CHAPTER III.

After TAMMAS had finished boring half-a-dozen holes in the old sow

with his sarcastic eye, he looked up, and addressed HENDRY MCQUMPHA.

"HENDRY," he said, "ye ken I'm a humorist, div ye no?"

HENDRY scratched the old sow meditatively, before he answered.

"Ou ay," he said, at length. "I'm no saying 'at ye're no a humorist.

I ken fine ye're a sarcesticist, but there's other humorists in the

world, am thinkin."

This was scarcely what TAMMAS had expected. HENDRY was usually one of

his most devoted admirers. There was an awkward silence which made me

feel uncomfortable. I am only a poor Dominie, but some of my happiest

hours had been passed on the pig-sty. Were these merry meetings to

come to an end? PETE took up the talking.

"HENDRY, my man," he observed, as he helped himself out of TAMMAS'S

snuff-mull, "ye're ower kyow-owy. Ye ken humour's a thing 'at spouts

out o' its ain accord, an' there's no nae spouter in Thrums 'at can

match wi' TAMMAS."

He looked defiantly at HENDRY, who was engaged in searching for

coppers in his north-east-by-east-trouser pocket. T'NOWHEAD said

nothing, and HOOKEY was similarly occupied. At last, the stranger

spoke.

"Gentlemen," he began, "may I say a word? I may lay claim to some

experience in the matter. I travel in humour, and generally manage to

do a large business."

He looked round interrogatively. TAMMAS eyed him with one of his keen

glances. Then he worked his mouth round and round to clear the course

for a sarcasm.

"So you're the puir crittur," said the stone-breaker, "'at's meanin'

to be a humorist."

This was the challenge. We all knew what it meant, and fixed our eyes

on the stranger.

"Certainly," was his answer; "that is exactly my meaning. I trust I

make myself plain, I'm willing to meet any man at catch-weights.

Now here, he continued," are some of my samples. This story about a

house-boat, for instance, has been much appreciated. It's almost

in the style of Mr. JEROME'S masterpiece; or this screamer about my

wife's tobacco-pipe and the smoking mixture. "Observe," he went on,

holding the sample near to his mouth, "I can expand it to any extent.

Puff, puff! Ah! it has burst. No matter, these accidents sometimes

happen to the best regulated humorists. Now, just look at these," he

produced half-a-dozen packets rapidly from his bundle. "Here we have

a packet of sarcasm--equal to dynamite. I left it on the steps of

the Savile Club, but it missed fire somehow. Then here are some

particularly neat things in cheques. I use them myself to paper my

bedroom. It's simpler and easier than cashing them, and besides,"

adjusting his mouth to his sleeve, and laughing, "it's quite killing

when you come to think of it in that way. Lastly, there's this

banking-account sample, thoroughly suitable for journalists and

children. You see how it's done. I open it, you draw on it. Oh, you

don't want a drawing-master, any fellow can do it, and the point is it

never varies. Now," he concluded, aggressively, "what have you got to

set against that, my friend?"

We all looked at TAMMAS. HENDRY kicked the pail towards him, and

he put his foot on it. Thus we knew that HEHDRY had returned to his

ancient allegiance, and that the stranger would be crushed. Then

TAMMAS began--

"Man, man, there's no nae doubt at ye lauoh at havers, an' there's

mony 'at lauchs 'at your clipper-clapper, but they're no Thrums fowk,

and they canna' lauch richt. But we maun juist settle this matter.

When we're ta'en up wi' the makkin' o' humour, we're a' dependent on

other fowk to tak' note o' the humour. There's no nane o' us 'at's

lauched at anything you've telt us. But they'll lauch at me. Noo

then," he roared out, "'A pie sat on a pear-tree.'"

We all knew this song of TAMMAS'S. A shout of laughter went up from

the whole gathering. The stranger fell backwards into the sty a

senseless mass.

"Man, man," said HOOKEY to TAMMAS, as we walked home; "what a crittur

ye are! What pit that in your heed?"

"It juist took a grip o' me," replied TAMMAS, without moving a muscle;

"it flashed upon me 'at he'd no stand that auld song. That's where the

humour o' it comes in."

"Ou, ay," added HENDRY, "Thrums is the place for rale humour." On the

whole, I agree with him.

* * * * *

SUGGESTIVE.--_My Musical Experiences_, by BETTINA WALKER, will

probably be followed by _My Eye_, by BETTINA MARTIN.

* * * * *

[Illustration: THE YOUNG SPARK AND THE OLD FLAME.]

_Young Spark_. "TRY ME! YOU'VE TOLERATED THAT FUSTY OLD FOGEY LONG

ENOUGH!"

_Old Flame (aside)_. "FLASHY YOUNG UPSTART!"]

["It is obvious that small tunnels for single lines, of the

usual standard gauge, may be constructed some distance below

the ground, and yet the atmosphere of such tunnels be as pure

as upon a railway on the surface."--_Illustrated London News,

on the City & South London Electric Company_.]

"_Young Spark_" _loquitur_:--

Your arm, my dear Madam! _This_ way, down the lift, Ma'am!

No danger at all, no discomfort, no dirt!

You love Sweetness and Light? They are both in my gift, Ma'am;

I'll prove like a shot what I boldly assert.

Don't heed your Old Flame, Ma'am, he's bitterly jealous,

'Tis natural, quite, with his nose out of joint;

You just let him bluster and blow like old bellows,

And try _me_ instead--_I_ will not disappoint!

Old Flame? He's a very fuliginous "Flame," Ma'am;

I wonder, I'm sure, how you've stood him so long;

He has choked you for years--'tis a thundering shame, Ma'am!

High time the Young Spark put a term to his wrong.

Just look at me! Am I not trim, smart, and sparkling,

As clean as a pin, and as bright as a star?

Compare me with him, who stands scowling and darkling!

So gazed the old gallant on Young LOCHINVAR.

He's ugly and huffy, and smoky, and stuffy,

And pokey, and chokey, and black as my hat.

As wooer he's dull, for his breath smells of sulphur;

Asphyxia incarnate, and horrid at that!

You _cannot_ see beauty in one who's so sooty,

So dusty, and dingy, and dismal, and dark.

He's feeble and footy; 'tis plainly your duty

To "chuck" the Old Flame, and take on the Young Spark.

A Cyclops for lover, no doubt you discover,

My dear Lady LONDON, is not _comme il faut_;

If I do not woo you the sunny earth over.

At least I lend light to love-making below.

He's just like old Pluto, Persephone's prigger;

_You_'ll follow Apollo the Younger--that's me!

He's sombre as Styx, and as black as a nigger.

_His_ lady-love, LONDON! Bah! Fiddle-de-dee!

His murky monopoly, Madam, is ended.

Come down, my dear love, to my subterrene hall!

I think you'll admit it is sparkling and splendid,

As clean as a palace, not black as a pall.

Electrical traction with sheer stupefaction

Strikes Steam, the old buffer, and spoils his small game.

You're off with the old Love, so try the new bold Love,

And let the Young Spark supersede the Old Flame.

