HOW LANGUAGES INFLUENCE EACH OTHER

Languages, like cultures, are rarely sufficient unto themselves. The

necessities of intercourse bring the speakers of one language into

direct or indirect contact with those of neighboring or culturally

dominant languages. The intercourse may be friendly or hostile. It may

move on the humdrum plane of business and trade relations or it may

consist of a borrowing or interchange of spiritual goods--art, science,

religion. It would be difficult to point to a completely isolated

language or dialect, least of all among the primitive peoples. The tribe

is often so small that intermarriages with alien tribes that speak other

dialects or even totally unrelated languages are not uncommon. It may

even be doubted whether intermarriage, intertribal trade, and general

cultural interchanges are not of greater relative significance on

primitive levels than on our own. Whatever the degree or nature of

contact between neighboring peoples, it is generally sufficient to lead

to some kind of linguistic interinfluencing. Frequently the influence

runs heavily in one direction. The language of a people that is looked

upon as a center of culture is naturally far more likely to exert an

appreciable influence on other languages spoken in its vicinity than to

be influenced by them. Chinese has flooded the vocabularies of Corean,

Japanese, and Annamite for centuries, but has received nothing in

return. In the western Europe of medieval and modern times French has

exercised a similar, though probably a less overwhelming, influence.

English borrowed an immense number of words from the French of the

Norman invaders, later also from the court French of Isle de France,

appropriated a certain number of affixed elements of derivational value

(e.g., _-ess_ of _princess_, _-ard_ of _drunkard_, _-ty_ of _royalty_),

may have been somewhat stimulated in its general analytic drift by

contact with French,[164] and even allowed French to modify its phonetic

pattern slightly (e.g., initial _v_ and _j_ in words like _veal_ and

_judge_; in words of Anglo-Saxon origin _v_ and _j_ can only occur after

vowels, e.g., _over_, _hedge_). But English has exerted practically no

influence on French.

[Footnote 164: The earlier students of English, however, grossly

exaggerated the general "disintegrating" effect of French on middle

English. English was moving fast toward a more analytic structure long

before the French influence set in.]

The simplest kind of influence that one language may exert on another is

the "borrowing" of words. When there is cultural borrowing there is

always the likelihood that the associated words may be borrowed too.

When the early Germanic peoples of northern Europe first learned of

wine-culture and of paved streets from their commercial or warlike

contact with the Romans, it was only natural that they should adopt the

Latin words for the strange beverage (_vinum_, English _wine_, German

_Wein_) and the unfamiliar type of road (_strata [via]_, English

_street_, German _Strasse_). Later, when Christianity was introduced

into England, a number of associated words, such as _bishop_ and

_angel_, found their way into English. And so the process has continued

uninterruptedly down to the present day, each cultural wave bringing to

the language a new deposit of loan-words. The careful study of such

loan-words constitutes an interesting commentary on the history of

culture. One can almost estimate the rôle which various peoples have

played in the development and spread of cultural ideas by taking note of

the extent to which their vocabularies have filtered into those of other

peoples. When we realize that an educated Japanese can hardly frame a

single literary sentence without the use of Chinese resources, that to

this day Siamese and Burmese and Cambodgian bear the unmistakable

imprint of the Sanskrit and Pali that came in with Hindu Buddhism

centuries ago, or that whether we argue for or against the teaching of

Latin and Greek our argument is sure to be studded with words that have

come to us from Rome and Athens, we get some inkling of what early

Chinese culture and Buddhism and classical Mediterranean civilization

have meant in the world's history. There are just five languages that

have had an overwhelming significance as carriers of culture. They are

classical Chinese, Sanskrit, Arabic, Greek, and Latin. In comparison

with these even such culturally important languages as Hebrew and French

sink into a secondary position. It is a little disappointing to learn

that the general cultural influence of English has so far been all but

negligible. The English language itself is spreading because the English

have colonized immense territories. But there is nothing to show that it

is anywhere entering into the lexical heart of other languages as French

has colored the English complexion or as Arabic has permeated Persian

and Turkish. This fact alone is significant of the power of nationalism,

cultural as well as political, during the last century. There are now

psychological resistances to borrowing, or rather to new sources of

borrowing,[165] that were not greatly alive in the Middle Ages or during

the Renaissance.

