The ancient Egyptians, though they worshipped onions and garlic, for

which they were handsomely ridiculed by Juvenal, seem to have paid little

respect to trees, probably because, besides the palm, so few were known

to them. There is, however, according to that wonderful book, Sir James

Fraser’s “Golden Bough,” some evidence to show that they believed that

spirits haunted trees; at any rate, the tamarisk was sacred to Osiris—the

god and ruler who represented the principle of good, as his brother

Typho did that of evil. The story of the death of Osiris is curious as

a contradiction of the idea of immortality with which deity is usually

endowed. The god, having become King of Egypt, devoted himself to the

civilization of his people, and to further that end, set out to travel

over the world, leaving his wife Isis to reign in his place. When he

came back, Typho, with other conspirators, among whom was an Ethiopian

queen, named Aso, plotted to kill his brother. So, having procured the

exact measurement of Osiris, he caused a box to be made to fit him, and

having invited Osiris to a feast, he caused the box, which was of rare

workmanship, to be brought in, saying he would give it to any one present

whom it would fit. All the guests tried it in vain; at last Osiris laid

himself down in it, and the conspirators, rushing forward, fastened down

the lid with nails and molten lead. Then the box was carried to the

riverside. It floated down the stream and was carried by the waves of

the sea to the coast of Byblos, and lodged in the branches of a tamarisk

bush. There is much more of this fable in Sir Gardner Wilkinson’s great

book—not all of it very edifying reading; but that is how the tamarisk

became a sacred tree.

While treating of the superstitions and legends belonging to trees, it

has been impossible to avoid touching upon the belief in ghosts. That

faith exists in every part of the world. The fetichists of the African

priests, the totemists of North America, the wildest savages of the

South Seas with their uncouth idols, the aborigines of Australia and

New Zealand—all stand in terror of ghosts. I long years ago translated

a collection of Pekingese stories of haunted houses; but in many moves

and journeys the manuscript has been lost—no great matter of regret,

for these tales are always the same, the two leading causes for

apparitions being remorse or revenge. The story of the ghost of Sakura

Sōgorō, perhaps the most famous ghost story of the Far East, which I

have translated in my “Tales of Old Japan,” has, apart from its local

colouring, no feature differing from many such traditions which have been

handed down in Europe. But the true interest of these superstitions, call

them fables, myths—what you will—lies in the proof that all over the

world there is implanted in man the instinctive conviction that death is

not the end of all things—the mere return of dust to dust, of ashes to

ashes; if that were so, there could be no thought of ghosts. The belief

depends upon the existence of that mysterious intuitive feeling that when

the thread of fate has been severed, there still remains another life

which death itself cannot kill, and that other life is the soul.

* * * * *

But the fairies—where are they? Can it be that the Bakémono-zakura—the

haunted cherry trees of Japan—when they were ruthlessly torn out of the

soil of the country of the gods ten years ago, indignantly burst their

barken bonds, and taking wing for refuge to the sacred groves of Mount

Fugi, from some wild bird’s eyrie watched their beloved old homes being

wafted away to new and uncertain climes across the terrors of the Pacific

Ocean? And yet often, even here, I see a merry band of flaxen-haired

dwarfs playing about the enchanted trees. Fairy-land is rich in surprises

and mystifications. Who knows? Perhaps these little sprites are

themselves fairies who have chosen for their abode the forsaken dwellings

of the dark eastern Bakémono—“good folk” sent by a kindly Providence to

shed a fleeting ray of the sunshine of poetry over the wintry prose of an

octogenarian’s life.

QUEEN VICTORIA AND MARIE THERESIA

Rarely, indeed, does the student in history come across two personalities

so entirely in unison at almost all points as those of the Austrian

Empress Marie Theresia and our own Queen Victoria. Both were essentially

great Sovereigns, both essentially good women. Our own Queen exercised

an authority which was in one sense even more remarkable than that of

the Empress; for whereas the latter was a commanding figure in an age

when the glamour of autocracy had not yet faded away, Queen Victoria,

by sheer force of character, maintained the prestige of royalty against

the flowing tide of a democracy which was becoming daily more and more

self-asserting. Indeed, she did more than maintain it—she summoned it

from the dead; for in the two reigns which preceded hers it had perished,

as men then thought, without hope of resurrection.