[_Carries her off in triumph._

* * * * *

PARS ABOUT PICTURES.

Close upon a hundred years ago, when GEORGE THE THIRD was King,

MENDOZA opened a saloon in the Strand, whereat various studies in

Black and Blue might be enjoyed. To-day MENDOZA has a gallery in King

Street, which is devoted to studies in Black and White. You may say,

history repeats itself. Nothing of the kind. The gentleman of GEORGE

THE THIRD'S time devoted himself to the pugilistic art; the gentleman

of the time of VICTORIA gives his attention to graphic art. The one

was the patron of fists, the other of fingers--that makes all the

difference. MENDOZA the Past, closed eyes--MENDOZA the Present opens

them, and, if you go to the St. James's Gallery, you will find a

pleasant collection of Eye Art--open to all peepers. It is true it may

not be High Art, but you will find it, like Epps's Cocoa, "grateful

and comforting."

Mr. MCLEAN, who has had an Art-show in the Haymarket since the days

of GEORGE THE THIRD, or rather his ancestor had, is "quite up to time,

and smiling," with his present collection (your Old PAR can't help

using the argot of the P.R., and brings COLE, not to Newcastle, but to

the Haymarket, in "_A Bend in the River, near Maple Durham_." He shows

us the views of BURTON BARBER on "_Compulsory Education_," also a

wondrous picture of the "_Gate of the Great Mosque of Damascus_," by

BAUERNFEIND, "_A Venetian Brunette_," by FILDES, and many other works

that will well repay inspection, but of which there is no space for

anything more to be said by yours par-enthetically,

OLD PAR.

* * * * *

THE GENTLE ART (OF SNIGGLING).

["Whoever walks beside the river (the Ettrick), will observe

five or six or more men and boys, equipped with gigantic

wading-breeches, busy in each pool. They are only armed with

rods and flies, and thus have a false appearance of being

fair fishers.... The truth is that the apparent sportsmen are

snigglers, not anglers. They drive the top part of their rods

deep into the water, so as to rake the bottom, and then bring

the hook out with a jerk. Every now and then ... one of

the persecuted fishes ... is hauled out with short

shrift."--_Daily News._]

Oh! the world's very bad, and our hearts they are sore

As we think of the errors and wrongs we have got to

Endure uncomplaining, and oh! we deplore

The things people do, that they really ought not to!

With Courtesy dead, and with Justice "a-bed,"

When the mention of Love only causes a giggle,--

But we'd manage to live and still hold up our head,

Were it not for the villain who ventures to sniggle.

With his rod and his hook see him carefully rake

The bed of the river, and gallantly wading,

Arrayed in his breeches, endeavour to make

Of genuine sport but a mere masquerading.

You might think him a fool for his trouble--but look!

(And it's true, though at first it appears to be gammon)

With a horrible jerk, as he pulls up his hook,

The sportsmanlike sniggler has landed a salmon!

As a nation of sportsmen, it rouses our ire

To hear of sport ruined by such a proceeding;

And to snigglers we earnestly wish and desire

To give the advice they so sadly seem needing.

Let them think, as they work their inglorious plan,

How old IZAAK must turn in his grave and must wriggle;

And may they in future all see if they can,

By learning to angle, forget how to sniggle!

* * * * *

IN OUR GARDEN.

[Illustration]

Discovered on returning home that the Member for SARK had not at

all exaggerated the facts picturing disaster to our onion-bed. This

portion of the garden had been disappointing from the first. Early

in the Spring, when hope beat high, and the young gardener's fancy

lightly turned to thoughts of large crops, SARK and I were resting

after a frugal luncheon, when ARPACHSHAD suddenly appeared at the open

window. I knew from his beaming face that something was wrong.

Perhaps I should explain that ARPACHSHAD is our head gardener. We have

no other, therefore he is the head. Out of the garden he is known as

PETER WALLOPS. It was SARK who insisted upon calling him ARPACHSHAD.

SARK had noticed that about the time of the Flood there was singular

deliberation in entering upon the marriage state. Matrimony did not

seem to be thought of till a man had turned the corner of a century.

SHEM, himself, for example, was fully a hundred before his third

son, ARPACHSHAD, was born. But ARPACHSHAD was already a husband and a

father at thirty-five.

"That," said SARK, "is a remarkable circumstance that has escaped

the notice of the commentators. It indicates unusual forwardness

of character and a habit of swift decision. We hear nothing more of

ARPACHSHAD, but we may be sure he made things move. Now what we want

in this garden is a brisk man, a fellow always up to date, if not

ahead of it. Let us encourage WALLOPS by calling him ARPACHSHAD."

WALLOPS on being consulted said, he thought it ought to be a matter of

another two shillings a-week in his wages; to which I demurred, and it

was finally compromised on the basis of a rise of a shilling a-week.

As far as I have observed, SARK'S device, like many others he has put

forward, has nothing in it. WALLOPS couldn't be slower in going round

than is ARPACHSHAD. The only time he ever displays any animation is

when he discovers some fresh disaster. When things are going well

(which isn't often) he is gloomy and apprehensive of an early change

for the worse. When the worst comes he positively beams over it.

Difficult to say whether he enjoys himself more in an over-wet season,

or in one of drought. His special and ever-recurring joy is the

discovery of some insect breaking out in a fresh place. He is always

on the look-out for the Mottled Amber Moth, or the Frit-fly, or

the Currant Scale, or the Apple-bark Beetle, or the Mustard

Beetle,--"Black Jack," as he familiarly calls him. To see, as is

not unfrequent, a promising apple-tree, cherry-tree, or damson-tree,

fading under the attack of the caterpillars of the Winter Moth, makes

ARPACHSHAD a new man. His back unbends, his wrinkles smooth out, the

gleam of faded youth reillumines his countenance, and his eyes melt in

softer glance.

"The flies hev got at them honions," he said, on this Spring

afternoon. "I thought they would, and I reckon they're done for. Ever

seen a honion-fly, Sir? A nice, lively, busy-looking thing; pretty

reddish-grey coat, with a whitish face, and pale grey wings.

About this time of the year it lays its eggs on the sheath of the

onion-leaf, and within a week you've got the larvey burrowing down

into the bulb; after which, there's hardly any hope for your honion."

"Can nothing be done to save them?" SARK asked. As far me, I was too

down-hearted to speak.

"Well," said ARPACHSHAD, ruefully, not liking the prospect of

interfering with beneficent Nature, "if you was to get a bag of soot,

wait about till a shower was a coming on, carefully sprinkle the

plant, and let the soot wash in, _that_ might save a few here and

there. Or if you were to get a can of paraffin, and syringe them,

it would make the fly sit up. But I don't know as how it's worth the

trouble. Nater will have its way, and, if the fly wants the honion,

who are we that we should say it nay? I think, TOBY, M.P., if I was

you, I'd let things take their swing. It's a terrible thing to go a

interfering with Nater."