[Footnote 165: For we still name our new scientific instruments and

patent medicines from Greek and Latin.]

Are there resistances of a more intimate nature to the borrowing of

words? It is generally assumed that the nature and extent of borrowing

depend entirely on the historical facts of culture relation; that if

German, for instance, has borrowed less copiously than English from

Latin and French it is only because Germany has had less intimate

relations than England with the culture spheres of classical Rome and

France. This is true to a considerable extent, but it is not the whole

truth. We must not exaggerate the physical importance of the Norman

invasion nor underrate the significance of the fact that Germany's

central geographical position made it peculiarly sensitive to French

influences all through the Middle Ages, to humanistic influences in the

latter fifteenth and early sixteenth centuries, and again to the

powerful French influences of the seventeenth and eighteenth centuries.

It seems very probable that the psychological attitude of the borrowing

language itself towards linguistic material has much to do with its

receptivity to foreign words. English has long been striving for the

completely unified, unanalyzed word, regardless of whether it is

monosyllabic or polysyllabic. Such words as _credible_, _certitude_,

_intangible_ are entirely welcome in English because each represents a

unitary, well-nuanced idea and because their formal analysis

(_cred-ible_, _cert-itude_, _in-tang-ible_) is not a necessary act of

the unconscious mind (_cred-_, _cert-_, and _tang-_ have no real

existence in English comparable to that of _good-_ in _goodness_). A

word like _intangible_, once it is acclimated, is nearly as simple a

psychological entity as any radical monosyllable (say _vague_, _thin_,

_grasp_). In German, however, polysyllabic words strive to analyze

themselves into significant elements. Hence vast numbers of French and

Latin words, borrowed at the height of certain cultural influences,

could not maintain themselves in the language. Latin-German words like

_kredibel_ "credible" and French-German words like _reussieren_ "to

succeed" offered nothing that the unconscious mind could assimilate to

its customary method of feeling and handling words. It is as though this

unconscious mind said: "I am perfectly willing to accept _kredibel_ if

you will just tell me what you mean by _kred-_." Hence German has

generally found it easier to create new words out of its own resources,

as the necessity for them arose.

The psychological contrast between English and German as regards the

treatment of foreign material is a contrast that may be studied in all

parts of the world. The Athabaskan languages of America are spoken by

peoples that have had astonishingly varied cultural contacts, yet

nowhere do we find that an Athabaskan dialect has borrowed at all

freely[166] from a neighboring language. These languages have always

found it easier to create new words by compounding afresh elements ready

to hand. They have for this reason been highly resistant to receiving

the linguistic impress of the external cultural experiences of their

speakers. Cambodgian and Tibetan offer a highly instructive contrast in

their reaction to Sanskrit influence. Both are analytic languages, each

totally different from the highly-wrought, inflective language of India.

Cambodgian is isolating, but, unlike Chinese, it contains many

polysyllabic words whose etymological analysis does not matter. Like

English, therefore, in its relation to French and Latin, it welcomed

immense numbers of Sanskrit loan-words, many of which are in common use

to-day. There was no psychological resistance to them. Classical Tibetan

literature was a slavish adaptation of Hindu Buddhist literature and

nowhere has Buddhism implanted itself more firmly than in Tibet, yet it

is strange how few Sanskrit words have found their way into the

language. Tibetan was highly resistant to the polysyllabic words of

Sanskrit because they could not automatically fall into significant

syllables, as they should have in order to satisfy the Tibetan feeling

for form. Tibetan was therefore driven to translating the great majority

of these Sanskrit words into native equivalents. The Tibetan craving for

form was satisfied, though the literally translated foreign terms must

often have done violence to genuine Tibetan idiom. Even the proper names

of the Sanskrit originals were carefully translated, element for

element, into Tibetan; e.g., _Suryagarbha_ "Sun-bosomed" was carefully

Tibetanized into _Nyi-mai snying-po_ "Sun-of heart-the, the heart (or

essence) of the sun." The study of how a language reacts to the presence

of foreign words--rejecting them, translating them, or freely accepting

them--may throw much valuable light on its innate formal tendencies.

