Eccelin of Padua, 35.
Ecu, derivation of, 230.
Edify, meaning of word in "Charity edifieth," 30.
Education, aim of, morality not knowledge, 212.
" a matter of feeling, not of knowledge, 179.
" competition in, 212.
" conception of chivalry as an influence in, 239.
" means power of true sight, animals, man, God, 175-6.
" modern architecture and, 202.
" modern, 120.
" " its error and toilsomeness, _ib._
" national, 94.
" science as an instrument of, 65.
" sympathy essential to learning, 236.
" true, brings delight in seeing things, 177.
" " summed in enjoyment, _ib._
Effort in study, how far necessary, 2.
Egeri, lakes of, 199.
Egret, the leper, 174.
Egyptian leopard, of what typical, 125.
" plagues, 118.
Elgin marbles, as models for students, 162.
Elis, coins of, 157.
Elizabeth, Queen, arms given to Sir F. Drake by, 235.
Embassy, heraldic sign of, 235, 2.
Emerson, on distinctive class dress, 221, _n._
Emulation in art, 90.
England, and America, relations of, 79.
" chivalry of, led by Richard Cœur de Lion, 240.
" Church of, 73.
" colonisation by, 94.
" glory and power of old, 203.
" misery of modern, its fallen temper, 203.
" power of help in, 36.
" prudence of the English as a nation, 24.
" schools of, the, 6.
Engraving, lines in, representative of colour, 152.
Enjoyment and Achievement, 85.
ἐπιστήμη, 8.
Erie, Lake, 70.
Ermine, the, 225.
Etheldreda's, St., "bend" (heraldic), 235.
Ethics and art, 18.
See s. _Actions_, _Aims_, _Amusement_, _Behaviour_, _Character_,
_Chivalry_, _Dancing_, _Education_, _Evil_, _Imagination_,
_Intemperance_, _Passions_.
Etruscan helmet derived from horse's head, 227.
Euclid quoted, 124.
Evil correlative with good, 17.
Examinations, frequent, an error of modern education, 177.
Experiments in art, 123.
Eye, "if thine eye be evil," 106.
Eyes, different kinds of, 107.
" noble and ignoble, 122.
" not telescopes, 99.
Faculties of art, science and literature, in extreme, 10.
Failure, effect of, on author, 31.
Faith, heraldic sign of, 235, 2.
Famine, in Persia, 36.
Fascia, origin of fesse, 235.
Fesse, the heraldic, 235.
"Fiat lux, fiat anima," 97-8.
Fields, in London, 72.
Film, nature of, a difficult study, 134.
Flasque, the heraldic, 235.
Fleet Street, 61.
Florence, the Duomo of, 138.
" schools of, 159.
Flowers, loss of rare, nowadays, 34.
Fog, in England, 130.
Folly, in art, Lect. i., and ii.
" in science, 20, _seq._
" vanity of, 40.
Forgiveness, the sin for which there is no, 169.
Fortification, heraldic sign of, 235, 9.
Fortitude, her shield, 230.
France, chivalry of, led by Roland, 240.
" Germany and, their relations, 79.
French art, dexterity in, effect of, 89.
" use of colour, in art schools, deadly, 96, 114.
French plays. See s. _Frou-frou_.
Fresco-painting, 226.
Frogs at Iffley, 118.
_Frou-frou_, play of, its effect on author, 72.
" statement as to, by a French lady, 72.
Furres, heraldic meaning of, 225.
Gaiety Theatre, dancing at, 14.
Game and carrion, choice of, 11, 36.
Gaslight, work done by, 104.
Gentiles, meaning of the word, 170.
Gentleness and kindness, alike in derivation, 170.
Geology, Silurian and Permian systems of, 160.
Geometry and art, 96.
" meaning of the word, _ibid._
George III., portrait of daughter of, by Reynolds, 151.
German erudition, effect on art of, 89.
Germany and France, relations of, 79.
Ghent, workmen at, 93.
Ghirlandajo, read in his frescoes, 226.
Giesbach, author at the, (1870), 101.
Giotto, "paint me my arms" anecdote, 209.
" simplicity of, _pref._ vii.
