CHAPTER VII

PARADISE AND THE PLACE OF PUNISHMENT

A place of reward and a place of punishment are ineradicably associated

with mythology. The idea that the human soul must betake itself to a

realm of brightness and bliss, where it will ever bask in the smile of

the gods it has adored upon earth, or be tormented by beings--still

god-like--in an atmosphere of suffering or torture, appears to be

common to most mythological systems of an advanced type. Thus Egyptian,

Indian, Babylonian, Hebrew, and Mexican mythology all possess a place

of bliss and a region of sorrow. In Greek, Roman, Scandinavian, and

Celtic myth, however, we have merely a Hades, an Otherworld, a place of

the dead. Would it be true to say that it is only among those peoples

in whom the moral standpoint is high that the places of reward and

punishment are conceived, instead of the mere place of the dead, the

abode of shadows? If so, the Aztec who delighted in human sacrifice

was upon a higher ethical level than the cultivated Greek. Again,

the myths of races of low civilization sometimes refer to a place of

reward, although more often their abode of the dead is merely a shadowy

extension of their mortal existence.

Let us examine the outstanding myths of civilized antiquity, then

their savage counterparts, ere we decide how far mankind owes its

conception of Heaven and Hell to ethical promptings. This is one of

the junctures where religious science is not to be distinguished from

the science of mythology, for both explain the origin of ideas dealing

with the next world, or attempt to place them in their proper sequence

of evolution. But it must be borne in mind that the science of myth is

not concerned with the purely religious aspect of the abode of the

dead, whatever form it takes, but with its 'geography,' scenery, and

supernatural inhabitants only. If it asks "How far have the myths of a

place of punishment and reward been affected by ethical promptings?"

it is merely for the sake of the myths, not for any concern with these

promptings.

THE TEUTONIC REALM OF WOE

The Teutonic peoples believed that the dead passed to the realm of Hel

(our 'Hell'), daughter of Loki. The word Hel appears to be derived from

a root which means 'to conceal' (old Teutonic 'Halja,' the Coverer-up

or Hider), and signified both the realm of the dead and the goddess

who presided over it. But it is probably a later development of the

myth, perhaps sophisticated by Christian influences, that makes Hel

a place of punishment. In Hel's later habitation we find "Hunger

her table, starvation her knife, delay and slowness her servants,

precipice her threshold, care her bed." The realm of this dark goddess,

the Proserpine of the North, was not originally associated with the

idea of punishment, but was pictured rather as a delectable region.

Thither fared Balder when slain, and on his arrival 'Eljudnir,' the

high hall of Hel, was bravely decorated, while foaming horns of mead

were prepared for his reception. In later days, when the conception

of Valhalla, the warriors' Paradise, was popularly accepted, Hel

became the residence after death of those who had not perished by

the sword, who had died a 'straw' death. The Teutonic defunct, then,

were divided in death according to the manner of their dying, as in

ancient Mexico, where dead warriors went to the palace of the sun-god

and those who died of dropsy or were struck by lightning betook them

to the luscious and fertile Paradise of Tlaloc the water-god, while

the common herd were swallowed pell-mell by the capacious death-cavern

of Mictlantecutli, lord of Mictlan or 'Hades.' The Teutonic goddess

Hel (or 'Hela' in its Latinized form) was, according to Meyer and

Mogk, more closely related to the demonic class of beings than to the

gods proper. This is sometimes the case with the infernal powers, and

examples occur where they are scarcely more than mere demons; but most

commonly the rulers of the Underworld rank as gods proper. Again, they

are often the deities of a subject, conquered, or outcast race. This

question will receive further treatment at the end of this chapter.

Hel, as has been said, was the child of Loki and the giantess

Angurboda; and a shadowy Teutonic All-Father (a 'god behind the gods,'

who recalls Mr Lang's Australian and Andaman original monotheistic

figures), fearful of the innate and abounding evil in her, cast her

into Niflheim and gave her power over the nine worlds of Helheim,

where she housed the dead. Hel was a place of gloom and dreariness,

but within it was a grove inhabited by sinless beings destined to

re-people the world. It is possible to discern in the myth of Hel as we

know it a later sophistication of the original, most probably due, as

we have said, to Christian influence. Early Teutonic ideas concerning

the dead were by no means well defined. We read of the souls of the

departed accompanying the Wild Huntsman (no other than Odin) on his

weird nightly chase. Other tales describe them as dwelling with Odin

in the hills, or, indeed, beneath them. This last is a very much more

widespread Teutonic tradition than is generally credited. Charlemagne

sleeps in the Odenberg, Frederick Barbarossa in the Kyffhäuser, and,

all unknown to the writer until the day before penning these words,

King Arthur was once thought to slumber beneath the lion-like mass of

Arthur's Seat on the outskirts of Edinburgh.

VALHALLA, THE WARRIORS' HEAVEN

Valhalla, the hall of Odin, where Teutonic warriors fallen in battle

dwelt ever with the god in feast and fray, was the warriors' Paradise,

and was built round the trunk of a tree Laeradhr. On its leaves browsed

the stag Eikthyrmir and the goat Heidbrun, from whose udders flowed

inexhaustible streams of mead to quench the thirst of the heroes. Its

portals were five hundred and forty in number, and were capable of

admitting eight hundred warriors at a time. Its roof was made of the

shields of the mighty dead, its leaves of their spear-shafts, and round

the walls glittered their swords and mail, while on the western wall

hung a stuffed wolf surmounted by an eagle. At some distance from the

hall was the forest Glasir, the trees of which bore golden foliage,

encircled by a sacred wall. The champions or 'Einherjar' went forth to

combat each other every day, returning to feast on boar and mead.