But we didn't follow ARPACHSHAD'S advice. Having undertaken to run

this garden, we were determined to do it thoroughly; so I got SARK to

sweep out the flues of the furnace in the greenhouse, in the course of

which he broke several panes of glass, not expecting, so he explained,

to find the handle of his brush so near the roof. We half filled a

sack with soot, and carried it to the onion-bed. Then we waited for

a wet day, usually plentiful enough in haymaking time, now long

deferred. ARPACHSHAD insisted that we were to make quite sure that

rain was coming--then sprinkle the soot over the unsuspectiong onion.

"We waited just too long, not starting till the rain began to fall.

Found it exceedingly unpleasant handling the soot under conditions of

moisture. But, as SARK said, having put our hands to the soot-bag,

we were not going to turn back. Nor did we till we had completed the

task, ARPACHSHAD looking on, cheered only by the hope that the heavy

rain would wash the soot off before it could have any effect on

the fly. On the whole, the task proved productive of reward. Either

ARPACHSHAD had been mistaken, and the crop had not been attacked by

the fly, or the soot had done its work. Anyhow, the bed bloomed

and blossomed, and, at the time I left for Midlothian, was looking

exceedingly well. Then came SARK'S telegram, as described in the last

chapter. After the fly came the mildew. Close on the heels, or

rather the wings, of the _Anthomyia Ceparum_, fell the _Peronospora

Schleideniana._

"It isn't often it happens," said ARPACHSHAD, rubbing his hands

gleefully;--"but, when you get one on the top of t'other, you don't

look for much crop in that particular year."

* * * * *

HOW IT'S DONE.

_A Hand-book to Honesty._

NO. V.--MONEY LENT (ONE WAY AMONG MANY.)

SCENE I.--_Apartment of innocent but temporarily impecunious person._

I.P. _discovered reading advertisements and correspondence._

[Illustration]

_Impecunious Person_. Humph! It _sounds_ all right. I _have_ heard

that these Loan-mongers are sometimes scoundrels and sharks. But

this one is surely genuine. There is a manly frankness, a sort of

considerate and sympathetic delicacy about him, that quite appeals to

one. No inquiry fees, no publicity, no delay! Just what I want. Has

clients, men of capital, but _not_ speculators, who wish to invest

money on sound security at reasonable interest. Just so! Note of hand

of any respectable person sufficient. _That_'s all right. Advance at

a few hours' notice. Excellent! Let me see, the address is Fitz-Guelph

Mansions, W. That sounds respectable enough. A penniless shark would

hardly live _there_. By Jove, I'll write, and make an appointment _at

his own address_, as he suggests.

[_Does so, hopefully_.

SCENE II.--_Fitz-Guelph Mansions, W., at_ 11 A.M. _Enter_ Impecunious

Person, _hurriedly_.

_Impecunious Person_. Ah! I'm a little bit late, but here's the place

sure enough, and that's the number. Fine house, too. Nothing sharkish

about _this_, anyhow.

[_Makes for No. 14, consulting his watch. On door-step encounters

another person, also apparently in a hurry, and also consulting his

watch. This person is perhaps a trifle shabby-genteel in attire, but

genially pompous and semi-military in bearing. He makes as if to go,

but stopping suddenly, stares at_ I.P., _and addresses him._--

Ahem! I--a--beg pardon, I'm sure, but have you by any chance an

appointment for 11 A.M. at this address, with a Mr. MUGSNAP?

_I.P_. Why--a--yes, as a matter of fact, I have.

_Mr. Mugsnap_. Quite so. And your name is SOFTSHELL?

_I.P_. Well--yes, as a matter of fact, it is.

_Mr. Mugsnap (cheerily_). Ah! that's all right. Well met, Mr.

SOFTSHELL! (_Produces letter_.) This is yours, I fancy. The time was

eleven sharp, and you're just seven minutes and a quarter behind. I

was just off, for if I gave all my clients seven minutes and a quarter

grace, I should lose about four hours a day, Sir. (_Laughs jovially_.)

But no matter! Just step this way. (_Produces latch-key_.) But no, on

second thoughts I won't go back. Unlucky, you know! We'll step across

to the Wine Shades yonder, and talk our business over together with

a glass of sound port, my boy. Best glass of port in London, BUMPUS

sells, and as an old Army Man I appreciate it.

[_They cross to "The Shades," where_ Mr. MUGSNAP _wins upon his

companion by his hearty style, and all difficulties in the way of "an

early advance" are smoothed away in a highly satisfactory manner. A

couple of references, of course, "just as a matter of form," and a

couple of guineas for visiting them. Not an Inquiry Fee, oh! dear no,

merely "expenses." Some people apply for a loan, and, when everything

is arranged, actually decline to receive it! Must provide against_

that, _you knew. Within three days at the outside_, Mr. SOFTSHELL _is

assured, that money will be in his hands without fail. Meanwhile the

"couple o' guineas" leave his hands, and_ Mr. MUGSNAP _leaves_ him,

_hopeful, and admiring_.

_I.P. (strolling homeward_). Very pleasant person, Mr. MUGSNAP. Quite

a pleasure to deal with him. Sharks, indeed! How worthy people get

misrepresented! By the way, though, there's one question I forgot to

ask him. I'll just step back. Don't suppose he has gone yet.

[_Returns to No. 14, Fitz-Guelph Mansions. Knocks, and is answered by

smart and austere-looking Domestic._

_I.P_. Oh, just tell Mr. MUGSNAP I should like just _one_ word more

with him. Won't detain him a moment.

_Austere Domestic_. Mr. MUGSNAP! And who's Mr. MUGSNAP, pray? Don't

know any sech persing.

_I.P_. Oh yes, he lives here. Met him, by appointment, only an hour

ago. Hasn't he returned?

_A.D. (emphatically_). I tell you there ain't no Mr. MUGSNAP lives

here at all.

_I.P_. Oh _dear_, yes! Stout gentleman--military appearance--white

waistcoat!

_A.S. (scornfully_). Oh, _him_! I saw sech a party 'anging about

suspiciously awhile ago, and _spoke to the perliceman about him_. But

I don't know him, and he don't live _here! [Shuts door sharply_.

_I.P. (perspiring profusely, as the state of things dawns upon him!

_) Phew! I see it all. "A plant." _That's_ why he met me on the

door-step. Of course he doesn't live here at all. Gave a respectable

address, and _watched for me outside!_ And the sleek-spoken shark is

gone! So are my two guineas!

[_Retires a sadder, and a wiser man_.

* * * * *

THE MAN OF SCIENCE.

[It has been suggested, with reference to an amusing article

in _Blackwood,_ on a new religion, that science is equal to

it.]

PROFESSOR PROTOPLASM _sings_:--

I'm a mighty man of science, and on that I place reliance,

And I hurl a stern defiance at what other people say:

Learning's torch I fiercely kindle, with my HAECKEL, HUXLEY, TYNDALL,

And all preaching is a swindle, that's the motto of to-day.

I'd give the wildest latitude to each agnostic attitude,

And everything's a platitude that springs not from my mind:

I've studied entomology, astronomy, conchology,

And every other 'ology that anyone can find.

I am a man of science, with my bottles on the shelf,

I'm game to make a little world, and govern it myself.

