"Thence forward, as day followed day, the ghastly memory of the murder

of Price seemed to recede from my mind. I neither heard nor saw

anything, nor did that sense of the unseen presence lurking about the

house, come to me. I was beginning to hope that the spell of the bronze

statue had passed away for good. But one night after this interval I

again felt fear looking whitely on me again. If I were to describe all

the incidents of the next few days in their order my story would never

come to an end, and your patience would be exhausted. Wherever I went

after dark had fallen the shadow of the unseen followed me. I had a

passion for inviting people to stay with me, and I longed for

companionship of my kind which I had never known before; I was eager to

throw myself into the realities of life. The sense of a certain kind of

separateness is hell! Just you ask anybody who knows. I called on

people, lived in my car, and dined out on the slightest provocation. I

remember I spent one evening, (after my desperate efforts to find some

good Samaritan to bear me company), with a party of road-menders; I

helped them break up the stones and all that kind of thing. But after

they had packed up their tools and tea cans and bid me 'thanks and good

night,' I met fear on the homeward road--a shadow among shadows. It

would be almost impossible to describe the swerves that my mind took

from that time till the end. The presence of the Albertus Magnus filled

me by turns with dread, blind fear, an overshadowed sort of pleasure,

and utter hopelessness. I dare not have it taken away; and I knew that

its presence was driving me mad. The vicar told me that if I could make

up my mind to have the statue removed or destroyed, it might dispel all

my troubles. I ought to make an application to the authority on bronzes

at the British Museum, who would be only too pleased to accept it. An

application to escape the company of Albertus Magnus! A request that the

British Museum would graciously take over a bronze statue, the soul of

departed Ombos, and a blind terror that walked at twilight! The vicar's

proposal sent me into a paroxysm of hysterical laughter.

"I'd gone into the library one afternoon about four, as I had heavy

arrears of letter-writing to make up. It was surprising that I should

choose that room where Albertus Magnus towered in his corner--and (I

don't know why) I felt vaguely unhappy when I had been separated too

long from him. By half past six I had finished. I went to the door to

ring for Clayton to post my letters, and turned to light up the

candelabra (I forgot to say that it was a fad of my father's all through

his life to use candelabra in preference to electric light or gas), when

I heard, I thought I heard a chuckle behind me--low, faint, but

unmistakably malicious. The fate of poor Price flashed into my mind, and

at the same time, I myself was watching myself fight on that same

chesterfield with something horrible, unclean, intangible. I turned

round instantaneously, feeling that the Albertus Magnus was at his

hellish game again. With sudden horror I saw where the chuckle had come

from. The statue had changed from the bronze-green to a fleshy-green. It

was alive, and the great muscles were twitching and quivering. To my

unutterable horror, I perceived it was not Albertus Magnus.... _It was

Ombos!_ His breath came in horrid little flutters, with seconds between

each one, as if he had just come to life and was not quite used to it. A

dreadful viciousness and vitality shone from his green eyes, and his

demon-like mouth was twisted into a grin of unimaginable evil.

"'Gods don't grow in one night like mushrooms,' he said with a leer.

(There was no mistake about his voice--it was Ombos; the words rang

through my brain as if they had been shouted.) 'You can't expect a

statue to turn into a god in a breath, or to come down and skip about

... it takes time and faith.'

"At that moment I must have gone mad. I snatched the heavy candelabra

and with a howl of rage I hurled it with all my force at his narrow

leering eyes. It struck the solid bronze with a terrific crash and fell

at the base of the pedestal whereon Ombos had stood a moment before.

"Clayton rushed in at this juncture, and we went into the sitting-room.

I saw him wipe his forehead with the back of his hand.

"'He's been here again, sir,' he said. 'I was standing on the gravel

path by the library, a minute ago, when I saw him close by me in the

bushes. He came across the water-meadow, I think. And any way he made

off back that way when I shouted at him. Begad, though, it'll be worth a

trifle to see who this rascal is, sir. I wonder what he's after. Not the

common kind of assassin. What?'

* * * * *

"This was the climax; I felt that another such encounter would drive me

raving mad. Somewhere there must be a natural explanation; it was only a

question of finding it. Among other things it occurred to me that

someone, for reason unknown, might be playing a series of practical

jokes upon me, but it was hard to believe a hoax of such malignant and

serious intent. Besides, it did not explain the death of Price which, I

felt more and more convinced, was in some way connected with the bronze

statue. I felt it would be my own fault if I did not get some part of

the mystery cleared up soon. It was plain, too, that I must virtually

act alone. The first thing was to find a helper, and after casting about

me I thought of a member of my company, John Travers, who had lost two

fingers at Charleroi at the first stage of the war. He was a giant in

stature, his muscular force would have warranted him in contesting a

fall or two with a full-grown lion.