Gladstone (W. E.), at Nat. Assoc. for Soc. Science, 63.
Glass, painting on, a lost art, 33.
" " orange _v._ purple in, 226.
" " at Iffley, 118.
God, birds' praise of, 61.
" man's honouring of, 55.
" " relation to, 30.
" universal idea of, as Light, 116.
Goethe, Faust quoted, 62.
Good and evil, in art, 17.
Gothic art, modern imitations of, purposely wrong to nature, 145.
" " its scientific side and basis, 137.
" " its sense of strength, 137.
" shield, 230.
Gould, Mr., the ornithologist, 48.
" " his account of the lesser egret, 174.
Grallatores, birds called, 187.
Great men, their greatness in their aim, not their actions, 214.
Greece, sources and nature of her power, 167-8.
" Switzerland and, a district of each compared, 109.
Greek armour, 231.
" " helmet = horse's head, 227.
" " shield, 230.
" classification of birds, 189.
" idea of God as Light, 116.
" mythology, 95.
" patronymics, meaning of, 168.
" vase, dog painting on a, 151.
" vases, Sir Wm. Hamilton on, 139.
Gremium, the, of Christ and the Madonna in art, 235.
"Greta and Tees," Turner's, 69, 70.
Guillim's "Heraldry" quoted, 234, n.
Guillotine and mitrailleuse, 34.
Gules, 226.
Gull, the "swimmer" of birds, 188.
Gun-cotton, 33.
Gyron, the heraldic, 235.
Halcyon days, meaning of, 192.
---- the, its feathers, 185.
" " Greek notices of, 190 seq.
" " myth of, and death, 199.
" " Scholiasts' description of, 197.
" " story of, 172 seq.
Hamilton, Sir W., on Greek verses, 139.
Happiness, in Aristotle, 19.
Hawk, the "snatcher" of birds, 188.
Health, "mens sana, &c.," 68.
" of heart, _ibid._
Heat, a mode of motion, 100.
Helen, in the "Iliad," 168.
Helmet, earliest idea of the, 224.
" Greek and Etruscan, derived from horse's head, 227.
Helps, Sir A., his "War and Culture" quoted, 208.
Helps, Sir A., his "War and Culture," dedicated to author, _ib._
Hera, 190.
Heraldry, a despised science, 173.
" aim of, 207.
" author's drawings of, 112.
" distinct meaning of crest and arms, 228.
" dress and, 225.
" function of, 210.
" Greek and Gothic, 230 _seq._
" importance to art of, 173.
" natural types in, 229.
" power of, 47.
" teaching of, 171.
" the heraldic ordinaries, Lect. x., 235.
" their symbolism, 236.
" use in teaching colour, 114.
See s. _Armorial bearings_, _Bend_, _Chevron_, _Chief_, _Crest_,
_Cross_, _Drummond_, _Embassy_, _Fesse_, _Furres_, _Guillim_,
_Gules_, _Gyron_, _Helmet_, _Ordinaries_, _Orle_, _Quartering_,
_Red_, _Varie_, _Verrey_.
Hercules, 75.
" his death, 199.
" lion's skin, and, 229.
" the, of Switzerland, 199.
" type of what, 224.
Hereditary skill to be cherished, 94.
Heron, the stilt-walker of birds, 188.
Hincksey, author walking back from, 217.
History, art as an end to, 47.
" art and, 207 seq.
" how to read, 214.
" probable view of the Nineteenth Century in, 35.
" should separate the ideal and the real, 215, 216.
" true, defined, 214.
" what it has been and should be, 207.
Historical painting, its function, 210.
Holbein, 217.
" as an engraver, _pref._ vii.
" study of face and limb by, _pref._ viii.
Holy Ghost, the sin against the, 169.
Home, the true, for which to seek, 206.
Homer, Odyssey vi., quoted, 74, 75, 78.
" passage on the Sirens, quoted, 100. See s. _Iliad_,
_Odyssey_.
Honour, power of, 212.
Horse's head, gives rise to helmet-form, 227.
Hôtel de Ville, architecture of an, 201.
Hubert, Dürer's St., _pref._ viii.