I'm a demon at dissection, and I've always had affection

For a curious collection from both animals and man:

I've a lovely pterodactyle, some old bones a little cracked, I'll

Get some mummies, and in fact I'll pounce on anything I can.

I'm full of lore botanical, and chemistry organical,

I oft put in a panic all the neighbours I must own:

They smell the fumes and phosphorus from London to the Bosphorus:

Oh, sad would be the loss for us, had I been never known.

I am a man of science, with my bottles on the shelf;

I'm game to make a little world, and govern it myself.

* * * * *

OUR OTHER "WILLIAM."--Question by the G.O.M. on quitting the

North,--"Stands Scotland where it did?"

* * * * *

OUR BOOKING-OFFICE.

[Illustration]

Read _The World and the Will_, by JAMES PAYN, says the Baron.

Successful novelist is our "J.P." for England and the Colonies

generally. "The profits blazoned on the Payn," is a line he quotes,

with a slight difference of spelling, in his present three volumes,

which is full of good things; his own "asides" being, to my thinking,

quoth the Baron, by far the most enjoyable part of his books. Herein

he resembles THACKERAY, who used to delight in taking the reader

behind the scenes, and exhibiting the wires. Not so JAMES PAYN. He

comes in front, and comments upon the actions of his puppets, or upon

men and morals in general, or he makes a quip, or utters a quirk, or

proposes a quiddity, and pauses to laugh with you, before he resumes

the story, and says, with the older romancers, "But to our tale." Most

companionable writer is JAMES PAYN. Tells his story so clearly. A PAYN

to be seen through.

In the christening of his Christmas books, Mr. MERRY ANDREW LANG has

hit upon a genuine Happy Thought, on which the Baron begs sincerely

to congratulate him. It is a perfect little gold mine as a book-title

series. Last year M. ANDREW LANG wrote, and LANGMAN'S--no, beg

pardon--LONGMANS published _The Blue Fairy Book._ The _Blue Fairy

Book_, when it appeared, however, was read everywhere, so this year

the MERRY ANDREW issues _The Red Fairy Book_, which, of course, will

be more read than the other. Excellent notion! Where will it stop? Why

should it stop? Next year there'll be _The Green Fairy Book_; in

'92 the _Yellow Fairy Book_ (commencing with new version of _Yellow

Dwarf_), then the White, then the Black, then the Ver-millionth

edition, and so on and so on, _ad infinitum_, through all the possible

stages of the combination and permutation of colour.

_The Magazine of Art for 1890_, published by CASSELL & Co., is one

of the best of its kind for pictures and Art-articles, The Mixture as

before.

"Christmas is coming"--but the Publishers seem to think that the

Merry Old Gentleman will be here to-morrow. Yet we know the proverbial

history of to-morrow. However, to humour the up-to-date notion, the

Baron recommends to his young friends who wish to amuse their elders,

_Dolldom_, a dolls' opera, by CLIFTON BINGHAM, set to music by FLORIAN

PASCAL. Some of the songs are exquisite. It would make a very funny

play, children imitating dolls. Published by J. WILLIAMS.

BLACKIE AND SON, are going it. Here are two more, by their

indefatigable writer, G.A. HENTY: _By Right of Conquest; or, With

Cortez in Mexico_. The young Sixteenth-Century boy, by his marvellous

adventures, proves _his_ right to be a hero in the Conquest of Mexico.

Of a more modern date is _A Chapter of Accidents_, which deals with

the Bombardment of Alexandria. The young fisher-lad has to go through

many chapters of adventure before he reaches a happy ending. _A Rough

Shaking_, by GEORGE MACDONALD, is a capital boys' book, while _The

Light Princess, and other Fairy Stories,_ by the same author, will

please the Baron's old-fashioned fairy-book readers at Christmas-time.

Whoever possesses the _Henry Irving Shakspeare_,--started originally

by my dear old enthusiastic friend the late FRANK MARSHALL, and now

concluded by the new volume of plays, poems, and sonnets,--possesses

a literary treasure. The notes are varied, interesting, and all

valuable. The illustrations exactly serve their purpose, which is the

highest praise.

MR. SMALLEY'S Letters are not to an _Inconnue_. They were written to

his paper, the _Tribune_, and have redressed the balance between the

Old World and the New by furnishing New York from week to week with

brilliant, incisive, and faithful pictures of life in London. The

initials, "G.W.S.," appended in their original form, are as familiar

throughout the United States as are those of our own "G.A.S." in the

still United Kingdom. Mr. SMALLEY goes everywhere, sees everything,

knows everybody, and his readers in New York learn a great deal more

of what is going on in London than some of us who live here. Most

public men of the present day, whether in politics, literature, or

art, have, all unconsciously, sat to "G.W.S." He has a wonderful gift

of seizing the salient points of a character, and reproducing them in

a few pellucid sentences. The men he treats of have many friends who

will be delighted to find that Mr. SMALLEY'S pen is dipped in just

enough gall to make the writing pleasant to those who are not its

topic. _Personalities_ is the alluring title of the first volume,

which contains forty-two studies of character. It is dangerous kind of

work; but Mr. SMALLEY has skilfully steered his passage. Written for

a newspaper, _London Letters_ (MACMILLAN & CO.) rank higher than

journalism. They will take their place in Literature.

November Number of the _English Illustrated Magazine_, excellent.

Wykehamists, please note Mr. GALE'S article, and Lord SELBORNE'S

introduction. The COOKE who presides in this particular kitchen serves

up a capital dish every month--and "quite English, you know."

My faithful "Co." has been rather startled by a volume called _The

Decline and Fall of the British Empire_, written by "Anonymous," and

published by the Messrs. TRISCHLER. The tome deals with Australia,

rather than England, and is dated a thousand years hence; so those who

have no immediate leisure will have plenty of time to read it before

the events therein recorded, so to speak, reach maturity.

I notice an advertisement of a book by Major ELLIS, entitled _The

Ewe-speaking People of the Slave Coast of West Africa_. These

Ewe-speaking folk must be a sheepish lot. Black-sheepish lot

apparently, as being in West Africa. Major ELLIS is the author also of

_The Tshi-speaking People_. These last must be either timidly bashful,

or else a very T-shi lot. After this, there's nothing ELLIS this week,

says

THE BARON DE BOOK-WORMS.

* * * * *

"QUITE A LITTLE (ROMAN) HOLIDAY."

(_An Intercepted Letter_.)

[Illustration]

DEAREST BECKY,--I have had _such_ luck! Oh, _so_ fortunate! Fancy, we

_did_ get in, after all! You know Mr. TENTERFORE, of Somerset House,

has a friend a barrister, and this friend said, if we would be by the

door of the Court at eleven, he _thought_ he could slip us in. And he

did, my dear--he did! We got _capital_ places, and as we had brought

with us some sherry and sandwiches, we had "a real good time of it,"

as your brother calls it! We had our work, too, and so were _quite_

comfortable. The night-charges were _such_ fun! A lot of men and women

were brought before the Magistrate for being "drunk and incapable"

(that's a legal term, my dear), and got so chaffed! One of the

women was very old--such a silly frump!--she was still dreadfully

intoxicated I am afraid! Very sad, _of course_, but we couldn't help

laughing! She was _such_ a figure before they got rid of her! But this

was only the overture to the drama. After the night-charges were

over, the Court was cleared, but we were allowed to remain, as Mr.