"I wrote to Travers the same evening and his answer came a couple of

days later, saying that he would be down by the first train that he

could catch. I said nothing in my letter about the bronze statue, but

merely mentioned that I feared a gang of thieves had marked my house

down, and I wanted his help to guard the place for a week or so.

"Well, Travers arrived. Armed with two new service rifles, we each in

turn kept watch over the statue, agreeing that a shot out of the window

should warn the other, were any sudden danger to arise.

"On the second night of our vigil I retired to bed hugely sleepy. I had

left Travers on guard in the library. He was seated in an armchair under

my Albertus Magnus, with his rifle over his knees. I did not take off my

clothes, but threw myself, dressed as I was, upon the bed. Determining

to make sure of some rest I took a stiff glass of hot brandy. I slept--I

could scarcely help sleeping--but not for long, for I suddenly awoke

from a tumultuous dream, my limbs atremble, and my forehead sticky with

cold sweat. It seemed as though somebody was calling my name from a vast

distance. The room was full of whisperings and moanings and strange

uncanny things. Something was evidently at work in my sub-consciousness.

Nothing was wrong with Travers or I should have heard the report of his

rifle. Yet something _was_ wrong! The conviction grew stronger and

stronger within me. Then came the faint sound of rattling at the brass

knob, and with sudden horror I saw the door open a couple of inches. A

pause of some seconds and it was pushed open still farther. For a space

of five seconds my heart seemed to stop beating, and then the worst

came. You will think I was beside myself; but as the door was pushed

open a face peeped round behind it, and I saw two green eyes looking at

me! I had at once recognised the face, and the face was that of Ombos!

He appeared to smile at me, but it was a leer of inscrutable evil and

malevolence, and I took up my rifle and fired at a venture. A howl of

pain, hoarse with anger, rent the air, and the face vanished.... I

rushed downstairs and into the library. As I entered, the body of

Travers came twisting across the room like a penny whirligig. His head

struck the marble fire-place with a frightful dull thud, and he fell a

motionless heap on the floor. I struck straight in front of me with a

rifle--and hit something--something that pushed past me. Then the front

door opened and shut with a deafening clang. A sudden qualm of real fear

took hold of my heart, but, mastering it as best I could, I opened the

front door and tore madly down the drive. I looked down the hushed

street. Past the lamp-posts, skipping from the gloom into the light and

from light into shadow, with a series of bounds, sped a horrible apish

form. It bounded along with incredible fleetness, and was soon lost to

view in the distant gloom. Just at that moment Clayton came down the

drive. I could not speak. I pointed to the library.... I beckoned him to

follow. On the floor lay the dead body of John Travers. The statue of

Albertus Magnus had vanished!

"And there the story ends. I can give no explanation whatever, beyond

what I have related. The bronze figure has never, so far as I know, been

seen again, nor has the restless spirit of poor Ombos walked again in

our garden and library. But, taking the circumstances into

consideration, the whole train of events points to the fact that Ombos

_had_ in some occult way passed his ethereal body into that statue, and

for that very reason he was unable to rest quietly in his grave."

"You will continue to live in the house at Abbot's Ely, of course," said

Duckford.

Crabbe shook his head. "Never! I wrote a week ago putting it in the

agent's hands for sale. There may be nothing in it, but I hardly want to

make any new experiments now. The bronze statue has disappeared. I

should like to think it was stolen by a gang of burglars. But I

remember that chuckle--the malicious mirth of some unearthly thing, it

seemed. And I remember ... let us leave it at that. I want to forget, to

walk in the Sunshine, in the crowded Strand, away from the darknesses

and silences. As I say, there the story ends.... I have told you all of

it."

* * * * *

But Captain Crabbe did not tell it all. The best part was "strictly

private." He married Margot at half-past ten on the following Saturday

morning but one, at St. George's, Hart Street, Bloomsbury.

