Richard’s wife plays a good game of bridge, and we have already started

a society for the winter. The report of your enormous pluck has reached

the old Market Place, for Richard spoke of you in terms of the warmest

admiration and esteem. At parting we both positively had tears in our

eyes.

May I, without hurting you, give a hint? Please put on your silk dress,

Magna. I shall have a new one made, I think, as quickly as possible. You

see, this is to be a very important event in my life.

Embrace my boy for me, and remember what I said about his hands.

ELSIE.

DEAR JEANNE,

It is wrong of me to have been so lazy lately about writing. But I have

had so much to do. I have, as a matter of fact, moved house. It happened

in a twinkling. This habitation became to let through a death, and mine

was taken by a young married couple.

Now I am living on the beach road so far out that I am hardly to be

reckoned as belonging to Copenhagen. Can you guess why I have moved?

Simply to be nearer the farm, so childish does one become with advancing

age. Magna advised me strongly to come out altogether, but I am not

inclined to do that. I am always and shall be a child of towns, though

in the year that Kelly has been learning to be a farmer I have taken an

almost incredible interest in cows, pigs, winter crops, and all the rest

of it. My life is so full of richness and light, I have nearly more joy

than I can bear, and no troubles at all.

Magna manages our “estate,” as she always calls it to please me, most

admirably. And how well she understands the art of setting others to work!

My Kelly and her little Oluf are now, as they always have been,

inseparable, and I believe that the blue-eyed little comrade exercises

a most beneficent influence on Kelly. Magna told me one day that she

had heard Oluf saying—the boy lay in a hay-cock and didn’t know that

Magna was on the other side of it taking her after-dinner nap—“I have no

father, for my father died ten years before I was born. But if you like

to be my father, I shall be quite content to have no other.”

Magna visits me every time that she has anything to do in the town.

When the window is open I can hear the crack of her whip above all the

rest. And will you believe it, Jeanne, my heart begins to beat at the

sound, for it means that the boys are with her, or that Magna is coming

to tell me about them. You should just see her sitting rosy and upright

in the dog-cart, her head hidden in a hood, with an old sealskin on,

all rubbed the wrong way, the same that twenty years ago formed a topic

of conversation the whole winter through, because it had cost her poor,

struggling husband goodness knows how many thousands.

Magna is now getting on for sixty. But no one would think it. She beams

as if the whole world were at her feet. I look at least ten years older,

although, God knows, I take a lot of trouble over my hair, and touch up

my cheeks a little, as I always did. She makes a fuss about getting out

of the cart as if the coachman could not look after the butter and eggs.

Just think, she gets up at four in summer and at six in winter, and works

for two. There is no work that she considers is too menial.

Lately she and Kelly painted all the four buildings for Whitsun. And they

did it like the wind, so that one could hardly believe one’s own eyes. I

sat out on the verandah and watched, and was nearly sick with delight.

Then we had roast ribs and oxeyes for dinner. How Kelly eats! You

can have no conception of his appetite. It’s not elegant, but oh, so

splendid! And after they have been slaughtering Kelly brings me lambs’

fry, black puddings, and liver sausages. What I once couldn’t tolerate

now tastes to me better than the finest Astrakhan caviare.

How I chat on all about my own affairs. But I don’t forget my little

fellow-traveller on that account, and her troubles are mine. Still, I

am not going to make them such a serious matter as you do, for they are

not worth it. You have arrived at a stage when everything looks to you

black, and must look so. I should be deeply pained if I had not long ago

seen what the cause of it is. You are now just about the age I was when

we first met each other; that age which for women is so difficult and

dangerous. And the inexplicable happiness is not granted to every woman

to come through the time unscathed and triumphant as I did.

I have thought about it, and wondered what the reason could be why I,

contrary to every one else, should remain during those years much the

same as always; and I have come to the conclusion that it was because I

lived so superficially at that time, and without any deep feeling for

other people.

But you, little Jeanne, since you linked your fate so fortunately with

Malthe’s, have been a sheer compost of love-worship and self-sacrifice.

I could have foretold long ago that your transition age would be a hard

time. But now try yourself to make it easier. Review the circumstances,

sift, and explain them to yourself.

