AN OLD SHOWMAN'S RECOLLECTIONS.

Some fifty years ago I was entered, by permission of my father, a

merchant tailor, as a pupil in the Duke of Cumberland's School. Among

other branches taught, much attention was given to gymnastics, in which

I soon surpassed all my schoolmates, and soon became such a proficient,

that our training-master in that branch was dispensed with, and I,

though but a boy, took his place. After completing our education, I,

along with a select few of my old schoolmates, used to meet at the back

of Primrose Hill on the Saturday evenings of summer for the purpose

of practising posturing and trying to imitate the gymnastic feats we

had seen performed at the fairs in London and the neighbourhood. On

these occasions we used frequently to be patronised by 'The Champion

Sword-swallower and Fire-king,' who was the proprietor of a penny show

in Broad Street, Bloomsbury. The house was swept away when Bloomsbury

Street was formed. One day he produced a dagger with a blade of six

or seven inches in length, and passed the blade down his throat; and

after removing it, challenged us to perform the feat. From my earliest

boyhood I have always been somewhat of a dare-devil. I took the dagger,

and soon found no difficulty in repeating what he had done.

That evening, on returning home, while my father was at supper, I went

into the workroom and began experimenting with the yard-stick. I found

that, in jugglers' phrase, I could swallow twenty-one inches of it. I

thereupon determined to become the monarch of sword-swallowers; but

domestic circumstances put an end for a time to my ambition. Instead

of displaying my talents on the boards of a booth, I was compelled by

necessity to tread the boards of a merchant-ship in the character of a

sailor-boy. My early training at school was of great service to me, for

my nimbleness and activity soon raised me high in the captain's favour.

My first appearance in public as a showman was at an entertainment in

presence of the officers of the garrison at Tobago. I made a decided

hit, and received many presents from them. On returning to England, our

ship was wrecked off Margate, and with difficulty I managed to reach

the shore, on which I stood the possessor only of a pair of canvas

trousers with empty pockets, a belt, and a Guernsey shirt. Some kindly

hearted persons presented me with an old straw-hat, a pretty decent

pair of boots, and a good dinner. On the strength of the dinner I set

out for Brighton, where I expected to find employment with a relative.

Luckily the weather was dry and warm. My meals consisted of pilfered

turnips, and I found comfortable lodging in the fields. I reached

Brighton only to find that my relative was dead. His successor in

business, who was a stranger to me, presented me with sixpence, and I

then set my face towards London.

One evening I reached _The Thorns_, a small road-side inn at Hawley,

in a very exhausted state, for I had passed no turnip-fields since

morning. I made up my mind to spend my remaining two-pence on a pint

of beer, and then to push on for a mile or two and look out for a

comfortable hedge-side. I entered the public room of _The Thorns_.

It was well filled with jovial farmers, as I afterwards ascertained

them to be. I ordered my beer; and when it was brought in, one of the

farmers insisted on paying, and ordered the servant to set a plate of

bread and cheese before me. After my supper was devoured rather than

eaten, another pint of beer was ordered for me, and I was asked by my

kind entertainers to oblige them if I could with a song. I readily

consented. I sang several songs, performed a few simple sleight-of-hand

tricks, and finished up by swallowing half the length of the landlord's

walking-cane. I then took my leave; but before I reached the door I

was called back and asked where I intended putting up for the night,

which was by this time far spent. I stammered out what answer I could;

which not satisfying my worthy entertainers, they decided that at

their expense I should remain where I was; should be supplied with

breakfast, dinner, and tea, and that my beer should not be stinted.

On the following evening they again returned, bringing with them a

numerous company of their friends, and I went a second time through my

performances. They wished me a hearty adieu and gave me a handful of

silver.

On arriving in London I looked about for a professional engagement,

and was not long in procuring one at a notorious penny theatre, known

as Hayden's Gaff, in Newton Street, off Holborn, a short street now

filled with handsome warehouses, but in those days a haunt of the vile

and worthless of both sexes. My salary was paid nightly, and varied

with the number of the audience and the sober or inebriated state of

the lessee, manager, and money-taker, all which parts were played by

Tom Hayden. From this gaff I emigrated to the Rotunda, now no more,

in Blackfriars Road. After appearing at several of the music-halls (O

how different from the flash and the flare of those of the present

day), I got an appearance for a season at Vauxhall Gardens, which still

retained some memories of their aristocratic youthhood.