Hughes, Tom, 63.
Human form and art. See s. _Anatomy_, _Nude_.
Humanity, Animalism, Divinity, 30.
Hunt, Alfred, his rainbow, 129 _n._
Hunt, Holman, his "Light of the World," 115.
Hyginus, quoted on the Halcyon, 190.
Idealism, 95.
Ideal, the, and real in history to be distinguished, 215-216.
Iffley church, author at, 118.
Ignorance, how far essential to art, 88.
Iliad, moral of the, 168.
Imagination, 95.
" condition of modern, 69.
" history of the, best part of man's history, 214.
" implied in consideration for others, 27.
" its precious value, 215.
" self-command and, 26.
Independence, in pursuit of art and science, 76, 77.
Indolence in art, 81.
Insanity, author's use of the word, 69 _n._
Inscription on house in Alsace, 86.
Insessores, birds, 187.
Intemperance, distinct from passion, 72.
Invention, artistic, excels science, 140.
Inventions of the age, 33.
" vanity of pride in, 34.
Isis, the, 179.
Isle of Dogs, starvation at, 63.
Jerome, Dürer's St., _pref._ viii.
Judgment, a Latin word, 7.
κακία in art, how evidenced, 40.
κάνθαρος, Greek, 139.
κανθόs, use of, by Aristotle, 235.
Kennington, 208.
Kensington, art schools of, 6.
" education at, 202.
" museum, statue of dog in, 88.
" " studies of the nude in, 166.
Kindness, derivation of the word, 170.
King-fisher, power of sight of, 112.
" See s. _Halcyon_.
Knight, armour of, 231-2.
" and Death, Dürer's, _pref._ viii.
Knowing, doing, talking, 2-4.
Knowledge, art the shadow of, 68.
" charity and, 29.
" limits of human, 80.
" perception, and their places in art, 126.
" Pope on, quoted, 20.
" "science" and, 37.
" taught by science, 8.
" tenderness the basis of high, 77.
" various kinds for various creatures, 21-2.
" venomous, quoted by Bacon, 29.
" what, good for an artist, 123-4.
"Know thyself," a law to man, 22-3.
Lago di Garda, sunset at, 125.
Lake Erie, 70.
" Ontario, 70.
Landlord, duty of a, not to build cottages, 201.
" speech of an English, to author, 200.
" the good they can do, in keeping the land lovely, 179.
Landscape, author's lectures on, Oxford, 1871, 62.
" choice of subject in, 69.
Laros, the bird, 192.
Law, evidence of, in nature, 183.
" the laws of life, the true object of science, 206.
Leake's travels, 199.
Lectures. See s. _Landscape_.
Leonardo, Luini's master, 46.
" subtle delineation of, 87.
Liberty, modern desire for, 204.
Life, duty of, to give praise and deserve it, 213.
" its laws, the true object of science, 206.
" its source is love, 168.
" temperance of the artistic, 90.
Light, definition of, 97.
" universal prayer for, 115.
" " ideas of God as, 116.
Lindsay, Lord, his Christian Mythology, author's early guide, 46.
" " the first to see the theology of art, _ib._
Linnæus, his classification of birds, 188.
Lion, Charlemagne's treaty and the Scottish, 235.
" the, 184.
Lippi, Filippo, his St. John Baptist, 229.
Literature, eagle-eyed, 36.
" expresses theology less perfectly than does art, 46.
" right aim of, "to exalt the fancy," 3, 206.
" sphere and meaning of, 3, 4.
Livy, Book iii. 26, quoted, 215, 222.
Local associations, to be cherished, 94.
Logic, a method, not a power, 5.
London, Academy of, 93.
" art in, 82.
" as a "man's nest," 61.
" building over, 72.
" traffic, its aspect and meaning, 59-60.
" water-supply, 154.
See s. _Academy_, _Author_, _British Museum_, _Fields_, _Fog_, _Isle
of Dogs_, _Ludgate Hill_, _Noise_, _Paradise Row_, _Parliament_.
Lord's Prayer, the, quoted, 75.
Love, all things founded on, 169.
" derived from "laus," its meaning, 213.
