CHAPTER XIII. PICKWICK IN REAL LIFE

I.--Dowler and John Forster

The truculent Dowler figured before in "The Tuggs at Ramsgate"--a very

amusing and Pickwickian tale--under the title of Capt. Waters, who

exhibits the same simulated ferocity and jealousy of his spouse.

Cruickshank's sketch, too, of the Captain is like that of Dowler when

throwing up the window in the Crescent. Mrs. Waters is made as

attractive as Mrs. Dowler, and Cymon Tuggs, like Winkle, excites the

jealousy of the husband.

"Stop him," roared Dowler, "hold him--keep him tight--shut him in till I

come down--I'll cut his throat--give me a knife--from ear to ear, Mrs.

Craddock, I will." And Captain Waters: "Ah! what do I see? Slaughter,

your sabre--unhand me--the villain's life!"

In the same story we have an anticipation of another incident: the

shutting up and detection of Pipkin in the cupboard, who is discovered by

a pipe being required, just as young Tuggs was by his coughing from the

tobacco smoke. Boz was partial to this method of discovery, for, at the

close, Snodgrass was thus concealed and shut up at Osborne's Hotel. His

detection, through the stupidity of the Fat Boy, is singularly natural

and original.

Some of Dowler's dictatorial ways may have been suggested by Boz's

friend, the redoubtable John Forster. There is one passage in the Bath

chapters where we almost seem to hear our old friend speaking, when he

took command of his friends and introduced them, "My friend, Angelo Cyrus

Bantam, Esquire, know each other." "Bantam; Mr. Pickwick and his friends

are strangers. _They must put their names down_. _Where's the book_?"

Then adds: "This is a long call. It's time to go; I shall be here again

in an hour. _Come_." And at the assembly he still continued his

patronage and direction of everybody. "Step in the tea-room--take your

sixpenn'orth. They lay on hot water and call it tea. Drink it," said

Mr. Dowler, _in a loud voice_, _directing Mr. Pickwick_." Forster "all

over." We have heard him "direct" on many an occasion. When starting

from the White Horse Cellars, Dowler, fancying that more passengers were

to be squeezed into the coach, said he would be d---d if there were; he'd

bring an action against the company, and take a post chaise.

II.--Thackeray

In Thackeray's "Newcomes," the writer had some reminiscences of a place

like Eatanswill, for we are told of the rival newspapers, "The Newcome

Independent" and "The Newcome Sentinel," the former being edited by one

Potts. These journals assailed each other like their brethren in

"Pickwick." "Is there any man in Newcome except, perhaps, our _twaddling

old contemporary_, _the Sentinel_," &c. Doyle's picture of the election

is surely a reminiscence of Phiz's. There is the same fight between the

bandsmen--the drum which someone is kicking a hole in, the brass

instrument used, placards, flags, and general _melee_.

Doyle could sketch Forster admirably. Witness the drawing of the

travelling party in a carriage, given by Mr. Kitton in his wonderful

collection, "Dickens, by pen and pencil," where he has caught Forster's

"magisterial" air to the life. The picture, "F. B.," Fred Bayham in the

story, is certainly the figure of Forster (vol. ii., pp. 55 and 116.) F.

B. is shown both as a critic and pressman, though he has nothing of J.

F.'s domineering ways. Again, the waiter, speaking of Lord Highgate,

said he was a _most harbitrary gent_. This refers to the memorable story

of Forster being summoned by the cabman who said he did so because "he

were such a harbitrary cove." The truth was, Forster knew the distance

to a yard, and would tender the cabman his exact fare and no more. Once,

dining with Forster at a hotel in the country where he had rooms, we lit

our cigars after dinner, on which the waiter remonstrated, saying it was

not allowed. Then I knew the meaning of a "Harbitrary Cove." How the

irate Forster blew him up, roared at him, and drove him out, terrified!

It was, indeed, Dowler threatening the coach proprietor.

Thackeray would of course have known the story; he meant a sort of veiled

allusion which had or had not a reference. We have the key to this sort

of thing in the strange, uncomplimentary reference to Catherine Hayes,

the murderess, but which was at once applied to an interesting and

celebrated Irish singer of the same name. The author must have

anticipated this, and, perhaps, chuckled over the public ignorance, but

the allusion was far-fetched. In the same fashion a dramatist once chose

to dub one of his characters by my own rather unusual name, on which he

protested that he never dreamt of it, that others bore it; still he,

however, was obliged to remove it.

Again, on p. 55 we have this passage: "I was thirsty, having walked from

"Jack Straw's Castle," at Hampstead, where poor Kiteley and I had been

taking a chop." This was written in 1855, only a few years after

Forster's admirable performance of Kiteley with the other amateurs in

"Every man in his humour." "Jack Straw's Castle," too, was a regular

haunt of Forster and Dickens. It is as certain as anything can be that

this allusion was not an accidental one.

III.--Tupman

Tupman's relations to Mr. Pickwick were somewhat peculiar; he was

elderly--about Mr. Pickwick's age--whereas Winkle and Snodgrass were

young fellows under Mr. Pickwick's guardianship. Over them he could

exercise despotic authority; which he did, and secured obedience. It was

difficult to do this in the case of his contemporary, Tupman, who

naturally resented being "sat upon." In the incident of the _Fete_ at

Mrs. Leo Hunter's, and the Brigand's dress--"the two-inch tail," Mr.