Now it is obvious that this myth is a comparatively late conception

created by a military aristocracy. A similar phenomenon is to be

observed, as has been said, in ancient Mexico, where the military

caste supplied the altars of the war-god with sacrificial victims,

and maintained the food-compact between the people and their deities.

As you will remember, if the gods perished for lack of sustenance

(human blood) they could not bless the harvests, and the people would

also die. The future reward of a valiant Mexican warrior was the

continuous company of the sun-god. Now we find that at one time human

sacrifice was rendered to Odin. Prisoners of war were sacrificed to

him, precisely as they were to the Mexican war-god Uitzilopochtli by

_stabbing_ (see Chadwick, _Cult of Othin_), and sometimes the 'blood

eagle' was carved on their backs. King Domalde of Sweden and a certain

King Olaf were sacrificed to Odin in order that he might be induced to

put an end to a famine. Thus early Scandinavia resembles Mexico. By

such instances does the science of comparative religion triumphantly

assert its value. Thus the myth of Valhalla appears to have had the

same genesis as the myth of the reception of dead Mexican warriors into

the sun-god's train.

THE OLYMPUS OF OLD EGYPT

But scanty information is to be gleaned concerning the abode of the

gods of Egypt. In the Pyramid texts of King Pepi I we read that the

whole universe was divided into three portions, Heaven, earth, and the

Underworld or 'Duat,' each with its own gods. Besides the gods, Heaven

contained other classes of beings, the Shesu-Heru or Shemsu-Heru, a

name which may, perhaps, be translated 'Followers of Horus.' They were

those who attended upon Horus, his satellites, and on occasion his

defenders, obviously followers of the sun, the hosts of the sun-god,

resembling in nature the 'pages' of the Mexican Quetzalcoatl, the

Knights of King Arthur of the Round Table (also perhaps the sun[1]),

or the dead warriors who caroused with Norse Odin in Valhalla. Indeed,

we find them assisting Horus in his war against the powers of darkness

exactly as the dead warriors help Odin. These powers are alluded to in

the texts of Pepi I as if they were of very considerable importance in

the Egyptian heavenly economy. Pepi placates them and they purify him

and recite the 'Chapter of those who rise up' on his behalf. Another

class of heavenly beings is the Ashemu, whose characteristics are

unknown. The Henmemet or Hamemet were either those who have been or

were to become human beings. A text of Hatshepset seems to ascribe

mortal attributes to them, as it employs the determinative signs which

stand for human beings, and a passage in a hymn to Amen-Ra edited by

Grépaut shows that the Egyptians believed them to live on grain. Of

other beings, the Set, the Afa, and the Utennu, we only know the name.

The souls of righteous men also dwelt In Heaven.

The Egyptian Heaven, so far as we can glean, realized the idea of

Paracelsus, 'as above, so below'; for it was the macrocosm of the

earth's microcosm, the greater world above, which was mirrored in the

earth below, one being the complement of the other. The denizens of

the Egyptian Olympus were the 'Great,' the 'Little,' and the other

companies of gods; the different classes of beings already alluded

to; and the souls of men, or their 'shadows,' 'doubles,' 'souls,'

'spirits,' 'powers,' 'hearts,' or 'spiritual bodies.' The denizens of

Heaven directed the course of the celestial bodies, overlooked the

affairs of mortals, and accompanied the greater gods in their progress

through the heavens. Constant prayers and hymns of praise arose to Ra,

the king and chief of Heaven. The gods were nourished on celestial food

which came from the Eye of Horus--that is, they subsisted upon the

beams of light which emanated from the sun. In a text of Pepi I we read

of a 'plant of life' which the gods subsisted on, and it apparently

grew near the great lake Sekhet-hetep, on the banks of which the gods

usually reclined. The just who abode with the gods were apparelled in

similar manner to them; but they also wore white linen garments, and

were shod with white sandals.

From the Pyramid texts of Unas we glean some further information

concerning the celestial sphere. It is called Aaru (perhaps 'the

Place of Reeds'), or, in another part of the text, Sekhet-Aaru, and

was divided into a number of districts, the names of which may be

translated 'the Field of Offerings,' 'the Field of Peace,' and 'the

Field of Grasshoppers.' It was watered by extensive lakes, where Ra

bathed and the dead purified themselves before beginning their heavenly

existence. Originally Aaru was thought to be located in the sky, but

there is evidence that it could be entered from certain places in

the Delta, called Pe-Tep and Tettu. The vignettes of Sekhet-Aaru in

the Theban recension of the _Book of the Dead_ indicate that it was

placed in the north of Egypt. It seems to have been composed of good

agricultural country bearing heavy crops, a pleasant and well-watered

land where the justified soul might rest from the labours of earth,

secure in an eternity of bucolic delights. This, be it noted, was the

Paradise of the cult of Osiris, a worship anciently connected with

the land and the tillers thereof. There is little or no ground for

its being confounded, as it certainly appears to have been confounded

at a later period, with the Heaven of Ra. The myth of the Paradise

of Ra, with its choirs of chanting spirits and its different classes

of supernatural beings, bears traces of ecclesiastical elaboration,

whereas the Paradise of the Osirian cult is the Otherworld of a race

purely agricultural--the cult of the peasant as opposed to that of the

dweller in towns.

