IV

Monday morning at Julian’s, students fought for places; students with

prior claims drove away others who had been anxiously squatting on

coveted tabourets since the door was opened in hopes of appropriating

them at roll-call; students squabbled over palettes, brushes,

portfolios, or rent the air with demands for Ciceri and bread. The

former, a dirty ex-model, who had in palmier days posed as Judas, now

dispensed stale bread at one sou and made enough to keep himself in

cigarettes. Monsieur Julian walked in, smiled a fatherly smile and

walked out. His disappearance was followed by the apparition of the

clerk, a foxy creature who flitted through the battling hordes in

search of prey.

Three men who had not paid dues were caught and summoned. A fourth was

scented, followed, outflanked, his retreat towards the door cut off,

and finally captured behind the stove. About that time, the revolution

assuming an acute form, howls rose for “Jules!”

Jules came, umpired two fights with a sad resignation in his big brown

eyes, shook hands with everybody and melted away in the throng, leaving

an atmosphere of peace and good-will. The lions sat down with the

lambs, the massiers marked the best places for themselves and friends,

and, mounting the model stands, opened the roll-calls.

The word was passed, “They begin with C this week.”

They did.

“Clisson!”

Clisson jumped like a flash and marked his name on the floor in chalk

before a front seat.

“Caron!”

Caron galloped away to secure his place. Bang! went an easel. “_Nom de

Dieu_!” in French,—“Where in h—l are you goin’!” in English. Crash!

a paintbox fell with brushes and all on board. “_Dieu de Dieu de_—”

spat! A blow, a short rush, a clinch and scuffle, and the voice of the

massier, stern and reproachful:

“Cochon!”

Then the roll-call was resumed.

“Clifford!”

The massier paused and looked up, one finger between the leaves of the

ledger.

“Clifford!”

Clifford was not there. He was about three miles away in a direct line

and every instant increased the distance. Not that he was walking

fast,—on the contrary, he was strolling with that leisurely gait

peculiar to himself. Elliott was beside him and two bulldogs covered

the rear. Elliott was reading the “Gil Blas,” from which he seemed

to extract amusement, but deeming boisterous mirth unsuitable to

Clifford’s state of mind, subdued his amusement to a series of discreet

smiles. The latter, moodily aware of this, said nothing, but leading

the way into the Luxembourg Gardens installed himself upon a bench

by the northern terrace and surveyed the landscape with disfavour.

Elliott, according to the Luxembourg regulations, tied the two dogs and

then, with an interrogative glance toward his friend, resumed the “Gil

Blas” and the discreet smiles.

The day was perfect. The sun hung over Notre Dame, setting the city

in a glitter. The tender foliage of the chestnuts cast a shadow over

the terrace and flecked the paths and walks with tracery so blue

that Clifford might here have found encouragement for his violent

“impressions” had he but looked; but as usual in this period of his

career, his thoughts were anywhere except in his profession. Around

about, the sparrows quarrelled and chattered their courtship songs,

the big rosy pigeons sailed from tree to tree, the flies whirled in

the sunbeams and the flowers exhaled a thousand perfumes which stirred

Clifford with languorous wistfulness. Under this influence he spoke.

“Elliott, you are a true friend—”

“You make me ill,” replied the latter, folding his paper. “It’s just

as I thought,—you are tagging after some new petticoat again. And,”

he continued wrathfully, “if this is what you’ve kept me away from

Julian’s for,—if it’s to fill me up with the perfections of some

little idiot—”

“Not idiot,” remonstrated Clifford gently.

“See here,” cried Elliott, “have you the nerve to try to tell me that

you are in love again?”

“Again?”

“Yes, again and again and again and—by George have you?”

“This,” observed Clifford sadly, “is serious.”

For a moment Elliott would have laid hands on him, then he laughed from

sheer helplessness. “Oh, go on, go on; let’s see, there’s Clémence and

Marie Tellec and Cosette and Fifine, Colette, Marie Verdier—”

“All of whom are charming, most charming, but I never was serious—”

“So help me, Moses,” said Elliott, solemnly, “each and every one of

those named have separately and in turn torn your heart with anguish

and have also made me lose my place at Julian’s in this same manner;

each and every one, separately and in turn. Do you deny it?”

“What you say may be founded on facts—in a way—but give me the credit

of being faithful to one at a time—”

“Until the next came along.”