WIGINBLOCK (our barrister friend) declared we belonged to the Press!

He said that MARY contributed to the _Blood and Thunder News_, and I

to the _Murder Gazette_! I am sure it must have been in _fun_, for

we have never _seen_ the papers. When lunch was over, in came the

Magistrate with _a number_ of the "_smartest_" people! Really, I was

_quite delighted_ to be in such _good_ company. All sorts of _nice_

people. And then--oh--it was _lovely_! We saw _her quite_ close,

and could watch the colour come and go in her cheeks! She is rather

pretty! She was wearing her _ordinary_ clothes; not the workhouse, nor

the ones _with the blood on them_, but some that had been sent in to

her since the inquest. I tried your opera-glasses. They are _simply

capital_, darling! We were much amused with _his_ evidence; and it was

really _excellent_ fun to listen to the howls of the crowd outside!

But I am not sure _he_ cared for them! We got away in _excellent_

time, and I hope to go again. I am trying _very hard_ (should it come

to anything) to be present at the _last scene of all!_ Wouldn't that

be _lovely_? I should have to be at the place, though, at _ten minutes

to eight o'clock!_ I don't think I should go to bed that night _at

all!_ If I did, I am _sure_ I should not sleep! It would be so very,

_very_ interesting! And now, my _dearest_, good-bye. Your ever _most_

affectionate friend,

LUCRETIA.

* * * * *

"MINE EASE AT MY CLUB."--In its most useful and instructive theatrical

column last Sunday's _Observer_ (the only Observer of a Sunday in

London!) inserted this notice:--

"Mr. H.A. JONES is to read a paper at the Playgoers' Club,

Henrietta Street, Tuesday next."

Why announce it? Why not let the hard-worked HENRY AUTHOR JONES read

his paper at his Club in peace and quietness? Very hard on poor HENRY

DRAMATIC AUTHOR JONES, if he can't have a few minutes of peace (not

"piece," _bien entendu_) to himself. Leave him alone to take his ease

at his Club.

* * * * *

UNSATISFACTORY FOR LAW-ABIDING CITIZENS.--At a recent meeting of

Anarchists at New Jersey some were arrested, but MOST escaped.

* * * * *

[Illustration: A LAMENT FROM THE NORTH.

"AND THEN THE WEATHER'S BEEN SO BAD, DONALD!"

"OU AY, SIR. ONLY THREE FINE DAYS--AND TWA OF THEM SNAPPIT UP BY THE

SAWBATH!"]

* * * * *

THE "LAIDLY WORM" OF LONDON;

_Or, The Great Slum Dragon and Little Master County Council_.

["The Worm (at first neglected) grew till it was too large for

its habitation.... It became the terror of the country, and,

among other enormities, levied a daily contribution ... in

default of which it would devour both man and beast.... Young

LAMBTON was extremely shocked at witnessing the effects of

his youthful imprudence, and immediately undertook the

adventure."--_Legend of "The Lambton Worm," as related by

Surtees._]

Old stories tell how Hercules

At Lerna slew a "Dragon;"

And the "Lambton Worm" (told by SURTEES)

The Durham men still brag on.

How the "Laidly Worm" was made to squirm

Old legends tell (they _can't_ lie!);

And of MORE, of More-hall, when, "with nothing at all,"

He slew the Dragon of Wantley.

Our Dragon here is a bigger beast

Than LAMBTON slew, or MORE did;

On poor men's bodies he doth feast,

And ill-got gold long hoarded.

He hath iron claws, and from his jaws

Foul fumings are emitted.

The folks, his prey, who cross his way,

Are sorely to be pitied.

Have you not heard how the Trojan horse

Held seventy men inside him?

_This_ Dragon's bigger, and of such force

That none may rein or ride him.

Men hour by hour he doth devour,

And would they with him grapple,

At one big sup he'll gobble them up,

As schoolboys munch an apple.

All sorts of prey this Dragon doth eat;

But his favourite food's poor people,

But he 'd swallow a city, street by street,

From cottage to church steeple.

Like the Worm of Wear, this Dragon drear,

Hath grown, and grown, and grown, Sir,

And many a lair of dim despair

The Worm hath made its own, Sir.

In Bethnal Green our Laidly Worm

Hath made a loathly den,

And there hath fed for a weary term

On the bodies and souls of men.

There doth it writhe, and ramp, and slower,

Whilst in its coils close prest

Are the things it thrives on--"Landlord Power,"

And "Vested Interest."

Now, who shall tackle this Dragon bold?

Lo! a champion appears.

He seems but small, and he looks not old--

A youth of scarce three years.

But "he hath put on his coat of mail,

Thick set with razors all,"

And a blade as big as a thresher's nail,

On that Dragon's crest to fall.

And like young LAMBTON, or young MORE,

He to the fight advances.

Yet looks to that Slum Dragon o'er,

With caution in his glances.

If he make shift that sword to lift,

And smite that Dragon dead,

No hero young song yet hath sung

A fouler pest hath sped.

Now guard ye, guard ye, young County C.!

That two-edged blade is big, Sir!

That Dragon's so spiky, he well might be

"Some Egyptian porcupig," Sir,

(As the singer of Wantley's Dragon says,

In his quaint and curious story.)

If this Dragon he slays, he shall win men's praise,

And legendary glory.

When London's streets are haunts of health

(Ah! happy if distant, when)

And the death-rate ruleth low, and Wealth

Feeds not on the filthy den;

The men to this champion's memory

Shall lift the brimming flagon,

And drink with glee to young County C,

Who slew the Grim Slum Dragon!

* * * * *

A "DARK CONTINENT" HINT.--Mr. STANLEY, it is said, now wishes he had

gone on his exploration journey quite alone, without any travelling

TROUP. It is a curious fact, but worth mentioning here, that, up to

now, the only mention of difficulties with a "Travelling Troupe" is

to be found in a little shilling book recently published by Messrs.

TRISCHLER & CO., at present nearing its fifty thousandth copy,

entitled, _A New Light thrown across the Darkest Africa_. Whether H.M.

STANLEY will appeal to this as evidence remains to be seen. We must

have the whole truth out about STANLEY'S Rear Column before we rear a

column to STANLEY.

* * * * *

The "NORFOLK BROADS," according to the _Standard_, are in future to be

the English cradle of the German "Bass." Not beer, but fish. There are

to be "no takers" at present, so the cradle will not be a Bass-in-net.

* * * * *

[Illustration: THE "LAIDLY WORM" OF LONDON--AND YOUNG COUNTY COUNCIL.]

* * * * *

[Illustration: HUNTING PREDICAMENTS. No. 1.

_Miss Nelly (to her Slave, in the middle of the best thing of the

Season_). "OH, MR. ROWEL, DO YOU MIND GOING BACK? I DROPPED MY WHIP AT

THE LAST FENCE!"]