" domestic, its place and influence, 199.
" power of, 212.
" the source of honour, 219.
" " life, 168.
Lucerne, Lake of, 199.
Lucian, on the Halcyon, 194.
Ludgate Hill, scene of traffic at, 59.
Luini, his position vindicated by author, 1861, 46.
" use of red in his frescoes, 226.
Madonna, The, her power in Christian chivalry, 219.
" " picture of, bought by author, its derivative beauty,
218.
Magpie, the, 188.
Man, his honour of God, 55.
" his relation to things above and below him, 30.
" not a beast of prey, 63.
" "know thyself," a law to, 22-3.
" strength of mutual dependence amongst men, 77.
" what kind of, occupied by art, science, and literature, 3.
Mantegna, 155.
" as an engraver, _pref._ vii.
" evil influences of anatomy on, _pref._ viii.
" his "Angels," 62.
" his "Vices," _pref._ viii.
Marble, veins in, unexplained, 132.
Margaret, Queen, and the Drummond arms, 235.
Maskelyne, Prof., of Oxford, 160.
Mathematics, of little use to art, 96.
Matterhorn, 70.
Max Müller, Professor, 3.
Mechanism, modern, 34.
Melancholia, Dürer's, _pref._ viii.
Memling's grace and severity, 218.
Mephistopheles, 62.
Michael Angelo, 155.
" " dome of Florence, and, 138.
" " effect of anatomy on, 159.
" " puts orange for red, 226.
Middle Ages, history of the, real and ideal in, 216.
Milton, "Comus," l. 706, referred to, 75.
" Ode to the Nativity, quoted, 198.
Mind, effect of various tempers of, on art, 96.
" its choice of subject more important than its methods, 11.
" safe conditions of, 68-9.
" various states of the, described in the Bible, 69.
Mineralogy, author's early, 3.
Mitrailleuse, the age of the, 34.
Models, may be too good, 90.
Modern advance, probable view of, by future generations, 34-5.
" greed for money, 204.
" knowledge, its pride and folly, 79.
" life, what ideas obsolete in, 120.
See s. _Age_, _Atheism_, _Education_, _Liberty_.
Modesty purifies art, 81.
" true, in man, 30.
Molière quoted, 100.
Money, modern greed for, 204.
Monte Rosa, 70.
Moral temper, essential to appreciate art, 161.
Morgarten, the Thermopylæ of Switzerland, 199.
μωρία in art, how evidenced, 40.
" of the faculties, 9 _seq._
Motives, human, 212.
Mountains, blueness of, at Verona, 125.
Mulready's studies of the nude, 166.
Myths of Apollo and St. George, 117.
" of Autolycus and Philammon, 189.
" physical causes as affecting, 199.
Mythology, 95.
" of importance to art, 172.
" why a despised science, 173.
See s. _Autolycus_, _Briareus_, _Ceyx_, _Hercules_, _Orpheus_,
_Pelides_, _Philammon_, _Pleiades_, _Polygnotus_, _Poseidon_,
_Tydides_.
Napoleon, Louis, 208.
Natatores, (Birds), 187.
National History, scientific view of, 49, 57.
" Life, sources of its power, 171.
" symbols, more cruel than gentle types chosen for, 229.
Nativity, Raphael's, offered to the English, 24.
Nature, art less beautiful than, 172.
" chance and design in, 152 _seq._
" effect of, on local art, 91.
" love of art involves greater love of, 41.
" teaching of the power of the Holy Spirit in, 169.
Natural History, its true scope and triple division, 180-1.
" " what it should amount to, 207.
" Philosophy, modern study of, 2.
Nest, bullfinch's, 48.
" halcyon's, 193.
" true man's true, 206.
Niagara, "Carlyle's" Shooting, 70.
Nightingale, the Greek singing-bird, 189.
Nineteenth century, history's probable view of the, 35.
Nitro-glycerine, 33.
Noble and notable, 39.
Noise of London traffic, 60-61.
Nomenclature, scientific, 186.
Norman design, 92.
Northern minds and Southern art, 163.
Notable and noble, 39.
νοῦς, 8 _seq._, 25.