“But this,—this is really very different. Elliott, believe me, I am

all broken up.”

Then there being nothing else to do, Elliott gnashed his teeth and

listened.

“It’s—it’s Rue Barrée.”

“Well,” observed Elliott, with scorn, “if you are moping and moaning

over _that_ girl,—the girl who has given you and myself every reason

to wish that the ground would open and engulf us,—well, go on!”

“I’m going on,—I don’t care; timidity has fled—”

“Yes, your native timidity.”

“I’m desperate, Elliott. Am I in love? Never, never did I feel so d—n

miserable. I can’t sleep; honestly, I’m incapable of eating properly.”

“Same symptoms noticed in the case of Colette.”

“Listen, will you?”

“Hold on a moment, I know the rest by heart. Now let me ask you

something. Is it your belief that Rue Barrée is a pure girl?”

“Yes,” said Clifford, turning red.

“Do you love her,—not as you dangle and tiptoe after every pretty

inanity—I mean, do you honestly love her?”

“Yes,” said the other doggedly, “I would—”

“Hold on a moment; would you marry her?”

Clifford turned scarlet. “Yes,” he muttered.

“Pleasant news for your family,” growled Elliott in suppressed fury.

“‘Dear father, I have just married a charming grisette whom I’m sure

you’ll welcome with open arms, in company with her mother, a most

estimable and cleanly washlady.’ Good heavens! This seems to have gone

a little further than the rest. Thank your stars, young man, that my

head is level enough for us both. Still, in this case, I have no fear.

Rue Barrée sat on your aspirations in a manner unmistakably final.”

“Rue Barrée,” began Clifford, drawing himself up, but he suddenly

ceased, for there where the dappled sunlight glowed in spots of gold,

along the sun-flecked path, tripped Rue Barrée. Her gown was spotless,

and her big straw hat, tipped a little from the white forehead, threw a

shadow across her eyes.

Elliott stood up and bowed. Clifford removed his head-covering with

an air so plaintive, so appealing, so utterly humble that Rue Barrée

smiled.

The smile was delicious and when Clifford, incapable of sustaining

himself on his legs from sheer astonishment, toppled slightly, she

smiled again in spite of herself. A few moments later she took a chair

on the terrace and drawing a book from her music-roll, turned the

pages, found the place, and then placing it open downwards in her lap,

sighed a little, smiled a little, and looked out over the city. She had

entirely forgotten Foxhall Clifford.

After a while she took up her book again, but instead of reading began

to adjust a rose in her corsage. The rose was big and red. It glowed

like fire there over her heart, and like fire it warmed her heart, now

fluttering under the silken petals. Rue Barrée sighed again. She was

very happy. The sky was so blue, the air so soft and perfumed, the

sunshine so caressing, and her heart sang within her, sang to the rose

in her breast. This is what it sang: “Out of the throng of passers-by,

out of the world of yesterday, out of the millions passing, one has

turned aside to me.”

So her heart sang under his rose on her breast. Then two big

mouse-coloured pigeons came whistling by and alighted on the terrace,

where they bowed and strutted and bobbed and turned until Rue Barrée

laughed in delight, and looking up beheld Clifford before her. His hat

was in his hand and his face was wreathed in a series of appealing

smiles which would have touched the heart of a Bengal tiger.

For an instant Rue Barrée frowned, then she looked curiously at

Clifford, then when she saw the resemblance between his bows and the

bobbing pigeons, in spite of herself, her lips parted in the most

bewitching laugh. Was this Rue Barrée? So changed, so changed that she

did not know herself; but oh! that song in her heart which drowned

all else, which trembled on her lips, struggling for utterance, which

rippled forth in a laugh at nothing,—at a strutting pigeon,—and Mr.

Clifford.

* * * * *

“And you think, because I return the salute of the students in the

Quarter, that you may be received in particular as a friend? I do

not know you, Monsieur, but vanity is man’s other name;—be content,

Monsieur Vanity, I shall be punctilious—oh, most punctilious in

returning your salute.”

“But I beg—I implore you to let me render you that homage which has so

long—”

“Oh dear; I don’t care for homage.”

“Let me only be permitted to speak to you now and

then,—occasionally—very occasionally.”

“And if _you_, why not another?”