* * * * *

OPERATIC NOTES.

_Wednesday_.--Welcome once more to our old friend, _Norma, the

Deceived Druidess_, who was called _Norma_ for short, she being an

orphan, and having "nor par, nor ma." The Ancient Order of Druids,

with Arch-Druid _Oroveso_ in the chair, might have had a better brass

band. _Norma_ nowadays is not particularly attractive, and the

house, when it is given, cannot be expected to be more than normal or

ordinary.

_Thursday.--Orféo._ First appearance of Miles. GIULIA and SOFIA

RAVOGLI in GLÜCK'S beautiful Opera, which has not been seen here for

many years, but--judging from its reception by a full and delighted

house--will be seen many times before Signor LAGO'S season comes to

an end. Enthusiastic reception of GIULIA RAVOGLI as _Orpheus_; double

recall after three of the four Acts; house insisting on having "_Che

farò_" all over again. Orchestra, under Signor BEVIGNANI, admirable.

Recreations of Demons and Furies, when let out of Gates of Erebus for

a half-holiday, peculiar, not to say eccentric. Demons lie on rocks,

with silver serpents round their necks as comforters, claw the air,

and trot round in circles, after which they exhibit Dutch-metalled

walking-sticks to one another with sombre pride. Furies trip measures

and strike attitudes in pink tights and draperies of unæsthetic hues,

when not engaged in witnessing, with qualified interest, incidental

dances by two _premières danseuses._ Hades evidently less dull than

generally supposed.

* * * * *

SUGGESTION.--Curious that no enterprising shaving-soap proprietor

has as yet, as far as we know, advertised his invention as "_Tabula

Rasa."_ This is worth thousands, and takes the cake--of soap.

* * * * *

QUIS NOMINABIT?

(_Being a few Remarks à Apropos of a "British Academy of Letters_.")

MR. PUNCH, SIR,

I have been reading with some morbid interest a series of

contributions to the pages of a contemporary from several more

or less distinguished literary men who have apparently been

invited to express their opinions, favourable or the reverse,

on the recently launched proposition to establish in our

midst, after the French model, a "British Academy of Letters."

Some ask, "What's the use?" Others want to know who is to

elect the elected, and seem much exercised in their minds

as to the status and qualifications of those who ought to

be chosen for the purpose of discharging this all-important

function. As to what would be the use of an institution of

the kind, the answer is so obvious that I will not attempt to

reply to it. But if it comes to naming a representative body

capable of selecting the two or three thousand aspirants

who have already, in imagination, seen their claims to the

distinction recognised by the elective body to which has been

entrusted the duty of weighing their respective merits--well

then, to use a colloquial phrase, I may confidently say that

"I am all there!"

Of course. Royalty must head it, so I head the list of, say,

twelve Academic Electors, with the name of H.R.H. the Prince

of WALES. This should be followed up by that of some generally

widely-known personage, who has the literary confidence of

the public, and in this connection, I have no hesitation in

supplying it by that of the Compiler of _Bradshaw's Railway

Guide_. Several now should follow, of varied and even

conflicting interests, so as to satisfy any over-captious

criticism inclined to question the thoroughly cosmopolitan

character of the elective body. And so I next add, Mr. Sheriff

AUGUSTUS HARRIS, H.R.H. the Duke of CAMBRIDGE, the Proprietor

of PEARS' Soap, and the Beadle of the Burlington Arcade.

It might now be well to give a distinctively literary flavour

to the body, and so I am disposed to continue my list with the

names of the Poet Laureate and the City Editor of _Tit Bits_,

following them up with the representatives of commercial

enterprise, speculative art, and sportive leisure, guaranteed

respectively by the names of the Chairman of the Chelsea

Steam-boat Company, Mr. R. D'OYLY CARTE, and Prince HENRY

OP BATTENBERG. For the twelfth, and remaining name, I

would suggest that of Mr. HENRY IRVING, the Archbishop of

CANTERBURY, the Manager of Madame TUSSAUD'S Wax Works, Sir

WILFRID LAWSON, General BOOTH, Mr. SLAVIN, Mr. J.L. TOOLE, or

any other striking or notable one that arrests the eye with

the familiarity of long acquaintance. With the existing

deplorable position of the Pantomime literature of the

country, there can be little need to question further the

necessity of a British Academy of Letters. The naming of those

who are to constitute that institution is another thing;

but if an authoritative fountain-head, to discharge this

inevitable function, is sought, and the public puts the

question, "_Quis Nominabit_?" I think, Sir, you will admit

that I have most satisfactorily supplied the answer. Trusting

to your judicious appreciation of the full gravity of the

matter at issue, to publish this communication,

I am, Sir, your obedient servant,

A VERY POSSIBLE FUTURE ACADEMICIAN.

* * * * *

BEFORE AND BEHIND.

(_From a Thoughtful Grammarian_.)

SIR,--In the _Times_' Court Circular, on Friday last, I read

that--

"Mr. WILLIAM NICHOLL had the honour of singing before Her

MAJESTY and the Royal Family."

This was indeed an honour. I regret that the Courtly

Circularist did not tell us what Mr. NICHOLL sang before the

QUEEN and Royal Family, and also what the QUEEN and Royal

Family sang (solo and chorus?) after Mr. NICHOLL. But suppose

"before" does not here relate to time, but to position.

It would have been a novelty indeed, and one well worth

recording, if Mr. NICHOLL had had the honour of sinking

_behind_ the Royal Family. And then, what a compliment if Her

Gracious MAJESTY and the Royal Family had all turned round to

listen to him! If I am wrong in my interpretation of the

Court Circular's Circular Note, wouldn't it have prevented any

possible error to have said, "In the presence of"? I only ask

for information, and am

Yours,

FIDELITER.

* * * * *

A NEW TRACT FOR THE SALVATION ARMY.--The "General," who is the biggest

BOOTH in the show, announced last week that he had been offered a big

tract of land. Hear! Hear! Where? Where? "Anywhere, anywhere out of

the world "--at least, out of our little world of Great Britain & Co.

Let not "the General" be too particular, but accept the tract,--though

he is more used to distributing tracts than accepting them,--and let

him and his army, his lads and lasses, go away and leave us to enjoy

our Sundays in peace and quiet.

* * * * *

NEW CITY FIRM (_adapted from West End by Our Own Scotchman_).--"SAVORY

AND MAYOR."

* * * * *

[Illustration: SKY-SIGNS IN THE COUNTRY. (AS SEEN BY OUR ARTIST IN

SEARCH OF THE PICTURESQUE.)]

* * * * *

[Illustration: NOSTALGIA.

"YOU SEEM OUT OF SORTS, JAMES, EVER SINCE WE'VE COME NORTH. IT'S THE

CHANGE OF CLIMATE AND SCENERY, I S'POSE!" "IT'S WUSS NOR THAT, MARIAR.

IT'S THE CHANGE OF BEER!"]

* * * * *

VOCES POPULI.

AN EVENING WITH A CONJUROR.

SCENE--_A Suburban Hall. The Performance has not yet begun.