Pickwick was rather insulting and injudicious, gibing at and ridiculing

his friend on the exhibition of his corpulence, so that Tupman, stung to

fury, was about to assault him. Mr. Pickwick had to apologise, but it is

clear the insult rankled; and it would appear that Tupman was never

afterwards much in the confidence of his leader, and, for that matter, in

the confidence of his author. Boz, either consciously or unconsciously,

felt this. Tupman, too, never seems to have got over the figure he "cut"

in the spinster aunt business, and the loss of general respect.

Still he submitted to be taken about under Mr. Pickwick's patronage, but

soon the mutual irritation broke out. The occasion was the latter's

putting on speckled stockings for the dance at Manor Farm. "_You_ in

silk stockings," exclaimed Tupman, jocosely; a most natural, harmless

remark, considering that Mr. Pickwick invariably wore his gaiters at

evening parties. But the remark was hotly resented, and challenged. "You

see nothing extraordinary in the stockings _as_ stockings, I trust, sir?"

Of course his friend said "No, certainly not," which was the truth, but

Mr. Pickwick put aside the obvious meaning. Mr. Tupman "walked away,"

wishing to avoid another altercation, afraid to trust himself; and Mr.

Pickwick, proud of having once more "put him down," assumed his

"customary benign expression." This did not promise well.

In all the Manor Farm jollity, we hear little or nothing of Tupman, who

seems to have been thought a cypher. No doubt he felt that the girls

could never look at him without a smile--thinking of the spinster aunt.

In the picture of the scene, we find this "old Buck" in the foreground,

on one knee, trying to pickup a pocket handkerchief and holding a young

lady by the hand. Snodgrass and his lady are behind; Winkle and his

Arabella on the other side; Trundle and his lady at the fire. Then who

was Tupman's young woman? She is not mentioned in the text, yet is

evidently a prominent personage--one of the family. At Ipswich, he was

crammed into the sedan chair with his leader--two very stout

gentlemen--which could not have increased their good humour, though

Tupman assisted him from within to stand up and address the mob. We are

told that "all Mr. Tupman's entreaties to have the lid of the vehicle

closed" were unattended to. He felt the ridicule of his position--a

sedan chair carried along, and a stout man speaking. This must have

produced friction. Then there was the sense of injustice in being

charged with aiding and abetting his leader, which Mr. Pickwick did not

attempt to clear him from. When Mr. Pickwick fell through the ice,

Tupman, instead of rendering help, ran off to Manor Farm with the news of

the accident.

Then the whole party went down to Bath and, during their stay there, we

have not a word of Tupman. He came to see his friend in the Fleet--with

the others of course. But now for the remarkable thing. On Mr.

Pickwick's happy release and when every one was rejoining, Wardle invited

the whole party to a family dinner at the Osborne. There were Snodgrass,

Winkle, Perker even, but no Tupman! Winkle and his wife were at the

"George and Vulture." Why not send to Tupman as well. No one perhaps

thought of him--he had taken no interest in the late exciting adventures,

had not been of the least help to anybody--a selfish old bachelor. When

Mr. Pickwick had absented himself looking for his Dulwich house, it is

pointed out with marked emphasis that certain folk--"among whom was Mr.

Tupman"--maliciously suggested that he was busy looking for a wife!

Neither Winkle nor Snodgrass started this hypothesis, but Tupman. He,

however, was at Dulwich for Winkle's marriage, and had a seat on the

Pickwick coach. In later days, we learn that the Snodgrasses settled

themselves at Dingley Dell so as to be near the family--the Winkles, at

Dulwich, to be near Mr. Pickwick, both showing natural affection. The

selfish Tupman, thinking of nobody but himself, settled at Richmond where

he showed himself on the Terrace with a youthful and jaunty air, "trying

to attract the elderly single ladies of condition." All the others kept

in contact with their chief, asking him to be godfather, &c. But we have

not a word of Tupman. It is likely, with natures such as his, that he

never forgot the insulting remark about his corpulence. That is the way

with such vain creatures.

Boz, I believe, had none of these speculations positively before him, but

he was led by the logic of his story. He had to follow his characters

and their development; they did not follow him.

IV.--Grummer

This well drawn sketch of an ignorant, self-sufficient constable is

admirable. I have little doubt that one of the incidents in which he

figures was suggested to _Boz_ by a little adventure of Grimaldi's which

he found in the mass of papers submitted to him, and which he worked up

effectively. A stupid and malicious old constable, known as "Old Lucas,"

went to arrest the clown on an imaginary charge, as he was among his

friends at the theatre. As in the case of Grummer, the friends, like

Winkle and Snodgrass, threatened the constable. The magistrate heard the

case, sentenced Grimaldi to pay 5s. fine. Old Lucas, in his

disappointment, arrested him again. Being attacked by Grimaldi, as

Grummer was by Sam, he drew his staff and behaved outrageously. The

magistrate then, like Nupkins, had him placed in the dock, and sentenced.

It has also been stated that Grummer was drawn from Towshend--the

celebrated Bow Street Runner again introduced in "Oliver Twist." Towshend

was a privileged person, like Grummer, and gave his advice familiarly to

the magistrates.

Pickwickian Studies · 第 13 / 15 章