CHAPTER I.

SUSPENSE

BY

HENRY SETON MERRIMAN

AUTHOR OF 'YOUNG MISTLEY,' 'THE PHANTOM FUTURE'

ETC.

IN THREE VOLUMES

VOL. III.

LONDON

RICHARD BENTLEY AND SON

Publishers in Ordinary to Her Majesty the Queen

1890

[_All rights reserved_]

Some there are who laugh and sing

While compassed round by sorrow;

To this ev'ning's gloom they bring

The sunshine of to-morrow.

CONTENTS OF VOL. III

CHAPTER

I. THE SPORT OF FATE

II. BREAKING IT

III. MRS. WYLIE TAKES THE OFFENSIVE

IV. AN INTERVIEW

V. SOUTHWARD

VI. THEODORE TRIST IS AROUSED

VII. A LESSON

VIII. HICKS' SECRET

IX. WYL'S HALL

X. DIPLOMACY

XI. GOOD-BYE!

XII. AT WORK

XIII. PLEVNA

XIV. THE PUZZLE OF LIFE

XV. THE END OF IT ALL

SUSPENSE

CHAPTER I.

THE SPORT OF FATE.

Theodore Trist did not attempt to blind himself as to the

difficulties attending his strange undertaking, but he was prepared

to face them courageously.

'If,' he said to himself, 'I can only find him ... _sober_ ... I will

manage the rest.'

Without doubt this silent man was ready to speak at last--to tear

aside the veil of reserve, behind which he was wont to take refuge.

And this to the eyes of Alice Huston's husband. His was a nature

capable of immense self-sacrifice, and to this capability had been

added an almost exaggerated sense of discipline. That which he

thought right he would probably do--not on the spur of the moment,

but with deliberate purpose, and without fear of subsequent regret.

As has been mentioned, he was never under the influence of sudden

enthusiasm; and, as a rule, his errors arose more from too great

conscientiousness in setting both sides of a question equally before

his own judgment than from rash partisanship.

Even as he passed down the broad staircase, against a stream of

gaily-dressed guests, he was mentally apologizing to Hicks for having

harboured a vague feeling of dislike against him. If there had been

any distinct motive for this dislike, he would never have withdrawn

it, but he recognised that it was without ground. Hicks was not a

man after his own heart; he was neither a sportsman nor a soldier--in

fact, he was what is euphoniously called a 'muff'; but these charges

were merely negative in their bearing. Mrs. Wylie might have told

him that he had come into closer familiarity with Hicks at a

propitious moment, when the young artist was finding his own level

and laying aside unconsciously his small affectations one by one, but

of this Trist had no suspicion.

He called a hansom, and drove to the club of which the books showed a

subscription as due from Captain Huston. In return for this

privilege its doors were still thrown open to the disgraced soldier.

Careful inquiries at the door elicited the information that Huston

had been there.

'He was took ... he went away with a friend a good half-hour ago,

sir,' the porter added, with a curious smile.

The smile did not escape the questioner's glance, and, in consequence

of it, Trist went upstairs to the smoking-room. He was not a member

of the club, but his name was a power in military circles.

The information he gathered from friends upstairs was not of an

encouraging nature. One young blade, with downy lip and weak,

dissipated eyes, volunteered the statement that Huston had gone home

to his diggings as tight as a drum. This news was apparently of an

hilarious drift, because the youthful speaker finished with a roar of

throaty laughter. An older man looked up over his evening paper, and

nodded a grave acquiescence in reply to Trist's raised eyebrows.

'Does anybody know his address?' inquired the correspondent.

Nobody did.

Upon inquiry at the door, Trist made the discovery that the porter

had fortunately been asked to give the direction to the driver of the

cab in which Huston had been taken away. The address was one hardly

known to the war-correspondent--a small street, leading out of

another small street, near the Strand.

In his calm way he suddenly determined to follow Huston. He lighted

a cigar at the spirit-lamp affixed to the door-post, and then called

a cab.

'I am not,' he reflected with some truth as he descended the steps,

'I am not an imaginative person, nor very highly strung; but .... I

feel .... somehow .... as if something were going to happen.'

