &c., is green, with three
yellow lines. It does not do these much harm. In France it is called
_le ver du coeur_ (the heartworm), because it penetrates in between
leaves pressed closely together.
The _Pieris napi_ (Fig. 146), the Green-veined White, is very like the
two preceding, but the wings, the lower one especially, have
underneath broad veins, or bands, of a greenish colour. The _Pieris
callidice_, the wings of which are white spotted with black, is common
in the Alps of France, in Savoy and Switzerland, and in the Pyrenees.
Its caterpillar lives near the regions of perpetual snow, on small
cruciferous plants.
[Illustration: Fig. 146.--Pieris napi.]
[Illustration: Fig. 147.--Anthocharis cardamines.]
The Orange-tips have, in the males, the extremity of the upper wings
of a beautiful orange yellow. The rest of the wings is white in the
only British species (Fig. 147), which is to be seen in meadows from
the end of April till the end of May, and sulphur-coloured in some
other species.
One species, extremely common, and which appears with but short
interruption from the beginning of spring till the end of autumn, is
the Brimstone Butterfly (_Rhodocera_ [_Gonepteryx_] _rhamni_). The
wings are a lemon yellow, with an orange-coloured spot in the middle
of each, and the front border terminated in a series of very small
iron-coloured spots. The body of the butterfly is black with silvery
hairs.
[Illustration: Fig. 148.--Thecla betulæ.]
The _Colias edusa_, or Clouded-yellow, so called from the colour of
the upper part of its wings, is not uncommon in meadows and fields in
early autumn throughout Europe. The upper side of the wings is of a
marigold yellow; the upper ones having towards the middle a large spot
of black. At the extremity of each wing is a broad black band,
continuous in the case of the male, interrupted by yellow spots in the
female. The back of the body is yellow; the legs, as well as the
antennæ, rosy.
The family of the _Lycænidæ_ comprises a great number of species, some
of which we will mention.
The _Theclæ_, or Hair-streaks, which the French call _Petits
Porte-queues_, on account of the tails which grace the hind margin of
the hind wings, inhabit woods, their larvæ feeding, according to the
species, on the birch, the oak, the plum-tree, the bramble, &c.
The _Thecla betulæ_ (Fig. 148), or Brown Hair-streak, is somewhat rare
in this country.
The Purple Hair-streak (_Thecla quercus_, Fig. 149), which Geoffroy
calls the "_Porte-queue bleu à une bande blanche_," is not rare in
woods; but it is very difficult to catch, as it flies nearly always by
couples at the tops of trees. We still further represent here the
Black Hair-streak (_Thecla pruni_, Fig. 150), and the Green
Hair-streak (_Thecla rubi_, Fig. 151).
[Illustration: Fig. 149.--Thecla quercus.]
[Illustration: Fig. 150.--Thecla pruni.]
In the meadows are found the Copper Butterflies; butterflies with
wings of a bright, tawny colour, with black marks on the upper side.
Such is the _Polyommatus_ (_Lycæna_) _phlæas_ (Fig. 152), which is
very common from the end of May until late in the autumn. The upper
part of the wing is coppery, spotted with black, the under side of a
grey colour, sprinkled with small eyes, and bordered by a zone of
tawny spots. Linnæus counted forty-two little black eyes on the under
side of the wings.
[Illustration: Fig. 151.--Thecla rubi.]
[Illustration: Fig. 152.--Small Copper (_Polyommatus_ [_Lycæna_]
_phlæas_).]
We also figure _Polyommatus_ (_Lycæna_) _virgaureæ_ (Fig. 153), and
_Polyommatus_ (_Lycæna_) _gordius_ (Fig. 154), neither of which occurs
in this country.
In the meadows, the gardens, and the lucerne and clover fields, are
found the charming Blue Butterflies, the wings on the upper side, in
the majority of instances, blue in the case of the males, brown in the
females.
They comprise the genus _Lycæna_, or, as it is frequently called,
_Polyommatus_,[49] though that name is now generally given to the
preceding. We will content ourselves here by giving drawings of a few
species of the genus, namely, the _Lycæna (Polyommatus) Corydon_, or
Blue Argus (Fig. 155), which is not uncommon wherever there is chalk,
in May and August; the _Lycæna (Polyommatus) battus_, or Brown Argus
(Fig. 156), which does not occur here; the _Lycæna (Polyommatus)
ægan_, which flies about our sandy heaths.
[49] It may not be out of place to remark that although both
these generic names are applied, sometimes to the one,
sometimes to the other of these genera, the genus named in the
text _Polyommatus_ and that called _Lycæna_ are never
considered identical. When either name is applied to the one,
it is not at the same time applied to the other.--ED.
[Illustration: Fig. 153.--Polyommatus (Lycæna) virgaureæ.]
[Illustration: Fig. 154.--Polyommatus (Lycæna) gordius.]
[Illustration: Fig. 155.--Lycæna (Polyommatus) Corydon.]
The caterpillars of this genus, as also those of the preceding, are
broad and flat, resembling wood-lice, with very short legs, and are
very slow in their movements.
[Illustration: Fig. 156.--Lycæna (Polyommatus) battus.]
[Illustration: Fig. 157.--Lycæna (Polyommatus) ægon.]
In the numerous family of the _Vanessidæ_ are placed the beautiful
species known as the large and small Tortoise-shell, the Peacock, &c.
The large Tortoise-shell Butterfly (_Vanessa polychloros_, Fig. 158)
has the wings of a tawny colour above, and of a blackish brown below,
with darker spots, bordered by a black band, with a stripe of
yellowish colour running down the middle. It is found in July and
September on the oak, the elm, the willow, and many fruit trees.
[Illustration: Fig. 158.--Large Tortoise-shell Butterfly (_Vanessa
polychloros_).]
[Illustration: Fig. 159.--Larva and chrysalis of the large
Tortoise-shell (_Vanessa polychloros_).]
The larva (Fig. 159) is bluish or brownish, with an orange-coloured
lateral line, bristling with yellowish hairs. The chrysalis, which is
angular, and of a red tint, is ornamented with golden metallic spots.
[Illustration: Fig. 160.--Small Tortoise-shell Butterfly (_Vanessa
urticæ_).]
[Illustration: Fig. 161.--Peacock Butterfly (_Vanessa Io_).]
We give here a drawing of the small Tortoise-shell (_Vanessa urticæ_,
Fig. 160), which resembles the preceding, but is smaller. Its
caterpillar, bristly, blackish, with four yellowish lines, lives in
companies on the nettle. The Peacock Butterfly (_Vanessa Io_, Fig.
161) is very easily recognised by the peacock's eyes--to the number of
four, one on each wing--which have gained for it the name it bears.
The eye on the upper wings is reddish in the middle and surrounded by
a yellowish circle. That on the lower ones is blackish, with a grey
circle round it, and contains bluish spots. The upper part of the
wings is of a russety brown, the under part blackish. This _Vanessa_
is met with in the woods, in lucerne fields, and in gardens. Its spiny
caterpillar is of a shiny black with white dots, and lives in
companies on nettles. The chrysalis, at first greenish, then brownish,
is ornamented with golden spots.
[Illustration: Fig. 162.--Camberwell Beauty (_Vanessa Antiopa_).]
