XII

Not less averse than from dogging the Duke was I from remaining another

instant in the presence of Miss Dobson. There seemed to be no possible

excuse for her. This time she had gone too far. She was outrageous. As

soon as the Duke had had time to get clear away, I floated out into the

night.

I may have consciously reasoned that the best way to forget the present

was in the revival of memories. Or I may have been driven by a mere

homing instinct. Anyhow, it was in the direction of my old College that

I went. Midnight was tolling as I floated in through the shut grim gate

at which I had so often stood knocking for admission.

The man who now occupied my room had sported his oak--my oak. I read the

name on the visiting-card attached thereto--E. J. Craddock--and went in.

E. J. Craddock, interloper, was sitting at my table, with elbows squared

and head on one side, in the act of literary composition. The oars and

caps on my walls betokened him a rowing-man. Indeed, I recognised his

somewhat heavy face as that of the man whom, from the Judas barge this

afternoon, I had seen rowing “stroke” in my College Eight.

He ought, therefore, to have been in bed and asleep two hours ago. And

the offence of his vigil was aggravated by a large tumbler that stood

in front of him, containing whisky and soda. From this he took a deep

draught. Then he read over what he had written. I did not care to peer

over his shoulder at MS. which, though written in my room, was not

intended for my eyes. But the writer’s brain was open to me; and he had

written “I, the undersigned Edward Joseph Craddock, do hereby leave and

bequeath all my personal and other property to Zuleika Dobson, spinster.

This is my last will and testament.”

He gnawed his pen, and presently altered the “hereby leave” to “hereby

and herewith leave.” Fool!

I thereby and therewith left him. As I emerged through the floor of the

room above--through the very carpet that had so often been steeped in

wine, and encrusted with smithereens of glass, in the brave old days

of a well-remembered occupant--I found two men, both of them evidently

reading-men. One of them was pacing round the room. “Do you know,” he

was saying, “what she reminded me of, all the time? Those words--aren’t

they in the Song of Solomon?--‘fair as the moon, clear as the sun,

and... and...’”

“‘Terrible as an army with banners,’” supplied his host--rather testily,

for he was writing a letter. It began “My dear Father. By the time you

receive this I shall have taken a step which...”

Clearly it was vain to seek distraction in my old College. I floated out

into the untenanted meadows. Over them was the usual coverlet of white

vapour, trailed from the Isis right up to Merton Wall. The scent of

these meadows’ moisture is the scent of Oxford. Even in hottest noon,

one feels that the sun has not dried THEM. Always there is moisture

drifting across them, drifting into the Colleges. It, one suspects,

must have had much to do with the evocation of what is called the Oxford

spirit--that gentlest spirit, so lingering and searching, so dear to

them who as youths were brought into ken of it, so exasperating to them

who were not. Yes, certainly, it is this mild, miasmal air, not less

than the grey beauty and gravity of the buildings, that has helped

Oxford to produce, and foster eternally, her peculiar race of

artist-scholars, scholar-artists. The undergraduate, in his brief

periods of residence, is too buoyant to be mastered by the spirit of

the place. He does but salute it, and catch the manner. It is on him

who stays to spend his maturity here that the spirit will in its fulness

gradually descend. The buildings and their traditions keep astir in his

mind whatsoever is gracious; the climate, enfolding and enfeebling him,

lulling him, keeps him careless of the sharp, harsh, exigent realities

of the outer world. Careless? Not utterly. These realities may be seen

by him. He may study them, be amused or touched by them. But they cannot

fire him. Oxford is too damp for that. The “movements” made there have

been no more than protests against the mobility of others. They have

been without the dynamic quality implied in their name. They have been

no more than the sighs of men gazing at what other men had left behind

them; faint, impossible appeals to the god of retrogression, uttered for

their own sake and ritual, rather than with any intent that they should

be heard. Oxford, that lotus-land, saps the will-power, the power

of action. But, in doing so, it clarifies the mind, makes larger the

vision, gives, above all, that playful and caressing suavity of manner

which comes of a conviction that nothing matters, except ideas, and that

not even ideas are worth dying for, inasmuch as the ghosts of them slain

seem worthy of yet more piously elaborate homage than can be given to

them in their heyday. If the Colleges could be transferred to the dry

and bracing top of some hill, doubtless they would be more evidently

useful to the nation. But let us be glad there is no engineer or

enchanter to compass that task. Egomet, I would liefer have the rest of

England subside into the sea than have Oxford set on a salubrious level.

For there is nothing in England to be matched with what lurks in the

vapours of these meadows, and in the shadows of these spires--that

mysterious, inenubilable spirit, spirit of Oxford. Oxford! The very

sight of the word printed, or sound of it spoken, is fraught for me with

most actual magic.

And on that moonlit night when I floated among the vapours of these

meadows, myself less than a vapour, I knew and loved Oxford as never

before, as never since. Yonder, in the Colleges, was the fume and fret

of tragedy--Love as Death’s decoy, and Youth following her. What then?

Not Oxford was menaced. Come what might, not a stone of Oxford’s walls

would be loosened, nor a wreath of her vapours be undone, nor lost a

breath of her sacred spirit.

I floated up into the higher, drier air, that I might, for once, see the

total body of that spirit.

There lay Oxford far beneath me, like a map in grey and black and

silver. All that I had known only as great single things I saw now

outspread in apposition, and tiny; tiny symbols, as it were, of

themselves, greatly symbolising their oneness. There they lay, these

multitudinous and disparate quadrangles, all their rivalries merged in

the making of a great catholic pattern. And the roofs of the buildings

around them seemed level with their lawns. No higher the roofs of the

very towers. Up from their tiny segment of the earth’s spinning surface

they stood negligible beneath infinity. And new, too, quite new, in

eternity; transient upstarts. I saw Oxford as a place that had no more

past and no more future than a mining-camp. I smiled down. O hoary and

unassailable mushroom!... But if a man carry his sense of proportion far

enough, lo! he is back at the point from which he started. He knows

that eternity, as conceived by him, is but an instant in eternity, and

infinity but a speck in infinity. How should they belittle the things

near to him?... Oxford was venerable and magical, after all, and

enduring. Aye, and not because she would endure was it the less

lamentable that the young lives within her walls were like to be taken.

My equanimity was gone; and a tear fell on Oxford.

And then, as though Oxford herself were speaking up to me, the air

vibrated with a sweet noise of music. It was the hour of one; the end

of the Duke’s hour of grace. Through the silvery tangle of sounds from

other clocks I floated quickly down to the Broad.

Zuleika Dobson; Or, An Oxford Love Story · 第 15 / 29 题