You have something to be thankful for that does not fall to the lot of

one woman in ten thousand. Your husband continues to love you as much

to-day as when you first became his. Does that not counter-balance

everything? Are the little cosmopolitan godless angels of children really

so hard to bring up as you think? They have, of course, the artistic

temperament, and you attempt to model them into normal human beings. You

will never succeed.

And is Malthe’s depression of spirits of any great significance? There is

cause for it. He has of late, with justice or injustice, been overlooked,

and younger powers have been preferred before him; his name has no longer

the _cachet_ it once had, and even his talent seems to have taken a back

seat. But, dear Jeanne, you are greatly to blame for this. You have

loved your husband so blindly and fondly that you have not set him on

a pedestal, but you have built a castle of air far up in the highest

clouds, and there you have placed him like a golden ball on the most

inaccessible pinnacle, with no one above him and no one near him.... You

have fed his ambition and stifled your own natural, critical faculty,

instead of standing at his side and being helpful to him in deciding

between good and mediocre, and now you complain that you cannot console,

and that he spurns you. You are ashamed to say so, but I read between the

lines that you are very, very unhappy.... And it is all because you are

not well, dear Jeanne, and your despondency is likely to last some years.

But I could hit, I think, on ways and means of putting your cares to

flight; if only you will at once make up your mind to bring your little

flock northwards, so that I may take them with me to the Villa this

summer, and teach the little goose-herds, the Parisian, the Sicilian,

and the Smyrna child, indifferent Danish, while you and your Malthe close

the house, store your furniture, and trot round the globe.

Don’t let the thought of money stand in your way. Tell Joergen from me

that he may with an easy hand use the money which he would set aside as a

dowry for his daughters.

He must be ashamed of himself if he has not that opinion about his own

flesh and blood, that it will be a pure joy to any one to take over the

girls, even if they come without a rag to their backs or clothed in flour

sacks.

Besides, I have made my will, and, dear Jeanne, if I once played _la

banque_ at Monte Carlo, I am not likely to do it again.

What a glorious summer it will be over there in the White Villa with your

chicks. And we’ll borrow Magna’s Oluf and my Kelly for a week, too. What

does my old travelling companion say to this?

Much love to you and to your husband, and the whole small flock, from

Yours always,

ELSIE LINDTNER.

* * * * *

Poor Jeanne and poor Joergen.... So it fares worse with you than I

thought.

I have the greatest desire to travel over to them and mediate, but in

these days my heart is too touchy and my neuralgia a consideration. I

ought not by rights to sit out on the balcony in the cool evening air,

but I never could be careful.

But it shall not happen; it would be too foolish and irresponsible a

step—people don’t separate in a hurry like that without a ghost of a

real reason. All very well if Malthe had another string to his bow, or

if Jeanne was in love with another man, but, good Lord! one of them

couldn’t live without the other, and yet she talks of having “weighed”

the matter, and thoroughly thought it out. I am so angry my hands tremble.

Jeanne must really collect herself, and understand that all this is

nothing but a transition. When I think of it, I can recall no case among

the many I have known—except, of course, my own—of a single woman who

has managed to get through these years without a slight rumpus of some

kind. Afterwards they have taken endless trouble to patch up the wounds

they have inflicted. Now, Jeanne has been more than unreasonable in this

respect. There isn’t a man in the world who can stand such an everlasting

adoration.

It was certainly brutal of him to say, “Mind yourself, your house, and

your children, but don’t meddle with my work.”

But he meant nothing more by it than a child in a temper does when it

vents its anger in trampling on a favourite toy. Yet the words rankled

in Jeanne as a reproach—a reproach for what?

He has lost faith in his talent. Therefore he is irritable and dejected,

and Jeanne, who all these years has had enough to do in bringing children

into the world, and caring for them and him, now stands suddenly still,

looks round and behind her, and feels disillusioned. Now is the time when

she wants the tenderest words he has ever lavished on her, but he, with

his head full of building plans, sees no sense or object in two people

talking of love—two people who have proved their love with their whole

life.

One of them ought to fall sick unto death ... so that the other should

forget his small grievances.

Well, we shall see. If Jeanne listens to my advice, and lets the children

come up here, all will be well.... A little air and freedom is what they

need; otherwise I shall have to sacrifice myself and for the second time

knock about the world with my little travelling companion.