THE DUAT

It was probably only in later times that the 'Duat' was regarded as

a place of punishment. Originally it seems to have been merely the

place through which the dead sun-god Ra passed, after his setting or

death each evening, on his journey to the east, where once again he

might rise. The Duat was peopled by the powers of night and darkness,

the natural enemies of the sun. At a later period these powers were

confounded with the damned--that is, they met with the fate generally

accorded to the deities of gloom and chaos at the hands of more distant

generations. There was no Hell proper for 'lost souls' in the Egyptian

religious economy; but a region existed at the end of the Duat where

infernal goddesses presided over pits of fire, slaying, beheading,

and dismembering the enemies of Ra, and burning the remains. Once

the god had quitted this region, however, the fires went out and his

enemies were granted a period of rest until he reappeared on the

following night. As these beings appeared in Egyptian pictorial art

with human forms, the idea gradually took shape that they represented

the souls of the damned. Dr Budge very shrewdly says: "The souls of the

damned could have done nothing to hinder the progress of Ra, and the

Egyptians never imagined that they did, but it is possible that in late

dynastic times certain schools of theological thought in Egypt, being

dissatisfied with and unconvinced of the accuracy of the theory of the

annihilation of the wicked, assigned to evil souls dwelling-places with

the personifications of the powers of nature already mentioned."[2] The

description of the Duat is hard to fit to any known mythic locality,

but it is usually employed in the texts as a name for a place of the

dead--a Hades, not a place of retribution.

ASSYRIA'S 'LAND OF NO RETURN'

The Hades of Assyria is a vast expanse of emptiness and gloom, from

which, as we learn from a mythological poem on the descent of Ishtar,

"there is no return." Mud and dust feed its population, darkness

is their heritage, it is a house with no exit. A keeper guards the

entrance and exacts homage to Allatu, the queen, from all who enter the

gate. A spell is then cast over the ill-fated new-comer and he is led

through seven successive gates and stripped of all earthly possessions.

In the end he is bereft even of the power of speech.

Allatu and her chiefs enjoy thrones of gold adorned with precious

stones, as though to mark emphatically the difference between

themselves and the culprits. Allatu may recompense or condemn,

according to the needs of the cases that come before her, and has the

power, for instance, to strike an offender with disease of the body, or

to consign him to prison.

The Assyrian Hades was separated from the land of the living by a river

of Death. It had no substance, shape, or atmosphere, but was filled

with chilling cold and melancholy gloom. It boasted a department of

judgment, like the Hebrew Sheol, which in later years became further

developed, and marks a most important variation in the evolution of the

idea of a place of punishment. The journey to this hall of judgment was

full of dangers and horrors of every description, through which the

deceased must pass.

The Babylonian Hades resembles the medieval Hell inasmuch as the

disembodied souls wander about in search of escape. Allatu, with her

divining rod, ruled her dominion with relentless power; and being the

goddess of death and barrenness, she lived in constant dread of Ea, the

god of wisdom, _who_ could alone cancel the spells of the Underworld

and cause men to live again.

The idea of personifying the stars and planets, so that besides

appearing in the sky they presided on the earth in living bodies, is

exemplified in the later Babylonian mythology. This astral system had

the outstanding feature that occurrences on earth closely corresponded

to the movements in Heaven. The gods and goddesses had seats assigned

to them in the heavens while their spirits pervaded the earth. Shamash

and Sin, the two greatest deities, represented the sun and moon, and

were followed by the other planetary gods. Anu became the greatest of

the gods and assumed supreme command of the heavens.

The Babylonians pictured a region in Hades for the reception of

righteous souls. Into this region those who after judgment appeared

to merit recompense gained admission. Under a peaceful silver sky

ancient prophets, crowned in triumph, sat amid pleasant fields. A

clear stream rippled past and quenched the thirst of the seers from

year's end to year's end. This was the water of life, belonging to

Ishtar, and endowing her with the power to return to earth. From this

region spirits passed into a firmament above, consisting of the earthly

sphere in addition to the heavenly. It had windows from which the rain

descended, and a flight of steps leading from the zenith to the earth.

THE HEBREW HELL

The Jewish place of punishment was Gehenna, where corporal as well

as spiritual torment was meted out to the wicked. In later Jewish

eschatology, it was the place of eternal punishment for the Gentile

races, apostate Jews being retained there in a description of purgatory

until, their sin atoned for, they could pass to Paradise. Sheol, on the

other hand, was perhaps a more purely Hebrew conception than Gehenna,

which probably had its origin in the old Accadian Gi-umuna. Sheol

is the common abode of just and unjust alike after death, and life

there was shadowy and unsubstantial as in the Greek Hades, It is well

described in Isaiah xiv, 9-11:

"Hell from beneath is moved for thee to meet thee at thy coming: it

stirreth up the dead for thee, even all the chief ones of the earth; it

hath raised up from their thrones all the kings of the nations.

"All they shall speak and say unto thee, Art thou also become weak as

we? art thou become like unto us?