Novelty of wisdom, its danger, 74.
Nude, the, degrades art, 149.
" its limit, _ib._
" its study:--
places where Impracticable, 164.
how far desirable in England, 164.
result of, in Greece, 167.
Nuremberg carving, 88.
Oarsmanship, art of, 12.
Ochiltree, Edie. See _Scott_.
Œta, Mt., the country round, 199.
Ontario, Lake, 70.
Optics and art, 96.
Orange and purple, use of in art, 226.
Ordinaries, the heraldic, Lect. x.; 234 _n._, 235.
Organic form and art, 149 _seq._
Orion, 28.
Orissa, 35-6.
Orle, the heraldic, 235.
Originality in art, its value, 32.
" how estimated in the great and base schools, _ib._
" modern demand for it in art and science, 33.
Ornithology, 47, 48.
" further discoveries impossible in, 66.
" modern work in, 156-7.
" modern classification criticised, 187-8.
Orpheus, 151.
Oxford, approach to, 119.
" Brasenose Lane, filth of, 119.
" charm and power of its buildings, Lect. v., end.
" colleges, style of their buildings, 239.
" disuse of academicals at, its meaning, 221.
" education, 177, 237.
" idea of its possible beauty, 179.
" improvements at, 118. Lect. v., end.
" new church at, 63.
" "motto" of, 120.
" printsellers' windows at, art in the, 217.
" object of study at, 95.
" its teaching, ancient idea of, 121.
" undergraduates and author's lectures, 1.
Padua, Eccelin of, 35.
Painting on glass, a lost art, 33.
" perfection of, reached only in Venice, 82. See s. _Art_,
_Drawing_.
"Pale," the heraldic, 235.
_Pall Mall Gazette_, (Jan. 29, 1869), quoted, 63.
Paradise Row, 206.
Paris, art in, 82.
Parliament, its work done by night, 104.
" the little good done by, 179.
---- Houses of, their affected architecture, 201.
Parrot, the "climber," 188.
Passion, not full of intemperance, 72.
Passions, the, controlled in dancing, 13.
" " ruled by Sophia (σοφίa), 19.
Patronymics, meaning of Greek, 168.
Pausanias quoted, 199.
Peace, man's search for, 204.
" how to be found, 205.
Peacocks and pheasants, Darwinian connection of, 185.
Pelides, 168.
Perception, knowledge interferes with artistic, 126.
Permian system of geology, 160.
Persia, famine in, 36.
Persian idea of God as Light, 116.
Peru, 83.
Pheasant, the "scratcher" of birds, 188.
" and peacock, Darwinian connection of, 185.
Phidias' Theseus, 39.
Philammon, 151.
" myth of Philammon and Autolycus, 189.
Phillips, Prof., of Oxford, 160.
Philophronesia, 8.
Philosophia, 8.
Photography, value of, 147.
φρόνησις, 8, 25.
" different kinds of, 23.
Physical circumstances, effect of, on myths, 199.
Physiology and art, 207.
" its true meaning, 207.
Physiologist, on sight, 99.
Plagues of Egypt, 118, 170.
Plants, instinct of, 97.
Plato, his definition of sight, quoted, 97.
Pleasure, in great and small, rude and fine art, 82.
" the greatest, given by inferior art, 82.
" decrease of, with increase of years, 82.
Pleiades, 28.
Plutarch, on the Halcyon, quoted, 193.
Plymouth, Turner's drawing of, 125.
Piacenza, the orle of, 235.
Pictures, the reality must be better than the semblance, 165.
Pietra dura ornament, 88.
Pile, the heraldic, 235.
Pindar's "Coronis" (Pyth. iii. 14, 48), 189.
Pines, Scotch and stone, confused by Turner, 133.
Pisa, coin of, 157.
" cruelty of, and Dante, 35.
Pæstum, plain of, 7, 25.
Poetry, its essence, 100.
ποικιλία, 73.
Polygnotus, porch of, 119.
Pool of water at Iffley, 118.
Pope, quoted:--
Essay on Criticism, "A little knowledge," &c., 20.
Homer, "Oh stay, oh pride of Greece, Ulysses, stay," 74.
