I hope you're not laughing at me.

* * * * *

After all, when you remember what number is, what's happening follows

naturally. Number's a language we use to blaze our way through the

wood of reality. Without number we couldn't say what is more or less

probable, we couldn't signpost our path. But using number is like

trying to detect the emission of a photon without having to receive

that photon. The difficulty lies in trying to get number at least

one remove from the font of all language--the human mind. Possibly

we'll come closest to order, be at one with reality, when we can order

number--at the level of statistical probability--to be truly random, at

one with chaos.

At any rate, there you have it. I'd like to go into greater detail but

I'm afraid to.

Before my phone numbers up and atted 'em I was content merely to tune

out the noisome and the fulsome and sigh to myself, "That's life. You

ask for beer and get water."

That is, I thought I was content.

It's only now that I'm getting beer with an egg in it that I realize

how passionately I hated the way things were and how passionately I'd

hate to have to go back to that way.

I don't know how long this phenomenon will go on but while it lasts I

mean to make the most of it.

I unashamedly enjoy watching the expression of bewildered enthusiasm on

everyone's face. That expression is there because everyone listens to

and looks at what the polls tell him is popular and because everyone

tells himself he likes it because "everyone" likes it.

But in some respects my feelings are more uncertain. I'm glad and

at the same time sorry for the longhair musicians. It seems more

embarrassing than pleasing to them to find themselves suddenly the

idols of bobby-soxers. I try not to think of Stravinsky barricading

himself against the adulating adolescents souveniring him to his

underwear.

As you can see, I've had to harden my heart. (It's tempting to say I've

had to become number.) And I intend to be even more ruthless.

I'm planning, for example, to place on the Hit Parade Dhaly's _Concerto

in Alpha Wave for Oscillograph and Woodwinds_.

That's why I'm being exceedingly careful to leave nothing to chance.

Though this document is sort of a hostage to fortune, I'm taking into

account the possibility that I might lose it while commuting and that

it might fall into the hands of some unsympathetic contemporary. So I'm

not writing down my phone numbers or my name. I want to keep the lines

clear for the pollsters.

Note for a time capsule · 第 5 / 5 题