IV.--BASA-JAUN, BASA-ANDRE, AND LAMIÑAK.

It is somewhat difficult to get a clear view of what Basa-Jaun and

Basa-Andre, the wild man and the wild woman, really are in Basque

mythology. In the first tale here given Basa-Jaun appears as a kind

of vampire, and his wife, the Basa-Andre, as a sorceress, but we

know of no other such representation of the former. Basa-Jaun is

usually described by Basque writers as a kind of satyr, or faun, a

wood-sprite; and Basques; in speaking of him to us, have frequently

used the French term, "Homme de Bouc," "He-goat-man," to describe

him. In some tales he appears rather as a species of brownie, and

has received the familiar sobriquet of Ancho, [38] from the Spanish

Sancho. In this character he haunts the shepherds' huts in the

mountains, warms himself at their fires, tastes their clotted milk

and cheese, converses with them, and is treated with a familiarity

which, however, is never quite free from a hidden terror. His wife,

the Basa-Andre, appears sometimes as a sorceress, sometimes as a kind

of land-mermaid, as a beautiful lady sitting in a cave and "combing

her locks with a comb of gold," in remote mountain parts. [39]

The Lamiñak are true fairies, and do not differ more from the

general run of Keltic fairies than the Scotch, Irish, Welsh,

and Cornish fairies do from each other. In fact, the legends

are often identical. The Lamiñak were described to us by one who

evidently believed in, and dreaded them, as little people who lived

underground. Another informant stated that they were little people who

came down the chimney. They long to get possession of human beings,

and change and carry off infants unbaptized, but they do not seem

to injure them otherwise. They bring good luck to the houses which

they frequent; they are fond of cleanliness, but always speak and

give their orders in words exactly the opposite of their meaning. In

common with Basa-Jaun and Basa-Andre they hate church bells, [40]

and though not actively hostile to Christianity, are driven away as

it advances. They were formerly great builders of bridges, and even

of churches, [41] but were usually defrauded of their wage, which

was to have been power over some human soul at the completion of

the contract. Fairies' wells and fountains are common in the Landes

and neighbouring Gascon provinces, but we know of none in the Pays

Basque. [42] We failed distinctly to make out what are the "fairies'

holes (Lamiña-ziloak)," spoken of in the Heren-Suge tale (p. 36);

as far as we could gather from the narrator they are simply bare

places in hedges, when covered by the web of the gossamer spider.

We know of no dances by moonlight on fairy rings of green herbage;

but if the reader will carefully eliminate from his memory the rare

fancies of Shakespeare and Ben Jonson about Puck, Oberon, and Titania,

he will find little otherwise to differentiate between the Basque

Lamiñak and the fairies of Sir Walter Scott, of Campbell, and of

Croker's "Irish Legends." One peculiarity certainly is that all the

Basque Lamiñak are sometimes said to be all called "Guïllen," [43]

which appears to be the same as the French Guillaume, and our William.

It must be a sign of a failing belief and interest that witches and

fairies are so often confounded. In these few stories it is evident

that the witch is often a fairy, and the fairy a witch.

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