"Thy pomp is brought down to the grave, and the noise of thy viols: the

worm is spread under thee, and the worms cover thee."[3]

After the captivity, and consequently under Babylonian influences,

Sheol became a region principally devoted to punishment, with Gehenna

as the place of especial torment and abasement. The Talmud describes

this place of woe as follows: "Ordinary transgressors of Israel,

whose merits preponderate, though they descend into Hell, do not feel

the effects of the flames, and rise at once. Some who sin with their

bodies, such as those who put their neighbours to shame publicly and

who neglect the phylacteries, etc., are annihilated after twelve

months' endurance of hell-fire. Adulterers, though they sin with their

bodies, ascend to happiness at the end of the same period. Christians,

informers, and those who systematically despise the words of the

Rabbis are consigned to eternal punishment. Of course, all may escape

punishment altogether by repentance in this life."

No departmental god rules in this dreary realm, Sheol being directly

under the eye of Yahweh; for, according to Job xxvi, 6, Sheol and

destruction are naked before Him, and being omnipresent He is also in

Sheol. Sheol was silent as the grave, its inhabitants raising not a

murmur; neither in their grief could they work to praise God. It had

gates and bars, alluded to in the Song of Solomon as "jealous" and

"cruel as the grave."

The Talmud obviously borrows from Persian doctrine; or it might be

more correct to say that both conceptions spring from a common source.

In Psalms xxxvi, 8, and xlvi, 4, a river of life is alluded to which

makes glad the abode of the Elohim or gods. Says the anonymous author

of _Bible Folklore:_ In the discourse of Josephus to the Greeks on

Hades we find the opinions of the more liberal Pharisees clearly set

forth about the Christian era. He believes in a Hades of temporary

punishment, and an Elysium of light called Abraham's bosom. The Messiah

Logos (as at Alexandria) is, according to the Jewish historian, to

be the judge who will condemn the wicked to a lake of fire already

prepared, but as yet not used for torture, and will reward the

righteous in the heavenly kingdom. The wicked are to resume their old

bodies unchanged, but the righteous will obtain pure and immortal forms

fashioned from their old bodies which have been sowed in the ground.

The simile of the corn sown as seed, and springing up with a glorified

body, is used by Josephus as by St Paul, and it was evidently a widely

known parable, which occurs also in the Talmud, for Rabbi Meir is said

to have told Cleopatra that as a grain of wheat buried naked springs

forth with many clothes so will the righteous also....

"In the future happy age, says Josephus, after the judgment of the

wicked, there will be inhabitants of Heaven and of earth, but no more

birth, no wild animals, no storms, no darkness or change. Man will be

able to walk across the sea, and to ascend into Heaven; he will never

grow old or die, but continue to enjoy a material or semi-material

existence in his spiritual body....

"In the Mishnah the world to come is mentioned as the heritage of

'all Israel,' but the wicked, the Sadducee, the Epicurean, readers

of foreign books, and sorcerers, together with certain historic

personages, are excluded. Some of these are to be slain by plague in

the world to come, and some are to be scattered. Thus the doctrine

of immortality in the Mishnah is confined to the future resurrection

of pious Israelites. In Daniel also a partial resurrection only

is foretold to follow a judgment day. The Sibyl believes that the

righteous will live again on earth, but the wicked will remain in

Gehenna. The Book of Enoch is full of the same doctrine. A sealed

volume is to be opened in the last day, and the good will be selected

and become angels, but Azazel and his hosts will be judged, and cast

into a lake of fire. A great fire is also to burn up the present Heaven

and earth according to the Sibyl, and a new creation will emerge from

the ashes.

"Such, then, was the development of Jewish eschatology as compared with

that of Egypt, Assyria, and Persia. At first an 'eternal house' beneath

the earth is imagined to hold for ever the shades of good and evil

in appropriate habitations. Gradually the expectation of a return to

earthly life grows up, and the idea of spiritual and immortal bodies.

These are, however, reserved for the elect few, and the wicked are

condemned either to a second death or to eternal torment in their

former bodies in a Hell of flame, where, according to Isaiah, a fiery

worm gnaws upon them."

THE HELLENIC PLACE OF THE DEAD

The Greek place of punishment embraces three abstract regions, Hades,

Tartarus, and Elysium. Spirits leaving the earth entered 'the Unseen,'

passing, according to their worth, into one of these three abodes.

According to one writer, Oceanus, greatest of rivers, rolled between

the place of perfect happiness on its southern banks and the realms of

eternal darkness on its western, where fog and gloom encircled a place

of everlasting punishment. This stream had no mouth and no source, and

did not mingle with the sea which, according to Homer, it enclosed.

Earlier than this, Plato described a still more gloomy region. He

speaks of the plain of Lethe (situated near the two springs of Lethe

and Mnemosyne, which represented oblivion and memory), whose waters

give forgetfulness.

In the _Iliad_, again, the place of Oceanus is usurped by the Styx,

which wound its course seven times round the world of the dead.

Those who had been taught the divination of the mysteries of infernal

life could find guidance as to the future engraved on a gold plate in a

tomb in Petelia at the oracle of Trophonius; and this tomb came to be

regarded as one of the entrances to Hell.

The supreme sovereign of the infernal regions was Pluto, brother of

Zeus and Poseidon, and a willing accomplice in deposing Cronus, their

father, and sharing his kingdom. Pluto, spouse of Persephone, whom we

have mentioned before, ruled with merciless severity, striking terror

to the hearts of his subjects. He possessed a helmet which rendered him

invisible, and he was feared by the gods as well as by the dead. He was

assisted by a tribunal of judges, the chief being Æacus, son of Zeus

and Ægina (appointed to this trust in the Underworld because of his

just dealings with men in his kingdom above), Minos, and Rhadamanthus.