In all save their outward appearance the likeness between the two august

ladies was such that it almost seemed as if the one was the reincarnation

of the other; as if the soul of the mighty Austrian had passed into the

Queen. An earnest and deep piety was the foundation of both characters,

though they would have been utterly opposed in the form of its exercise.

Marie Theresia was the faithful daughter of the Church of Rome, Queen

Victoria the no less faithful and loving child of the Reformation. In

both religion was a passion.

There has been a recent republication of the “Memoirs of Frau Pichler,”

the Viennese poetess and authoress, whose _salon_ at the end of the

eighteenth and during the early part of the nineteenth century was so

famous that people said that there were two things which no stranger

coming to Vienna could afford to miss seeing—St. Stephen’s Cathedral and

Frau Pichler. Those memoirs, admirably edited and furnished with copious

notes by one Emil Blümml, throw an interesting light upon the private and

intimate life of Marie Theresia, and as we follow these reminiscences,

we cannot but be struck by the many links in the chain of similarity of

which I have spoken above.

Both Queen Victoria and the Empress were deeply penetrated with that

sense of the Royal Caste which is too apt to raise an insurmountable

boundary against social intercourse. But if Royalty itself stands apart,

there is also an instinctive aloofness from it in those who are of

high position but yet subjects; so that the intimacies of Sovereigns

and royal personages are found rather among their personal attendants

than among the nobles and powerful officials who form their courts.

Especially is this bound to be the case where princesses are concerned.

Their tirewomen and dressers are far more capable than chamberlains and

secretaries of state of judging their private idiosyncrasies; so, in

order to know what manner of woman this or that queen may have been, we

are fain to climb the backstairs—where such a way is open to us, as it is

in the case of Marie Theresia.

[Illustration: THE EMPRESS MARIE THERESIA.

_From an engraving after a painting by Mytens._

[_To face p. 130._]

The adoption of Frau Pichler’s mother by the great Empress is just such a

pathetic story, not without a pinch of the salt of romance, as would have

touched the kind heart of Queen Victoria, and, indeed, we can well fancy

her in like circumstances behaving exactly as Marie Theresia did.

In the month of May, 1744, the Wolfenbüttel Regiment of Infantry was

moved from Hungary to Vienna. A poor old lieutenant, fifty years of age,

named Friedrich Hieronymus, a widower, had contrived—with what pains and

anxiety who can tell?—to take with him on the march his only child, a

little daughter aged four. Hardly had he reached Vienna when he caught

a chill, inflammation of the lungs set in and he died, full of terror

for the future of his little Charlotte, whom he was to leave penniless

and destitute in what was to him a foreign country, among strangers

professing a religion which was abhorrent to him—for he was a Protestant.

His last tender words were for her. “Poor child! what will become of

thee?” Throughout her long life those painfully uttered words, torn from

the dying man’s soul, remained graven in her heart, unforgettable. His

brother officers, good charitable souls, probably themselves none too

well furnished with this world’s goods, took charge of the babe, who

became from thenceforth the “fille du Régiment.” The pathetic story came

to the ears of Marie Theresia, who had a soft place in her heart for the

Wolfenbüttel Regiment, which was named after the family of her mother,

the Empress Elizabeth. She sent for the child, but the officers of the

regiment, deeply imbued with a sense of loyalty to their dead comrade,

did all that was in their power to hinder the babe from falling into the

hands of an aggressively religious Catholic.

They hid her in a suburb of Vienna, but the Empress’s agents were

too clever for them, and the child was brought to Court, where, as

the Wolfenbüttlers had foreseen, she was brought up in the strictest

doctrines of the Roman Church, under the charge of a Spanish lady,

Isabella Duplessis, and was specially educated with a view to entering

the Empress’s service as tirewoman. Her life was now very different from

what might have been expected for the baby that followed the drum. She

became the playmate of the Imperial children, amongst them of the unhappy

Queen Marie Antoinette, and so the years went by in all the luxury of a

sumptuous court.

Little Charlotte proved herself worthy of her good fortune; indeed,

so quick and nimble-witted was she, that when she had reached the age

of thirteen she was already deemed fit to enter upon her duties about

her great mistress, not only as tirewoman, but also as reader. To this

end she had been early handed over to the care of Gräfin Fuchs, the

tenderly-loved nurse and governess of the Empress, who had such an

affection for her that when she died she was buried in the vault of the

Capucins, the last home of the Imperial Family.