[Footnote 166: One might all but say, "has borrowed at all."]

The borrowing of foreign words always entails their phonetic

modification. There are sure to be foreign sounds or accentual

peculiarities that do not fit the native phonetic habits. They are then

so changed as to do as little violence as possible to these habits.

Frequently we have phonetic compromises. Such an English word as the

recently introduced _camouflage_, as now ordinarily pronounced,

corresponds to the typical phonetic usage of neither English nor French.

The aspirated _k_, the obscure vowel of the second syllable, the precise

quality of the _l_ and of the last _a_, and, above all, the strong

accent on the first syllable, are all the results of unconscious

assimilation to our English habits of pronunciation. They differentiate

our _camouflage_ clearly from the same word as pronounced by the

French. On the other hand, the long, heavy vowel in the third syllable

and the final position of the "zh" sound (like _z_ in _azure_) are

distinctly un-English, just as, in Middle English, the initial _j_ and

_v_[167] must have been felt at first as not strictly in accord with

English usage, though the strangeness has worn off by now. In all four

of these cases--initial _j_, initial _v_, final "zh," and unaccented _a_

of _father_--English has not taken on a new sound but has merely

extended the use of an old one.

[Footnote 167: See page 206.]

[Transcriber's note: Footnote 167 refers to the paragraph beginning on

line 6329.]

Occasionally a new sound is introduced, but it is likely to melt away

before long. In Chaucer's day the old Anglo-Saxon _ü_ (written _y_) had

long become unrounded to _i_, but a new set of _ü_-vowels had come in

from the French (in such words as _due_, _value_, _nature_). The new _ü_

did not long hold its own; it became diphthongized to _iu_ and was

amalgamated with the native _iw_ of words like _new_ and _slew_.

Eventually this diphthong appears as _yu_, with change of stress--_dew_

(from Anglo-Saxon _deaw_) like _due_ (Chaucerian _dü_). Facts like these

show how stubbornly a language resists radical tampering with its

phonetic pattern.

