THE LAST
Mr. Dering left his office, went back to Gray's Inn, and sat down again
before the Ivory Gate. Those who have once sat for an hour or two in
this place return to it again and again and never leave it. It is, to
begin with, the most beautiful gate ever erected. The brain and wit and
fancy of man could never conceive such a gate, could never execute such
a conception. It is all of pure ivory, carved with flowers such as never
grew; curving and flowing lines leading nowhere; figures of maidens
lovely beyond all dreams; philosophers whose wisdom reaches unto the
Heavens; statesmen who discern the gathering forces and control the
destinies of a nation; inventors who conquer nature; physicians who
prolong life; ecclesiastics who convert the Carthusian cell into a bower
of delight; poets who here find their fantasies divine; men and women in
a work-a-day dress who wear the faces of the heavenly host.
All the dreamers lie here, not asleep, but dreaming. Their eyes are
open, but they do not see each other; they see these dreams. Those of
the young who are also generous come here and dream until they grow
older and are chained to their work and can dream no more. Men of all
conditions come here--even the little shop-boy--even the maiden who
cleans the knives and polishes the boots--all are here. The young Prince
is here: the little charity boy is here: the lad whose loftiest ambition
is that he may one day stand in the pulpit of the little Baptist village
chapel is here: here is the undergraduate who was Captain of Eton and
will be Senior Classic and Member of Parliament and Minister--even Prime
Minister--and will belong to History. The poet is here, and the painter,
and sometimes hither comes the novelist, and, but more rarely, the
dramatist. Hither comes the musician to lift up his soul with thoughts
that only music can give; and the singer, so that he sings more than is
apparent from the words; and the actor, so that he puts things into the
play never dreamed by him who wrote it. Great is the power, great the
gifts, of this noble Gate of Ivory.
Sitting before that gate, such a dreamer as Edmund Gray receives strange
visions. He sees clearly and near at hand the things which might be, yet
are not, and never can be until man lays down his garb of selfishness
and puts on the white robes of Charity. To that dreamer the Kingdom of
Heaven, which seems to some so far off and to others impossible, so that
they deride the name of it, is actually close at hand--with us--easy to
enter if we only choose. He exhorts his fellows to enter with him. And
they would follow, but they cannot because they are held back by custom
and necessity. They must obey the laws of the multitude, and so they
stay where they are. And when the dreamer passes away, his memory is
quickly lost, and the brightness quickly leaves those dimly-lighted
lives. Yet other dreamers come--every day there arises an Edmund Gray.
Now when Edmund Gray takes the place of Edward Dering, in which guise
does the soul, in the end, leave the earth? Are the dreams of Edmund
Gray perhaps the logical development of the doctrines held by Edward
Dering? Is the present stage of Individual Property--where every man
works for himself and his household--one through which the world must
pass before it can reach the higher level of working each for all? First
men and women hunt, separate: they live apart in hollow trees and caves.
Then they live together, and the man hunts for his wife and children.
Next, they live in communities, which grow into towns and tribes and
nations. Then men rely upon the protection of the law, and work for
themselves again. That is our present stage: it has lasted long--very
long. Perhaps it will break up some day: perhaps sooner than we think.
Who knows? All things are possible--even the crash and wreck of a
civilisation which has taken thousands of years to build up. And upon it
may come--one knows not--that other stage which now belongs to the
dreamer before the Ivory Gate.
* * * * *
The wedding was held then, as Elsie said it should be, shorn of none of
its splendours, and relieved of the cloud which had hung over them so
long and threatened them so gloomily. Athelstan the Exile--Athelstan the
Ne'er-do-well--Athelstan the Profligate--Athelstan the Resident of
Camberwell--Athelstan the Smirched and Soiled--stood beside the altar,
tall and gallant, and gave away the bride for all the world to
see--nobody in the least ashamed of him. There was not any breath of
scandal left. Here he was, returned from his travels, a tall and proper
man, dressed in broadcloth, perhaps with money in purse, prosperous and
successful in the sight of all. His mother gazed upon him when she
should have been looking at the bride or into her Prayer Book. Her eyes
were red, but then a mother is allowed a tear or two when her daughter
leaves the nest. And as to those who had whispered words about family
jars, quarrels and estrangements, or had spoken against the fair fame of
the groom, they were now as mute as mice.
All the richer members of the House of Arundel--the City Arundels--were
present. One of them--chief partner in a leading firm of
accountants--afterwards computed, for the greater increase of the family
glory, how many hundreds of thousands of pounds were gathered together
at one moment beneath that sacred roof. He counted the members, and made
that little addition, during the performance of the ceremony. Those of
the Austins who were not disgracefully poor--there are some branches of
the family, I believe, pretty low down--were also present. And the
company went to Pembridge Square after the service, gazed admiringly at
the wedding presents, and drank the health of the bride and bridegroom,
and gathered with cousinly curiosity round the returned Prodigal. But
they knew nothing--mind you--of his connection with Camberwell. And
nothing about his supposed complicity in the Edmund Gray business. There
had been, happily, no scandal.