“Not at all,—I will be discretion itself.”

“Discretion—why?”

Her eyes were very clear, and Clifford winced for a moment, but only

for a moment. Then the devil of recklessness seizing him, he sat

down and offered himself, soul and body, goods and chattels. And all

the time he knew he was a fool and that infatuation is not love, and

that each word he uttered bound him in honour from which there was no

escape. And all the time Elliott was scowling down on the fountain

plaza and savagely checking both bulldogs from their desire to rush to

Clifford’s rescue,—for even they felt there was something wrong, as

Elliott stormed within himself and growled maledictions.

When Clifford finished, he finished in a glow of excitement, but Rue

Barrée’s response was long in coming and his ardour cooled while the

situation slowly assumed its just proportions. Then regret began to

creep in, but he put that aside and broke out again in protestations.

At the first word Rue Barrée checked him.

“I thank you,” she said, speaking very gravely. “No man has ever before

offered me marriage.” She turned and looked out over the city. After

a while she spoke again. “You offer me a great deal. I am alone, I

have nothing, I am nothing.” She turned again and looked at Paris,

brilliant, fair, in the sunshine of a perfect day. He followed her eyes.

“Oh,” she murmured, “it is hard,—hard to work always—always alone

with never a friend you can have in honour, and the love that is

offered means the streets, the boulevard—when passion is dead. I know

it,—_we_ know it,—we others who have nothing,—have no one, and who

give ourselves, unquestioning—when we love,—yes, unquestioning—heart

and soul, knowing the end.”

She touched the rose at her breast. For a moment she seemed to forget

him, then quietly—“I thank you, I am very grateful.” She opened the

book and, plucking a petal from the rose, dropped it between the

leaves. Then looking up she said gently, “I cannot accept.”

V

It took Clifford a month to entirely recover, although at the end of

the first week he was pronounced convalescent by Elliott, who was an

authority, and his convalescence was aided by the cordiality with

which Rue Barrée acknowledged his solemn salutes. Forty times a day he

blessed Rue Barrée for her refusal, and thanked his lucky stars, and at

the same time, oh, wondrous heart of ours!—he suffered the tortures of

the blighted.

Elliott was annoyed, partly by Clifford’s reticence, partly by the

unexplainable thaw in the frigidity of Rue Barrée. At their frequent

encounters, when she, tripping along the rue de Seine, with music-roll

and big straw hat would pass Clifford and his familiars steering an

easterly course to the Café Vachette, and at the respectful uncovering

of the band would colour and smile at Clifford, Elliott’s slumbering

suspicions awoke. But he never found out anything, and finally gave

it up as beyond his comprehension, merely qualifying Clifford as an

idiot and reserving his opinion of Rue Barrée. And all this time Selby

was jealous. At first he refused to acknowledge it to himself, and

cut the studio for a day in the country, but the woods and fields of

course aggravated his case, and the brooks babbled of Rue Barrée and

the mowers calling to each other across the meadow ended in a quavering

“Rue Bar-rée-e!” That day spent in the country made him angry for

a week, and he worked sulkily at Julian’s, all the time tormented

by a desire to know where Clifford was and what he might be doing.

This culminated in an erratic stroll on Sunday which ended at the

flower-market on the Pont au Change, began again, was gloomily extended

to the morgue, and again ended at the marble bridge. It would never do,

and Selby felt it, so he went to see Clifford, who was convalescing on

mint juleps in his garden.

They sat down together and discussed morals and human happiness, and

each found the other most entertaining, only Selby failed to pump

Clifford, to the other’s unfeigned amusement. But the juleps spread

balm on the sting of jealousy, and trickled hope to the blighted, and

when Selby said he must go, Clifford went too, and when Selby, not

to be outdone, insisted on accompanying Clifford back to his door,

Clifford determined to see Selby back half way, and then finding it

hard to part, they decided to dine together and “flit.” To flit, a verb

applied to Clifford’s nocturnal prowls, expressed, perhaps, as well

as anything, the gaiety proposed. Dinner was ordered at Mignon’s, and

while Selby interviewed the chef, Clifford kept a fatherly eye on the

butler. The dinner was a success, or was of the sort generally termed

a success. Toward the dessert Selby heard some one say as at a great

distance, “Kid Selby, drunk as a lord.”