Elysium and Tartarus were two late offshoots of the region of Hades.

In the _Odyssey_, the souls who were utterly worthless fell into the

'deep bottomless pit' of Tartarus, while those who merited reward

passed into the pleasant land of Elysium. In the most ancient Greek

mythology, however, Hades was a region for all the dead, good and bad,

a land of shadow and dim suggestion.

THE ELYSIAN FIELDS

The Elysian fields appear in some descriptions as a fertile plain at

the utmost ends of the earth, washed by the waters of Oceanus, and

ruled over by the god Rhadamanthus, a fair-haired deity who exercises

a benevolent sway over his perfect kingdom. The balmy air, mingled

with the perfume of sweet-scented blossoms, is tempered by zephyrs and

whispering winds. It is never too hot nor too cold. Snow and storm have

no place in this delectable country. In Hesiod, in addition to this

description, Elysium is said to be ruled over by Cronus, the father

of Rhadamanthus, the latter sharing his sovereignty and administering

judgment. Heroes who never died, but were transferred from the realms

above without pain, were the principal subjects of Elysium.

A later theory describes Elysium as a part of the Underworld.

THE SLAVONIC PLACE OF THE DEAD

It is testified by Cosmos of Prague and other early writers that the

pagan Slavs believed in the continuance of life after death, and

naturally therefore in an abode of the dead; but it is probable that

this region was not a place of reward or punishment till the influence

of foreign ideas made it so. The abode of the dead was called by the

pre-Christian Slavs _peklo, raj_, or _nav_, which some authorities have

endeavoured to collate with the Greek _naus_, the Latin _navis_; and

colour is lent to this connexion by the ancient Slav custom of burying

their dead in boats, wherein the soul travelled to its abiding-place.

More probably, however, _nav_ is from the root _ny_ which expresses

the idea of death (thus _navi_, the dead, _unaviti_, to kill). The

historian Dlugosz identifies a god Nya, ruler of the Underworld and

the souls of the dead, with Pluto; and another possibility is that the

word _nav_ still lingers in the Little Russian _mavka_ or _navka_, a

species of elf or nymph, believed to be the spirit of an unbaptized

child.

It is most likely that the terms _raj_ and _peklo_ were formerly

synonymous with _nav_--that is, designated a Hades where life continued

much the same as on the earth; but in later times _raj_ came to signify

the Elysian fields, _peklo_ Tartarus. Both words occur prior to the

introduction of Christianity, although Christianity modified their use.

The derivation of _raj_ cannot be traced with any certainty. It appears

elsewhere as _vuirei,_ said to be connected with the Elysian _vireta_

of Virgil. It is generally pictured as an island far out in the sea, a

place of eternal sunshine and happiness, where dwell the souls not only

of the dead, but of those who have not yet been born. Here also are the

birds that in autumn take flight from the earth-world, and the seeds

of the flowers that have perished; types of all things that vanish

from the earth in winter are here preserved, to be restored to the

waiting world in spring-time. The mystic isle of Buyán is one variant

of the _raj_. Its name is probably derived from an adjective signifying

'burning,' 'ardent,' or 'fruitful,' and the isle itself is connected

with the idea of the sun, of warmth, intense light, and fruitfulness.

Buyán is the resting-place of the white stone Alatnir, a potent magical

instrument frequently mentioned in spells and charms. Like everything

else connected with Buyán, Alatnir is of burning, dazzling brilliance.

_Peklo_ also was associated with the idea of heat, possessing

affinities with the verb _pech_, to parch; but whereas _raj_ came

to signify Paradise, _peklo_, under the influence of Christian

ideas, became identified later with the infernal regions, a place of

punishment for the wicked dead. In modern folklore we find mention of

a subterranean place of the dead called _Ad_, inhabited by demons who

torment the souls of evil-doers; the corresponding Heaven (of the "Jack

and the Beanstalk" kind) is equally vague and indeterminate; and both

have been so evidently influenced by Christian conceptions that they

reveal but little of their pagan ancestry.

The _nav_ of the ancients was reached by various ways. Sometimes,

as has been indicated, the soul had to traverse a wide sea in the

boat-shaped coffin provided by relatives left on earth. Sometimes,

again, the journey was accomplished on foot, when a pair of boots was

provided; or the soul might have to climb a mountain of iron or glass,

and for this the parings of its mortal nails were laid in the coffin.

The road leading to the celestial regions was generally the Milky Way,

though sometimes the rainbow was trodden by the dead. In either case

popular imagination pictured the _nav_ a long distance away.

THE CELTIC OTHERWORLD

Besides a belief in a land of the dead, the Celts had an Otherworld

to which favoured mortals might penetrate. This region possessed

many names--Mag Mor, the Great Plain; Tir n' Aill, the Otherworld;

Tir-nan-og, the Land of Youth, the Shining Land; and so forth. It is

also called in Celtic myth the Isle of the Men of Falga, Falga being

an old name for the Isle of Man, which was connected with the god

Manannan, lord of the under-seas.

