XXII

I have mentioned a scarcely concealed feeling in the saloon against the

omniscience of the wireless operator. That was not all the opposition

to which this youth of the glazed locks was subject. He was understood,

while the ship was at sea, to receive news issued daily, and frequently

when a subject was being discussed by the ship's officers he sat there

in possession of the facts but with serene indifference to the general

interest. In this, he was carrying out the regulations, I imagine; but

his behaviour resembled that of the dog in the manger. To aggravate

this sense of injustice, he rashly told some one that the news might

be taken at three guineas.

This in the first place affected the saloon only. But it happened that

throughout the ship there was a particular desire for information. At

home, the football season was at its zenith. Important matches, in the

Leagues and the Cup competition, were known to be playing; and one

man on the ship when she was out at sea could, and it was believed did,

hear the results. But never a word said he. Looking in at the galley

during the evening to brew my cocoa, I would find animated discussion of

the favourite teams in progress. Kelly, the "Mess-room," would wipe his

fist across his mouth and huskily explain. "It's like this, mister." He

had known other wireless operators who gladly announced the football

results. But this fellow--he was too b---- stuck-up, mister--"The

Marconi," the term which he used for the offending operator, savoured

queerly of the phrase "The Bedlam" in _King Lear_.

Such was the background against which Mead's vision of the unfortunate

Sparks stood out, and with the particular unfriendliness which I must

briefly describe. Earlier in the trip, Sparks had, in Mead's opinion,

adopted a tone of equality and then even of command towards him, in the

course of the ship's routine. Mead had immediately resorted to warlike

acts. Sparks lodged a written complaint with Hosea, who gave both parties

the best advice. But it was a false step in Sparks to send in this

communication, which would if forwarded have cost Mead, perhaps, his

living; and it was made worse by Sparks's glib defence, "I was doing my

duty," since he had been at a safe distance from the war when Mead's

duty lay on the Gallipoli beaches. And he still affected to think of

upholding his letter.

Matters were therefore strained, and the more they were so the more Mead

liked it. "Don't let me catch you ashore," had been his way of passing

Sparks the time of day in port; at sea, he growled abuse at him whenever

he saw him, and if no better occasion offered itself, would suddenly

thrust his face in all the semblance of murderous intention through the

open porthole of the young man's room and utter calm, deliberate, and

unnatural purposes.

In this feud, my position was not comfortable. Unlicked as he was (up to

the present) and devoid of fine points, the Marconi, whose cabin was

neighbour to mine, wished me no harm, and even sought my esteem. Mead,

whom I did esteem, was discontented with any half-measures on my part, and

in any case I felt bound to observe neutrality. But the capers of my

angry friend were often amusing, the declarations of duty conscientiously

executed by his _bete noir_--Mead had a weakness for style--were not. And

it is scarcely necessary to repeat, the general view of Sparks was not a

moral support to Mead even if he had "no case."

On the occasion that I described, Mead had decided to drive his point

well home with the aid of rhyme. I took a copy of his somewhat indecorous

production. It had many "spirited couplets," embodying considerable

observations:

To see you promenade the deck

Gives me a pain in my ruddy neck.

Sparks had been unwise, again, in mentioning his pleasure in the

slaughterer's trade, and past experience. Mead did not miss the

opportunity.

If the blood of sheep could make you glow

Come and dare to make mine flow.

I am no hero out for gore,

I had the wind up in the war.

Names and menaces came fast and furious.

... Flowers there'll be which you won't smell,

You swob, you'll learn a lot in hell.

Had I been called half these things

Some one or I'd be wearing wings.

This effusion, laboriously printed in CAPITALS so that its effect on the

recipient should be the more demoralizing, headed THE ANSWER, and signed

in characteristic fashion NULLI SECUNDUS, was to have been handed to its

theme in the saloon. Eventually, Mead rejected that as perhaps contrary to

tradition, and handed it in at the porthole aforesaid; but its object,

the arranging of "a little bout," was not achieved.

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