Poseidon, 25.
Possibility, ancient recognition of human and divine, 195.
Pottery, not made by rule, 139.
Power, constructive and negative, 20.
Praise, life's duty is to give and deserve it, 213.
" love of, in man, 212.
" what kind of, to compete for, 212.
Prayer, efficacy of, 67.
Prey, use of sight to beasts of, 110.
Prodicus (of Xenophon), 40.
Proprietor, speech of English landed, to author, 200.
Protection, heraldic sign of, 235 (10).
Prout, growth of his power, 86, 87.
Provincial art, 91, 92.
Prudence, a lower virtue, 23.
" contrasted with σοφίa, 26.
Purification, the most sacred art, 118.
Purity, physical, 117.
Purple _v._ orange, use of, in art, 226.
Quartering, heraldic, 236.
Quoits, disk and orle, 235.
Radclyffe, the, at Oxford, 119.
Railway, power of sight on the, 111.
Rainbows, drawings of, 129 _n_.
Raphael, 218.
" substitutes orange for red, 226.
" works of:--
Nativity of, offered to the English, 24.
Theologia, or Dispute of the Sacrament, 46.
Raptores, Birds, 187.
Rasores, Birds, 187.
Rattlesnake, eyes of the, 109.
Real and ideal in history to be distinguished, 215-216.
Reason and conceptions, 11.
Red, or "gules," its history and universal use, 226.
Reed, Mr., of Doncaster, bird-stuffer, 174.
Refinement, loss of pleasure with increase of, 82 seq.
Regillus, battle of Lake, 215.
Religionists, errors of, 79.
Renaissance, Italian, 86.
" the so-called, 236.
Reu, chapel of, 92.
Reynolds (Sir J.), 218.
" anatomy and, 154.
" child and dog, by, 151-4.
" speed of, 139.
Richard Cœur de Lion, 240.
Ridiculous, the, 16.
Ritualism, 73.
Rivalry, modern, and Venetian art, 82.
Robson, 41.
Roland, 240.
Roman history, its lessons, 215.
Rome, fresco painting of, 226.
" power of domestic life in, 170.
Rouen Cathedral, 92.
Rowing, art of, 12.
Royal Academy, failure of power at exhibition 1871, 89.
" " vulgar sending of portraits to the, 151.
Royal Society, 6.
Rubens' Rainbow, 129 _n._
Rubric, 226.
Sacrament, dispute of the, by Raphael, 46.
Saint Andrew's Cross, 235.
" George and the Dragon, 117.
" Hilaire and natural history, 158.
" Mark's, Venice, doves at, 62.
" Michael (coin stamped with), 117.
" Paul's Cathedral, worship in, 61.
Saltire, the heraldic, 235.
"Sanitas," 68.
Scaligers, arms of the, 235.
Scansores (Birds), 187.
Scholarship, the aim of true, 7.
Schools of art, should encourage constructive power, 20.
Science
aim of right, 3.
ancient and modern men of, 100.
aspects of modern, 65.
art and:--
artistic invention unaided by, 140.
together give complete truth, 58. See s. _Art_, _Artist_.
conduct, the science of, the one s. essential to art, 161.
defined, 37, 38, 65.
discovery and, their relations, 66.
eagle-eyed, 36.
function of, to explain the laws of life, 206.
man in relation to, 22.
modesty of, in wise appreciation, Lect. IV., 72, 172.
nomenclature and, 96, 186.
originality in, demanded, 33.
power of, deadly, 20.
progress in, its vanity, 33. See below s. _Vanity_.
pursuit of:--
selfish and unselfish, 33.
tone of right, 76.
rank and classification of different, 67, 186-87.
theology and, 67.
vanity in, its effect, 33, 74.
wisdom and folly in, 20 _seq._
" in unselfishness, 76, 172.
See s. _Anatomy_, _Astronomy_, _Chemistry_, _Clouds_,
_Cuvier_, _Discovery_, _Folly_, _Heat_, _Invention_,
_Natural History_.
Scotland, the Scottish Lion, 235.
" treaty with Charlemagne, _ib._
Scott, Sir W., Antiquary (Edie Ochiltree), referred to, 222.