II

THE DE GAMELYN TRADITIONS

He was just an Irish soldier's son; a real boy in real life, and his

name was Tim, and that was the only name he had besides his surname

which was Gamelyn. And somehow he was perfectly happy. But one day he

found an old book and read about a boy whose name was Victor; and the

more he read about Victor the more ardent was his wish to be like

Victor, and he wished that he had been called Victor--for Victor was a

genius and a gentleman, and all things which Victor put his hands to

were crowned with success. But Tim's name _was_ Tim Gamelyn, which was

unfortunate; and when he went to an English school at Margate they

called him, because his hair was red, "Carrots" which was heartbreaking.

In the book nobody had ever jeered at Victor or called him nicknames;

they would have been dealt with very severely, besides they would not

have dared; he was far too heroic. So Tim became very furious when the

other fellows called him "Carrots." But the more he showed his dislike

for this name the more the boys made use of it, also when they had time

to spare--they warmed their hands in the imaginary heat radiated by his

ruddy hair. It was impossible to uphold any dignity under the

circumstances, and he began to wonder what Victor would have done in a

like predicament. But then Victor's hair was rich and brown and curly,

and no one could have said a word against it; Tim's was red and of the

kind that fate keeps in stock of the humble and low, and it made a

little lump come up in his throat when he realized it. Then the football

season on, Victor, Tim well remembered, had gone in for every kind of

athletic sport. When he had first arrived at a strange boarding school

he had refused, with a heedless laugh, to say whether he could play or

not. Victor did not even deign to go near the football field for a

month. But ten minutes before the Match of the year commenced he

suddenly made up his mind to play. During the first half of the game

Victor had "laid low"; he was waiting. Then his eyes flashed, and his

lithe, active figure flashed up the field sending the ball into the

posts like a shot from a gun, thus scoring the first and only goal. He

had then fainted away; and a beautiful girl had exclaimed "A-a-a-a-a-h,"

and had hurried to him with a smelling-bottle and much sympathy. When he

recovered, he sat up and made an apology for stopping the game and was

loudly cheered by both teams. This was the model which Tim had to keep

in his mind's eye. In one or two ways he succeeded, and in others he

failed--failed dismally.

When Tim came to ask questions about football at Thetford Grammar School

he found it was quite another thing. In the first place the boys all

spoke to him in that specially offensive you're-only-a-little-kid sort

of way. They also took it for granted that he had never seen a football

in his life. He found it impossible to refuse (with a careless laugh) to

say whether he had ever kicked a ball before. He was told that he would

have to play in the next school practice match, and that if he could

kick a ball, he might be allowed to play in a _real_ match one fine day.

When the first practice game commenced, Tim remembered that an

enthusiastic crowd had run by Victor's side, shouting wildly: "Hurrah!

hurrah for Victor." It is true that a few of the smaller boys shouted at

him. But what they shouted was: "Put a bit of life into it, old

Carrots!" and "Go it, Rufus! You'll never score a goal if you kick the

ball in that mother-may-I-have-an-orange style." During the first part

of the game Tim was rather quiet--he was waiting for a golden

opportunity, just as Victor had waited. It came when the forwards were

in full movement, and the ball came travelling neatly along the line on

the right wing. It finally came to rest at Tim's feet, and he, avoiding

a man who darted at him, raced forward a few yards. Then something,

which came through the air like a Whitehead Torpedo, sent him spinning

backwards on the grass. Amidst roars of laughter from the other fellows,

the Whitehead Torpedo, (who was a boy and smaller than Tim), spun round,

ran the ball a few dozen yards, and sent it soaring away with a vent

kick straight for the goal. There was a moment of silence. The ball

pitched fair and square on the top bar, and then trickled gently between

the posts.

A howl of joy went up from the small fry who had been "ragging" Tim all

the time.

Tim sat up and looked about him. He had not fainted, but he felt very

sick and dizzy, and nobody sympathised with him. A small freckle-faced

boy was standing over him.

"The ground _is_ slippery to-day," he grinned, extending a hand to the

unfortunate Tim, who lay on the sludgy, squdgy mud gasping like a

recently-landed trout.

Tim accepted, and scrambled painfully to his feet. The pomp of battle

had departed from him.

A few weeks afterwards, as Tim was walking across the water meadows, he

saw a youth of serious and agricultural appearance throwing a poor,

defenceless little terrier into the mill stream. Every time the

miserable little animal crawled up on to the river bank the youth

hurled it into the deep water again. Now, that was the kind of thing

that Victor was very down on. In every chapter Victor punished people

for cruelty to animals. Victor's blood always boiled at such a

sight--moreover, his strong arm always shot out, his eyes always

flashed, and the great hulking coward _always_ lay prone at his feet

begging for mercy with clasped hands. So Tim gathered together his

recollections of Victor's stock phrases, and advanced on the stolid

youth:

"You cowardly ruffian! Have you no feelings that you ill-treat a man's

best friend in that way?"