The _Vanessa Antiopa_ (Fig. 162), one of the greatest of entomological
rarities in England, is not very common in the woods about Paris, but
it is frequently found in the environs of Bordeaux, and, above all, at
the Grande Chartreuse (in the department of Isère). The Parisian
collectors go as far as Fontainebleau in pursuit of this beautiful
species, with angular wings, of a dark purple black, with a yellowish
or whitish band on the hind border and a succession of blue spots
above it. The caterpillar is black, and bristly, with red spots. It
lives in companies on the birch, the aspen, the elm, and different
kinds of willows. The pupa is blackish, sprinkled with a bluish
powder, and has ferruginous-coloured dots. The butterfly, which
emerges from the chrysalis in July and August, is found, after
hybernation, at the end of February and until May. It flies very
rapidly, and is very difficult to catch.
[Illustration: Fig. 163.--Red Admiral Butterfly (_Vanessa Atalanta_).]
[Illustration: Fig. 164.--Painted Lady Butterfly (_Vanessa_ [_Cynthia_]
_cardui_).]
The Red Admiral Butterfly (_Vanessa Atalanta_, Fig. 163) has bands of
vermilion colour on the upper side of its wings, which are black
above, and variegated beneath with different colours. The caterpillar
is bristly and blackish, with a succession of spots of lemon-colour
on its sides. It lives in solitude on the stinging-nettle (_Urtica
dioica_). Its chrysalis is blackish, with golden spots. This
magnificent insect is common at the end of summer, and easy to catch.
If missed once it comes back again almost immediately, and almost
alights on the net of the collector.
The Painted Lady (_Vanessa_ [_Cynthia_] _cardui_, Fig. 164) owes its
vernacular name to the beauty of its colours. The upper wings are
covered above with tawny spots, rather cerise coloured towards the
interior, and with white spots on the hind margin towards the tip of
the wing; the whole on a lightish ground. The lower wings are of a
reddish tawny colour with many black spots, a circular row of which
borders the wing. The caterpillar is bristly, brownish, with yellow
lateral broken lines. It lives in solitude on many species of thistle,
on the artichoke, the milfoil or yarrow, &c. It makes for itself a
web, rather like a spider's nest, and lives therein. The chrysalis is
greyish, with numerous golden dots. The perfect insect shows itself
almost without interruption, from spring till autumn. It flies
rapidly, and in certain seasons is abundant.
The _Vanessa (Grapta) C. album_ (Fig. 165), or Comma Butterfly, is
common in parts of England. Above, its wings are tawny, spotted with
black. Below, they are more or less brown, with different tints, and
sometimes a little blue. On the under side of the lower wings is a
white spot of the form of a C. "This spot," says old Geoffroy, "caused
this butterfly to have the name of _gamma_ given to it, and its colour
of _Diable enrhumé_ (_sic_), as also the singular cut of its wings,
has caused it to be called by others _Robert le Diable_." Its
caterpillar lives on the nettle, the honeysuckle, the currant, the
hazel, and the elm. It is of a reddish brown, with a white band on the
back. Réaumur calls it the Beadle, comparing it to the church beadles,
who usually dress in glaring colours.
[Illustration: Fig. 165.--The Comma Butterfly (_Vanessa C. album_).]
The brilliant _Vanessæ_, of which we have just briefly described some
remarkable species, have been the cause of superstitious terror. This
must at first sight seem incredible, but it has arisen thus: When they
have just quitted the pupa, a red-coloured liquid drops from them. If
a great many butterflies are hatched at the same time, and in the
same place, the ground becomes, as it were, sprinkled with drops of
blood. Hence the origin of some of those pretended _showers of blood_,
which, at different periods, have terrified the ignorant, too much
imbued with religious superstitions.
At the beginning of the month of July, 1608, one of these supposed
showers of blood fell on the outskirts of Aix, in Provence, and this
_rain_ extended for the distance of half a league from the town. Some
priests of the town deceived themselves, or, desirous of turning to
account the credulity of the people, did not hesitate to attribute
this event to Satanic agency. Fortunately, a learned man, M. de
Peiresc, who was not only well versed in the knowledge of ancient
literature, but who was, moreover, familiar with the natural sciences,
discovered that a prodigious multitude of butterflies were flying
about in the places which were thus miraculously covered with blood.
He collected some chrysalides and put them into a box, and letting
them hatch there, observed the blood-like liquid, and hastened to make
it known to the friends of the miraculous. He established the fact
that the supposed drops of blood were only found in cavities, in
interstices, under the copings of walls, &c., and never on the surface
of stones turned upwards; and proved by these observations that they
were drops of a red liquid deposited by the butterflies.
However, in spite of the reassuring remarks of the learned Peiresc,
the people in the outskirts of Aix continued to feel a genuine terror
at the sight of these tears of blood which stained the soil. Peiresc
attributes to this same cause some other showers of blood related by
historians, and which took place about the same season. Such was a
shower which was supposed to have fallen in the time of Childebert, at
Paris, and in a house in the territory of Senlis. Such again was a
so-called bloody shower which showed itself towards the end of June,
during the reign of King Robert of France. Réaumur points out the
large Tortoise-shell as being the most capable of spreading these
sorts of alarms, founded on a deplorable ignorance and the spirit of
superstition.
"Thousands," says he, "change into pupæ towards the end of May or the
beginning of June. Before their transformation they leave the trees,
often fastening themselves to walls, and, making their way into
country-houses, they suspend themselves to the frames of doors, &c. If
the butterflies which come out of them towards the end of June or the
beginning of July were all to fly together, there would be enough of
them to form little clouds or swarms, and consequently there would be
enough to cover the stones in certain localities with spots of a
blood-red colour, and to make those who only seek to terrify
themselves, and to see prodigies in everything, believe that during
the night it had rained blood."
[Illustration: Fig. 166.--White Admiral (_Limenitis sibilla_).]
[Illustration: Fig. 167.--Limenitis camilla.]
In the family of _Nymphalidæ_, we will first mention the White Admiral
(Fig. 166). The upper side of its wings is of a dark brown, almost
black, traversed in the middle by a white band divided into spots very
close to each other. The lower part of the wings is ferruginous, with
a band and spots of white, as on the upper, besides which it has a
double hinder transverse row of black dots. These dots are followed on
the hind wings by some white spots, and the whole of the inner margin
is of a glossy ashy blue, with the base spotted with black. This
butterfly is not rare in the month of July in woods in the south of
England, where it flies round and settles upon the branches of the
underwood. The caterpillar is of a delicate green, with a lateral
white stripe, and rather bristly. It feeds on honeysuckle. The pupa is
angular, of greenish colour, with golden spots.
The _Limenitis camilla_ (Fig. 167), of which the black on the wings is
shot with blue, is not found in England.
In the month of July the _Apatura ilia_ (Fig. 168) and the Purple
Emperor (_Apatura iris_), sylvan insects of strong flight, whose wings
are beautifully shot with violet blue when examined in certain
lights--the latter resembling _Ilia_, but wanting the eye-like spots
on the front wings--are met with. _Iris_ only is found in this
country. Both species occur in the environs of Paris.
[Illustration: Fig. 168.--Apatura ilia.]
The _Charaxes jasius_ (Fig. 169), which is found along the whole of
the Mediterranean coast, has its lower wings terminated in two points,
whence the peasants call this butterfly the _Pacha with two tails_.
