SON AND FATHER.

Later that evening, Edwin sat at a small deal table in the embrasure of

the dormer window of the empty attic next to his bedroom. During the

interval between tea and the rendezvous with Big James he had formally

planted his flag in that room. He had swept it out with a long-brush,

while Clara stood at the door giggling at the spectacle and telling him

that he had no right thus to annex territory in the absence of the

overlord. He had mounted a pair of steps, and put a lot of lumber

through a trap at the head of the stairs into the loft. And he had got

a table, a lamp, and a chair. That was all that he needed for the

moment. He had gone out to meet Big James with his head quite half-full

of this vague attic-project, but the night sights of Bursley, and

especially the music at the Dragon, and still more especially the

dancing at the Dragon, had almost expelled the attic-project from his

head. When he returned unobtrusively into the house and learnt from a

disturbed Mrs Nixon, who was sewing in the kitchen, that he was

understood to be in his new attic, and that his sisters had gone to bed,

the enchantment of the attic had instantly resumed much of its power

over him, and he had hurried upstairs fortified with a slice of bread

and half a cold sausage. He had eaten the food absently in gulps while

staring at the cover of "Cazenove's Architectural Views of European

Capitals," abstracted from the shop without payment. Then he had pinned

part of a sheet of cartridge-paper on an old drawing-board which he

possessed, and had sat down. For his purpose the paper ought to have

been soaked and stretched on the board with paste, but that would have

meant a delay of seven or eight hours, and he was not willing to wait.

Though he could not concentrate his mind to begin, his mind could not be

reconciled to waiting. So he had decided to draw his picture in pencil

outline, and then stretch the paper early on Sunday morning; it would

dry during chapel. His new box of paints, a cracked T-square, and some

india-rubber also lay on the table.

He had chosen "View of the Cathedral of Notre-Dame Paris, from the Pont

des Arts." It pleased him by the coloration of the old houses in front

of Notre-Dame, and the reflections in the water of the Seine, and the

elusive blueness of the twin towers amid the pale grey clouds of a

Parisian sky. A romantic scene! He wanted to copy it exactly, to

recreate it from beginning to end, to feel the thrill of producing each

wonderful effect himself. Yet he sat inactive. He sat and vaguely

gazed at the slope of Trafalgar Road with its double row of yellow

jewels, beautifully ascending in fire to the ridge of the horizon and

there losing itself in the deep and solemn purple of the summer night;

and he thought how ugly and commonplace all that was, and how different

from all that were the noble capitals of Europe. Scarcely a sound came

through the open window; song doubtless still gushed forth at the

Dragon, and revellers would not for hours awake the street on their way

to the exacerbating atmosphere of home.

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Clayhanger · 第 73 / 427 题