The stolid-looking youth seemed slightly astonished. He thrust his face

forward and shook his fist under Tim's nose. "Not your blooming

business," he said. "You shift."

"You've got no right," began Tim.

"Right!" The youth's note was fierce. Then he took poor Tim by the

scruff of his neck, and observed that he had been teaching the pup to

swim because he was water-shy, and that it was good for all kinds of

pups to know how to swim. Then he pushed Tim into the water after the

pup in order to teach him to keep his mouth shut and mind his own

business.

Tim went away with the idea (perfectly correct) that the stolid-looking

youth's hands that had gripped his neck and the seat of his knickers

were very strong, and another impression that even Victor would not have

stood an earthly chance against such a fellow. And it was just then that

he was aware of a little grey idea floating in the background of his

mind that Victor was a bit of a prig--also a fraud. It annoyed him that

any such notion should occur to him that the glory of his hero was an

illusion, and he shook his head to get rid of it. Then his brain sent a

"wireless" that Victor might be all right in a little toy world of his

own, peopled entirely by heroes and scoundrels, and with all the

scoundrels physically contemptible; but that he would have done less

brilliantly in the mixed-up old world that we have got at present.

Suddenly, as from a clear sky, came a bolt of common-sense to Tim, and

he realized he had been a fond and foolish jay. And that was why, when

he had finished prep that evening, he exchanged a copy, bound in calf,

of _Victor the Valiant_ for two oranges and a catapult.

Of course, the reaction set in. Tim was sent up to the station to bring

home a new bicycle for the head master, and he was especially warned

_not_ to ride it--just to walk it. Of course he tried to ride it down

Castle Hill, and collided violently with a milk cart. He returned with

what had been a new machine. So the Head made him write out one hundred

times:

And since he cannot spend or use aright

The little time here given in his trust;

But wasteth it in weary underlight

Of foolish toil and trouble, strife and lust,

He naturally clamours to inherit

The Everlasting Future that his merit

May have full scope--as surely is most just.

And Tim muttered, "All right, keep your hair on, Ben!"

"H'm;" said the Head, overhearing Tim. "Write it out _two_ hundred times

for your insolent conduct."

That was the start of his demoralisation. According to the laws of the

Medes and Persians, and the laws of Victor the Valiant, disaster and

dishonour would be the end of _this_! It was not at all the way Victor

would have behaved. As a matter of fact on one occasion when a master

had been idiotic enough to give Victor a hundred lines, the valiant one

had replied: "Pardon me, sir, but if I may be so presumptuous I think I

can call your attention to the fact that you--unintentionally, of

course--are treating me too severely." And the master had at once seen

the error of his ways and relieved Victor of the imposition.

Tim failed to get the verse written out in the stipulated time and the

imposition was trebled. Also he gathered up another hundred lines for

"failure to attend prayers" and this placed him in a state of hopeless

bankruptcy.

When he wrote home to his mother. Here is what he said:

"DEAREST MOTHER:

"I got two hundred lines for breaking the Head's bicycle yesterday.

Give my love to Dad. I got another hundred lines to-day for not

being present at prayers. But don't you worry--I am not really

bad--God has forgotten me, that is all.

"Your loving Son,

"TIM."

And Tim--such was his natural depravity--did not much care. So callous

and indifferent did he become that he ceased to be hurt when the boys

called him "Carrots." In fact he laughed. And as he no longer objected

when he was called "Carrots" the boys dropped that name, and the

shortest one survived. The boys started to call him "Tims" and in a few

months he had won their affection from the lowest fag to the highest lad

in the school.

Two years afterwards, by dint of practice and pluck he had so far

advanced that he ran second in the quarter-mile at the Sports. Of course

this was not very heroic. He was rewarded for this feat of strength with

a patent egg-boiler, which was of no sort of use to him, and, as he

discovered afterwards, of no use to anybody else. But he was exceedingly

proud of the thing and also exceedingly careful to conceal this fact

from the other boys.