The Audience is limited, and low-spirited, and may perhaps

number--including the Attendants--eighteen. The only people in the

front seats are, a man in full evening dress, which he tries to

conceal under a caped cloak, and two Ladies in plush opera-cloaks. Fog

is hanging about in the rafters, and the gas-stars sing a melancholy

dirge. Each casual cough arouses dismal echoes. Enter an intending

Spectator, who is conducted to a seat in the middle of an empty

row. After removing his hat and coat, he suddenly thinks better--or

worse--of it, puts them on again, and vanishes hurriedly._

_First Sardonic Attendant (at doorway_). Reg'lar turnin' em away

to-night, _we_ are!

_Second Sardonic Attendant_. He come up to me afore he goes to the

pay-box, and sez he--"Is there a seat left?" he sez. And I sez to

'im, "Well, I _think_ we can manage to squeeze you in somewhere." Like

that, I sez.

[_The Orchestra, consisting of two thin-armed little girls,

with pigtails, enter, and perform a stumbling Overture upon a

cracked piano_. Herr Von KAMBERWOHL, _the Conjuror, appears on

platform, amidst loud clapping from two obvious Confederates

in a back row._

_Herr V. K. (in a mixed accent)._ Lyties and Shentilmans, pefoor I

co-mence viz my hillusions zis hevenin', I 'ave, most hemphadically to

repoodiate hall hassistance from hany spirrids or soopernatural beins

vatsohever. All I shall 'ave ze honour of showing you will be perform

by simple Sloight of 'and, or Ledger-dee-Mang! (_He invites any member

of the Audience to step up and assist him, but the spectators remain

coy._) I see zat I 'ave not to-night so larsh an orjence to select

from as usual, still I 'ope----(_Here one of the obvious Confederates

slouches up, and joins him on the platform. _) Ah, zat is goot! I am

vair moch oblige to you, Sare. (_The Confederate grins sheepishly._)

Led me see--I seem to remember your face some'ow. (_Broader grin from

Confederate._) Hah, you vos 'ere last night?--zat exblains it! But you

'ave nevaire assist me befoor, eh? (_Reckless shake of the head from

Confederate._) I thought nod. _Vair_ veil. You 'ave nevaire done any

dricks mit carts--no? Bot you vill dry? You nevaire dell vat you gan

do till you dry, as ze ole sow said ven she learn ze halphabet. (_He

pauses for a laugh--which doesn't come._) Now, Sare, you know a cart

ven you see 'im? Ah, zat is somtings alretty! Now I vill ask you to

choose any cart or carts out of zis back. (_The Confederate fumbles._)

I don't vish to 'urry you--but I vant you to mike 'aste--&c, &c.

_The Man in Evening Dress_. I remember giving BIMBO, the Wizard of the

West, a guinea once to teach me that trick--there was nothing in it.

_First Lady in Plush Cloak_. And can you _do_ it?

_The M. in E.D. (guardedly_). Well, I don't know that I could exactly

do it _now_--but I know how it's done.

[_He explains elaborately how it is done_.

_Herr Von K. (stamping, as a signal that the Orchestra may

leave off)._ Next I shall show you my zelebrated hillusion of ze

inexhaustible 'At, to gonclude viz ze Invisible 'En. And I shall be

moch oblige if any shentelmans vill kindly favour me viz 'is 'at for

ze burpose of my exberiment.

_The M. in E.D_. Here's mine--it's quite at your service. [_To his

companions. _] This is a stale old trick, he merely--(_explains as

before. _) But you wait and see how I 'll score off him over it!

_Herr V.K. (to the_ M. in E.D). You are gvide sure, Sare, you leaf

nossing insoide of your 'at?

_The M. in E.D. (with a wink to his neighbours_). On the contrary,

there are several little things there belonging to me, which I'll

thank you to give me back by-and-by.

_Herr V.K. (diving into the hat_). So? Vat 'ave we 'ere? A bonch of

flowairs! Anozzer bonch of flowairs? Anozzer--_and_ anozzer! Ha, do

you alvays garry flowairs insoide your 'at, Sare?

_The M. in E.D_. Invariably--to keep my head cool; so hand them over,

please; I want them.

[_His Companions titter, and declare "it really is_ too _bad of him!"_

_Herr V.K._. Bresently, Sare,--zere is somtings ailse, it feels

loike--yes, it ees--a mahouse-drap. Your haid is drouble vid moice,

Sare, yes? Bot zere is none 'ere in ze 'at!

_The M. in E.D. (with rather feeble indignation_.) I never said there

were.

_Herr V.K_. No, zere is no mahouse--bot--[_diving again_]--ha! a

leedle vide rad! Anozzer vide rad! And again a vide rad--and one, two,

dree _more_ vide rads! You vind zey keep your haid noice and cool,

Sare? May I drouble you to com and dake zem avay? I don't loike ze

vide rads myself, it is madder of daste. [_The Audience snigger. _]

Oh, but vait--zis is a _most_ gonvenient 'at--[_extracting a large

feeding-bottle and a complete set of baby-linen_]--ze shentelman is

vairy domestic, I see. And zere is more yet, he is goot businessman,

he knows how von must hadvertise in zese 'ere toimes. 'E 'as 'elp me,

so I vill 'elp 'im by distributing some of his cairculars for 'im.

[_He showers cards, commending somebody's self-adjusting trousers

amongst the Audience, each person receiving about two dozen--chiefly

in the eye--until the air is dark, and the floor thick with them._

_The M. in E.D. (much annoyed_). Infernal liberty! Confounded

impudence! Shouldn't have had _my_ hat if I 'd known he was going to

play the fool with it like this!

_First Lady in Plush Cloak_. But I thought you knew what was coming?

_The M. in E.D_. So I did--but this fellow does it differently.

[Herr VON K. _is preparing to fire a marked half-crown from a

blunderbuss into a crystal casket_.

_A Lady with Nerves (to her husband_). JOHN, I'm _sure_ he's going to

let that thing off!

_John (a Brute_). Well, I shouldn't be surprised if he is. _I_ can't

help it.

_The L. with N_. You could if you liked--you could tell him my nerves

won't stand it--the trick will be every _bit_ as good if he only

_pretends_ to fire, I'm sure.

_John_. Oh, nonsense!--you can stand it very well if you _like_.

_The L. w. N_. I _can't_, John.... There, he's raising it to his

shoulder. JOHN, I _must_ go out. I shall scream if I sit here, I

_know_ I shall!

_John_. No, no--what's the use? He'll have fired long before you get

to the door. Much better stay where you are, and do your screaming

sitting down. (_The Conjuror fires._) There, you see, you _didn't_

scream, after all!

_The L. w. N_. I screamed to _myself_--which is ever so much worse for

me; but you never _will_ understand me till it's too late!

[Herr VON K. _performs another trick._

_First Lady in Plush Cloak_. That was very clever, wasn't it? I can't

_imagine_ how it was done!

_The M. in E.D. (in whom the memory of his desecrated hat is still

rankling_). Oh, can't you? Simplest thing in the world--any child

could do it!

