INTRODUCTION.

The study of the recent science of Comparative Mythology is one of the

most popular and attractive of minor scientific pursuits. It deals

with a subject-matter which has interested most of us at one period

of our lives, and turns the delight of our childhood into a charm and

recreation for maturer age. Nor is it without more useful lessons. In

it we see more clearly than perhaps elsewhere the reciprocal influence,

which none can wholly escape, of words and language upon thought, and

again of thought and fancy upon words and language; how mere words and

syllables may modify both conception and belief; how the metaphor,

which at first presented an object more clearly and vividly to the

mind than any more direct form of speech could do, soon confuses

and at last wholly distorts the original idea, and buries its

meaning under a new and foreign superstructure. We may mark here,

too, by numerous examples, how slowly the human mind rises to the

conception of any abstract truth, and how continually it falls back

upon the concrete fact which it is compelled to picture to itself in

order to state in words the simplest mental abstraction. The phrase,

"The dawn flies before the sun," passing into the myth of Daphne and

Apollo, is a lesson in psychology no less than in philology and in

comparative mythology.

Now, both the interest and the value of these studies are enhanced in

proportion as they become complete. Our conclusions approach nearer

to certainty, and will gradually pass from theory to demonstration,

as we find the same legends and modes of thought and expression on

natural phenomena constantly reappearing among the most distant and

the most isolated peoples, in languages which in their complex forms

tell of the infancy of human speech, and also in those whose worn-down

frame speaks of the world's old age.

Of the peoples now settled in Western Europe, the Basques are those

which are the most separate from other populations; distinct in

language, they represent, in a more or less mixed state, some older

stratum of European ethnology. Their language, too, as regards the

mass of the people, is still practically unwritten. [1] Here there is

a chance of finding legends in a purer and older form than among any

other European people; and in what they have borrowed from others, we

may have an almost unique crucial test of the time which it takes for

such traditions to pass orally from people of one language to another

and totally different one. None of these legends have been published

or even noticed till within the last two years, when M. d'Abbadie

read the legend of the Tartaro before the Société des Sciences et des

Arts de Bayonne, and M. Cerquand his "Légendes et Récits Populaires

du Pays Basque," before the sister society at Pau. [2]

Of course we must expect to find such legends very much altered,

and in a state of almost inextricable confusion, and this not only

through forgetfulness, and through the lapse of time since their

origin, not only by the influence of a total change of religion, but

they are also mingled and inter-penetrated with totally new ideas; the

old and the new will be found side by side in striking and sometimes

grotesque contrast. As in Campbell's "Tales of the West Highlands,"

personages of mythical antiquity go to kirk, and indulge in other

decidedly post-Reformation practices, so in these Basque tales the

reader must not be startled by the introduction of maize and tobacco,

of cannon and gunpowder, of dances at the mairie, and the use of

the guillotine, in stories which, perhaps, originally told of the

movements of the stars, of the wars of the forces of the atmosphere,

of the bright beauty of the rising, or of the glowing glory of the

setting sun. [3] The body is the same in all ages, but the dress varies

with the changing fashions. To borrow an illustration from a slightly

older science, this is not a simple case of contorted and overlying

strata to be restored to their original order, but rather of strata

worn down, reconstructed, and deposited anew, and even modified in

their latest stage by the interference of human action. And thus our

problem becomes an exceedingly complex and difficult one, and our

readers must not be disappointed if our conclusions are not so clear

and positive as might be wished. The present is merely a tentative,

and not, in any sense, a final essay towards its solution.

How are these legends told now, and how have they been preserved? They

are told by the Basque peasants, either when neighbours meet--after

the fashion made familiar to us by American novelists in the "Husking

Bee"--for the purpose of stripping the husks from the ears of maize,

an operation generally performed in one or two long sessions; or at the

prolonged wedding and other feasts, of which we have evidence in the

tales themselves, or else in the long nights round the wintry hearth

of their lonely dwellings. For it is one of the charms of the Basque

land that the houses are scattered all over the face of the country,

instead of being collected into crowded villages; and it is, perhaps,

to this fact chiefly that we owe the preservation of so much old-world

lore, and of primitive ideas, among this people. The reader must not

be surprised at the length of some of our specimens. The details of

the incidents of the longest are religiously preserved and, as told

at home, they are probably more lengthy (as anyone will understand

who has ever taken anything down from recitation) than as here

given. Many an unlettered Basque peasant could serve an irritable

stranger as Glendower did Hotspur, when he kept him "at least nine

hours in reckoning up the several devils' names that were his lackeys."

