THREE.

In the wedge-shaped doorway between the windows stood two men, one

middle-aged and one old, one bareheaded and the other with a beaver hat,

engaged in conversation. They were talking easily, pleasantly, with

free gestures, the younger looking down in deferential smiles at the

elder, and the elder looking up benignantly at the younger. You could

see that, having begun with a business matter, they had quitted it for a

topic of the hour. But business none the less went forward, the shop

functioned, the presses behind the shop were being driven by steam as

advertised; a customer emerged, and was curtly nodded at by the

proprietor as he squeezed past; a girl with a small flannel apron over a

large cotton apron went timidly into the shop. The trickling, calm

commerce of a provincial town was proceeding, bit being added to bit and

item to item, until at the week's end a series of apparent nothings had

swollen into the livelihood of near half a score of people. And nobody

perceived how interesting it was, this interchange of activities, this

ebb and flow of money, this sluggish rise and fall of reputations and

fortunes, stretching out of one century into another and towards a

third! Printing had been done at that corner, though not by steam,

since the time of the French Revolution. Bibles and illustrated herbals

had been laboriously produced by hand at that corner, and hawked on the

backs of asses all over the county; and nobody heard romance in the

puffing of the hidden steam-engine multiplying catalogues and billheads

on the self-same spot at the rate of hundreds an hour.

The younger and bigger of the two men chatting in the doorway was Darius

Clayhanger, Edwin's father, and the first printer to introduce steam

into Bursley. His age was then under forty-five, but he looked more.

He was dressed in black, with an ample shirt-front and a narrow black

cravat tied in an angular bow; the wristbands were almost tight on the

wrists, and, owing to the shortness of the alpaca coat-sleeves, they

were very visible even as Darius Clayhanger stood, with his two hands

deep in the horizontal pockets of his `full-fall' trousers. They were

not precisely dirty, these wristbands, nor was the shirt-front, nor the

turned-down pointed collar, but all the linen looked as though it would

scarcely be wearable the next day. Clayhanger's linen invariably looked

like that, not dirty and not clean; and further, he appeared to wear

eternally the same suit, ever on the point of being done for and never

being done for. The trousers always had marked transverse creases; the

waistcoat always showed shiningly the outline of every article in the

pockets thereof, and it always had a few stains down the front (and

never more than a few), and the lowest button insecure. The coat,

faintly discoloured round the collar and fretted at the cuffs, fitted

him easily and loosely like the character of an old crony; it was as if

it had grown up with him, and had expanded with his girth. His head was

a little bald on the top, but there was still a great deal of mixed

brown and greyish hair at the back and the sides, and the moustache,

hanging straight down with an effect recalling the mouth of a seal, was

plenteous and defiant--a moustache of character, contradicting the full

placidity of the badly shaved chin. Darius Clayhanger had a habit, when

reflective or fierce, of biting with his upper teeth as far down as he

could on the lower lip; this trick added emphasis to the moustache. He

stood, his feet in their clumsy boots planted firmly about sixteen

inches apart, his elbows sticking out, and his head bent sideways,

listening to and answering his companion with mien now eager, now

roguish, now distinctly respectful.

The older man, Mr Shushions, was apparently very old. He was one of

those men of whom one says in conclusion that they are very old. He

seemed to be so fully occupied all the time in conducting those physical

operations which we perform without thinking of them, that each in his

case became a feat. He balanced himself on his legs with conscious

craft; he directed carefully his shaking and gnarled hand to his beard

in order to stroke it. When he collected his thoughts into a sentence

and uttered it in his weak, quavering voice, he did something wonderful;

he listened closely, as though to an imperfectly acquired foreign

language; and when he was not otherwise employed, he gave attention to

the serious business of breathing. He wore a black silk stock, in a

style even more antique than his remarkable headgear, and his trousers

were very tight. He had survived into another and a more fortunate age

than his own.

------------------------------------------------------------------------

Clayhanger · 第 19 / 427 题