* * * * *

So I have been in my old home once more! Weeks will have to go by before

I get over the re-visiting of it. Every trace of me had been removed—with

a scrupulous care and thoroughness as if every piece of furniture,

every hanging and picture had been dangerously infected. Doors had been

obliterated, and new ones cut in walls which used to be doorless. Not

even the peaceful white fireplaces were there any longer, but instead

gilded radiators. Had I never inhabited the rooms they could not have

seemed more strange. I looked in vain for Richard’s oak bookcase, and the

panels from his grandmother’s country place.

I had to see everything. My namesake—she who bears the name by right,

not courtesy—led me from one room to another. It was as if she asked me

incessantly, “Isn’t there anything that reminds you of your reign?” No,

nothing, not the very least thing.

And then when we sat round the table at which Richard and I used to sit

alone with the servants waiting behind our chairs, all the vacant places

were filled with children whose appearance in the world was one of the

conditions of my departure. Wonderful, wonderful! and a little sad.

I noticed how Richard exerted himself that I should feel at ease. But he,

too, I think, was moved by the oddness of the situation.

She calls me Madame Elsie, and I call her Madame Beathe.

Involuntarily I glanced round for the big portrait Kröyer in his day

painted of me, the portrait which Richard simply idolised. He saw what I

was looking for, and cast down his eyes. I felt inclined to say, “Dearest

friend, don’t let us be sentimental. What was once is no longer. But the

picture was a true work of art, and for that reason you should have let

it hang where it was.”

One thinks such things, but doesn’t say them.

I was shown, too, the daughters’ bedroom upstairs, and there—there hung

my picture among photographs of actresses and school friends. Finally it

will land in the attic unless it occurs to some one to make money out of

it.

Why is it I cannot get rid of a feeling of bitterness and humiliation?

They were all very kind and considerate. But when Madame Beathe joking

suggested a match between her Annelisa and my Kelly, I felt near to

crying. Annelisa is a thoroughly nice girl, it is true. But I cannot

endure the thought of Kelly being looked down on, because of his country

manners. And she does look down on him.

The little mistress has one fault. She is too immaculately tidy. I

noticed that all the carpets had dusting sheets over them, and naturally

supposed their removal had been forgotten, till I saw that every single

article on her dressing-table was covered in the middle of the day

with gauze, and I heard her scolding one of the maids for not washing

her hands before beginning to lay the cloth after touching some books.

Richard, I am sure, finds it trying.

When he smokes a cigar she sits on pins and needles for fear he shall

scatter the ash about. And God knows that for a man Richard is tidy

enough. She discovered a mark on the white window-ledge, only a raindrop,

I believe, but got up twenty times at least to scrub, brush, and breathe

on the spot.

It gives me food for thought. It is not for me to judge what she does and

how she acts. But I can’t get over it. I feel bound to criticise her. And

somehow the idea will bother me that this is my home she is fussing about

in, and not the other way about.

Annelisa kissed me at parting, and asked if she might soon come to see

me. But she shall not come when Kelly is at home. That is certain.

And now they have invited me to a grand dinner-party.

* * * * *

Kelly must have a tail-coat, there is no question of that.

* * * * *

No, Kelly shall not have a dress suit. Kelly won’t come with me to the

dinner-party at Richard’s. I am going alone.

* * * * *

Pah! I am positively excited! It was a grand occasion. And it did me good

to hear pretty speeches made about my appearance. The orchids certainly

did go well with my mauve silk. They couldn’t have come from anywhere

but Paris, of course.

Annelisa and I became great friends. She took me up to her room and

confided in me that she and her mother don’t get on.

You were afraid to move almost for fear of being told you were making

things in a mess. And the child betrayed, by the way, the little domestic

secret that her mother now had a bedroom to herself, because her father

was so untidy in shaving. When no one was looking her mother went about

with a duster and wiped away the marks left by the soles of your boots.

Wasn’t it too awful? But it didn’t seem so dreadful to me, for all at

once I saw plainly what it meant, and I consoled the child by telling her

that in a year or two the scouring demon would be cleaned away.

Richard seems quite unconcerned. He doesn’t dream of complaining. But if

he has any memory, it must occur to him in looking back, how in the years

that I was passing through the phase, everything inwardly and outwardly

went on the same as usual.

Richard plays a brilliant game of bridge. But I must say I was utterly

unprepared for Professor Rothe making the third. He behaved as if nothing

whatever had passed between us. And Lili’s name was not mentioned.