The upper part of its wings is of a brown colour of changing hues. The
hind margin of the fore wings has along it a tawny band with a fine
black line running round. The hind wings have their hinder margin
black, and garnished with a little white fringe. The two tails are
black, and the groove of the inner margin is of an ashy grey. The
underneath of the wings is ferruginous, with spots of an olive brown
set in a framework of white towards the base.
The caterpillar is green, and flat like a slug, with four yellow horns
bordered with red (Fig. 170). It lives on the arbutus, a shrub common
enough on the hills and mountains of the coast of the Mediterranean.
[Illustration: Fig. 169.--Charaxes jasius.]
[Illustration: Fig. 170.--Larva of Charaxes jasius about to change to
a pupa.]
[Illustration: Fig. 171.--Erebia Euryale.]
To the family of the _Satyridi_ belongs the _Erebia Euryale_ (Fig.
171), which is found in the month of July in sub-alpine regions; the
_Chionobas aello_ (Fig. 172), which is found in the Alps of
Switzerland, of the Tyrol, and of Savoy, and which is common enough,
in the month of July, on the summit of Montanvers, near the _mer de
glace_; the _Satyrus janira_, or Meadow Brown (Fig. 173), which is
very common, in the months of June and July, in woods and fields.
[Illustration: Fig. 172.--Chionobas aello.]
We now pass on to the second section of Lepidoptera.
[Illustration: Fig. 173.--Meadow brown (_Satyrus_ [_Hipparchia_]
_janira_).]
It contains _those whose flight in the majority of species is nocturnal
or by twilight, but by day in some species. The antennæ are more or
less swollen out in the middle or before their extremities, and,
independently of that, sometimes prismatic, sometimes cylindrical,
sometimes pectinated or indented. The body--which was small in
comparison to the wings, and which was remarkably thin between the
thorax and the abdomen in the first section of Lepidoptera--is in this
section very much larger in proportion to the wings, and is not drawn
tightly in between the thorax and the abdomen. The wings are horizontal
or slightly inclined when the insect is at rest; the upper then cover
the lower, which are generally comparatively short and kept back by a
bridle on the first, in the case of the males only._
[Illustration: Fig. 174.--Sesia apiformis.]
[Illustration: Fig. 175.--Six-spot Burnet Moth (_Zygæna filipendulæ_).]
We will take the genus _Sesia_ as the representative of the _Sesiidæ_.
These singular insects have membranous wings, and resemble various
species of Hymenoptera. The largest species is the _Sesia apiformis_
(Fig. 174), that is, bee-like, which is found in this country, resting
on the trunks of willows and poplar-trees, from the end of May till the
middle of July. It resembles a hornet, and is of the same size and has
the same colours; only they are not quite so bright. When this moth is
just hatched its wings are ferruginous; but its scales, light and
caducous, fall as soon as the insect begins to fly. The caterpillar,
which lives in the trunks or roots of willows and poplar-trees, is of a
yellowish colour. The pupa is long, of a brownish colour, enclosed in a
cocoon composed of agglutinated saw-dust, the product of the
caterpillar's erosions.
[Illustration: Fig. 176.--Cocoon of the Zygæna filipendulæ.]
In the middle of summer the meadows are frequented by moths, with
brilliant black and velvety wings, marked with red, which fly heavily,
and only for a short time together. They remain motionless during the
great heat of the day. These are the _Zygænæ_, or Burnets, of the
family of the _Zygænidæ_. The Ram Sphinx of Geoffroy, or the Six-spot
Burnet Moth (_Zygæna filipendulæ_, Fig. 175), is common from the end
of June till the beginning of August. Its legs, antennæ, head, and
body are black and rather hairy; its upper wings are of a brilliant
bluish green, with six spots of a beautiful red on each, bordered by a
little green. The caterpillar is yellow, spotted with black; its
cocoon is boat-shaped, with longitudinal furrows, and is straw colour
(Fig. 176).
Next to _Zygæna_ comes _Procris_, the species of which fly during the
day in damp fields. We will mention particularly the _Procris
statices_ (Fig. 177), which is plentiful enough where it occurs
between the middle of June and the middle of July, on the sides of
hills. Its fore wings, antennæ, and the whole of its body, are of a
blue green above. The same wings are of the same colour below, and the
surfaces of the lower ones are of an ashy brown.
[Illustration: Fig. 177.--The Forester (_Procris_ [_Ino_] _statices_).]
The Sphinges, that is, those species that form the family of the
_Sphingidæ_, have received this general name from the attitude which
their caterpillars often assume. Raising the fore part of the body,
which attitude resembles the Sphinx of mythology, they keep for a very
long time this state of immobility. They fly very rapidly and briskly,
and only make their appearance for the most part after sunset. The
caterpillars, which in this group are without hair, and have almost
always a horn on the eleventh segment of the body, metamorphose
themselves in the earth, without forming hard cocoons. The chrysalis
are sometimes enveloped in a very slight shell, or cocoon, which when
it exists is formed of particles of earth or of vegetable _débris_
bound together by threads. This family comprises species generally
remarkable for their size and beauty.
The genus _Macroglossa_ contains some species which fly rapidly and
for a long time together during the day. We will mention particularly
the Humming-bird Sphinx (_Macroglossa stellatarum_). This moth (Fig.
178) has attracted the attention of all who have ever spent much time
in a flower garden. In Burgundy the children call it _bird-fly_. In
passing from one flower to another it has brisk and rapid movements,
but it remains suspended in the air before each; it does not alight
upon any, it is always flying, thrusting its long trunk the while
into the corollæ of flowers, counterbalancing the action of its weight
by the continuous vibration of its wings.
We will describe in a few words this robust inhabitant of the air,
this charming _bird-fly_. The _Macroglossa stellatarum_ shows itself
during the whole of the fine season, and till the middle of autumn, in
our climate. It often penetrates in the middle of the day into our
houses, and knocking itself against the window-panes, falls an easy
prey to children. Its front wings are of an ashy brown, of changing
hues above, with three black, transverse, undulating lines. The lower,
shorter than the others, are of a rusty-yellow colour. All the wings
are yellowish below near the body, ferruginous in the middle, and of a
dark brown at their extremities.
[Illustration: Fig. 178.--Humming-bird Hawk-Moth (_Macroglossa
stellatarum_).]
The body is long, brown, hairy, and terminating in a tuft of
divergent hairs, reminding one of a bird's tail. It is for this reason
that it has been called by the French _Sphinx Moineau_, or Sparrow
Sphinx. This resemblance is so great, that Mr. Bates, in his book on
the Amazons, says he often shot species of this genus in mistake for
humming-birds. The caterpillar of this remarkable Lepidopteron (Fig.
179) is of a pale green, with eight transversal rows of small white
dots and four longitudinal rows, of which two are white and two
yellowish. It has a dark blue horn, with an orange-coloured tip. It
lives on different species of bed-straw, but by preference on the
_Galium mollugo_. Before its metamorphosis, it encloses itself in a
shapeless cocoon, made of the _débris_ of leaves held together by
threads, and placed on the surface of the ground. The pupa (Fig. 180)
is of a light grey, sprinkled over with brown dots, and striped with
black. Its skin is so thin and transparent that one can follow it
through all the phases of transformation to the imago.
[Illustration: Fig. 179.--Caterpillar of Humming-bird Hawk-Moth
(_Macroglossa stellatarum_).]