During all this time I was eking out my means of living by doing odd

jobs, for I was Jack-of-all trades. At last I recklessly plunged into

a showman's life by signing a year's engagement with a Mr Spicer,

proprietor and manager of a caravan and a travelling theatre, or in

other words a booth; and in his booth I played for the first time

before the merry-making lads and lasses at Bartholomew Fair. At this

fair I met the sword-swallower of those days, who was then astonishing

the audiences at 'Richardson's.' His sword was twenty-eight inches

long. The longest sword I have ever performed with is twenty-seven and

five-eighth inches. Keene used also to 'swallow' dinner knives and

forks, but this was a mere sleight-of-hand trick.

About this time I met with the renowned Ramo Same, the Indian juggler

and magician. He was performing at the Coburg (now the Victoria

Theatre) in the Borough. He too was a sword-swallower, and very

cleverly did he combine deception with reality. He used to come on the

stage carrying three naked swords, with which he went through a clever

performance. At the termination of this he stuck the swords upright

in the stage, to shew the sharpness of their points, then pulling one

of them with apparent effort out of the flooring of the stage, he

slid it to a considerable depth down his throat. The swallowing part

was genuine; but the sword he used for that purpose was provided with

a false point, which was left in the wood on withdrawing the blade.

I have never seen or heard of any sword-swallowing performed with a

keen-edged or sharp-pointed weapon. I may add that Keene had advantage

over me, he being the taller by nine inches of the two; and that my

capacity of swallow is a marvel to the many leading medical gentlemen

before whom, for scientific purposes, I have exhibited.

My engagement with Mr Spicer was rather peculiar. I was a single

performer divided into three, and sometimes more. I occasionally

appeared in the tragedy or melodrama which was 'supported by the entire

strength of the company.' The entire strength numbered half-a-dozen

including the driver of the caravan. The legitimate drama was every

evening followed by a 'pleasing melange,' in which I made three

appearances: first as 'Paul Blanchard the champion sword-swallower

of the universe;' then after a brief interval, as 'Monsieur Le Bland

the celebrated French acrobat, from the Royal Theatres of Paris;' and

third and last, dressed in costume which may be described as a cross

between the apparel of a Turkish Pacha and a stage Richard III., I

made my bow as 'Victor Delareux the Fire-king, who has performed with

great applause before the crowned heads of Europe.' In this character

I 'swallowed' handfuls of tow and vomited smoke and flames from my

mouth. This trick is easy of performance, and though not dangerous is

very disagreeable to the performer. Then followed my feat of drinking

boiling oil; which in its turn was followed by a draught of molten

lead; and my performance was concluded by a dance, which I performed

with my bare feet on a red-hot bar of iron, which I also, in an

incandescent state, passed along my bare arms and legs, and licked

with my tongue. The 'drinking' of the boiling oil, in which I used

to dissolve before the audience a rod of metal, and the drinking of

the molten lead, were simple and harmless tricks; and have, as far as

my memory serves me, both been described and explained in the early

editions of the _Boy's Own Book_, a copy of which was my constant

companion thirty years ago and more. The iron bar performance

necessitates the employment of a mixture of chemicals, with which the

parts exposed to the red-hot metal are anointed. If the bar is not up

to red-heat, the feat is dangerous, as the chemicals will not act. The

dancing on the bar must be gone through rapidly, the heel of the foot

never resting for a moment on the iron.

My acrobatic and fire-king feats I have long since discontinued, and

for many years my sword-swallowing has been subordinate to the less

romantic business by which I gain my living. Still I am an old showman

at heart, and look back with a melancholy pleasure to the days when I

wandered about in gipsy fashion boothing and tenting.

Chambers's Journal of Popular Literature, Science, and Art, No. 685 February 10, 1877 · 第 17 / 19 题