He became, to sum up his attitude, less and less like Victor. But it is

not to be presumed that he was sinking into mental nothingness. He was

not perhaps quite so refined in his language as he might have been, he

used slang, and sometimes was inclined to hang his hat on the floor and

talk back. He was rather untidy in his dress. But certain compensating

qualities of the highest value were appearing in Tim. He had gathered to

himself a plentiful supply of gumption--genius is all right, but if it

comes to a slow-down gumption is better. His hatred of "swank" reached

the point of unreasoning prejudice. He made many mistakes; but depend

upon this: the man who has never made a mistake has never made anything

else worth having.

And Tim never became a great soldier, or a great sailor, or anything

great. But he had good spirits, and he concealed about his person a

heart of gold; and after he left Thetford Grammar School, boys found

that somehow the games in the old playground seemed flat and spiritless.

They said that things weren't as they used to be in Tim's time.

I have told the reader that Tim Gamelyn's father was a retired

non-commissioned officer who lived near Dublin on a small private income

and a pension. It will be seen that Tim's people did not roll in wealth

any to speak of. They owned a small farm with five cows, twenty pigs and

a flock of hens. There was beer always in the cellar, bacon hanging up

in the kitchen and a bucket of soft soap in the out-house. In the top

lean-to room where Tim slept, in the winter time the rain and sleet

drifted cheerily in through the cracks and covered the army blankets

which covered him. But he didn't lie awake thinking about it--boys like

Tim who help on farms start playing shut-eye as soon as they hit the

pillow.

Old Sergeant Gamelyn came of an ancestry which, somebody or other of

distinction once said--and very truly--is the backbone of the British

Army. To put it briefly, if not gracefully, "what old Gamelyn didn't

know about soldiering weren't worth knowin'!" He had the ten thousand

and ten commandments of the King's Regulations always at his finger

tips, and he and his people had served in the same battalion, under the

same officers or descendants for generations. There was Michael Gamelyn

who fell at Malplaquet; there was another Gamelyn who had served at

Minden; four Gamelyns served through the Peninsular. But only one came

through to Waterloo. Balaclava, the Indian Mutiny and Spion Kop each

claimed a Gamelyn, and when the British troops returned from Lhasa in

1904 they left one Sergeant Royden Gamelyn--resting in peace ten paces

to the rear of the Pargo Keeling Gate. Of course Tim Gamelyn grew up in

the shadow of these things. There was an old book in his father's oak

kit box which Tim loved. In it he read about forgotten drill and manual

exercises, the uncomfortable and graceless man[oe]uvres of the rigid but

redoubtable men who fought at Waterloo. Also there were pictures in

colour of warriors in three-cornered hats, high stocks and powdered

wigs. These men Tim worshipped. He had by heart the quaint words of

command in which Wellington's men were told to charge a musket with

powder and ball. And I doubt not that he could have taken a brigade and

marched them to the attack with the best of the old-time sergeants.

Then in August 1914 came the great war, and when Tim suggested going

into Dublin to see Colonel Arbuthnot about joining up to that battalion

through which all the best of the Gamelyn men had passed, his mother

tried to laugh. But Tim saw the tears running down her cheeks, as she

threw her apron over her head and went out to bring the clothes in off

the line. His father then flung out his hand to him and said:

"Good boy, I thought 'twas in you. Good luck."

But when Tim joined his regiment soldiering had taken many new turns.

The modern rifle would not allow men to march into battle with colours

flying and bands playing: the old brave way was impossible in the face

of machine guns. The pomp and pageantry of battle had departed and there

was nothing left but for the attacking party to crawl in a most

inelegant fashion upon the ground.

"Down!" cried the sergeant-instructor to poor Tim, who started his

lessons in field training with some vague idea about marching on the foe

with "head and eyes erect" and with "pace unfaltering and slow." "When

you get out to Flanders you will have to get right down on your belly if

you want to _live_ a little longer than ten minutes. Extend to

five-six-ten paces and get as close to old mother earth as possible and

hide your bloomin' selves!"

"Hide yourselves!" thought Tim. "Not thus is it written in my father's

book of drill! It plainly said therein that the duty of a soldier was to

learn how to die, not to hide from death."

Crushed and dejected he returned that morning to breakfast to wolf a

chunk of bread and butter, washed down by dishwater, misnamed tea.

After breakfast he retired to a corner and thought it all out. The words

of the Sergeant came back to him: "_Hide yourself if yer want to live!_"

War and the Weird · 第 4 / 8 段