[Illustration: Fig. 180.--Pupa of Macroglossa stellatarum.]
The genus _Deilephila_ is composed of species whose flight is rapid,
and after sunset. Such are the _Deilephila euphorbiæ_, the Oleander
Hawk-Moth (_Deilephila_ [_Chærocampa_] _nerii_), and the large Elephant
Hawk-Moth (_Deilephila_ [_Chærocampa_] _elpenor_).
The _Deilephila euphorbiæ_ (Fig. 181) has the upper wings of a reddish
grey, with three spots of greenish or olive colour along the costa, or
front margin, and a broad black oblique band along the hind margin.
The lower wings are red, with the base black, and a transverse black
band towards the edge; they have, moreover, a large round white spot
on the inside; beneath the wings are red, as also is the body, which
is covered above with greenish hairs. This species is exceedingly rare
here, but is plentiful on the Continent during the months of June and
September.
[Illustration: Fig. 181.--Deilephila euphorbiæ.]
[Illustration: Fig. 182.--Larva of Deilephila euphorbiæ.]
The larva (Fig. 182) is one of the most remarkable of the genus on
account of the splendour and the vividness of its colours, and appears
to be covered with varnish. It has a number of small yellow dots very
close to each other on a glossy black ground, which are ranged in
circles. On each side of the body are two longitudinal rows of spots
generally of the same colour as the dots, and a narrow band of carmine
runs down the middle of the back, and a similar band, which is
intersected by yellow, is to be seen above the legs. This caterpillar
is almost always found on the Cyprus-leafed spurge. It is found first
at the end of June. Generally the chrysalis passes through the winter,
and the moth emerges in the following year.
[Illustration: Fig. 183.--Deilephila (Chærocampa) nerii.]
The _Deilephila (Chærocampa) nerii_ (Fig. 183), or Oleander Hawk-Moth,
is a charming species almost peculiar to hot countries, where the
shrub from which it derives its name grows spontaneously--that is to
say, in Africa, in the southern parts of Asia, in Greece, in Spain,
&c. Carried forward by its rapid flight, and assisted by atmospheric
currents, these beautiful insects sometimes come accidentally into the
countries of Central Europe. They have been met with many times in
Paris, in the garden of the Luxembourg, where the oleander is
cultivated under glass. But those which are hatched in the environs
of Paris never reproduce their species, on account of the coldness of
the climate. Both larva and imago--the former on periwinkle--_have_
been found in the same locality.
[Illustration: Fig. 184.--Larva of Deilephila (Chærocampa) nerii.]
[Illustration: Fig. 185.--Pupa of Deilephila (Chærocampa) nerii.]
The caterpillar of this species (Fig. 184) is one of those called by
the French _Cochonnes_, because their two first rings, which are
retractile and drawn back under the third when the insect is at rest,
taper in such a way as to resemble the snout of a pig, hence the
English name "Elephant," when they change their place or are engaged
in eating. It is of a beautiful green, with white stripes and dots on
the sides, and marked on the third segment with two large spots like
eyes, of an azure blue, encircled with black, and having white pupils.
A short orange-coloured horn rises at the extremity of the body. A few
days before its transformation, this caterpillar entirely loses its
rich livery, it becomes brown on the back, and of a dirty yellow on
the rest of its body, and constructs for itself a cocoon at the foot
of the shrub on which it lived, with the _débris_ of leaves fastened
together with threads.
The cocoon contains a chrysalis (Fig. 185) of a hazel brown,
delicately streaked with a darker brown, and with a very conspicuous
black spot on each of its stigmata.
The Elephant Hawk-Moth (_Deilephila_ [_Chærocampa_] _elpenor_, Fig. 186)
is not rare during the month of June. Its fore wings are purple red,
glossy above, with three bands of a light olive green, having at the
base a small black spot. The inner margin is garnished with white
hairs. The hind wings are of a dark rose colour above, with the base
black, and the hind margin bordered with white. The four wings are
rose coloured below, with the costa and the middle of an olive green;
the upper ones have their interior border tinged with a blackish
colour. The body is rose colour, with two longitudinal bands of an
olive green over the abdomen, and five diverging lines of this colour
on the thorax. The sides of the abdomen have along them a double
series of yellowish points.
[Illustration: Fig. 186.--Deilephila (Chærocampa) elpenor.]
The caterpillar of this sphinx (Fig. 187) is of a dark brown,
delicately striped with black. Two grey lines run down each side of
its body, and on the fourth and fifth segments are two black eyes
bordered by light violet. This caterpillar is found most often on
certain kinds of _Epilobium_, but will also eat of the vine, fuchsia,
and bed-straw. It must be sought in damp places, by streams and ponds,
from the end of July till September. It constructs on the surface of
the soil a shapeless cocoon with moss and dry leaves, which it fastens
together with some silky threads. Its pupa (Fig. 188), of a yellowish
brown, has short bristles on the rings of the abdomen. The caterpillar
possesses in the highest degree the retractile power which has gained
for certain species of this genus their popular names. The Privet
Sphinx (_Sphinx ligustri_, Fig. 189) has its upper wings rather
narrow, about two inches long, of a reddish grey, and veined with
black above, with the middle of a dark brown, the inner margin with
rose-coloured hairs, and the hind margin having two whitish flexuous
lines running along it. The hind wings are of a rose tint, with three
black bands. The wings are of a reddish grey below with a common black
band. The abdomen has black and rose-coloured rings above, and in the
middle a brownish band wholly divided by a black line.
[Illustration: Fig. 187.--Larva of Deilephila (Chærocampa) elpenor.]
[Illustration: Fig. 188.--Pupa of Deilephila (Chærocampa) elpenor.]
[Illustration: Fig. 189.--Privet Hawk-Moth (_Sphinx ligustri_).]
This species is very common in all parts of Europe. One finds it in
gardens from June to September. Of all the caterpillars of the genus
_Sphinx_, this is the one which, by its attitude when in a state of
repose, most resembles the sphinx of fable, from which the genus has
derived its name. It is of fine apple green, with seven oblique
stripes, half violet and half white, placed on each side of its body,
and three or four small white spots beyond these stripes. The stigmata
are orange, the head is green, bordered with black. The extremity of
the body is surrounded by a smooth horn, black above, yellow below
(Fig. 190). This beautiful caterpillar is not rare. It lives on a
great number of trees and shrubs, but it is principally on the privet,
the lilac, and the ash tree, that it must be looked for. Three or four
days before it buries itself in the earth to change itself into a
chrysalis, its beautiful colours grow dim. During the month of June
and September is found the Convolvulus Sphinx (_Sphinx convolvuli_,
Fig. 192), with brown wings, and with the abdomen striped with
transverse bands alternately black and red. The caterpillar of this
species, which presents a great number of varieties, lives on many
kinds of _Convolvuli_, but particularly on the field species. It is
generally rare here, but occasionally abundant.
[Illustration: Fig. 190.--Larva of the Privet Hawk-Moth (_Sphinx
ligustri_).]
[Illustration: Fig. 191.--Pupa of Sphinx ligustri.]
It is to the genus _Acherontia_ that a well-known moth belongs. We
refer to the Death's-head Moth (_Acherontia atropos_). It is the
largest species of hawk-moth. This insect presents, roughly marked out
in light yellow, on the black ground of its thorax, a human skull.
