4. A Venetian Pastoral, by Giorgione; in the Louvre.

(In this picture, two cavaliers and an undraped woman are seated in

the grass, with musical instruments, while another woman dips a vase

into a well hard by, for water.)

Water, for anguish of the solstice,--yea,

Over the vessel's mouth still widening

Listlessly dipt to let the water in

With slow vague gurgle. Blue, and deep away,

The heat lies silent at the brink of day.

Now the hand trails upon the viol-string

That sobs; and the brown faces cease to sing,

Mournful with complete pleasure. Her eyes stray

In distance; through her lips the pipe doth creep

And leaves them pouting; the green shadowed grass

Is cool against her naked flesh. Let be:

Do not now speak unto her lest she weep,--

Nor name this ever. Be it as it was:--

Silence of heat, and solemn poetry.

5. "Angelica rescued from the Sea-monster," by Ingres; in the

Luxembourg.

A remote sky, prolonged to the sea's brim:

One rock-point standing buffetted alone,

Vexed at its base with a foul beast unknown,

Hell-spurge of geomaunt and teraphim:

A knight, and a winged creature bearing him,

Reared at the rock: a woman fettered there,

Leaning into the hollow with loose hair

And throat let back and heartsick trail of limb.

The sky is harsh, and the sea shrewd and salt.

Under his lord, the griffin-horse ramps blind

With rigid wings and tail. The spear's lithe stem

Thrills in the roaring of those jaws: behind,

The evil length of body chafes at fault.

She doth not hear nor see--she knows of them.

The Germ: Thoughts towards Nature in Poetry, Literature and Art · 第 86 / 90 题