Among the company in the church was Mr. Dering. He stood tall and erect,
his coat buttoned, his face keen and hard, the family lawyer stamped by
nature and long custom.
Presently, when the service was about half way through, a change came
over him. His face relaxed: the lines curved just a little laterally,
the austerity vanished, his eyes brightened. He took off his gloves
furtively and opened his coat. He was Edmund Gray. In that capacity he
afterwards drank to the bride and wished her happiness. And he walked
all the way from Pembridge Square to South Square, Gray's Inn.
* * * * *
I see in the future an old man growing feeble: he leans upon the arm of
a girl whom he calls his Scholar, his disciple, and his child. His face
is serene: he is perfectly happy: the Advent of that Kingdom whose
glories he preaches is very nigh at hand. He lives in the house of his
disciple: he has forgotten the very existence of his lawyer: he goes no
more to Lincoln's Inn: always he is lying, night and day, before that
miracle of carven work in Ivory. There he watches--it is his Vision--the
long procession of those who work and sing at their work and are happy,
work they ever so hard, because they work each for all and all for each.
And there is no more sorrow or crying and no more pain. What hath the
Gate of Horn--through which is allowed nothing but what is
true--bitterly true--absolutely true--nakedly, coldly, shiveringly
true--to show in comparison with this? A crowd trampling upon each
other: men who enslave and rob each other: men and women and children
lying in misery--men and women and children starving.--Let us fly, my
brothers--let us swiftly fly--let us hasten--to the Gate of Ivory.
_OPINIONS OF THE PRESS_
ON
THE IVORY GATE.
By WALTER BESANT.
'The novel shows us throughout that Mr. Besant is one of those
fortunates who find fresh material.... Mr. Besant is a popular novelist,
but he shows here an artist's appreciation of whimsical contrast, and an
artist's skill in the delineation of character.... We are inclined to
think "The Ivory Gate" worthy of the past reputation of Mr. Besant, and
indicative of future development.'--SPEAKER.
'It would be impossible to discuss at length the many and great merits
of "The Ivory Gate" without telling the story, and it is certainly a
story to be read, not to be told.... Our interest in the story never
flags for a moment. Neither in the "Golden Butterfly," nor "The Chaplain
of the Fleet," are there any characters to equal the city knight, Sir
Samuel Dering, and his wife Hilda, or the old clerk Checkley.'--SATURDAY
REVIEW.
'The writing in "The Ivory Gate" has that nameless charm which belongs
to everything that comes from Mr. Besant's pen.'--NATIONAL REVIEW.
'The complications arising from the situation are cleverly worked out,
with all the love of detail and the dramatic skill which always
distinguishes Mr. Besant's workmanship.'--TIMES.
'The subject of the novel is a strong one, and it might have been made
most powerful; but the dreams that come to Mr. Dering through the Ivory
Gate are such happy ones, and he himself is so much more lovable
dreaming than awake, that the pathos of the situation does not weigh too
heavily upon the reader.'--GUARDIAN.
'A story told in the author's happiest manner.... The spirit which
pervades the story is akin to that which pervades "All Sorts and
Conditions of Men."... There is a good deal of the feeling of Dickens in
this pleasantly interesting story.'--SPORTING LIFE.
'The story is interesting, imaginative, abounding in matter for thought,
and is in Mr. Besant's happiest style.'--DAILY NEWS.
'Mr. Besant's story is a solid boon, a fantasy in which he half escapes
from the commonplace veracities of existence, and yet keeps his readers'
feet on the London flagstones throughout.'--ATHENAEUM.
'A delightful work.... A charming tale, full of life and interest.... As
a story it is in all respects excellent. It is worked out with skill and
power. There are many very fine passages. "The Ivory Gate" is charming
in its originality, and in the simplicity and force with which the plot
is developed.'--SCOTSMAN.
'There is a good deal that is pleasant in "The Ivory Gate."... Both hero
and heroine are admirable.'--DAILY CHRONICLE.
'Mr. Besant has hit on rather a felicitous subject, which is very well
wrought out----We venture to predict that hours spent over "The Ivory
Gate" will be pleasant.'--SCOTTISH LEADER.
'Mr. Besant illustrates a very curious phase of madness; he preaches a
highly poetical kind of socialism, and he gives us a clear and
attractive picture of ordinary English life.... The story is full of
interesting characters.'--GLASGOW HERALD.
'The story is cleverly planned and thoroughly readable from beginning to
end.'--LEEDS MERCURY.
'"The Ivory Gate" is a novel of considerable interest, and it is a story
that is told in Mr. Besant's best style.'--PALL MALL GAZETTE.
'The story is cleverly told and effective.'--MORNING POST.
[_October, 1892_]
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