CHAPTER XLI.

DESCENDING IN THE SAFETY-CAGE.

All being clad in the uniform of the gnomes of the silver-caverns, we go

out to the shaft. A cage is stopped at the top of one of the

compartments of the shaft, and its platform stands just on a level with

the floor of the building. The cage is a heavy iron frame with grooves

on two sides, which fit upon wooden guides run from the top to the

bottom of the shaft. Upon these guides the cage runs smoothly through

the whole course up and down the shaft, much the same as an elevator in

a large hotel is seen to work.

The cage may have but a single floor or platform, or it may have two or

three, upon each of which may be hoisted a car loaded with ore, or on

which men may be raised or lowered. Those with two platforms are called

“double-deckers,” and those with three platforms are called

“three-deckers.”

One of the foremen of the mine, the superintendent, or whoever is to be

our conductor, groups us upon the cage, showing us where we may safely

grasp its iron frame for support, and finally all are in position.

The engineer is standing with one hand on the lever of his engine,

watching our proceedings. Our conductor turns toward him with a wave of

the hand. Instantly we feel ourselves dropping into the depth and

darkness of the shaft.

Our first thought is, that between us and the bottom of the shaft—1500

feet below—we have nothing but the frail platform of the cage, and,

instinctively, we tighten our grip upon the iron bars of the cage,

determined that, should the bottom drop out, we will be found hanging to

the upper works of our strange vehicle.

At the first plunge all is dark, but suspended from the cross-bar of the

cage, or in the hands of our conductor, we have a lantern or two, and by

the light afforded by these, we soon begin to distinguish the sides of

the shaft. Our view is very unsatisfactory, however, as all the timbers

on the sides of the compartment appear to be darting swiftly upward

toward the top of the shaft; just as trees, fences, and telegraph poles

seem to be running backwards when we are flying through the country on a

lightning-express train.

Our speed is probably not half that at which the cage is lowered when

its only load is an empty ore-car, a few beams of timber, or some such

freight; but we are not anxious to go any faster. In the early days, on

receiving a wink from a foreman, an engineer would drop men down a shaft

at such a rate of speed that their breath was almost taken away, but at

present, no superintendent on the Comstock allows any such dangerous

fooling.

As soon as we have descended a few feet into the shaft, we see nothing

of the steam, which, rushing out at its top, had presented so formidable

an appearance above. It really amounts to nothing. It is merely the

moist, warm breath of the mine coming in contact with the cold air at

the surface. It is the same as the steam rising from a spring in winter,

or as one’s breath blown into the air on a frosty morning. This steam is

seen at the mouth of the Consolidated Virginia shaft because it is what

is called an “upcast,” that is, the draft in it is upward. At the Ophir

shaft no steam is seen, as it is a “downcast,” the surface air is drawn

or sucked in at its mouth. The air that enters the mouth of the Ophir

shaft comes out at the mouth of the Consolidated Virginia shaft.

As we dart along down the shaft, we soon begin to pass the stations of

the first or upper levels. Our speed is such that we see but little. We

get a glimpse of what appears to be a room of considerable size, see a

few men standing about with candles or lanterns in their hands, hear

voices, and probably the clank of machinery. An instant after, all is

again smooth sailing, and we see only the upward-fleeing sides of the

shaft. Then there is another flash of many lights, a glimpse of

half-naked men, a murmur of voices, and a clash of machinery, and we

have passed another station. It is much like running past a railroad

station in the night.

Sometimes our conductor is hailed by some one at a station as we dart

past. We hear the voice, but distinguish no words. The conductor,

however, has understood, and makes answer. As he replies, we drop away

from the sound of his voice at such a rapid rate that his words are

drawn out into sounds which we can hardly understand, though we are

standing by his side. The answer, which is left scattered along up the

shaft, is finally gathered in at the station for which it was intended,

and is there put together and understood.

When we have descended to such a depth that from one thousand to twelve

hundred feet of cable have been paid out from the reel above, we begin

to experience quite a novel sensation. This is the “spring” of the

cable.

Most persons have observed the very active bobbing motion of a toy ball

suspended from an india-rubber string. The motion of our cage, hanging

at the end of the cable, is much the same. The less one has of this

peculiar motion the more he enjoys it. When this motion sets in, we at

once begin to speculate in regard to the probable amount of “stretch” to

be found in a first-class steel-wire cable—how far it may stretch before

reaching the breaking point. It may be no more than 500 feet to the

bottom of the shaft, but we feel that we do not care to risk falling

even that short distance.

However, should the cable really break, there would be no danger, we

should not fall. Attached to the upper part of the cage is a

safety-apparatus designed expressly to prevent accidents of this nature.

At the instant that the cable parted there would be released powerful

springs which would throw out on each side of the shaft an eccentric,

toothed wheel. These wheels, biting into the guides on each side, would

instantly stop and hold the cage, block it fast in the shaft, as the

wheels are of such a shape that the greater the weight and downward

pressure upon the cage, the tighter they hold. In case of the cable

breaking, we should not fall an inch, perhaps not half an inch—thanks to

that life-saving invention, the safety-cage!

When the safety-cage was first introduced on the Comstock, I had the

pleasure of assisting in making a test of the efficacy of the

safety-apparatus at the Savage mine. We attached the cage to the iron

cable by means of a large hempen rope.

This done, the superintendent and a gentleman present, who was in search

of excitement, got upon the cage, and we lowered them into the mouth of

the shaft, which was 1,000 feet in depth. We at the surface, who were

conducting the experiment, then asked the superintendent and his

companion if they were ready to be “launched into eternity,” and

receiving an affirmative reply, a brawny-armed miner, standing ready

with a big broad-ax, severed the rope at a single blow. The cage dropped

less than an inch, we above were all glad the experiment was over.