Nevertheless, we know that languages do influence each other in phonetic

respects, and that quite aside from the taking over of foreign sounds

with borrowed words. One of the most curious facts that linguistics has

to note is the occurrence of striking phonetic parallels in totally

unrelated or very remotely related languages of a restricted

geographical area. These parallels become especially impressive when

they are seen contrastively from a wide phonetic perspective. Here are a

few examples. The Germanic languages as a whole have not developed

nasalized vowels. Certain Upper German (Suabian) dialects, however,

have now nasalized vowels in lieu of the older vowel + nasal consonant

(_n_). Is it only accidental that these dialects are spoken in proximity

to French, which makes abundant use of nasalized vowels? Again, there

are certain general phonetic features that mark off Dutch and Flemish in

contrast, say, to North German and Scandinavian dialects. One of these

is the presence of unaspirated voiceless stops (_p_, _t_, _k_), which

have a precise, metallic quality reminiscent of the corresponding French

sounds, but which contrast with the stronger, aspirated stops of

English, North German, and Danish. Even if we assume that the

unaspirated stops are more archaic, that they are the unmodified

descendants of the old Germanic consonants, is it not perhaps a

significant historical fact that the Dutch dialects, neighbors of

French, were inhibited from modifying these consonants in accordance

with what seems to have been a general Germanic phonetic drift? Even

more striking than these instances is the peculiar resemblance, in

certain special phonetic respects, of Russian and other Slavic languages

to the unrelated Ural-Altaic languages[168] of the Volga region. The

peculiar, dull vowel, for instance, known in Russian as "yeri"[169] has

Ural-Altaic analogues, but is entirely wanting in Germanic, Greek,

Armenian, and Indo-Iranian, the nearest Indo-European congeners of

Slavic. We may at least suspect that the Slavic vowel is not

historically unconnected with its Ural-Altaic parallels. One of the most

puzzling cases of phonetic parallelism is afforded by a large number of

American Indian languages spoken west of the Rockies. Even at the most

radical estimate there are at least four totally unrelated linguistic

stocks represented in the region from southern Alaska to central

California. Nevertheless all, or practically all, the languages of this

immense area have some important phonetic features in common. Chief of

these is the presence of a "glottalized" series of stopped consonants of

very distinctive formation and of quite unusual acoustic effect.[170] In

the northern part of the area all the languages, whether related or not,

also possess various voiceless _l_-sounds and a series of "velar"

(back-guttural) stopped consonants which are etymologically distinct

from the ordinary _k_-series. It is difficult to believe that three such

peculiar phonetic features as I have mentioned could have evolved

independently in neighboring groups of languages.

[Footnote 168: Ugro-Finnic and Turkish (Tartar)]

[Footnote 169: Probably, in Sweet's terminology, high-back (or, better,

between back and "mixed" positions)-narrow-unrounded. It generally

corresponds to an Indo-European long _u_.]

[Footnote 170: There seem to be analogous or partly analogous sounds in

certain languages of the Caucasus.]

How are we to explain these and hundreds of similar phonetic

convergences? In particular cases we may really be dealing with archaic

similarities due to a genetic relationship that it is beyond our present

power to demonstrate. But this interpretation will not get us far. It

must be ruled entirely out of court, for instance, in two of the three

European examples I have instanced; both nasalized vowels and the Slavic

"yeri" are demonstrably of secondary origin in Indo-European. However we

envisage the process in detail, we cannot avoid the inference that there

is a tendency for speech sounds or certain distinctive manners of

articulation to spread over a continuous area in somewhat the same way

that elements of culture ray out from a geographical center. We may

suppose that individual variations arising at linguistic

borderlands--whether by the unconscious suggestive influence of foreign

speech habits or by the actual transfer of foreign sounds into the

speech of bilingual individuals--have gradually been incorporated into

the phonetic drift of a language. So long as its main phonetic concern

is the preservation of its sound patterning, not of its sounds as such,

there is really no reason why a language may not unconsciously

assimilate foreign sounds that have succeeded in worming their way into

its gamut of individual variations, provided always that these new

variations (or reinforced old variations) are in the direction of the

native drift.

A simple illustration will throw light on this conception. Let us

suppose that two neighboring and unrelated languages, A and B, each

possess voiceless _l_-sounds (compare Welsh _ll_). We surmise that this

is not an accident. Perhaps comparative study reveals the fact that in

language A the voiceless _l_-sounds correspond to a sibilant series in

other related languages, that an old alternation _s_: _sh_ has been

shifted to the new alternation _l_ (voiceless): _s_.[171] Does it follow

that the voiceless _l_ of language B has had the same history? Not in

the least. Perhaps B has a strong tendency toward audible breath release

at the end of a word, so that the final _l_, like a final vowel, was

originally followed by a marked aspiration. Individuals perhaps tended

to anticipate a little the voiceless release and to "unvoice" the latter

part of the final _l_-sound (very much as the _l_ of English words like

_felt_ tends to be partly voiceless in anticipation of the voicelessness

of the _t_). Yet this final _l_ with its latent tendency to unvoicing

might never have actually developed into a fully voiceless _l_ had not

the presence of voiceless _l_-sounds in A acted as an unconscious

stimulus or suggestive push toward a more radical change in the line of

B's own drift. Once the final voiceless _l_ emerged, its alternation in

related words with medial voiced _l_ is very likely to have led to its

analogical spread. The result would be that both A and B have an

important phonetic trait in common. Eventually their phonetic systems,

judged as mere assemblages of sounds, might even become completely

assimilated to each other, though this is an extreme case hardly ever

realized in practice. The highly significant thing about such phonetic

interinfluencings is the strong tendency of each language to keep its

phonetic pattern intact. So long as the respective alignments of the

similar sounds is different, so long as they have differing "values" and

"weights" in the unrelated languages, these languages cannot be said to

have diverged materially from the line of their inherent drift. In

phonetics, as in vocabulary, we must be careful not to exaggerate the

importance of interlinguistic influences.

