HOW A YOUNG MAN OUGHT TO HEAR POEMS.

By Simon Ford, D.D.

Young people are fond of fiction, 42. The danger hence arising,

42, 43. We would not interdict to them the reading of poetry, 44.

But give them wholesome advice touching the matter, 45. Poets deal

much in fiction: it belongs to the very essence of poetry, 46. This

contributes greatly to the entertainment of the reader, 46. Evident

absurdities must be rejected, 47. Do not receive as literal truth

what the poets say of the gods or of the departed, 48. Poetry is

an imitative art: the exactness of the imitation, even of a foul

action, gives pleasure, 50. If odious and abominable conduct is

to be represented in poetry, the expression must correspond, 51.

But the poets, especially Homer, signify their disapproval of such

conduct, 52, 53. They often introduce evil examples to promote

moral improvement, 55. The contradictions among poets lessen the

credit of what they say, and thus diminish the possible danger, 55.

The poets often furnish antidotes to the poison they deal out, 57,

58. We may also quote the philosophers against the poets, 59. In

using the names of the gods, the poets often mean only the powers

of nature, or fortune, or some second cause, 61, 62. They often use

words tropically, and then are not to be taken in the literal sense,

64, 65. Poetry requires variety, hence it never represents the same

persons, not even the gods, as uniformly virtuous or prosperous, 66,

67. Therefore the young man must not approve or admire every thing

which is said of the heroes of poetry, 68. Instance, Achilles and

Agamemnon, 69. Several passages in Homer criticised, 69-72. Criticism

on Sophocles, 72. More criticisms and explanations of the Iliad,

74-84, 89, 90. Young men may be taught good morals, and how they

differ from bad, by the poets, _ib._ Boys may learn something

useful even from passages wicked and absurd, 83. We may show young

persons how passages in the poets, of good tendency, are confirmed by

the language of philosophers, 91. Plato and the poets sometimes speak

alike, 92. Thus may poetry and philosophy be reconciled, 93, 94.

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