This funeral symbol, joined to the plaintive cry which this moth
emits when frightened, has sometimes inspired terror into the whole
population of a country. The appearance of this moth in certain
countries having coincided with the invasion of an epidemic disease,
some thought they saw in this doleful sylph of the night the messenger
of death. The _Acherontia atropos_ plays a great part in the
superstitions which are believed in by the country folk in England.
One hears it said in country places that this ominous inhabitant of
the air is in league with the witches, and that it goes and murmurs
into their ears with its sad and plaintive voice the name of the
person whom death is soon to carry off. In spite of its ominous
livery, the _Atropos_ does not come from Hades; it is no envoy of
death, bringing sadness and mourning. It does not bring us news of
another world; it tells us, on the contrary, that Nature can people
every hour; that it was her will to console them for their sadness, to
grant to the twilight and to the night the same winged wanderers
which are at once the delight and ornament of the hours of light and
of day.
[Illustration: Fig. 192.--The Convolvulus Sphinx (_Sphinx convolvuli_).]
This is the mission of science, to dissipate the thousands of
prejudices and dangerous superstitions which mislead ignorant people.
[Illustration: Fig. 193.--Death's-head Hawk-Moth (_Acherontia atropos_).]
This moth has the front wings of a blackish brown colour, having
lighter irregular bands varied with brown and grey, above and below.
On the middle of the front wing there is a well-defined white dot. The
hind wings have two black bands, the upper narrower than the lower
one; the rest of the wing is a fine yellow. The abdomen has likewise
from five to six yellow and as many black bands; in the middle is a
long blackish longitudinal band. This moth is not very rare, and may
be found in autumn. Its flight is heavy, and, as we have said, the
insect never flies till after sunset. If caught, or when teased, it
utters a cry which is very audible.
The death's-head hawk-moth would be a very inoffensive being if it did
not make its way into bee-hives, in order to steal the honey, of which
it is excessively fond. It is to no purpose that the bees dart their
stings at the intruder, they only blunt them against its thick skin,
and soon, terrified at its presence, disperse on all sides.
[Illustration: Fig. 194.--Larva of the Death's-head Hawk-Moth
(_Acherontia atropos_).]
The caterpillar of the _Acherontia atropos_ (Fig. 194) is the largest
of all European caterpillars. It attains to as much as four and a half
inches in length by eight lines in diameter. Its colour is lemon
yellow, which changes into green on the sides and belly. From the
fourth to the tenth ring inclusively it is ornamented laterally with
seven oblique bands of an azure blue, which are tinted with violet,
and bordered with white on the side. These bands joining together over
the back of each segment resemble so many _chevrons_ placed parallel
to each other. The body is, moreover, dotted with black. At its
extremity is a yellow horn, curved back like a hook, and covered with
tubercles. The head is green, and marked laterally with a black
stripe. It lives chiefly on the potato, and the _Lycium barbarum_,
sometimes called the tea-tree, a shrub belonging to the _Solanaceæ_.
It buries itself in the earth to change into a chrysalis (Fig. 195) of
a bright chestnut brown.
[Illustration: Fig. 195.--Chrysalis of the Death's-head Hawk-Moth.]
[Illustration: Fig. 196.--Lime Hawk-Moth (_Smerinthus tiliæ_).]
[Illustration: Fig. 197.--Larva of the Lime Hawk-Moth (_Smerinthus
tiliæ_).]
[Illustration: Fig. 198.--Eyed Hawk-Moth (_Smerinthus ocellatus_).]
We will mention still further, in the family of the _Sphingidæ_, three
species of the genus _Smerinthus_, which fly heavily and by twilight.
The Lime-tree Hawk-moth (_Smerinthus tiliæ_, Fig. 196) has its upper
wings grey with some shades of green, and moreover, in the middle of
the wing an irregular band of a brownish green colour. The thorax,
covered with hairs, is grey, with three green longitudinal bands. The
abdomen is also grey. The moth flies heavily after sunset, and is
found on the trunks of trees during the months of May and June. The
larva (Fig. 197) is glaucous green dotted with yellow, and marked on
each side with seven oblique lines of the same colours. Its wrinkly
horn is blue above and yellow below. It is found on the lime and the
elm. It buries itself at the foot of the tree on which it has fed to
change into a chrysalis without making a cocoon.
[Illustration: Fig. 199.--Poplar Hawk-Moth (_Smerinthus populi_).]
We will content ourselves by here giving drawings of two other species
of the same genus: the Eyed Hawk-Moth (_Smerinthus ocellatus_, Fig.
198), which is not rare during the months of May and sometimes August,
the caterpillar of which lives on the leaves of willows, poplars, and
fruit-trees; and the Poplar Hawk-Moth (_Smerinthus populi_, Fig. 199),
whose caterpillar (Fig. 200) lives on the poplar, the aspen, and
sometimes on the willow and birch.
The division of _Bombycina_ contains the largest of moths, and at the
same time species of a middle and small size. These moths take no
nourishment, and live only for a short time--long enough to propagate
their species. They rarely fly during the day, only showing themselves
in the evening. The group is dispersed over nearly all parts of the
world, and may be recognised by the antennæ generally being cut like
the teeth of a comb in the males, by their thick, strong bodies, and,
in the majority of cases, by their large head, by their wings more or
less large, and by their heavy flight.
[Illustration: Fig. 200.--Larva of the Poplar Hawk-Moth (_Smerinthus
populi_).]
In the _Bombycina_ are found the genera _Sericaria_, _Attacus_,
_Bombyx_, _Orgyia_, _Liparis_, &c.
It is to the genus _Bombyx_ that the silkworm belongs, that celebrated
insect called by Linnæus _Bombyx mori_, a name which reminds us at the
same time of its most ancient denomination, and of the mulberry tree,
on which these caterpillars feed.
M. Guérin-Méneville has called the silkworm "the dog of insects," for
it has been domesticated from the most ancient times, and has become
deprived of great part of its strength in the process. The moth of the
silkworm can no longer keep its position in the air, or on the leaves
of the mulberry when they are agitated by the wind. It can no longer
protect itself, under the leaves, from the burning heat of the sun and
from its enemies. The female, always motionless, seems to be ignorant
of the fact that she has wings. The male no longer flies; he flutters
round his companion, without quitting the ground. It ought, however,
to be possessed in the wild state of a sufficiently powerful flight.
M. Ch. Martins found that after three generations reared in the open
air, the males recovered their lost power.
Before speaking of the different phases of the life of the silkworm
and the rearing of this precious insect, we will notice the origin and
progress of the silk trade, one of the most important branches of
commerce in the South of Europe and in the East.
The native country of the silkworm is not better known than that of
the greater number of plants and animals which form the staple of
agricultural industry. Probably, however, it was China. It was
certainly in this vast empire that long since the business of
fabricating silk began. One reads the following in "L'Histoire
générale de la Chine," by M. Mailla:--
"The Emperor Hoang-ti, who lived 2,600 years before our era, wished
that Si-ling-chi, his wife, should contribute to the happiness of his
people; he charged her to study the silkworm, and to try to utilise
its threads. Si-ling-chi caused a great quantity of these insects to
be collected, which she fed herself in a place destined exclusively
for the purpose; she not only discovered the means of rearing them,
but still further the manner of winding off their silk and of
employing it in the manufacture of fabrics."