This Celtic Elysium was sometimes beyond the seas, sometimes under the

seas, or it might be situated in the hollow hills; and sometimes it

was the abode of the _Sidhe_ or elder gods. It is alluded to in the

Voyage of Bran, in the Cuchulainn cycle, and in the tale of Laegaire

mac Crimthainn. In Celtic myth it was clearly distinguished from the

subterranean place of the dead; it was a blessed region which only a

favoured few might hope to reach during life. The subterranean home of

the earth-gods is sometimes a place of the dead, because Celtic myth is

predominantly agricultural.

The Otherworld, shrouded by mist, was upon the same plane as the

terrestrial, or sometimes co-extensive with it. There dwelt the

gods and other supernatural beings. It had some resemblance to the

Mohammedan Paradise in its purely material delights, yet was not

without its spiritual aspect. It conferred oblivion for a term of years

on those who visited it, like that later Land of Faerie where long

forgetfulness awaits the wight who wanders in its enchanted glades. The

Celtic Elysium is the first step in the evolution of a Heaven.

The gods connected with it were Manannan and Lug, the sun-god, probably

because it lay in the western sea.

Some think that the Celtic Elysium was coloured by Christian story, but

such a very sensuous Paradise possesses little of the character of a

Christian Heaven.

THE HEAVEN OF ANCIENT MEXICO

Various destinations awaited the dead in ancient Mexico. Warriors slain

in battle repaired to the sun, where they dwelt in bliss with the

deity who presided over that luminary; and sacrificed captives also

fared thither. These followed the sun in his course, crying aloud and

beating upon their shields. "It is also said," writes old Sahagun in

his _History of the Affairs of New Spain_,[4] "that in this heaven are

trees and forests of diverse sorts. The offerings which the living of

this world make to the dead duly arrive at their destination, and are

received in this heaven. After four years of sojourn in that place the

souls of the dead are changed into diverse species of birds, having

rich plumage of the most brilliant colours,"[5] These were known as

_tzinzonme_ ('little bird which flies from flower to flower'), and they

flitted from blossom to blossom on earth as well as in Heaven, sucking

the rich fragrance from the tropical blooms of the deep valleys of

Anahuac.

Tlalocan, an even more material Paradise, was that of the water-god or

deity of moisture, Tlaloc. Sahagun calls this a "terrestrial Paradise"

"where they feign that there is surfeit of pleasure and refreshment,

void for a space of torment." In that delectable region there is

plenteousness of green maize, of calabashes, pepper, tomatoes, and

haricots, and it is filled with variegated blossoms. There dwell

the god Tlaloc and his followers. The persons who gain admittance

are those slain by lightning or thunderbolt, the leprous, and the

dropsical--those whose deaths have in any way been caused _through the

agency of water_--for Tlaloc is god of that element; and existence

there is perpetual. The Paradise of Tlaloc was situated in the

mountains, in a climate of eternal summer.

THE AZTEC ABODE OF THE DEAD

The Hades of the Aztec race was Mictlan, presided over by

Mictlantecutli (Lord of Mictlan) and his spouse (Mictecaciuatl). The

souls of the defunct who fared thither were those who died of disease,

chiefs, great personages, or humbler folk. On the day of death the

priest harangued the deceased, telling him that he was about to fare

to a region "where there is neither light nor window," but all was

shadow--a veritable land of chiaroscuro, reached by a route swarming

with grisly inimical forms. On arrival at the dreary court of Mictlan

the defunct offered gifts to its lord--coloured paper, perfumes, and

torches, mantles and other apparel, provided before cremation. It was a

four years' journey to the first of the nine Hells of Mictlan, over a

deep and wide river, on whose shores dwelt the dogs providently buried

with the dead and employed to carry them across the stream.

Above the nine Hells of Mictlan were thirteen Heavens, the first

containing planets, the second the Tzitzimime, or demons, the third the

Centzon Mimizcoa, or four hundred stars of the Northern Hemisphere.

The fourth was inhabited by birds, the fifth by fire-snakes (perhaps

comets); the sixth was the home of the winds; the seventh harboured

dust; and in the eighth dwelt gods. The remainder were placed at the

disposal of the high primal and creative gods, Tonacatecutli and his

spouse Tonacaciuatl, whose particular home was in the thirteenth and

highest Heaven.

THE RED MAN'S AFTER-LIFE

The red men of North and South America knew no place of future reward

or punishment. They regarded the future life merely as a shadowy

extension of this--more wonderful, more supernatural, perhaps more

desirable because of its material delights, but still of the earth

earthy. The land of the sun was for them the land of future bliss.

"Where the sun lives," they informed the earliest foreign visitors,

were the villages of the deceased, and the Milky Way which nightly

spans the arch of Heaven was, in their opinion, the road thither, and

was called the path of souls (_le chemin des âmes_). To _Hueyu ku_,

the mansion of the sun, said the Caribs, the soul passes when death

overtakes the body. To the warm South-west, whence blows the wind which

brings the sunny days and the ripening corn, said the New England

natives to Roger Williams, will all souls go.

"Our knowledge is scanty of the doctrines taught by the Incas

concerning the soul, but this much we do know, that they looked to the

sun, their recognised lord and protector, as he who would care for them

at death, and admit them to his palaces. There--not indeed, exquisite

joys--but a life of unruffled placidity, void of labour, vacant of

strong emotions, a sort of material Nirvana, awaited them."[6]

From Peru to the coast of Brazil, the savage millions who inhabited

that great stretch of watered forest pointed to the west, to the region

beyond the mountains or the blessed abode of their ancestors, where in

a continual state of intoxication they whiled away the hours of bliss.

