THE ARABIAN LANGUAGE.

The Arabian language belongs to what is called the Semitic, or Shemitic

family of languages, and, when written, presents the appearance of a

general riot among the tadpoles and wrigglers of the United States.

The Arabian letter "jeem" or "jim," which corresponds with our J,

resembles some of the spectacular wonders seen by the delirium tremens

expert. I do not know whether that is the reason the letter is called

jeem or jim, or not.

The letter "sheen" or "shin," which is some like our "sh" in its effect,

is a very pretty letter, and enough of them would make very attractive

trimming for pantalets or other clothing. The entire Arabic alphabet, I

think, would work up first-rate into trimming for aprons, skirts, and so

forth.

Still it is not so rich in variety as the Chinese language. A Chinaman

who desires to publish a paper in order to fill a long-felt want,

must have a small fortune in order to buy himself an alphabet. In this

country we get a press, and then, if we have any money left, we lay it

out in type; but in China the editor buys himself an alphabet and then

regards the press as a mere annex. If you go to a Chinese type-maker and

ask him to show you his goods, he will ask you whether you want a two or

a three story alphabet.

The Chinese compositor spends most of his time riding up and down

the elevator, seeking for letters and dusting them off with a feather

duster. In large and wealthy offices the compositor sits at his case

with the copy before him, and has five or six boys running from one

floor to another, bringing him the letters of this wild and peculiar

alphabet.

Sometimes they have to stop in the middle of a long editorial and send

down to Hong Kong and have a letter cast specially for that editorial.

Chinese compositors soon die from heart disease, because they have to

run up stairs and down so much in order to get the different letters

needed.

One large publisher tried to have his case arranged in a high building

without floors, so that the compositor could reach each type by means

of a long pole, but one day there was a slight earthquake shock that

spilled the entire alphabet out of the case, all over the floor, and

although that was ninety-seven years ago last April there are still

two bushels of pi on the floor of that office. The paper employs rat

printers, and as they have been engaged in assorting and distributing

this mass of pi, it is called rat pi in China, and the term is quite

popular.

When the editor underscores a word, the Chinese compositor charges $9

extra for italicizing it. This is nothing more than fair, for he may

have to go all over the empire and climb twenty-seven flights of stairs

to find the necessary italics. So it is much more economical in China to

use body type mostly in setting up a paper, and the old journalist will

avoid caps and italics, unless he is very wealthy.

Arabian literature is very rich, and more especially so in verse. How

the Arabian poets succeed so well in writing their verse in their own

language, I can hardly understand. I find it very difficult to write

poetry which will be greedily snapped up and paid for, even when written

in the English language, but if I had to paw around for an hour to get a

button-hook for the end of the fourth line, so that it would rhyme with

the button-hook in the second line of the same verse, I believe it would

drive me mad.

The Arabian writer is very successful in a tale of fiction. He loves

to take a tale and rewrite it for the press by carefully expunging the

facts. It is in lyric and romantic writing that he seems to excel.

The Arabian Nights is the most popular work that has survived the harsh

touch of time. Its age is not fully known, and as the author has been

dead several hundred years, I feel safe in saying that a number of the

incidents contained in this book are grossly inaccurate.

It has been translated several times with more or less success by

various writers, and some of the statements contained in the book

are well worthy of the advanced civilization, and wild word painting

incident to a heated presidential campaign.

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