Richard said when I rose to go, “You have been the Queen of the Feast!”

God knows I blushed.

Maybe that in his secret heart he recognises the great sacrifice I

made for him. It was, undoubtedly, no easy matter to leave him and the

beautiful house. But my exemplary conscience was sufficient reward, even

if I had not afterwards received the guerdon of Kelly.

* * * * *

I believe I shall succeed in having a chat with Madame Beathe about her

_tic doloreux_. If one broaches the subject tactfully, it’s possible

to achieve a great deal; and it is only a matter of getting her to see

herself that her malady is an appendage of her years.

* * * * *

What holes Kelly wears his stockings into, and how black he makes

his pocket-handkerchiefs! I do believe the boy uses them to wash the

cart-wheels.

* * * * *

Kelly said yesterday, “And if you hadn’t adopted me, I should have been

in the gutter all my life.” How he looks at me!

* * * * *

I suppose I had better have left it alone. I was told that for others

such a period of incapability might exist, but not for her. She knew

the duties of a proper housewife, and did not attend to a fifth part of

things and leave the rest in dirt and disorder.

It was a little too much that I should not only come and interfere in her

housekeeping, but ascribe to her a fictitious illness that only existed

in my imagination.... And then followed a long story which to listen

to was enough to make one laugh and weep together. Goodness! she had

actually been jealous of my former régime, and had no peace till she had

turned the whole house topsy-turvy. She didn’t intend that I should know

this. But the storm burst when she thought to-day I had been taking my

revenge. Her one object in life was to live for her husband, her home,

and her children, and she had no notions about posing as a beauty, and be

painted by famous artists. And so on....

She was so beside herself finally, that I was obliged to cave in, and

say that I had made a mistake, she was not at the dangerous age, and her

scouring mania was a perfectly natural instinct, and it was a pity that

all housewives did not follow her example.

And then we were good friends again, and she told me that she was very

glad I was really quite old.

Any woman so old and harmless, of course didn’t count.

No, I shall not burn my fingers again. It is most curious how forgetful

one becomes with the flight of years.

But forgetful is not exactly the right word. It is much more a sort of

half-unconscious perversion of actual facts. The same kind of thing as

parents making out to their children and almost believing it themselves,

that when they were children they were absolute angels.

Magna, for instance, is capable of self-delusion and lying with regard

to the miseries of her dangerous age. Magna, usually the soul of

truthfulness, who never tries to make herself out better than she is,

apparently believes that she got over those difficult years easily and

calmly. Good God!

For once we nearly grew angry with one another. I maintained that it was

nothing to be ashamed of, but rather an honour, that she had afterwards

matured into the magnificent, vigorous creature she now is.

But she wouldn’t hear of it. The only thing she would admit was Oluf, and

she only did that because he is flesh and blood.

We both became vehement, and in the end Magna went the length of

asserting in her excitement that I had been far more affected by the

critical years than she and Lili Rothe put together!

It was useless to protest against such a ludicrous mis-statement of

facts. But we very soon made it up again, and played our game of Friday

bridge. Unfortunately Kelly had not come in with Magna.

He and Oluf had to sit up all night with a sick cow. It would have

sufficed if one of them had done it, but where Kelly is there Oluf will

be also.

God bless Magna for her way of chatting about the two boys. I devour the

words as they fall from her lips. It is so splendid to hear her. Magna

thinks it will be a good thing for Kelly if he marries in a year or two

... it seems almost as if she had fixed on some one already. What if it

should be to the new dairy-maid? Well, I should not mind, so long as it

was for my boy’s happiness. In that event we must think of taking a farm

for Kelly, for Kelly and Oluf.

* * * * *

It would interest me to prove to Magna who was right. If I could bring

myself to reading through once more what I wrote down in those days ...

yes, I will to-morrow.

* * * * *

I am ashamed, oh, how ashamed I am! It is not fancy or forgery. I wrote

every word of it in circumstances which bear witness to the honesty of

the writer. I can never look either Magna or Jeanne in the face again ...

or in my boy’s.

Not I who have a thousand times dreamed and wished with all my heart that

I had brought him into the world! I can only hang my head now and be

thankful that he never had such a person for his mother.

I, I, who strutted about like a peacock, proud of my own perfections;

I, who pointed the finger of scorn at others; I, who presumed with the

rights of a judge to condemn or pardon others, inwardly jubilating

triumphantly, “Thank God I am not as other men are.”

