XXXVIII.

A last trick is to become personal, insulting, rude, as soon as you

perceive that your opponent has the upper hand, and that you are going

to come off worst. It consists in passing from the subject of dispute,

as from a lost game, to the disputant himself, and in some way

attacking his person. It may be called the _argumentum ad personam_,

to distinguish it from the _argumentum ad hominem_, which passes

from the objective discussion of the subject pure and simple to the

statements or admissions which your opponent has made in regard to it.

But in becoming personal you leave the subject altogether, and turn

your attack to his person, by remarks of an offensive and spiteful

character. It is an appeal from the virtues of the intellect to the

virtues of the body, or to mere animalism. This is a very popular

trick, because every one is able to carry it into effect; and so it

is of frequent application. Now the question is, What counter-trick

avails for the other party? for if he has recourse to the same rule,

there will be blows, or a duel, or an action for slander.

It would be a great mistake to suppose that it is sufficient not to

become personal yourself. For by showing a man quite quietly that he

is wrong, and that what he says and thinks is incorrect--a process

which occurs in every dialectical victory--you embitter him more than

if you used some rude or insulting expression. Why is this? Because,

as Hobbes observes,[1] all mental pleasure consists in being able to

compare oneself with others to one's own advantage. Nothing is of

greater moment to a man than the gratification of his vanity, and no

wound is more painful than that which is inflicted on it. Hence such

phrases as "Death before dishonour," and so on. The gratification of

vanity arises mainly by comparison of oneself with others, in every

respect, but chiefly in respect of one's intellectual powers; and so

the most effective and the strongest gratification of it is to be

found in controversy. Hence the embitterment of defeat, apart from any

question of injustice; and hence recourse to that last weapon,

that last trick, which you cannot evade by mere politeness. A cool

demeanour may, however, help you here, if, as soon as your opponent

becomes personal, you quietly reply, "That has no bearing on the point

in dispute," and immediately bring the conversation back to it, and

continue to show him that he is wrong, without taking any notice of

his insults. Say, as Themistocles said to Eurybiades--_Strike, but

hear me_. But such demeanour is not given to every one.

[Footnote 1: _Elementa philosophica de Cive_.]

As a sharpening of wits, controversy is often, indeed, of mutual

advantage, in order to correct one's thoughts and awaken new views.

But in learning and in mental power both disputants must be tolerably

equal. If one of them lacks learning, he will fail to understand the

other, as he is not on the same level with his antagonist. If he lacks

mental power, he will be embittered, and led into dishonest tricks,

and end by being rude.

The only safe rule, therefore, is that which Aristotle mentions in the

last chapter of his _Topica_: not to dispute with the first person you

meet, but only with those of your acquaintance of whom you know that

they possess sufficient intelligence and self-respect not to advance

absurdities; to appeal to reason and not to authority, and to listen

to reason and yield to it; and, finally, to cherish truth, to be

willing to accept reason even from an opponent, and to be just enough

to bear being proved to be in the wrong, should truth lie with him.

From this it follows that scarcely one man in a hundred is worth your

disputing with him. You may let the remainder say what they please,

for every one is at liberty to be a fool--_desipere est jus gentium_.

Remember what Voltaire says: _La paix vaut encore mieux que la

vérité_. Remember also an Arabian proverb which tells us that _on the

tree of silence there hangs its fruit, which is peace_.

The Essays of Arthur Schopenhauer; the Art of Controversy · 第 50 / 55 题