There is more truth in a line of Tennyson's about

"The praise of those we love,

Dearer to true young hearts than their own praise."

I venture to think we need not be young to prefer to hear the praise of

others rather than our own. It is not embarrassing in the first place,

as all praise of ourselves must be. I doubt if any man or woman can

flatter so discreetly as not to make us uncomfortable. Besides, if our

own performances be lauded, we are uneasy as to whether the honour is

deserved. An artist has usually his own doubts about his own doings, or

rather he has his own certainties. About our friends' work we need have

no such misgivings. And our self-love is more delicately caressed by the

success of our friends than by our own. It is still self-love, but it is

filtered, so to speak, through our affection for another.

What are human motives, according to Rochefoucauld? Temperament, vanity,

fear, indolence, self-love, and a grain of natural perversity, which

somehow delights in evil for itself. He neglects that other element, a

grain of natural worth, which somehow delights in good for itself. This

taste, I think, is quite as innate, and as active in us, as that other

taste for evil which causes there to be something not wholly displeasing

in the misfortunes of our friends.

There is a story which always appears to me a touching proof of this

grain of goodness, as involuntary, as fatal as its opposite. I do not

remember in what book of travels I found this trait of native excellence.

The black fellows of Australia are very fond of sugar, and no wonder, if

it be true that it has on them an intoxicating effect. Well, a certain

black fellow had a small parcel of brown sugar which was pilfered from

his lair in the camp. He detected the thief, who was condemned to be

punished according to tribal law; that is to say, the injured man was

allowed to have a whack at his enemy's head with a waddy, a short club of

heavy hard wood. The whack was duly given, and then the black who had

suffered the loss threw down his club, burst into tears, embraced the

thief and displayed every sign of a lively regret for his revenge.

That seems to me an example of the human touch that Rochefoucauld never

allows for, the natural goodness, pity, kindness, which can assert itself

in contempt of the love of self, and the love of revenge. This is that

true clemency which is a real virtue, and not "the child of Vanity, Fear,

Indolence, or of all three together." Nor is it so true that "we have

all fortitude enough to endure the misfortunes of others." Everybody has

witnessed another's grief that came as near him as his own.

How much more true, and how greatly poetical is that famous maxim: "Death

and the Sun are two things not to be looked on with a steady eye." This

version is from the earliest English translation of 1698. The _Maximes_

were first published in Paris in 1665. {8} "Our tardy apish nation" took

thirty-three years in finding them out and appropriating them. This,

too, is good: "If we were faultless, we would observe with less pleasure

the faults of others." Indeed, to observe these with pleasure is not the

least of our faults. Again, "We are never so happy, nor so wretched, as

we suppose." It is our vanity, perhaps, that makes us think ourselves

_miserrimi_.

Do you remember--no, you don't--that meeting in "Candide" of the

unfortunate Cunegonde and the still more unfortunate old lady who was the

daughter of a Pope? "You lament your fate," said the old lady; "alas,

you have known no such sorrows as mine!" "What! my good woman!" says

Cunegonde. "Unless you have been maltreated by _two_ Bulgarians,

received _two_ stabs from a knife, had _two_ of your castles burned over

your head, seen _two_ fathers and _two_ mothers murdered before your

eyes, and _two_ of your lovers flogged at two autos-da-fe, I don't fancy

that you can have the advantage of me. Besides, I was born a baroness of

seventy-two quarterings, and I have been a cook." But the daughter of a

Pope had, indeed, been still more unlucky, as she proved, than Cunegonde;

and the old lady was not a little proud of it.

But can you call _this_ true: "There is nobody but is ashamed of having

loved when once he loves no longer"? If it be true at all, I don't think

the love was much worth having or giving. If one really loves once, one

can never be ashamed of it; for we never cease to love. However, this is

the very high water of sentiment, you will say; but I blush no more for

it than M. le Duc de Rochefoucauld for his own opinion. Perhaps I am

thinking of that kind of love about which he says: "True love is like

ghosts; which everybody talks about and few have seen." "Many be the

thyrsus-bearers, few the Mystics," as the Greek proverb runs. "Many are

called, few are chosen."

As to friendship being "a reciprocity of interests," the saying is but

one of those which Rochefoucauld's vanity imposed on his wit. Very witty

it is not, and it is emphatically untrue. "Old men console themselves by

giving good advice for being no longer able to set bad examples."

Capital; but the poor old men are often good examples of the results of

not taking their own good advice. "Many an ingrate is less to blame than

his benefactor." One might add, at least I will, "Every man who looks

for gratitude deserves to get none of it." "To say that one never

flirts--is flirting." I rather like the old translator's version of "Il

y a de bons mariages; mais il n'y en a point de delicieux"--"Marriage is

sometimes convenient, but never delightful."

How true is this of authors with a brief popularity: "_Il y a des gens

qui ressemblent aux vaudevilles, qu'on ne chante qu'un certain temps_."

Again, "to be in haste to repay a kindness is a sort of ingratitude," and

a rather insulting sort too. "Almost everybody likes to repay small

favours; many people can be grateful for favours not too weighty, but for

favours truly great there is scarce anything but ingratitude." They must

have been small favours that Wordsworth had conferred when "the gratitude

of men had oftener left him mourning." Indeed, the very pettiness of the

aid we can generally render each other, makes gratitude the touching

thing it is. So much is repaid for so little, and few can ever have the

chance of incurring the thanklessness that Rochefoucauld found all but

universal.

"Lovers and ladies never bore each other, because they never speak of

anything but themselves." Do husbands and wives often bore each other

for the same reason? Who said: "To know all is to forgive all"? It is

rather like "On pardonne tant que l'on aime"--"As long as we love we can

forgive," a comfortable saying, and these are rare in Rochefoucauld.

"Women do not quite know what flirts they are" is also, let us hope, not

incorrect. The maxim that "There is a love so excessive that it kills

jealousy" is only a corollary from "as long as we love, we forgive." You

remember the classical example, Manon Lescaut and the Chevalier des

Grieux; not an honourable precedent.

"The accent of our own country dwells in our hearts as well as on our

tongues." Ah! never may I lose the Border accent! "Love's Miracle! To

cure a coquette." "Most honest women are tired of their task," says this

unbeliever. And the others? Are they never aweary? The Duke is his own

best critic after all, when he says: "The greatest fault of a penetrating

wit is going beyond the mark." Beyond the mark he frequently goes, but

not when he says that we come as fresh hands to each new epoch of life,

and often want experience for all our years. How hard it was to begin to

be middle-aged! Shall we find old age easier if ever we come to its

threshold? Perhaps, and Death perhaps the easiest of all. Nor let me

forget, it will be long before _you_ have occasion to remember, that

"vivacity which grows with age is not far from folly."

Letters on Literature · 第 16 / 26 题