_That_ can never be erased, never made good.

Now that I have reached the evening of my days, and my one occupation is

to sit and look out of the window at the people who pass, and dream happy

dreams for my boy, I commit no thought or deed that needs the veil of

oblivion.

But then, when I was in my prime ... when I might have applied my gifts

for usefulness and pleasure—I was such a....

The memory of it can never be wiped out. It can never be made good.

And I had thought that Kelly was to read it all after my death, so that

he might learn to know what I really was; learn to despise me as I lay

in my grave.... I have had the fire lit though it is summer. I intend to

destroy every line. Every line!

But will that prevent Kelly beholding me in all my pitiableness? Am I

such a coward? Such a coward?... No, Kelly _shall_ read it, every scrap

when I am dead.

Then he shall see what a deplorable, wretched creature I was till love

entered my life, when he did. Then he shall know the great miracle which

love wrought.

Kelly has a claim to me in bad as well as good....

I feel to-day so ineffably tired. It seems as if this day were to be my

last. The day of judgment, when I am to stand face to face with myself.

But the day of judgment is to be followed by regeneration. Kelly is to be

my regeneration. Not for myself do I pray to be granted a year, an hour;

I pray for Kelly’s sake alone, that our meeting that night may not have

been in vain. This prayer throbs from my lips into Eternity.

Will it be heard?

* * * * *

There are bells chiming for vespers. Now Kelly is coming home from work,

so tall, strong, and healthy. They are busy with the spring ploughing,

and to-morrow will be Sunday. Then I shall see him, have him to

myself....

Kelly, Kelly ... why aren’t you here at this hour? Kelly, I want to see

you, and to thank you.

Be good ... be happy....

THE DANGEROUS AGE

BY

Karin Michaëlis

_Cloth_ _12mo_ _$1.20 net_ _Postage 12 cents_

“One can hardly fail to be heartily in accord with Marcel Prevost in

regard to the literary value of the story, the artistic insight, the

skill, and the peculiarly feminine flavor that it displays. As a piece

of fiction of unique form and substance, written with unusual skill and

artistic feeling, the book is worth reading.”—_New York Times_

“The book will have a powerful appeal for a great many women.”—_New York

Herald_

“An admirable piece of workmanship, both subtle and sincere.... Fine

literary taste and an artistic reticence are characteristics of this

Danish woman’s method.”—_New York Sun_

“An extraordinary document, and reveals the feminine soul of all

time.”—_Boston Evening Herald_

“It is not a record of deeds, but of thoughts; as such it will attract

many who think, and who have had experience with life.”—_Cincinnati

Times-Star_

“The author’s great success came with ‘The Dangerous Age,’ in

which she bares the very soul of a woman with the relentless

sternness of the surgeon and the power of expression of the literary

artist.”—_Philadelphia Public Ledger_

“The book is sure to appeal to women and those interested in the study of

feminism.”—_Detroit News_

“The book is admirably written, never extreme, always chaste in language,

but fascinatingly leaving much to the imagination. Will interest all

readers.”—_Pittsburg Dispatch_

JOHN LANE CO., NEW YORK

AN UNOFFICIAL HONEYMAN

BY

Dolf Wyllarde

Author of “The Rat Trap,” “The Riding Master,” etc.

_Cloth_ _12mo_ _$1.30 net_ _Postage 12 cents_

“A strong story in more senses than literary, and well worth the

reading.”—_New York Times_

“A distinct achievement in the realm of fiction, and should add to

the laurels the writer has already won. The theme is an old one—a man

and a woman cast upon an uninhabited island—but the handling of it is

new and in Miss Wyllarde’s best style. The descriptions are vivid and

realistic.... The story is told with unusual vigor. It is human, simple,

convincing and absorbing.”—_Boston Herald_

“As interesting as the first sea story ever written; a fresh,

vividly-told tale.”—_Baltimore Evening News_

“A highly entertaining story for the lover of adventure, a sort of

modernized Robinson Crusoe, with a heroine to take the place of Goodman

Friday.”—_Chicago Evening Post_

“Brilliant writing and realistic psychology.”—_New York Sun_

“The book is more than an entertaining story.”—_Boston Globe_

Elsie Lindtner A sequel to "The Dangerous Age" · 第 6 / 7 段