Had the safety apparatus failed to work, we at the surface would

doubtless have all been summoned as witnesses when the coroner held his

inquest.

In case of a train of railroad cars getting off the track, we never know

where we shall bring up; we may go over an embankment or may be dragged

against a point of rocks, but when a cable breaks while we are

descending a shaft, we stop exactly where we happen to be when the

accident occurs. Thus, as the sailor in a storm at sea pities the poor

wretches who are on shore, so may the miner pity those persons above

ground who travel on railroads.

In former times, however, previous to the introduction of the

safety-cage in the Comstock mines, the breaking of a cable was an

accident more dreaded and more dreadful than almost any other. There was

no dodging when a cable parted. All who were on the cage must go to the

bottom of the shaft. There the cage would be torn to pieces and driven

through platforms of plank three or four inches in thickness into the

“sump” or well of the shaft, where all who were not killed outright,

were drowned.

Whether half a dozen men or a dozen were on the cage, it nearly always

happened that all were killed. If any did in any instance escape, it was

in such a horribly mangled condition that they were maimed for life. No

wonder, then, that the miner every day of his life, and as often as he

goes up and down the great shafts, blesses in his heart the inventor of

the safety-cage!

[Illustration: HOISTING CAGES AND CARS IN SILVER MINES.]

We have been a long time in the shaft, though it takes but a very short

time to make the actual descent. There is an occasional flash of lights,

hum of voices, and clash of machinery, as described above, when the

motion of the cage begins to “slow down,” and a moment after this is

noticed it stops exactly on a level with the floor of the station, 1,500

feet below the surface of the earth. We can hardly realize that we are

standing at such a great depth below the upper world and the light of

day.

Before us is what is called the “Station.”

A ‘station’ is the place of landing at each level of the mine (the

levels are generally about 100 feet apart), and it is at the station

that the cage stops to take on or let off passengers, to take on cars

loaded with ore that are going up, or to put off empty cars that are

going down. The station is generally a large and roomy apartment, the

walls of which are ceiled with rough boards, and the roof of which shows

heavy supporting beams.

It looks not unlike the interior of some of the large, rude wayside-inns

seen in places in California on mountain roads. Hats, coats, shirts, and

many similar articles are seen hanging upon nails driven into the walls,

and two or three large coal-oil lamps fixed in brackets, render the

place light and cheerful.

Upon the floor of the station (it has a floor as good as would be seen

in most houses), ranged along the walls are seen boxes of candles, coils

of fuse, and many other mining stores. There is also a large cask

containing ice-water, with a tin dipper hanging on a nail near at hand.

The station is a sort of lounging place, where the men who happen to

have nothing to do for a few minutes stop to hear the news from the

surface. Here there is more chat and sociability than in any other part

of the mine. The reports of the sales of stocks in the San Francisco

Stock Board are brought to the office of the mine as soon as they are

telegraphed to the city, and about the time the reports arrive, you will

hear the men at the station anxiously inquiring the price of stocks of

the first man who comes down from the surface. The man thus questioned

seems well prepared to answer, and gives the prices for the day, of a

dozen or more of the leading stocks.

His report doubtless quickly passes through the mine, and soon five or

six hundred men away down in the silver caverns, from 1,500 to 2,000

feet beneath the surface, know as much about the price of stocks for the

day as do those persons who are walking the streets of the town. Other

items of news circulate in the same way; but stocks they are always

interested in. Almost every miner owns shares in some mine. There are

not a few men working in mines along the Comstock who are worth from

$40,000 to $50,000, and some who are probably worth still larger sums.

While at work they are earning $4 per day regularly, and can “speculate”

just as well as if they were constantly on the streets watching the

stock reports.

In some of the stations are to be seen things that one would not expect

to find hundreds of feet below the surface. In the Crown Point mine, for

instance, the visitor finds on one of the walls of the station at the

1,100-foot level, a handsome little cabinet of ores, minerals, coins,

and curiosities of all kinds—all neatly displayed in a suitable case

which is provided with glazed doors. On the walls is also to be seen a

considerable collection of photographs of actors, actresses, singers,

and other celebrities. There is one group that is labelled “Vasquez and

His Friends.” The “friends” grouped about the notorious bandit are

photographs of leading citizens of the town of Gold Hill, a church

deacon among the number.

We have all heard about things being played “low down,” but it would

seem that this joker, at the depth of 1,100 feet, has it down about as

low as any man on the continent. The cabinet, and the gallery of

celebrities are the property, the care, and the pride of the

station-tender of the level named.

A car-track—a railroad track in miniature—is laid through the floor in

the centre of the station, which track runs out to the main north and

south drift of the mine (it must be borne in mind that the general

course of the Comstock lode is north and south), and through the main

drift connects—by means of turn-tables—with a great number of cross-cuts

and other drifts.

As we stand in the station, cars loaded with ore are regularly arriving

from the several “stopes” of the level. These are run upon the cage, the

signal to hoist is given to the engineer above, and an instant after,

the cage and car, with its load of ore, dart swiftly up the shaft.

Perhaps at the same instant a cage comes down the adjoining compartment,

bringing with it an empty ore-car. This is at once grasped by a man in

waiting, known in the mine as a “carman,” and is trundled away to some

distant part of the mine, to be again loaded with ore and again whisked

up to the surface on the cage.

As there are three hoisting compartments, the arrivals and departures

are quite frequent, and the station is really quite a business place.

[Illustration]

History of the big bonanza · 第 41 / 72 章