The people of the Pampas and Patagonia considered the sky to be the

home of the dead, where they dwelt as stars. During the night they

patrol the sky, but at sunrise flock around the great luminary and are

bitten by his beams.

The Hurons, Iroquois, Chippeway, Algonquins, and Dakotas all told of a

deep and swift stream that the soul must cross, bridged either by an

enormous snake, a slender tree, or by some other precarious means, such

as a stone canoe.

In old Peru, Çupay, the shadow, ruled a land of shades in the centre of

the earth. To him went all souls not destined to be the companions of

the sun. But, like nearly all savage Hells, this was merely a 'place

of the dead' and not a place of retribution. Xibalba, the Hades of

the Kiches of Guatemala, was a grisly Underworld ruled by a veritable

secret society having-rules of initiation. The name is derived from

a root meaning 'to fear,' from which also comes the Maya term for

'phantom' or 'ghost,' and this derivation shows it to have been a

place of the dead. In the _Popol Vuh_, the sacred and traditional book

of the Kiches, we find nothing to indicate that Xibalba was a place

of punishment. Those who entered it had to undergo tests analogous

to those which a Red Indian must endure upon his initiation into any

of the numerous esoteric societies still to be found among American

barbarians; but torment is otherwise absent. The scenery of Xibalba is

varied. It is gloomy, with a river of blood, a stream full of gourds,

plantations of calabashes, courts for the ball-game, in which its

lords are very expert, and stone buildings. It is ruled by grim lords,

One-Death and Seven-Deaths. It is stated in the _Popol Vuh_ that these

were more 'devils' than gods. "In the old times they did not have much

power. They were but avengers and opposers of men, and, in truth, they

were not regarded as gods."

THE CHINOOKS

The Chinooks believe that after death the spirit of the deceased drinks

at a large hole in the ground, after which it shrinks and passes on

to the country of the ghosts, where it is fed with spirit food. After

drinking of the water and partaking of the fare of spirit-land, the

soul becomes the irrevocable property of the dead, and may not return

to earth. But every person is possessed of two spirits, a greater

and a lesser, and during sickness it is this lesser soul which is

spirited away by the denizens of ghost-land. The Navahos have a similar

belief. They assert that in the personal soul there is none of the

vital force which animates the body, nor any of the mental power,

but a third entity, a sort of spiritual body (like the _ka_ of the

ancient Egyptians), which may leave its owner and become lost, much to

his danger and discomfort. Among the Mexicans a similar spirit-body

('tonal') was recognized, much the same in character, indeed, as the

'astral body' of modern spiritualism. Among them, as with the Maya of

Yucatan, it came into existence with the name, and for this reason the

personal name was sacred and rarely uttered. It was regarded as part of

the individuality, and through it the ego might be injured. This belief

is general among the aboriginal peoples of both Americas.

In the country of the ghosts we see a striking analogy to the old

classical idea of Hades. It is a place of windless, soundless

half-dusk, inhabited by shadows who shrink from tumult of any

description, and pass a sort of shadowy extension of earthly life. It

is to be sharply distinguished from the country of the 'Supernatural

People,' who lead a much more satisfying existence.

There are other and still more mysterious regions in the sky, recorded

in the Amerindian myth of Aqas Xenas Xena. It tells how a boy who has

slain his mother mounts to the celestial sphere by a chain fastened to

the end of an arrow. He first meets the Darkness, and is then accosted

by the evening star, who asks if he has seen his game, and explains

that he is hunting men. He reaches the house of the evening star, and

finds his sons and daughter at home counting over the game-bag of the

day--dead folk. The daughter is the moon. The same thing occurs in

the house of the morning star, whose daughter is the sun. The sons of

the one star are at war with those of the other. He marries the moon,

and has children united in the middle. He returns to earth with his

wife and progeny, whom Blue Jay separates, and they die, returning

to the Sky with their mother and becoming the 'sun-dogs.' In this

day and night myth we recognize the widespread belief in celestial

regions where man exists not after death, a belief common to nearly all

American mythologies.

There is a similar myth relating to the sun, which is kept in the hut

of an old woman dwelling in the skies. From her an adventurous hero

obtains a blanket to render him immune. The myth was probably invented

to explain sunstroke.

In his work on the Lengua Indians of South America Mr W. B. Grubb gives

this account of their beliefs:

"The unseen world in its relation to man is naturally much more clearly

defined by the Indian. He holds that the _aphangak_ or departed souls

of men in the shade world (_pischischi,_ shadows) merely continue their

present life, only of course in a disembodied state. The souls of the

departed are supposed, in the ethereal state, to correspond exactly

in form and characteristics with the bodies they have left. A tall

man and a short man remain tall and short as spirits; a deformed man

remains deformed. A kindly-natured man continues so in shade-land. A

witch-doctor, or a great chief, feared and respected in the body, is

feared and respected in the spirit-world. Those who were related in

this world associate with each other in the next. Departed spirits

continue the same tribal and clan life as when in the body. The spirit

of a child remains a child and does not develop, and for this reason is

not feared. Infanticide is not regarded as murder in the same degree

as the murder of an adult. No punishment follows the murderer of an

infant, nor is its murder attended by the ordinary superstitious fears.