It may be asked, however, if the learned men who composed this recital
did not collect under the reign of the emperor Hoang-ti all the events
and all the discoveries whose dates were lost in the obscurity of the
most remote periods of history. Is not the Empress Si-ling-chi a
mythical person? a sort of Chinese Ceres, to whom, under the title of
goddess of the silkworm, they then raised altars?
Here, at any rate, is how Duhalde[50] analyses the recital of the
Chinese annalists on the remarkable fact of the introduction of the
silkworm and its rich products into the Chinese empire:--
[50] "Description de la Chine," tome ii., p. 205.
"Up to the time of this queen (Si-ling-chi)," says he, "when the
country was only lately cleared and brought into cultivation, the
people employed the skins of animals as clothes. But these skins were
no longer sufficient for the multitude of the inhabitants; necessity
made them industrious; they applied themselves to the manufacture of
cloth wherewith to cover themselves. But it was to this princess that
they owed the useful invention of silk stuffs. Afterwards, the
empress, named by Chinese authors, according to the order of their
dynasties, found an agreeable occupation in superintending the
hatching, rearing, and feeding of silkworms, in making silk, and
working it up when made. There was an enclosure attached to the palace
for the cultivation of mulberry trees.
"The empress, accompanied by queens and the greatest ladies of the
court, went in state into this inclosure, and gathered with her own
hand the leaves of three branches which her ladies in waiting had
lowered till they were within her reach; the finest pieces of silk
which she made herself, or which were made by her orders and under her
own eye, were destined for the ceremony of the grand sacrifice offered
to Chang-si. (PLATE V.)
"It is probable," adds Duhalde, "that policy had more to do than
anything else with all this trouble taken by the empresses. Their
intention was to induce, by their example, the princesses and ladies
of quality, and the whole people, to rear silkworms: in the same way
as the emperors, to ennoble in some sort agriculture, and to encourage
the people to undertake laborious works, never failed, at the
beginning of each spring, to guide the plough in person, and with
great state to plough up a few furrows, and in these sow some seed.
"As far as concerns the empresses, it is a long time since they have
ceased to apply themselves to the manufacture of silk; one sees,
nevertheless, in the precincts of the imperial palace, a large space
covered with houses, the road leading to which is still called the
road which leads to the place destined for the rearing of silkworms,
for the amusement of the empresses and queens. In the books of the
philosopher Mencius, is a wise police rule, made under the first
reigns, which determines the space destined for the cultivation of
mulberry trees, according to the extent of the land possessed by each
private individual."
M. Stanislas Julien[51] tells us of many regulations made by the
Emperor of China, to render obligatory the care and attention
requisite to rearing silk.
[51] "Résumé des principaux Traités Chinois sur la Culture des
Mûriers et l'Education des Vers à Soie, traduit par Stanislas
Julien." Paris, imprimerie royale, 1837.
Tchin-iu, being governor of the district of Kien-Si, ordered that
every man should plant fifty feet of land with mulberry trees.[52] The
Emperor (under the dynasty of Witei) gave to each man twenty acres
of land on condition that he planted fifty feet with mulberry
trees.[53] Hien-tsang (who ascended the throne in 806) ordered that
the inhabitants of the country should plant two feet in every acre
with mulberry trees.[54] The first Emperor of the dynasty of Song (who
began to reign about the year 960) published a decree forbidding his
subjects to cut down the mulberry trees.[55]
[52] "Annales de la Dynastie des Liang."
[53] "Annales de la Dynastie des Wei."
[54] "Annales de la Dynastie des Thang."
[55] "Histoire de la Dynastie des Song."
[Illustration: V. The Empress Si-ling-chi gathering Mulberry Leaves.]
By all these means, according to the testimony of M. Stanislas Julien,
the business of the fabrication of silk became general in China. This
great empire soon furnished its neighbours with this precious textile
material, and created for its own profit a very important branch of
commerce.
It was forbidden, under pain of death, to export from China the
silkworm's eggs, or to furnish the necessary information in the art of
obtaining the textile material. The manufactured article only could be
sold out of the empire. It was thus that the Asiatic nations very soon
understood silk; and that in many of their cities they applied
themselves to weaving stuffs of this precious substance. The carpets
and dyed stuffs of Babylon, mixed with gold and silk, enjoyed in
ancient times an unparalleled renown. China was not, however, the only
country that then furnished silk to the towns of Asia Minor. At a very
distant period India sent by her caravans very considerable quantities
of it. M. Émile Blanchard (of the Institute) remarks, however, that
the tissues of India must be made of a different silk from that of
China, that is to say, of a silk of some of those _Bombyces_ of which
the public has been told so much of late years, and of which we shall
have soon to speak.
Silk commanded for centuries a prodigiously high price. In the time of
Alexander its value in Greece was exactly its own weight in gold, and
so it was very parsimoniously employed in silk tissues. These were so
transparent that women who wore them were scarcely covered.
Silk was unknown to the Romans before Julius Cæsar. It was to him that
Rome owed its acquaintance with this new material. He introduced it,
moreover, in a singularly magnificent manner. One day, at a _fête_
given in the Colosseum--a combat of animals and gladiators--the people
saw the coarse tent of cloth, intended to keep off the rays of the
sun, replaced by a magnificent covering of Oriental silk. They
murmured at this gorgeous prodigality, but declared Cæsar a great
man. The introduction of silk among the Romans was the signal for
luxurious expenditure. The patricians made a great display with their
silk cloaks of incalculable value; so that, from the time of Tiberius,
the Senate felt itself called upon to forbid the use of silk garments
to men. Examples of simplicity are sometimes set in high places; thus,
the Emperor Aurelian refused to the Empress Severina so costly a
dress.
The commerce in silk bore doubly hard upon Europe, both on account of
the value of the material and of the great use which was made of it.
Persia was the emporium, and had the monopoly of this merchandise. The
Emperor Justinian I., who reigned at Constantinople from A.D. 527 to
565, tried all the means within his power of freeing his States from
this ruinous tyranny, when a circumstance occurred, very fortunately
for the national commerce, which brought about the introduction into
Europe of sericulture, or the cultivation of silk.
Two monks of the order of St. Basil, in their ardour for the
propagation of the faith, had pushed forwards into China. There they
had been initiated into the operations which furnished the fabric so
highly prized. On their return to Constantinople, and hearing of the
project that Justinian entertained of depriving the Persians of the
monopoly in silk, the two monks proposed to the Emperor to enrich his
state by introducing the art of fabricating this material. The
proposition was greedily accepted, and the two monks returned again to
China, with the object of procuring the eggs of the insect. Having
arrived at the end of their journey, they succeeded in getting
possession of a quantity of silkworms' eggs. They hid them between the
knots of their sticks, and started back to their native country,
without being once interfered with. Two years afterwards they
re-entered Constantinople with their precious booty.[56] The larva
were fed on mulberry leaves. Immediately afterwards began the rearing
of the worms and the preparation of the silk, according to the
instructions given by these courageous travellers. The first broods
succeeded perfectly, and so plantations of mulberry trees were seen to
multiply and spread through the whole extent of the Eastern Empire. It
was, above all, in Southern Greece that this branch of industry
assumed an immense importance. It was then the Peloponnesus lost its
old name, and was called the Morea, from the Latin name for
"mulberry," _morus_.[57]
[56] According to M. de Gasparin, author of an excellent "Essai
sur l'Histoire de l'Introduction des Vers à Soie en Europe"
(Paris, in 8vo, 1841), it was not into China, but only into
Tartary, to Serinda, that the two monks went in search of the
silkworms' eggs (pp. 37-39). It must be supposed that the eggs
did not hatch for two years, being in such interesting company.