[Footnote 171: This can actually be demonstrated for one of the

Athabaskan dialects of the Yukon.]

I have already pointed out in passing that English has taken over a

certain number of morphological elements from French. English also uses

a number of affixes that are derived from Latin and Greek. Some of these

foreign elements, like the _-ize_ of _materialize_ or the _-able_ of

_breakable_, are even productive to-day. Such examples as these are

hardly true evidences of a morphological influence exerted by one

language on another. Setting aside the fact that they belong to the

sphere of derivational concepts and do not touch the central

morphological problem of the expression of relational ideas, they have

added nothing to the structural peculiarities of our language. English

was already prepared for the relation of _pity_ to _piteous_ by such a

native pair as _luck_ and _lucky_; _material_ and _materialize_ merely

swelled the ranks of a form pattern familiar from such instances as

_wide_ and _widen_. In other words, the morphological influence exerted

by foreign languages on English, if it is to be gauged by such examples

as I have cited, is hardly different in kind from the mere borrowing of

words. The introduction of the suffix _-ize_ made hardly more difference

to the essential build of the language than did the mere fact that it

incorporated a given number of words. Had English evolved a new future

on the model of the synthetic future in French or had it borrowed from

Latin and Greek their employment of reduplication as a functional device

(Latin _tango_: _tetigi_; Greek _leipo_: _leloipa_), we should have the

right to speak of true morphological influence. But such far-reaching

influences are not demonstrable. Within the whole course of the history

of the English language we can hardly point to one important

morphological change that was not determined by the native drift, though

here and there we may surmise that this drift was hastened a little by

the suggestive influence of French forms.[172]

[Footnote 172: In the sphere of syntax one may point to certain French

and Latin influences, but it is doubtful if they ever reached deeper

than the written language. Much of this type of influence belongs rather

to literary style than to morphology proper.]

It is important to realize the continuous, self-contained morphological

development of English and the very modest extent to which its

fundamental build has been affected by influences from without. The

history of the English language has sometimes been represented as though

it relapsed into a kind of chaos on the arrival of the Normans, who

proceeded to play nine-pins with the Anglo-Saxon tradition. Students are

more conservative today. That a far-reaching analytic development may

take place without such external foreign influence as English was

subjected to is clear from the history of Danish, which has gone even

further than English in certain leveling tendencies. English may be

conveniently used as an _a fortiori_ test. It was flooded with French

loan-words during the later Middle Ages, at a time when its drift toward

the analytic type was especially strong. It was therefore changing

rapidly both within and on the surface. The wonder, then, is not that it

took on a number of external morphological features, mere accretions on

its concrete inventory, but that, exposed as it was to remolding

influences, it remained so true to its own type and historic drift. The

experience gained from the study of the English language is strengthened

by all that we know of documented linguistic history. Nowhere do we find

any but superficial morphological interinfluencings. We may infer one of

several things from this:--That a really serious morphological influence

is not, perhaps, impossible, but that its operation is so slow that it

has hardly ever had the chance to incorporate itself in the relatively

small portion of linguistic history that lies open to inspection; or

that there are certain favorable conditions that make for profound

morphological disturbances from without, say a peculiar instability of

linguistic type or an unusual degree of cultural contact, conditions

that do not happen to be realized in our documentary material; or,

finally, that we have not the right to assume that a language may easily

exert a remolding morphological influence on another.