In spite of the advice given by Hippolochus to Glaucus, it is not always

an unmixed advantage so to excel as to make oneself indispensable. This

little Charlotte soon found out, for her skill in hairdressing was such

that the Empress, who was so particular about her hair that she would

sometimes have it done and undone four or five times before she was

satisfied, could not do without her. Marie Theresia, who was without a

spark of coquetry and had neither eyes nor thought for any man but her

husband, had all a woman’s instinctive love of display, and took a great

delight in her beauty for its own sake.

None of the other tirewomen had Charlotte’s cunning fingers, and the

same thing applied to her reading. German, French, Italian and Latin

came to the child with equal facility, and all these were found in the

dispatches which she had to read aloud to the Empress. French and Italian

were the languages of the Opera and of the elegances of the Court. On one

occasion when the Empress was expecting a baby, she had a bet with Count

Dietrichstein as to the sex of the infant. She wagered for a girl, he for

a boy—the Empress won. The Count sent her a piece of porcelain with a

portrait of himself kneeling, and these words written by Metastasio, the

Poet Laureate of the Court:

“Perdo, è ver, l’ augusta figlia

A pagar m’ ha condannato,

Ma s’ è ver che a te somiglia

Tutto il mondo ha guadagnato.”

A pretty compliment! The babe, Marie Antoinette, born to be Queen of

Beauty and of Sorrow, was worthy of it.

Talking of languages, it is strange to read of how small account German

was at the Court of Vienna. The Emperor Francis I., as a Lorrainer,

hardly understood it and never spoke it, and the people of his service

were mostly Lorrainers or Netherlanders. The Empress herself did not

speak correct German; she used the vulgarest Viennese patois, and Frau

Pichler tells an amusing story of how a young Saxon lady, who had been

appointed as one of her mother’s colleagues, came to her in despair one

morning to beg her help. The Empress had ordered her to go and fetch “das

blabe Buich.” What could her Majesty mean? Charlotte laughed, and told

her to go and get “das blaue Buch.” The Saxon girl, Karoline Mercier,

would not believe her—but the blue book it was. If she could not master

German, the Empress, like Queen Victoria, was familiar with French and

Italian. Our Queen was very fond of showing her fluency in German and

French, and on her drives would often stop her carriage for the joy of a

chat with some poor Italian organ-grinder in his own soft tongue. Latin,

which the Empress knew intimately, was the means of communication with

her Hungarian magnates. She loved the language and them, for so she was

reminded of the day—the 11th of September, 1741—when she, threatened

by half Europe with the loss of the states which the hostile Powers

had once guaranteed, went to Pressburg, met the nobles of Hungary in

their parliament, and appealed to them for protection for herself and

her child, the future Emperor Joseph. Her cry for help was not in vain.

Touched to the quick by the sight of the lovely weeping Empress, the

proud Magyars, old and young, the flower of a noble chivalry, drew their

swords and swore to die for the beautiful woman, who was their _King_. A

universal conscription was decreed. It was a triple triumph, upon which

she loved to look back—the triumph of Virtue, of Right, and last, but not

least, of Beauty.

The service of Marie Theresia’s handmaidens was no sinecure. In summer

she rose at five o’clock—in winter a little later—and rang for her

girls, who had to appear fully dressed in hoop-petticoats, and with

the marvellous edifices of hair which the fashion of the day exacted.

To achieve this, the young ladies had to get up in the middle of the

night, and this was especially hard upon Charlotte, who had night after

night to read aloud for long hours after the Empress had gone to bed.

But Charlotte was so quick, and knew the Empress’s taste so well that,

whatever happened, she must be present at the morning toilette, and ready

to attend upon her mistress during and after supper—a light meal, of

which Her Majesty always partook in her private room. Busy worker as the

Empress was, she seems to have depended entirely upon having her State

papers read aloud to her, and so Charlotte became acquainted very early

in life with many important State secrets. But she was a discreet little

soul and knew how to hold her tongue, and so retained the confidence of

her Imperial mistress so long as that wonderful woman lived.

The portrait which Frau Pichler has left behind her of the great lady,

partly drawn from her mother’s stories of her, partly from her own

memories of the days when as a little girl she used to be taken by

special command to Schönbrunn or the Burg in Vienna, is fascinating.