[57] Others derive the name from _more_, the Slavonic word for
the sea. See "On the Study of Words," by Abp. Trench.--ED.
Constantinople and Greece, during centuries, furnished the whole of
Europe with silkworms. This diffusion, however, was effected very
slowly. The Greeks attached great importance to retaining the
monopoly, and the emperor Justinian had caused to be established at
Constantinople itself silk manufactories, where the most skilful
artificers of Asia, who were forbidden to reveal the various processes
to strangers, worked.
Towards the beginning of the eighth century the Arabs introduced the
silkworm into Spain. But this industry remained confined within narrow
limits. It was in fact not till after the twelfth century that
sericulture began to spread throughout Europe. Roger, King of the Two
Sicilies, possessing a navy that commanded the Mediterranean, employed
it chiefly in making excursions and conquests. He ravaged Greece, and,
not satisfied with the booty he carried away from that unfortunate
country, wished still further to deprive them, for the good of his own
kingdom, of the silk monopoly, the source of their riches. Roger
carried away into Sicily and Naples a great number of prisoners,
amongst whom were some weavers and men who had devoted themselves to
the rearing of silkworms. In 1169 he established these workmen in
houses adjoining his own palace at Palermo. There they dyed the silk
of different colours, and mixed it with gold, pearls, and precious
stones.
From Sicily the art of preparing silk spread over the rest of Italy.
In 1204 the workers in silk constituted themselves into a syndicate at
Florence. It is not, however, till 1423--more than two hundred years
after the introduction of this branch of industry into Italy--that we
find the first mention of the cultivation of the mulberry tree in
Tuscany. In 1440 each Tuscan peasant was forced to plant at least five
mulberry trees on the land he cultivated. In 1474 the commerce in silk
fabrics with all parts of the world had become extremely prosperous at
Florence. In 1314 the Venetian manufactures began to assume much
importance. Three thousand workers in silk were then established in
Venice.
Without dwelling longer on the propagation of the silk trade in Italy,
let us pass on to its establishment in France. It was in 1340 that
some French gentlemen, who had stayed some time in Naples, planted in
Avignon the first mulberry trees.[58] According to Olivier de Serres,
it was not introduced till much later into Dauphiné. It was not
introduced into Alan, near Montelimart, till 1495, by the Seigneur
Guyape de Saint-Aubain.[59] Louis XI. made great efforts to develop
the silk trade in France, by inviting over Italian workmen; and they
began under his reign to fabricate silks in Touraine and Lyons.
Francis I. greatly developed the trade of Lyons. In 1554, under Henry
II., the masters and men employed in the manufacture of gold, silver,
and silk in Lyons were twelve thousand in number. Under Henry II. were
planted the mulberry trees of Bourdezière, Tours, Chenonceaux,
Toulouse, and Moulins. These plantations, however, were of very small
extent. They were not the result of a general and truly popular
effort; moreover, civil war came very soon, and turned men's minds
away from the isolated attempts of some few private individuals.
Sericulture, in fact, did not assume any great importance in France
till the reign of Henry IV.
[58] De Gasparin, "Essai sur l'Introduction des Vers à Soie en
Europe," p. 70.
[59] "Théâtre d'Agriculture d'Olivier de Serres," tome ii., p.
158. In 8vo.
This king saw with grief considerable sums of money leaving France
each year for the purchase of raw silk or of silk stuffs. Two men
marvellously furthered his project of encouraging the silk trade. One
of these men was Barthelemy Laffemas, called _Beausemblant_. For a
long time he had been writing memoir upon memoir, to demonstrate the
advantages to be derived from the plantation of the mulberry tree in
France; and he tells us that silkworms were then raised with success
at Nantes, at Poissy, and even at Paris. The second supporter whom
Henry IV. found in the propagation of sericulture was a man
distinguished in a very different way from that of M. Laffemas. This
was Olivier de Serres, the author of the "Théâtre de l'Agriculture;"
he whom Henry IV. called his _lord and master in agriculture_. Olivier
de Serres was the first among his countrymen who had published
instructions regarding the cultivation of mulberry trees and the
rearing of silkworms. Henry IV., who had noticed his writings, called
him to Paris; and, on his solicitation, caused twenty thousand
mulberry trees and a great quantity of silkworms' eggs, of which a
distribution was made over the whole of France, to be imported from
Italy. From that moment, sericulture was propagated rapidly in the
Cévennes, in Provence, in Languedoc, in Touraine, and many other
provinces. Mulberry trees were planted at Fontainebleau, in the royal
park of Tournelles, and even in the Tuileries, where an Italian lady,
named Julle, reared silkworms for Henry IV.
Notwithstanding this great impulse, sericulture dwindled away on the
death of that king. It received a fresh impulse under Colbert, the
great minister, who succeeded in creating the spirit of commerce and
trade in France. New manufactories were established, and plantations
of mulberry trees formed in many of the provinces. All this progress
was suddenly brought to a standstill by the iniquitous revocation of
the Edict of Nantes, which deprived France of her leading commercial
men. Driven from their own country, the Protestant families of the
Cévennes established abroad silk manufactories, the fabrics of which
rivalled those of French production.
In the eighteenth century the intendants of the provinces tried, but
with very slight success, to give a fresh impetus to sericulture in
France. The Abbé Boissier de Sauvages published, about 1760, some
works, which prove him to have been a patient observer, an accurate
reasoner, and a clever rearer of silkworms. Boissier de Sauvages is
the father of modern silk-culture. During the first Revolution, men's
minds were occupied with graver subjects than the cultivation of the
mulberry tree. But, on the return of peace, they got to work again on
all sides. In 1808, the minister Chaptal estimated the weight of the
cocoon harvest at between five or six thousand kilogrammes; whilst the
invention of the Jacquard loom gave an immense impulse to the weaving
of silk stuffs. Amongst those who introduced and benefited the art of
sericulture, we must not forget Dandolo. Dandolo, who was born at
Venice in 1758, and died in 1819, was the first who, at the beginning
of this century, applied himself seriously to the amelioration of the
processes employed in the cultivation of silk. He endeavoured to
regulate the temperature, to introduce more order into the
distribution of the food to the worms, to have more spacious premises,
and to have these properly ventilated.
Now we are on this subject, we must mention the names of those who at
the present day have rendered important services to sericulture--such
as M. Camille Beauvais, who raised silkworm rearing from the
inactivity into which it had been plunged; M. Eugène Robert, who
founded in the south of France the first successful silkworm nursery;
M. Guérin-Méneville, who has devoted his life to the study of the same
question, and to whom Europe owes the introduction and the
acclimatisation of some species which will render us, perhaps, one day
very great services; and lastly, M. Robinet, who has elucidated
several practical questions in the art of sericulture. In bringing to
a close this rapid historical epitome, we will state that France
consumes annually 30,000 kilogrammes of silkworms' eggs, each
kilogramme being at the present time worth from 300 to 500 francs,
and even more. The value of manufactured silks represents annually
about 8,000,000 francs; and we find by official statistics that France
exported in 1863 silk stuffs to the value of 384,000,000 francs. This
immense trade shows how much silk is now-a-days everywhere
appreciated; in those numerous tissues called taffeta, satin, and
velvet, each of which seems to have a charm--a peculiar attraction.