Meanwhile we are confronted by the baffling fact that important traits

of morphology are frequently found distributed among widely differing

languages within a large area, so widely differing, indeed, that it is

customary to consider them genetically unrelated. Sometimes we may

suspect that the resemblance is due to a mere convergence, that a

similar morphological feature has grown up independently in unrelated

languages. Yet certain morphological distributions are too specific in

character to be so lightly dismissed. There must be some historical

factor to account for them. Now it should be remembered that the concept

of a "linguistic stock" is never definitive[173] in an exclusive sense.

We can only say, with reasonable certainty, that such and such languages

are descended from a common source, but we cannot say that such and such

other languages are not genetically related. All we can do is to say

that the evidence for relationship is not cumulative enough to make the

inference of common origin absolutely necessary. May it not be, then,

that many instances of morphological similarity between divergent

languages of a restricted area are merely the last vestiges of a

community of type and phonetic substance that the destructive work of

diverging drifts has now made unrecognizable? There is probably still

enough lexical and morphological resemblance between modern English and

Irish to enable us to make out a fairly conclusive case for their

genetic relationship on the basis of the present-day descriptive

evidence alone. It is true that the case would seem weak in comparison

to the case that we can actually make with the help of the historical

and the comparative data that we possess. It would not be a bad case

nevertheless. In another two or three millennia, however, the points of

resemblance are likely to have become so obliterated that English and

Irish, in the absence of all but their own descriptive evidence, will

have to be set down as "unrelated" languages. They will still have in

common certain fundamental morphological features, but it will be

difficult to know how to evaluate them. Only in the light of the

contrastive perspective afforded by still more divergent languages, such

as Basque and Finnish, will these vestigial resemblances receive their

true historic value.

[Footnote 173: See page 163.]

[Transcriber's note: Footnote 173 refers to the paragraph beginning on

line 5037.]

I cannot but suspect that many of the more significant distributions of

morphological similarities are to be explained as just such vestiges.

The theory of "borrowing" seems totally inadequate to explain those

fundamental features of structure, hidden away in the very core of the

linguistic complex, that have been pointed out as common, say, to

Semitic and Hamitic, to the various Soudanese languages, to

Malayo-Polynesian and Mon-Khmer[174] and Munda,[175] to Athabaskan and

Tlingit and Haida. We must not allow ourselves to be frightened away by

the timidity of the specialists, who are often notably lacking in the

sense of what I have called "contrastive perspective."

[Footnote 174: A group of languages spoken in southeastern Asia, of

which Khmer (Cambodgian) is the best known representative.]

[Footnote 175: A group of languages spoken in northeastern India.]

Attempts have sometimes been made to explain the distribution of these

fundamental structural features by the theory of diffusion. We know that

myths, religious ideas, types of social organization, industrial

devices, and other features of culture may spread from point to point,

gradually making themselves at home in cultures to which they were at

one time alien. We also know that words may be diffused no less freely

than cultural elements, that sounds also may be "borrowed," and that

even morphological elements may be taken over. We may go further and

recognize that certain languages have, in all probability, taken on

structural features owing to the suggestive influence of neighboring

languages. An examination of such cases,[176] however, almost invariably

reveals the significant fact that they are but superficial additions on

the morphological kernel of the language. So long as such direct

historical testimony as we have gives us no really convincing examples

of profound morphological influence by diffusion, we shall do well not

to put too much reliance in diffusion theories. On the whole, therefore,

we shall ascribe the major concordances and divergences in linguistic

form--phonetic pattern and morphology--to the autonomous drift of

language, not to the complicating effect of single, diffused features

that cluster now this way, now that. Language is probably the most

self-contained, the most massively resistant of all social phenomena. It

is easier to kill it off than to disintegrate its individual form.

[Footnote 176: I have in mind, e.g., the presence of postpositions in

Upper Chinook, a feature that is clearly due to the influence of

neighboring Sahaptin languages; or the use by Takelma of instrumental

prefixes, which are likely to have been suggested by neighboring "Hokan"

languages (Shasta, Karok).]

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