In La Soule the "Pastorales," or Basque dramas, which last from six

to eight hours of uninterrupted action, are learnt in the same way

by word of mouth during the long evenings of winter.

These legends are still most thoroughly believed in. They still

form part of the faith of these simple people--not at all, we need

hardly say, in the use of mythological or atmospheric allegory,

but as narratives of veritable fact. They believe them as they do

the histories of the Bible or the "Lives of the Saints." In fact,

the problem of reconciling religion and science presents itself to

their minds in this strange guise--how to reconcile these narratives

with those of the Bible and of the Church. The general solution is

that they happened before the time of which the Bible speaks, or

before Adam fell. They are "Lege zaharreko istorriguak"--"histories

of the ancient law"--by which is apparently meant the time before

Christianity. "This happened, sir, in the time when all animals and

all things could speak," was said again and again by our narrators at

the commencement of their story; not one doubted the literal truth of

what they told. Their naïve good faith occasionally severely tested

our own gravity. Appeal was often made to our supposed superior

knowledge to confirm the facts. The varying tone of the voice told

how truly the speakers sympathised with what they uttered. At times

sobs almost interrupted utterance, when the frequent apostrophe

came: "Think how this poor so-and-so must have suffered!" More often

bursts of laughter at traditional jokes, too poor to raise a smile on

less unsophisticated lips, broke the recital. Very determined, too,

is their adherence to what they believe to be the genuine text of

these old tales. "I don't understand it, but the history says so;"

"It is so;" "The story says so," was positively affirmed again and

again--e.g., in one of the Peau d'Ane or Cinderella stories, when the

lady has dazzled her admirer by her dress of silver (moonlight?),

then of gold (sunlight?), then of diamonds (dew-drops?), at last,

on the wedding-day, the bride and bridegroom dress each other. "I

don't know why," interrupted the story-teller, "but the story says

so." Could anything tell more quaintly of the marriage of the sun and

dawn? The sun decking the morning clouds with his light and beauty,

and they again robing him in their soft and tender colouring.

But we must pass on to the tales themselves. None of these, we think,

will be found to be genuinely or exclusively Basque; the oldest we take

to be those most widely known, and which are most distorted. The heads

under which we have arranged them are: (1) Legends of the Tartaro,

or Cyclops; (2) of the Heren-Suge, the Seven-Headed Serpent; (3)

of purely Animal Tales, which are neither fables nor allegories;

(4) of Basa-Jauna, Basa-Andre, and of the Lamiñak, or Fairies; (5)

Tales of Witchcraft; (6) those which, for want of a better name,

we have entitled Contes des Fées, in which the fairy is an Eastern

magician--these we have divided into sections, (a) those which

resemble the Keltic and other tales, and (b) those which are probably

borrowed directly from the French; our last division (7), Religious

Tales and Legends, are probably from mediæval sources common to Latin

Christianity, but they are interesting as specimens of the tales which

probably delighted the highest born of our own ancestors in the middle

ages, and now linger only among the peasantry in out-of-the-way corners

of Europe. Some of these tales seem to us to be more gracefully told,

and have more of human interest in them, than any of the others.