There was a considerable delay in the Strand, where the traffic was

much congested owing to the out-pouring theatres. A fog was hovering

round the lamps already, and would soon envelop everything. The

first keen frost of the season was at hand, with its usual disastrous

effects to London lungs. Amidst the confusion, the roar of traffic,

the deafening shouts of drivers, policemen, and runners with latest

editions of evening papers, Trist sat forward, with his arms upon the

closed door of the hansom, and enjoyed his cigar. All this rush of

life and confusion of humanity thrilled him. He almost felt as if he

were at work again, making his way to the front through the wild

mêlée of a disorganized and retreating army; cavalry and infantry,

baggage and artillery, all hopelessly inter-mingled. As he

progressed he noted with admiration the cool skill of the policemen,

each man alone acting on his own responsibility, and yet connected by

the invisible links of discipline.

At length the driver escaped into a narrow street, and, turning

sharply to the right, drew up before a tall narrow house, bearing, on

a dingy lamp above the door, the legend 'No. 32, Private Hotel.' A

hopeless waiter, with shuffling shoes and a shirt-front of uncertain

antecedents, answered the summons of a melancholy bell, which seemed

to tinkle under strong protest, and as briefly as possible.

'Captain Huston living here?' inquired Trist.

'Yess'r. Er you the doctor?'

The war-correspondent hesitated for a moment. Then he stepped into

the narrow hall.

'Yes,' he said.

''E's got it bad this time, sir,' volunteered the waiter, with

melancholy effusion.

'What?'

'D. T., sir.'

Trist nodded his head shortly, and laid aside his hat.

'Take me to his room, please,' he said.

The waiter shuffled on in front, and the young fellow followed him up

the dingy stairs, walking lightly where the polished knots of

pinewood peeped through the clammy oilcloth.

And now, reader mine, on the threshold of the drunkard's room let us

understand each other. I am not going to take you across the

boundary. The door will, with your permission, remain closed. There

are certain things in life which are better left unstudied--certain

dirty corners where the dust lies thickly. It is better to let it

accumulate. Some of us have seen these things; some foot has been

across the threshold; but this is no realistic novel; and in life, as

in a story, there are details which (however powerful in themselves)

in no way help forward the narrative or beautify the narration.

There is assuredly nothing to be gained by dredging human nature. As

a man, the present writer is influenced by a strong _esprit de

corps_. It is not his wish to trample upon fallen human nature. We

are not what we ought to be, but there is nothing to be gained by

flaunting the seamy side before the world. This volume may fall into

the hands of some young woman, or some youth to whom man is still

something of an ideal. God forbid that any word of mine should

dispel illusions which, though they be but hollow, are at least

joyous.

Therefore we will let Theodore Trist enter that room alone. His walk

in life had not been in the flowery part of the garden, but through

the rougher growths, where good is sometimes hidden beneath a hideous

exterior, and he knew already how slight a division there is between

_man_ and _brute_. Any battle-field would have taught him that.

The doctor came, and stayed longer than he could conscientiously

spare out of his busy life. It was half-past one o'clock in the

morning before he went away, leaving Trist alone with Huston, to whom

sleep had come at last. Before leaving he promised, however, to send

an experienced nurse.

The war-correspondent sat in a deep leather-covered arm-chair before

the smouldering fire, contemplating his own shoes. A man of many

resources, he had found himself in many strange situations during his

short thirty years. He had made the best of more than one awkward

dilemma by going straight ahead in his patient, steady way. He

listened to the stertorous breathing of the sick man, and never

thought of his own fatigue. There was no suggestion of complaint in

his mind that his evening of pleasure should have had such an

unpleasant finish. He did not even look at his own dress-clothes

contrasting with the dingy surroundings, and appreciate the dramatic

force of it all as Hicks might have done. It was merely an incident

in his life, another opportunity to exercise for his own satisfaction

that power of adaptability to environment which was in reality his

chief aid to success in the peculiar surroundings of his varied life.

The nurse could scarcely be expected for half an hour or so, and

there was nothing else to do but keep faithfully the watch that was

his in the meantime. It was rather strange that Trist should have

saved twice within a month the worthless life of this man who had

done his best to throw it away. As has already been stated, this

student of Death had his own views upon the worth of human life--a

semi-Oriental philosophy which would not bear setting forth here in

black and white to sensitive Western minds. There is no doubt that

familiarity with death breeds a contempt for life. I cannot explain

this, but it is so. Doctors and soldiers have a different view of

human life from that held by the rest of mankind; but there is

something in us which is stronger than the strongest views--namely,

the instinct of preserving life. Theodore Trist knew that the

miserable existence to which was attached the name Alfred Huston was

in every way valueless. To its possessor it was a source of

wretchedness, a constant struggle against the overpowering odds of

evil. To others his death would be a mercy. He knew this; he valued

his life lightly--and yet he staved off this death twice.