A group of men passed near them; it seemed to him that he shook hands

and laughed a great deal, and that everybody was very witty. There

was Clifford opposite swearing undying confidence in his chum Selby,

and there seemed to be others there, either seated beside them or

continually passing with the swish of skirts on the polished floor.

The perfume of roses, the rustle of fans, the touch of rounded arms

and the laughter grew vaguer and vaguer. The room seemed enveloped in

mist. Then, all in a moment each object stood out painfully distinct,

only forms and visages were distorted and voices piercing. He drew

himself up, calm, grave, for the moment master of himself, but very

drunk. He knew he was drunk, and was as guarded and alert, as keenly

suspicious of himself as he would have been of a thief at his elbow.

His self-command enabled Clifford to hold his head safely under some

running water, and repair to the street considerably the worse for

wear, but never suspecting that his companion was drunk. For a time he

kept his self-command. His face was only a bit paler, a bit tighter

than usual; he was only a trifle slower and more fastidious in his

speech. It was midnight when he left Clifford peacefully slumbering

in somebody’s arm-chair, with a long suede glove dangling in his hand

and a plumy boa twisted about his neck to protect his throat from

drafts. He walked through the hall and down the stairs, and found

himself on the sidewalk in a quarter he did not know. Mechanically

he looked up at the name of the street. The name was not familiar.

He turned and steered his course toward some lights clustered at the

end of the street. They proved farther away than he had anticipated,

and after a long quest he came to the conclusion that his eyes had

been mysteriously removed from their proper places and had been reset

on either side of his head like those of a bird. It grieved him to

think of the inconvenience this transformation might occasion him, and

he attempted to cock up his head, hen-like, to test the mobility of

his neck. Then an immense despair stole over him,—tears gathered in

the tear-ducts, his heart melted, and he collided with a tree. This

shocked him into comprehension; he stifled the violent tenderness in

his breast, picked up his hat and moved on more briskly. His mouth was

white and drawn, his teeth tightly clinched. He held his course pretty

well and strayed but little, and after an apparently interminable

length of time found himself passing a line of cabs. The brilliant

lamps, red, yellow, and green annoyed him, and he felt it might be

pleasant to demolish them with his cane, but mastering this impulse he

passed on. Later an idea struck him that it would save fatigue to take

a cab, and he started back with that intention, but the cabs seemed

already so far away and the lanterns were so bright and confusing that

he gave it up, and pulling himself together looked around.

A shadow, a mass, huge, undefined, rose to his right. He recognized

the Arc de Triomphe and gravely shook his cane at it. Its size annoyed

him. He felt it was too big. Then he heard something fall clattering

to the pavement and thought probably it was his cane but it didn’t

much matter. When he had mastered himself and regained control of

his right leg, which betrayed symptoms of insubordination, he found

himself traversing the Place de la Concorde at a pace which threatened

to land him at the Madeleine. This would never do. He turned sharply

to the right and crossing the bridge passed the Palais Bourbon at

a trot and wheeled into the Boulevard St. Germain. He got on well

enough although the size of the War Office struck him as a personal

insult, and he missed his cane, which it would have been pleasant

to drag along the iron railings as he passed. It occurred to him,

however, to substitute his hat, but when he found it he forgot what

he wanted it for and replaced it upon his head with gravity. Then he

was obliged to battle with a violent inclination to sit down and weep.

This lasted until he came to the rue de Rennes, but there he became

absorbed in contemplating the dragon on the balcony overhanging the

Cour du Dragon, and time slipped away until he remembered vaguely that

he had no business there, and marched off again. It was slow work.

The inclination to sit down and weep had given place to a desire for

solitary and deep reflection. Here his right leg forgot its obedience

and attacking the left, outflanked it and brought him up against a

wooden board which seemed to bar his path. He tried to walk around

it, but found the street closed. He tried to push it over, and found

he couldn’t. Then he noticed a red lantern standing on a pile of

paving-stones inside the barrier. This was pleasant. How was he to get

home if the boulevard was blocked? But he was not on the boulevard. His

treacherous right leg had beguiled him into a detour, for there, behind

him lay the boulevard with its endless line of lamps,—and here, what

was this narrow dilapidated street piled up with earth and mortar and

heaps of stone? He looked up. Written in staring black letters on the

barrier was

The King in Yellow · 第 62 / 63 题