Sculpture at Abbeville, 91.
" perfection in, reached only in Athens and Etruria, 82.
"Scutum," derivatives of, 230.
Sea-mew, the, Greek myth of, 190.
Self-command and imagination, 26.
Self-interest, as a motive-power in revolution, 208-9.
Selfishness, how far unconquerable, 31-2.
Self-satisfaction in one's own work, right and wrong, 81.
Semmes, Captain, and the _Alabama_, 24.
Sense, faculty of, 8.
Serpent, characteristics of a, 102; its wisdom, _ib._
" anecdote of, and author, 101.
Servius, quoted on the Halcyon, 191.
Shadow, "folly looks at her own," 40.
Shakespeare, on mimetic art, 39.
" his chemical, anatomical, substantial, and ideal
aspects, 44.
" as a subject of science and art, _ib._
_Quoted_:--
Hamlet iii. 1. "Arms against a sea of troubles," 204.
" v. 1. "Here hung those lips that I have kissed," &c., 157.
Macbeth i. 3. "The earth hath bubbles, &c.," 137.
Mids. Night's Dream v. i. "The best in this kind are but
shadows," 39, 148.
Shell, meaning of the word, 230.
Shepherd boy, carving dog, 88.
Shield, forms and use of a, 224.
" Greek and Gothic, 230.
" meaning of, in heraldry and etymology, 230.
Sight, accurate, to be acquired, 112.
" author's controversy with physiologist on, 99.
" author's sight tired, 112.
" clear, so far as kind, _ib._
" growth of educated, 176.
" index to nobility of nature, 110.
" kinds of, physical and moral, 108.
" mathematical power of, 111.
" not mechanical, but spiritual, 99.
" noble and ignoble, 122.
" Plato's definition of, 97.
" power of metric, 112.
" source of all knowledge in art, 172.
" spiritual, 111.
" weariness, effect of, on metric power of, 112.
Silurian system of geology, 160.
Simonides quoted on the Halcyon, 192.
" " the "wisdom of calm," 199.
Simplicity in estimate of one's own work, 53.
" quoted also, 199.
Sin, the unforgiveable, 169.
Sirens, knowledge of the, 100, 108, 168.
" song of, 74, 75, 78.
Skiddaw, 199.
Skill, tenderness, the basis of high, 77.
Skull, man's, and an eagle's, 155 seq.
Skye-terrier painted by Reynolds, 151.
Sky-lark, the, 56.
Social Science meeting (1869-70), 63.
Socrates in Lucian's dialogue on the Halcyon, 194.
Solar force, 100.
Sophia, or σοφίa, Lect. I.
" Aristotle's definition of, 9 seq., 90.
" eternal and universal, 23.
" faculty of recognition and choice, 30.
" higher forms of, 27-28.
" modesty of true, 30-31.
" prudence, and contrasted, 26.
" ruling spirit, 20.
" sway over wise art and science, 37.
" unselfishness of true, 29, 31.
Sophocles' Trachiniæ, 199.
σωφροσύνη, 68, 90.
Sovereign, English (coin) and St. George, 117.
" heraldry of art (1870-1880), 235.
Spain, chivalry of, led by the Cid, 240.
Sparrow, the "percher" of birds, 188.
Spear, proper form of a, 224.
Species, modern theories on, 34.
Sport, English ideas of, 178.
Sport, _continued_:--
" love of killing birds, its meaning, 175.
Squire, derivation of word, 230.
Stars, their value to artist and scientist, 124.
Star-gazing, probable conditions of, by two girls, 26.
"Stones of Venice," statement as to anatomy in, withdrawn, 159.
Strasburg, architecture of, 202.
" art in, 82.
" drawing of house in, by Prout, 86.
Street, E., 50.
Strozzi, child and dog, Titian's, 151.
Subjects in art, natural subjects of national art, 95.
Success, one's own, and others', 31.
" effect of, on author, 31.
Sun, power of the, 100.
" modern efforts to dispense with, 104.
" should "rule the day," 104.
Swine, symbol of the herd of, 69.
Swiss châlet, education needed to build, 202.