The consistency of the stuff, the smoothness, the softness of surface,
the manner in which silk receives colours, the brightness, fineness,
power of reflecting, the rustling, the light or heavy folds,--all
these are beauty, elegance, and luxury, in whatever way these words
are understood.
The _Bombyx mori_ has, however, nothing alluring in its appearance.
Other caterpillars of the genus _Bombyx_ have brilliant liveries; they
are adorned with spots, blue as sapphires, green as emeralds, red as
rubies, but produce threads without brightness and fineness. The
humble silkworm, in a white blouse, like a workman, has nothing
brilliant in its dress, and yet it gives to the whole world its most
beautiful and gorgeous array. The body of the silkworm is composed of
thirteen distinct segments. In front are three pairs of articulated
legs, which will become later those of the moth. In the middle and
towards the posterior part, are five pairs of membranous legs,
furnished with a circle of very fine bristles, which assist the animal
to hook itself on to leaves and stalks. On the two sides of its body
are eighteen stigmata, or respiratory mouths.
The head of the silkworm is remarkable; it is scaly, horny, and formed
of one single piece. The mouth is provided with six small articulated
pieces. Below is a simple blade, the upper lip, having in its middle a
hollow, into which the animal causes the edge of the leaf it is
gnawing to enter, and holds it thus without any exertion. Underneath
the lip are inserted two large jaws, which cut the leaf as a pair of
scissors. Underneath, some weaker jaws divide the fragments, and a
little organ, articulated on to each jaw, that is to say, a palpus,
pushes them back towards the mouth, and prevents the smallest particle
of the leaf from falling. And lastly, in the space comprised between
the two jaws, is an under-lip, which completely closes the mouth
below. At the extremity of this piece may be seen a little
prolongation, a sort of papilla, pierced with a hole, which is the
orifice that gives issue to the silky thread.
The organs which serve for the elaboration and emission of the silk
have a peculiar interest for us. If we dissect a silkworm under water,
we succeed, sooner or later, after having removed the outer parts, in
laying bare a double apparatus, placed along the two sides of the
intestinal canal and below it. This is the apparatus which secretes
the silk; it is the double silk-bearing gland. Each one of these
glands is composed of a tube formed of three distinct parts (Fig.
201). The part which is nearest to the tail of the worm is a bent
tube, A B C, of a thirtieth of an inch in diameter, and about nine
inches in length, twisted a great many times into irregular zig-zags.
This part of the silk-producing organ is continued in an enlarged
portion, D E, which is the reservoir of the silky matter. To the
extremity, E, of this reservoir, is attached another capillary tube, E
F. These two capillary tubes, proceeding from the two glands, unite
together like two venous trunks, as the plate shows, in one single,
short canal, F, which opens in the mouth of the worm, at its
under-lip.
[Illustration: Fig. 201.--Silk secreting apparatus.]
It is in the narrow hinder tubes that the silky matter is formed. It
collects in the swollen part, D E, which is, properly speaking, the
reservoir; and remains there in the glutinous state. Having reached
the capillary tubes, it begins to assume consistency, and forms two
threads, which are united together at the point of junction of the
tubes, and come out through the orifice, with the appearance of a
single thread, to be conducted and directed by the animal to those
points it has selected.
It was hoped that by taking from the body of the worm the viscous
matter contained in the glands, silk could be formed. But this hope
was disappointed. It was found possible, it is true, to take the silk
out; to draw it out into threads more or less fine; but up to this
time it has only been possible in this way to obtain a matter which,
when dried, more or less resembles catgut, and is easily enough spoilt
by water.
The viscous substance contained in the glands must then be elaborated
by the insect itself. When it arrives in the conduit common to the
capillary tubes, under the form of a thread, it is impregnated with a
sort of varnish, which is poured into them from two neighbouring
glands. The varnish unites the two threads into one single thread, and
imparts to it the brilliancy of silk, and the property of resisting
the action of water. It is during the last phases of the worm's
development that the silky matter becomes abundant in the glands. At
this period the animal eats much; and it is certain that the substance
to be converted is furnished by the leaf of the tree on which the
insect feeds.
In consequence of this having been remarked, some manufacturers have
attempted to obtain their silk directly from the mulberry leaf; but
they only get a bad floss or refuse silk. This is because the silk is
not formed in the mulberry leaf. The organs of insects are
laboratories, in which manipulations unknown to man are carried on,
manipulations which he has not been able to imitate.
After this rapid glance at the fundamental parts of the organism of
the silkworm, we will occupy ourselves with the natural history,
properly so called, of this insect, and with its rearing, carried on
with a view to the production of silk.
As belonging to the first part of this programme, we have to speak of
the _moult_, of the _ages_ of the silkworm, of its maturity, of its
_mounting_ or _ascending season_, of the formation of the cocoon, of
the chrysalis, of the moth, and the eggs.
[Illustration: Fig. 202.--Head of the Silkworm during moulting.]
[Illustration: Fig. 203.--Position of Silkworm while moulting.]
The name moult has been given to a sort of crisis during which the
renewing of the skin of larvæ takes place. When it approaches, the
silkworm changes its colour. Its robe, which was white or grey, and
opaque, becomes yellow and somewhat transparent. The head swells
considerably, especially above, and the skin becomes wrinkled (Fig.
202). The worm then fasts, and prepares to cast its skin. It places
here and there some silk threads on the surrounding objects. It then
slips under these threads, so that during its movements the old skin
which it will abandon is, so to speak, gathered up. It then assumes a
peculiar position, that represented in Fig. 203, and remains in it in
a state of immobility which has been called sleep (_sommeil_).
During this sleep the new skin is formed under the old. A liquid oozes
forth between the two membranes which separates them, and allows the
silkworm to leave its old skin. To effect this, the worm begins by
raising its head, and by making contortions. The old skin splits round
the muzzle, or snout, on the head and back; then by different
movements the animal emerges from its skin, which remains held up by
the silken threads. The duration of the time occupied in moulting
varies with the degree of the heat or humidity of the atmosphere; but
in general the state of _sleep_ lasts from twelve to twenty-four
hours. One hour after the crisis the worm begins again to eat.
[Illustration: Fig. 204.--Egg and first age.]
The _ages_ of the silkworm are the periods of time which elapse
between one moult and another. If we observe some silkworms when the
temperature is favourable, we shall find that there are four moults,
and consequently five ages. At the first age (Fig. 204), the silkworm
is black and hairy; then of a nut colour at the moment when the first
moult is going to take place. "The appearance presented by these worms
collected together on a leaf," says Dandolo, "is that of a downy
surface of a dark chestnut colour, in the midst of which one sees
nothing but a movement of little animals having their heads raised,
working them about, and presenting black, shiny muzzles. Their bodies
are completely covered with hairs arranged in straight lines, between
which one perceives along the whole length of the body other longer
hairs."[60]
[60] "L'Art d'élever les Vers à Soie," par le Comte Dandolo.
In 8vo. 2e édition. Lyon, 1825.
[Illustration: Fig. 205.--Second age.]