CHAPTER VI.

FUSS ABOUT A FIDDLE.

“Ahem! Good evening!” said Squire Pope to Frank Dunbar, taking no

notice of Philip’s cold but polite salutation.

“Good evening! Will you go into the house?” said Frank.

“I believe not. I have not time.”

“I am sorry father isn’t home. He just started for the village.”

“Ahem! it was not to see your father that I called,” answered Squire

Pope. “I wish to have a few words with this young man,” indicating

Philip stiffly.

“I am at your service, Squire Pope,” said Philip, with ceremonious

politeness.

“We came about the fiddle,” interrupted Nick Holden, who always wanted

to have a share in the conversation.

Squire Pope frowned, for he did not relish Nick’s interference.

“Nicholas,” he said severely, “I apprehend I am competent to manage the

business we have come upon.”

“Don’t get riled, squire,” said Nick, by no means abashed by this

rebuke. “I thought you were kinder slow about comin’ to the point.”

“Your interruption was very indecorous. I do not require any assistance

or any suggestions.”

“All right, squire!”

Squire Pope now turned to our hero, and said:

“As I was about to say, when interrupted by Nicholas, I have come to

require you to give up the Violin which, without authority and against

my express command, you withheld from the auction.”

“The violin is mine, Squire Pope,” said Philip firmly, “and I mean to

keep it!”

“You talk like an ignorant boy. As a minor, you had no claim to the

possession of any article except your clothing. I judged it best that

the violin should be sold at the auction, and it is presumptuous for

you to set up your judgment against mine!”

“I don’t take that view of it,” said Philip, and then he stopped.

He knew it was of no use to argue against the squire, who was obstinate

to the verge of pig-headedness, if I may be allowed to use the

expression. He felt that it would be only wasting his breath.

“It is quite immaterial how you view the subject,” said the squire

pompously. “My mind is made up, and my resolution is not likely to be

shaken by a boy.”

“Then, sir,” answered Philip, in a respectful tone but with a slight

smile, “it is hardly worth while for me to say any more.”

“I am glad you have arrived at so sensible a conclusion,” said Squire

Pope. “I take it that you have the violin here.”

“Yes, sir.”

“Then bring it out and give it to me.”

Now came the critical point, when Philip must array himself in

determined opposition to Squire Pope. He felt that he was entirely in

the right; still he regretted the necessity of the antagonism.

Philip had one thing in his favor: He had plenty of self-control, and,

although he was very indignant at the course of the squire, which he

regarded as unjustifiable, he made up his mind to be as respectful as

circumstances would permit.

“I don’t think you understand me, Squire Pope,” he said. “I refuse to

give up the violin!”

“You refuse to give up the violin!” repeated Squire Pope, scarcely

believing the testimony of his ears. “Do I hear you aright?”

“Yes, sir.”

“I never saw such impudence!” ejaculated Nick Holden, wishing to egg on

the squire.

“Do you mean to defy me to my face?” demanded Squire Pope, growing very

red.

“I don’t wish to defy you or anybody else,” returned Philip; “but I

shall stand up for my rights.”

“Misguided boy!” said the squire severely; “you will yet rue this rash

and heedless course. Frank,” he continued, turning to Frank Dunbar, “do

you know where Philip’s violin is!”

“Yes, sir.”

“Do me the favor to bring it out and place it in my hands.”

“You must excuse me, Squire Pope,” answered Frank. “It belongs to

Philip, and I have no right to meddle with it.”

“If Philip has told you this, he has misrepresented,” said the squire,

rather discouraged by this second rebuff. “The violin does not belong

to Philip. It belongs to this young man.”

And, with a wave of his hand, he designated Nick Holden.

It was not polite, but Frank Dunbar was so surprised by this

announcement that he whistled.

As for Philip, he regarded Nick calmly; but there didn’t seem to be any

sign of yielding in his look.

“It belongs to Nicholas, because I have sold it to him,” continued

Squire Pope doggedly.

“That’s so!” corroborated Nick complacently. “The squire sold me the

fiddle for two-fifty. It’s mine now, and you’d better fetch it along

out, or there’ll be trouble.”

Philip turned to Squire Pope, and said quietly:

“As you had no right to sell it, the sale amounts to nothing. If you

had a right, I should say you were not very shrewd to sell an

instrument that cost twenty-five dollars—and was considered a bargain

at the price—for two dollars and fifty cents.”

“The violin cost twenty-five dollars!” ejaculated the squire, in

genuine surprise.

For, as it has already been stated, he had no idea whatever of the

usual price for a violin.

“Yes, sir.”

“Don’t you believe him, squire,” said Nicholas, afraid that he would

lose what he knew to be a good bargain. “No fiddle that was ever made

cost twenty-five dollars. It’s ridiculous!”

“It does seem a large price,” said the squire guardedly.

Squire Pope would doubtless have been surprised to learn that certain

violins of celebrated make—such as the Cremonas—have sold for thousands

of dollars. Probably he would have disbelieved it.

Nevertheless, he began to think that he had been too precipitate in

accepting Nick Holden’s offer.

If he should sacrifice, or sell at an utterly inadequate price, any

article belonging to the boy whom he considered his ward, he knew that

he would be blamed, and he began to consider how he could recede from

the bargain.

“Nicholas,” he said, “I didn’t exactly sell the violin to you. I will

ascertain what is a fair price for it, and then I will consider your

proposal.”

“You sold it right out, squire,” said Nick, “and I can prove it. Didn’t

you just say it was mine. There, now!”

Nick turned triumphantly to Frank and Phil, but, for very good reasons,

they did not care to side with him.

“I say, you haven’t treated me right,” persisted Nick, who had no

particular respect nor veneration for the squire, and was not to be

deterred from speaking as he felt. “I offered you two-fifty, and you

said I should have it, and you got me to call at your house to come

here for it.”

“I cannot sacrifice the property of my ward,” said Squire Pope. “I must

ascertain how much the violin is worth.”

“A bargain is a bargain, every time!” said Nick, irritated.

“I will let you have it as cheap as anybody,” said the squire, who

thought it possible that Nick might be the only one who desired to

purchase it. “That ought to satisfy you. Philip, go and bring me the

violin, and I will carry it home and dispose of it to the best

advantage.”

“You must excuse me, Squire Pope. I shall not let it leave my

possession.” Just then Squire Pope espied Mr. Dunbar returning from the

village, and hailed him as a probable ally. He laid the matter before

him, and requested him to compel Philip to get the violin.

“You must excuse me, squire,” said Mr. Dunbar coldly. “Philip is my

guest, and he shall be protected in his rights as long as he remains

here.”

Without a word, Squire Pope walked off, in angry discomfiture, in one

direction, while Nick, equally dissatisfied, walked off in another.

“They don’t seem happy!” said Frank slyly.

“I wish I knew where it was going to end,” returned Philip gravely.

“It seems to me,” said Frank, “the squire is making a great fuss about

a fiddle, for a man of his dignity.”

“He doesn’t care about the violin. He wants to have his own way,” said

Philip, thus hitting the nail on the head.

The Young Musician; Or, Fighting His Way · 第 6 / 44 章