_Second Lady_. What, find the rabbit inside those boxes, when they

were all corded up, and sealed!

_The M. in E.D_. You don't mean to say you were taken in by _that_?

Why, it was another rabbit, of course!

_First Lady_. But even if it _was_ another rabbit, it was wearing the

borrowed watch round its neck.

_The M. in E. D_. Easy enough to slip the watch in, if all the boxes

have false bottoms.

_Second L_. Yes, but he passed the boxes round for us to examine.

_The M. in E. D_. Boxes--but not _those_ boxes.

_First L_. But how could he slip the watch in when somebody was

holding it all the time in a paper bag?

_The M. in E. D_. Ah, _I_ saw how it was done--but it would take too

long to explain it now. I _have_ seen it so well performed that you

_couldn't_ spot it. But this chap's a regular duffer!

_Herr V. K. (who finds this sort of thing rather disturbing_). Lyties

and Shentilmans, I see zere is von among us who is a brofessional like

myself, and knows how all my leedle dricks is done. Now--_suddenly

abandoning his accent_--I am always griteful for hanythink that will

distrack the attention of the orjonce from what is going on upon the

Stige; naterally so, because it prevents you from follerin' my actions

too closely, and so I now call upon this gentleman in the hevenin'

dress jest to speak hup a very little louder than what he 'as

been doin', so that you will be enabled to 'ear hevery word of his

hexplanation more puffickly than what some of you in the back benches

have done 'itherto. Now, Sir, if you'll kindly repeat your very

hinterestin' remarks in a more haudible tone, I can go on between

like. [_Murmurs of "No, no!" "Shut up!" "We don't want to hear him!"

from various places_; The Man in Evening Dress _subsides into a

crimson taciturnity, which continues during the remainder of the

performance_.

* * * * *

MR. PUNCH'S DICTIONARY OF PHRASES.

JOURNALISTIC.

"_Inspector ---- gives you the impression of a particularly able and

open-minded Police-officer_;" i.e., "An easy prey to the interviewing

correspondent."

"_It could not, of course, be expected that a particularly shrewd and

able young Solicitor would be_ very _communicative about his client's

case_;" i.e., "Knew precious little himself, and didn't even offer me

a drink."

* * * * *

QUITE THE KOCH OF THE WALK.--The great Berlin Bacteriologist.

* * * * *

ROBERT AT BURN'EM BEACHES.

They is still so jolly busy at the "Grand" that I had sum differculty

in getting leaf of habsense for Satterday, larst week, for to go with

a werry seleck Copperashun Party on a most himportent hexcurshun

to Burn'em Beaches about cuttin all the trees down, so that then it

woodn't be not Burn'em Beaches not no longer! Howewer, by promisin

for to stick to the "Grand" all thro' the cumming Winter, the too

Gentelmanly Managers let me go.

The fust thing as summat staggered me, in a long day of staggerers,

was the fack, that all the hole Party had a grand Royal Saloon all

to theirselves for to take them to Slough, but my estonishment ceased

when I saw that they was Chairmaned by the same "King of good fellers"

as took 'em all to Ship Lake on a prewious ocasion. They didn't have

not no refreshments all the way to Slough, so they was naterally all

pretty well harf starved by the time they got there, but there they

found a lovly Shampane Lunshon a waiting for to refresh xhawsted

Natur, and at it they went like One o'Clock altho it wasn't only

arf parst Elewen. Now for the second staggerer! One of the party,

a rayther antient Deputty, insted of jining the rest of the Party,

declared his intenshun to take his Lunch off the Sunshine which was

shining most brillient outside the room, and acordingly off he set a

warking up and down in it for three quorters of a hour, without not

no wittels nor no drink! till "the King of all good fellers" coodn't

stand it not no longer, and sent me out to him with sum sangwidges and

a bottel of Sham. He woodn't not touch no sangwidges, and ony took one

glass of wine, and told me to put by the bottel for his dinner, which

I did in course; but somehows, when he arsked for it arterwards, the

cork had got out, and the wine had got out, but I thinks I can wenture

to say as that not one drop of it was wasted, and werry good it was

too.

We then set out on our luvly drive, me on the box-seat of one of the

Carridges, and the other pore fellers cramped up hinside. Sumhows or

other, weather it was hoeing to the nobel Lunch or not, I don't kno,

we lost our way, and found ourselves at larst, not where we all wanted

to be, but at a most bewtifool House of call, where they has the

werry sensebel custom that, when they thinks as wisiters has had enuff

drink, they won't let 'em have not a Drop More, and that is acshally

the name by which the ouse is known, both far and wide! Whether it's

a good plan for the howse, in course I don't kno, but Mr. FOURBES, the

souperintendent of the Beeches, says as nothink woodn't injuice 'em to

alter the name. Whether that singler custom had anythink to do with it

I don't kno, but our party didn't stay there long, and we soon found

ourselves at bewtifool Burn'em Beaches.

In course I didn't intrewde myself when they was a settling of the

himportant bizziness as they was cum about, so I strolled off to a

little willage as I seed in the distance, and which is acshally called

Egipt, tho it ain't much bigger than Whetstone Park, Hobern, the ome

of my herly birth! From a rayther hurryed conwersashun with a real

Native, I gathered the himportant fack that the one reason why all the

great big Beach Trees of the Forest had had their tops cut off, was,

that OLIWER CROMWEEL wanted the bows for his sojers to carry, so as to

make 'em look more than they was when he marched at their Hed to the

Seege of Winsor Carsel! What curius and hinteresting hinformashun we

can get from the werry humblest of our Feller Creturs when we goes the

rite way to git it!

I got back to the Party jest as they had cum to the werry senserbil

reserlushun that Nowember was not at all the best munth to see whether

Trees was really dead, or was ony shamming, so they determined, like

true patriots as they is, to adjourn the matter till the 1st of next

April, by which time they woud be able to decide.

On our way back to Slough they all got out to see Stoke Pogies Church,

where some great Poet was buried long long ago, who had wrote a most

lovely Poem there, all about what could be seen from the Churchyard

of an evening, and one of the party said, that the sperrit of the

bewtifool seen and of the luvly Poem was so strong upon him, that,

if they woud stand round the Toom, he woud try to recite some of its

sweetest lines, and he did so, and I heard one on 'em say, as we was

a driving back, that more than one among them had his eyes filled with

plessant tears as he lissened. Ah, it isn't for a pore Waiter like me

to write on these matters, but I hopes as I don't offend not anybody

when I says, that praps if jest a leetle more pains was taken for to

make us pore fellers understand, and feel, and share in the rapshur as

such poems seems to inspire in our betters, it might help to smooth,

if not to shorten, the long dreary road as lies between the Hignorant

and the Heddicated.

ROBERT.

* * * * *

--> NOTICE.--Rejected Communications or Contributions, whether MS.,

Printed Matter, Drawings, or Pictures of any description, will in no

case be returned, not even when accompanied by a Stamped and Addressed

Envelope, Cover, or Wrapper. To this rule there will be no exception.

Punch, or the London Charivari, Volume 99, November 15, 1890 · 第 3 / 3 章