In her youth the Empress had been extremely beautiful, and though in

middle life she grew large and unwieldy, and had to be taken up to her

rooms in a lift—wafted through the air by fairies, as it seemed to the

child whom she took with her—she retained to the end that wonderful

gift of grace and of what is called “presence,” which is so keenly felt

and so impossible to describe. Kindly she was, too, and of a motherly

sweetness with children. Frau Pichler tells us how on one occasion, when

the Empress had sent her to an adjoining room on some small errand,

she slipped and fell, breaking her fan, and burst into tears. The kind

Empress hurried after her, comforted her, and gave her a new fan—a

precious relic, to be treasured as we may well believe for a lifetime.

Marie Theresia was the daughter of the Emperor Charles the Sixth, who,

being without a male heir, named her as his successor by “pragmatic

sanction”—a Byzantine term for an ordinance issued arbitrarily by the

head of an empire or kingdom. She succeeded to the various thrones of

her father on his death in 1740, and associated with herself as Emperor

her husband, Duke Francis of Lorraine, who had been her play-fellow and

whom she had married in 1736. In spite of his numerous infidelities, she

adored him. Albeit, so far as politics were concerned, he was no great

help to her; so though he bore the title of Emperor, she remained unaided

at the helm. Hers was no easy task. In spite of scraps of paper and

guarantees, a coalition between Prussia, France, Bavaria, the Palatinate,

Saxony, Sardinia, Naples and Spain—a pack of hungry war-dogs, all tearing

at her on every side, each howling for his pound of flesh—threatened to

devour her. She had only England and Hungary on her side; but, like Abdul

Hamid in our own times, she could count upon the quarrels between her

foes. Prussia was the arch-enemy. Prussia, which we are now told, was the

original subject of the “Hymn of Hate,” written, _teste_ the _Morning

Post_, by the revolutionary Herweg in 1841, for which Herr Lissauer,

who substituted England for Prussia, has been decorated by a grateful

Kaiser.[12] Prussia, of which Heine wrote: “I utterly loathe this

Prussia, this stiff, hypocritical, sanctimonious Prussia, this Tartuffe

among the nations.”[13]

Like our own Queen, Marie Theresia was essentially a woman of business.

She personally directed the affairs of her Empire, issuing her commands

to her ministers, and the little orphan Charlotte, as we have seen,

for many years acted as her secretary and reader. The duties were no

sinecure, and although no doubt the position of a young lady of the Court

was one of great luxury in some respects and greatly coveted, there were

also some hardships with which those chosen maids had to put up. The

Empress was large and corpulent; she could not bear warmth, and so her

ladies had to perform their duties in a thorough draught, even when snow

was being driven in at the windows, falling on to the State papers which

Charlotte was reading aloud to her.

In spite of her dread of heat, so long as her limbs would carry her,

the Empress, devout and exact in all religious observances, would on

Corpus Christi day, in the height of summer, piously accompany the

sacred procession on foot. One broiling June day she came back from this

ceremony violently heated and tired, having walked half across the town

under the sun, had to be undressed, and have her hair taken down, and sat

in a thorough draught, eating strawberries and drinking lemonade, while

Charlotte brushed and combed out her hair, which was so wet that the poor

girl had to keep wiping her hands. How Marie Theresia would have enjoyed

one of Queen Victoria’s picnics on Lochnagar in a November blizzard!

One of the difficulties with which those responsible for the management

of the public ceremonials in which our Queen took part had to deal,

was the regulation of the temperature. The enduring of heat was to her

as to Marie Theresia, a misery and an impossibility. She could put up

with any other discomfort and fatigue; but heat was unbearable. The

Emperor Joseph, who did not inherit his mother’s imperviousness to cold,

had to visit her in furs. Kaunitz, a privileged minister, was the only

person who dared to shut the window. “How do you manage when you go to

Balmoral?” I once asked Lord Beaconsfield, who was a chilly mortal. “The

Queen is very gracious,” was the answer, “she excuses me from going

there.”