As he sat and thought over these things, the fire-light flickered

rosily upon his face; it gleamed in his womanly eyes, glowed upon his

broad high forehead. He was quite absorbed in his reflections, and

never glanced towards the bed which was within the deep crimson

shadow. He judged from the heavy respiration that Huston was asleep;

in this, however, he was mistaken. The ex-soldier lay on his back,

but his face was turned towards the fire, and his bloodshot eyes were

wide open. His lips moved restlessly, but no sound came from them

beyond the strong indrawing of the sodden air. His wavering glance

wandered from Trist's head to his feet, restless and full of an

insatiable hatred. Upon the dirty white coverlet his fingers moved

convulsively, as if clutching and losing hold of something by turns.

It was a terrible picture, and one that could not fail to arouse in

thoughtful minds a hopeless sense of despair. No one could look on

it and say that human life is a success. We may paint the good

points as brilliantly as we like, slur over the misery as quickly as

we can, but, my brothers and sisters, the fact remains that we, as a

race, are an utter failure.

Presently there was a soft knock at the front-door, and Trist rose

from his chair. His watch was over; the hospital nurse had arrived,

with her soft brave eyes, her quick, fearless fingers. As he left

the room, Trist turned and glanced towards the bed. Huston lay there

with closed eyes, unnaturally still.

Then the war-correspondent left the room on tiptoe. No sooner had

the door closed than the sick man's eyes opened. There was a

peculiar shifty light in the expanded pupils, and the man's horrible

lips moved continuously. He sat up in bed.

'Ah!' he mumbled thickly; 'I know him. That's the man ... that's the

man who's in love with my wife.'

The fire rose and fell with merry crackle--for Trist had drawn the

coals together noiselessly before leaving the room--and in the

semi-darkness a strange unsteady form moved to and fro.

'I know him,' mumbled the horrible voice, 'and ... I'm going to shoot

him.'

There was a slight sound as if a drawer were being searched in a

table or piece of furniture which was not quite firm upon its base,

and a moment later the door was opened without noise. In the passage

a single jet of gas burnt mournfully, and threw a flood of light

through the open doorway.

Upon the threshold stood Huston, quaking and swaying from side to

side. In his trembling fingers he held a large Colt's revolver of

the cavalry pattern. The tips of the conical bullets peeped from the

chambers threateningly. His clumsy hands were fumbling with the

hammer, which was stiff and deeply sunk within the lock; the light

was bad. He raised the pistol closer to his swimming eyes, and the

barrel, gleaming blue and brown alternately, wavered in the air.

'D--n the thing!' he muttered hoarsely.

The next instant there was a terrific report through the silent house.

* * * *

A moment later Trist and the nurse were at the head of the stairs;

they had raced up side by side. The woman seized a worn sheepskin

mat that lay at the door of an empty bedroom, and, drawing her skirts

aside, knelt down and raised the mutilated face.

'Don't let it run on the floor,' she gasped, 'it is so horrible!'

They were both old hands and callous enough to be very quick. By the

time that the startled household was aroused, the dead man (for the

great bullet had passed right through his brain) was laid upon his

bed, and Trist had already gone for the doctor.

'No one must go in,' said the nurse, standing upon the threshold and

barring the way. 'He is dead. There is nothing to be done. Wait

until the doctor comes.'

Presently Trist returned, bringing with him the surgeon and a

police-inspector. They all went into the room together and closed

the door. Trist turned up the gas and watched the movements of the

surgeon, who was already at the bedside.

'Where is the bullet?' asked the inspector.

'In the woodwork of the door,' answered Trist.

The doctor left the bedside and came into the middle of the room,

standing upon the hearthrug with his back towards the fire.

'I should be of opinion,' he said, 'that it was an accident.'

The inspector nodded his head, and looked from the nurse to Trist.

'Does anybody,' he asked, 'know who he is, or anything about him?'

'I know who he is and all about him,' answered the war-correspondent.

Note-book in hand, the inspector glanced keenly at the speaker.

'And ... who are ... you?' he asked, writing.

'Theodore Trist.'

'Ah!' murmured the doctor.

The inspector drew himself up and continued writing.

'Do you know, sir, what he was doing with the pistol? Had he any

intention of using it upon himself or upon any other?'

Trist looked at his questioner calmly.

'I do not know,' he answered.

Suspense, Volume 3 (of 3) · 第 1 / 15 章