We fear scientific men will be disappointed in this

collection. Notwithstanding that we have been careful to collect from

those who know the Basque only, or who certainly knew only Basque

when they first learnt these tales, yet they are evidently much mixed

with French and Spanish. Our translations are literal to baldness;

the only liberty we have taken is in softening down the exceeding

directness and grossness of some portions. Not one tale is in the

least licentious--but the Basque language calls a spade a spade,

and not an implement of husbandry. [4] The Carlist war of the last

four years has prevented our getting any legends from the Spanish

Basque provinces, and has even to some extent hindered our work in

the French Pays Basque, by providing an almost exclusive object of

interest. In the more remote districts of the Pays Basque itself,

which we have not been able to revisit since we commenced this

collection, purer forms of some of these legends may be found, and

others of which we have no example; [5] but these which we give are

really representative. Though collected mainly in the neighbourhood

of St. Jean de Luz, we have tested them by enquiry of natives of all

the provinces, and find that they are equally well known in La Soule

and in Basse Navarre as in the Labourd. We never met with a Basque

peasant who could not tell us what are the Tartaro, the Heren-Suge,

Basa-Jaun, and the Lamiñak.

As a curious coincidence, we may notice how closely some of the Basque

names of the stars parallel those given in Miss Frere's delightful

"Old Deccan Days." In the narrator's narrative, pp. 27, 28, we read,

"She (the grandmother) would show us the hen and chickens" (the

Pleiades)--the same in Basque, "Oiloa chituekin;" "The three thieves

climbing up to rob the Ranee's silver bedstead"--the three stars in

Orion's belt, in Basque, the three kings, or brothers, or robbers; the

milky way, "the great pathway of light on which He went up to heaven,"

has also obtained in Basque a Christianized name--"Erromako zubia,

or Bidea," "the bridge or road to Rome." Again, "All the cobras in

my grandmother's stories were seven-headed," so the Heren-Suge in

the Basque country is always seven-headed. Little or nothing can be

gathered from the names of the actors, the heroes or heroines of

these tales. They are mostly anonymous, but the name, when given,

is almost always borrowed from the French. This is disappointing,

and much increases the difficulty of tracing the origin; but it is

analogous to the fact that scarcely a single purely Basque name is

to be found among the so-called kings and chieftains of the Basques

during the early middle ages. [6] Among the classic writers, too,

and among the soldiers and followers of our Anglo-Gascon princes,

hardly a name indubitably Basque is to be found.

For all more special details and discussions we refer to the

Introductions to the separate sections. The few references given to

the parallel legends of other countries are not intended to be at

all complete, much less exhaustive. The Pays Basque is not a land of

libraries, and it is not easy to collect these legends on the spot, and

at the same time to get together the books necessary for a comparison

of them with those of other countries. The few we offer are only those

which have fallen in our way, and though worthless to the specialist,

may be of some little aid as suggestions to the ordinary reader. [7]

For the same purpose we annex a list of the first publication of the

chief collections of foreign legends in France. [8] It is curious to

remark that, while the masterpieces of French literature seem never

to have penetrated beyond the surface of society, these legends have

pierced to the very bottom of the social mass, and have become real

living household words, even to those many millions of Frenchmen who

do not understand one word of French.

There remains the pleasant task of thanking some of the many friends

who have assisted us in this collection. I had hoped to have joined the

name of M. J. Vinson, the well-known Basque and Dravidian scholar,

to my own as joint-author of this simple work. I should hardly

have had the courage to have undertaken it had I not been assured

of his invaluable assistance in difficulties about the language of

the originals. Unavoidable circumstances have, however, prevented his

seeing the Basque of many of the later tales, and he therefore prefers

that the "Essay on the Basque Language" should alone bear his name. I

cannot but accede to his wishes; but, at the same time, I offer him

my most grateful thanks for the unfailing and unwearied help which he

so kindly afforded me for many months. The legends contributed by him

are noticed in their proper place. Our first acknowledgments are due

to M. d'Abbadie, of Abbadia, the well-known "Membre de l'Institut,"

for his kind assistance and ready communication of the legends in

his possession, and which were the starting point of our work. Next,

and even more, to Madame M. Bellevue, of Dajieu-baita, through whose

kind intervention the majority of these tales were collected, and who

assisted in the translation of almost all. And then to the sisters

Estefanella and Gagna-haurra Hirigaray, who contributed more than

twenty tales; to Dr. Guilbeau and other friends at St. Jean de Luz

who have taken a friendly interest in our work, and to all those

whose names are appended to the tales they furnished. It would be

presumptuous to hope that our readers will find as much pleasure in

perusing these tales as we have had in collecting them.

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