In dealing with the affairs of State both rulers showed themselves to

be women of strong character and indefatigable industry. Their methods,

of necessity, differed widely. The one, as I have said above, was an

autocrat; the other, a constitutional Sovereign, deeply imbued with the

sense of her own limitations, and yet such a mistress of public business,

of constitutional law and of precedent, that she often dominated the

councils of her ministers, many of whom recognized in her their guide and

instructress in cases of difficulty. Nowhere was this more evident than

in her treatment of foreign affairs. There she was no more a negligible

quantity than Marie Theresia had been; no matter who might be Secretary

of State, there was always a very real power in the background, and that

power was the Queen. It would be easy to multiply instances, but we need

only point to two cases: the Danish Duchies’ question in 1864, where, in

obedience to what she believed to be the wishes of her dead husband, she

took what is now shown to have been an unfortunate line; and, secondly,

the dispute with the United States on the Trent question in 1861, where

she, with the assistance of the Prince Consort, used all her influence to

hinder what would have been a disastrous war, an unthinkable calamity.

The mention of the Prince Consort brings into strong relief two pictures,

in which it is difficult to say whether we are more startled by the

likeness or puzzled by the violence of the contrasts. In both cases

we see a marriage of true love, in each of which a prince of a small

reigning family was raised, not for reasons of State, but by pure

affection, to share the glories of a vast empire and a throne before

which countless peoples bowed. There the likeness between the two

husbands comes to an end.

In Prince Albert Queen Victoria found not only a faithful and devoted

lover, but a helpmate, who was ever at her side, and, young as he was,

shared the heavy burthens which she had to bear, and brought to her

councils all the store of wisdom and statesmanship with which he had

been endowed by that astute mentor, Baron Stockmar. Not the least part

of his merit was his self-effacement; yet in spite of it he aroused

unreasoning jealousies, for which his intimacy and the Queen’s with

the same old German physician was in no small measure accountable. The

Emperor Francis, on the contrary, was of no assistance to Marie Theresia.

Strikingly handsome, physically as grand a man perhaps as Prince Albert,

he had none of the Prince’s serious qualities. He was essentially and

fatally charming, but of politics and the affairs of State he took no

heed; all that he cared for were his flirtations, his bric-à-brac, and

his collection of coins and medals.

He was what is called “a dangerous man,” and when “a dangerous man”

is an Emperor to boot—Well! But such as he was, his Empress loved him

with all her soul, content to take upon her own shoulders the drudgery

of sovereignty, and leaving to him its gewgaws and the enjoyment of

a brilliant idleness. If she ever knew of them she forgave him his

infidelities, and, like our Queen, worshipping the ground upon which

her husband trod, she never looked at another man, nor cared for any

admiration but his. As Frau Pichler rather quaintly observes, had she

done so her maidens must have known of it. We are told that no man is a

hero to his valet. For a woman to be virtuous to her Abigail, she must

be as chaste as Diana before those compromising visits to Endymion, of

which we may be sure that her nymphs were well aware.

No breath of scandal ever dimmed the mirror of the Empress’s fair fame.

Queen Victoria herself was not more stern in the repression of anything

approaching loose or unseemly talk. She considered it to be the duty

of persons in high places to repress any lack of decorum, and their

privilege to set an example to be followed by others. To her daughter,

the Queen of Naples, she wrote: “It is our duty to remember that a word

in season or a grave look will silence those who indulge in unlicensed

speech, and have an excellent general effect.” Nothing better nails

to the counter the lies of Frederic the Great, so characteristically

Prussian, than the fact that the capital, which up to her time had been

notorious for the laxity of its morals, was described by Sir John Moore

towards the end of her reign in very laudatory language. “I can imagine,”

he says, “no city in Europe where a young gentleman would see fewer

examples, or have fewer opportunities of deep gaming, open profligacy, or

gross debauchery than in Vienna.” This, as her biographer, Mary Maxwell

Moffat, says, is a great testimony to the uplifting influence of the

Empress-Queen. That the influence was personal is proved by the relapse

of Vienna during the nineteenth century. By precept and example, she

cast out the swine, but when she was gone they came back again.

It was the irony of fate that neither the Empress’s virtues, her great

beauty, her sweet disposition, nor the prestige of her glorious position

were able to clip the wings of her flighty and too attractive husband.

That she had some inkling of her failure is clear from the advice that

she once gave to her favourite maiden Charlotte: “Be warned and do not

marry a man who has nothing to do.” Queen Victoria was more fortunate.

Her marriage remained a union of hearts, of which time itself had no

power to relax the bonds.

Further memories · 第 8 / 18 段