THE SHIP AND ITS CAPTAIN

Here follows the lament of the souls awaiting incarnation:

"_Behold the sad future in store for us--to minister to the wants of

a fluctuating and dissoluble body! No more may our eyes distinguish

the souls divine! Hardly through these watery spheres shall we

perceive, with sighs, our ancestral heaven: at intervals even we

shall cease altogether to behold it. By this disastrous sentence

direct vision is denied to us; we can see only by the aid of the

outer light; these are but windows that we possess--not eyes. Nor

will our pain be less when we hear in the fraternal breathing of the

winds with which no longer can we mingle our own, since ours will

have for its dwelling, instead of the sublime and open world, the

narrow prison of the breast_!"

That the soul--the so-called subliminal self--draws from a broader,

deeper experience than the purely rational consciousness is a

commonplace of modern psychology. Hinton conceives of the soul as

_higher-dimensional_ with relation to the body, but so concerned

with the management and direction of its lower-dimensional vehicle

as to have lost, for the time being, its orientation, thinking and

moving only in those ways of which the body is capable. The analogy

he uses, of a ship and its captain, is so happy, and the whole

passage has so direct a bearing upon the Hermetic fragment quoted,

that it is given here entire.

"I adopt the hypothesis that that which thinks in us has an ample

experience, of which the intuitions we use in dealing with the world

of real objects are a part; of which experience, the intuition of

four-dimensional forms and motions is also a part. The process we

are engaged in intellectually is the reading of the obscure signals

of our nerves into a world of reality, by means of intuitions

derived from the inner experience.

"The image I form is as follows: Imagine the captain of a modern

battleship directing its course. He has his charts before him; he is

in communication with his associates and subordinates; can convey his

messages and commands to every part of the ship, and receive

information from the conning tower and the engine room. Now suppose

the captain, immersed in the problem of the navigation of his ship

over the ocean, to have so absorbed himself in the problem of the

direction of the craft over the plane surface of the sea that he

forgets himself. All that occupies his attention is the kind of

movement that his ship makes. The operations by which that movement

is produced have sunk below the threshold of his consciousness; his

own actions, by which he pushes the buttons, gives the orders, are

so familiar as to be automatic; his mind is on the motion of the

ship as a whole. In such a case we can imagine that he identifies

himself with the ship; all that enters his conscious thought is the

direction of its movement over the plane surface of the ocean.

"Such is the relation, as I imagine it, of the soul to the body. A

relation which we can imagine as existing momentarily in the case of

the captain is the normal one in the case of the soul with its craft.

As the captain is capable of a kind of movement, an amplitude of

motion, which does not enter into his thoughts with regard to the

directing of the ship over the plane surface of the ocean, so the

soul is capable of a kind of movement, has an amplitude of motion,

which is not used in its task of directing the body in the

three-dimensional region in which the body's activity lies. If for

any reason it becomes necessary for the captain to consider

three-dimensional motions with regard to his ship, it would not be

difficult for him to gain the materials for thinking about such

motions; all he has to do is to call experience into play. As far as

the navigation of the ship is concerned, however, he is not obliged

to call on such experience. The ship as a whole simply moves on a

surface. The problem of three-dimensional movement does not

ordinarily concern its steering. And thus with regard to ourselves

all those movements and activities which characterize our bodily

organs are three-dimensional; we never need to consider the ampler

movements. But we do more than use these movements of our body to

effect our aims by direct means; we have now come to the pass when

we act indirectly on nature, when we call processes into play which

lie beyond the reach of any explanation we can give by the kind of

thought which has been sufficient for the steering of our craft as a

whole.

"When we come to the problem of what goes on in the minute and apply

ourselves to the mechanism of the minute, we find our habitual

conceptions inadequate. The captain in us must wake up to his own

intimate nature, realize those functions of movement which are his

own, and in the virtue of his knowledge of them apprehend how to

deal with the problems he has come to."

_The Fourth Dimension_.

How more accurately and eloquently could "the captain in us,"

momentarily aroused, give voice to his predicament, than in the words,

"_Instead of the sublime and open world, the narrow prison of the

breast_."

Four-Dimensional Vistas · 第 78 / 100 题