A murderer--that is, according to the Indian idea, a man who kills one

of his own tribe--is not only executed for the crime, but his body is

burnt, and the ashes scattered to the four winds. The Indian believes

that after such treatment his spirit cannot take human form, and

remains in the after-world shapeless and unrecognizable, and therefore

unable to mingle with its kindred spirits, or to enjoy such social

intercourse as exists.

"The _aphangak_ is supposed to hunt, travel, garden, and carry on more

or less his old life, but of course in spirit form, and pursuing only

spiritual essences. The spirits of the dead appear to take no interest

in the living, nor, beyond causing uncanny feelings when supposed to

be hovering about, do they seem in the least to influence those left

behind. Their very names are not mentioned, and every effort is made by

the living to forget them....

"Speaking generally, three ideas seem to prevail regarding the future

abode of the soul. The lower type of Indian holds that the _aphangak_

continues to wander disconsolately about the country in company with

its kindred spirits, while the more intelligent are of opinion that it

moves over to the west, to the cities of the dead, already referred

to in dealing with their origin. A few, however, hold a view similar

to that prevailing among the Southern tribes--namely, that the dead

inhabit a world beneath the earth.

"The lower creation, with the exception of fish and serpents, are

supposed to share immortality with men. Birds, cattle, and the

carnivora, especially of the leading types, figure largely in their

beliefs of the shade-world, as also the dog, jaguar, horse, ostrich,

and the thunder-bird."

AFRICAN IDEAS OF THE FUTURE LIFE

Among African savages generally the life of the dead is merely an

extension of earth-life. In the Kimbunda district of South-west Africa

the dead dwell in a region called Kalunga, where they have plenty of

provisions and an abundance of female servitors. They engage in the

dance and the chase for pastime. In Kalunga the sun shines when it is

night in the world of mortals. The Basutos believe in an Otherworld of

green valleys, where the dead own herds of hornless and speckled cattle

from which they can draw sustenance. Others of the same people believe

that the dead wander about in silent reserve, with no feelings of joy

or sorrow to agitate them or disturb what seems to be a condition of

nescience. There is no moral retribution. The West Africans do not seem

to believe in a 'land of heart's desire.' The Dahomans hold that in the

Otherworld social status will be unchanged. Thus the king will retain

his sovereignty and the slave his serfdom 'for ever.' He also credits

the existence of another land beyond the grave, 'Ku-to-men' or Dead

Man's Land, a place of ghosts and shadows. Turning southward again, the

Zulus think that after death their souls proceed to the land of the

Abapansi or underground folk.

BORNEO

In Borneo the Idaan race have a Heaven which is to be seen. Indeed,

it is situated on the summit of Mount Kina Balu, on whose peak no

native guide would pass the night. There the adventurous traveller is

shown the moss on which the spirits feed, and the hoof-prints of their

ghostly herds of buffalo. The Sajera of West Java possess another such

Heaven on the summit of Tunung Danka. It took Mr Jonathan Rigg ten

years to discover this fact among a population outwardly professing

Mohammedanism.[7] The Fijians consider that Bolotu, the island of

the gods, lies in the ocean north-west of Tonga. It is extensive

and is replete with everything which can make for an existence of

physical satisfaction. Like the Norsemen, they believe that the swine

slaughtered in their Paradise will reappear when again required for the

feast. The Samoan Otherworld is a mere shadowy replica of this.

CONCLUSIONS

From these data several considerations of importance arise. We see that

among the classical religions of antiquity--the Egyptian, Babylonian,

Hebrew, for example--the idea of judgment, retribution, and reward

arose in connexion with their places of bliss and punishment. On the

other hand, we find in the myths of the Teutons, Mexicans, and people

in the barbaric stages generally that a place of bliss is reserved, in

most cases, for the warrior, while those who die a 'straw death' are

deemed unfit to enter the Valhalla of the brave. Still further down

in the scale of civilization we see that Africans, American Indians,

Fijians, and other people in a state of savagery more or less, regard

the future dwelling-place of the soul as a pale reflex of the world in

which they have been accustomed to dwell--sometimes with mitigating

circumstances and improved surroundings. Thus the savage hunts,

gorges himself, and wallows in happy intoxication; the more advanced

barbarian comports himself as a warrior and feasts homerically; while

the civilized man must be judged ere he can betake himself to an

immortal destination of bliss or torture. Only in the higher reaches

of civilization does any idea of judgment, retribution, or reward, as

distinguished from mere sensuous pleasure, enter into the future life.

There is one strange exception to this rule, and that is Greece. This

is probably because Greek ethics was nurtured more upon philosophic

than religious ideals. We find the exact opposite of the philosophic

ethics of Hellas in the drastic religious morality of the Semitic race.

The idea of judgment is seen only in early Greek myth.

But the most important question for us, discussing the manufacture

and evolution of myth, is: How far have ethical promptings influenced

mythic conceptions of a place of future reward or punishment?

They have influenced it very powerfully. Let us regard these beliefs

in the line of their evolution. In primitive (_i.e_., savage)

civilization we find a mere home of the dead, like that of the peoples

of the north-west coast of America, the Samoans, or the peoples of

Western Africa. The dead there may be kings or medicine-men, warriors

or slaves, as in the mortal life, but there is no ruler, no Pluto or

Satan. Later, in the barbaric stage, we find monarchs or arch-devils,

such as Mictlantecutli of Mexico, Çupay of Peru, or Hel of Scandinavia.

These, however, are merely there from a supposed necessity for a

headship, or because they chance to be corn-spirits like the Greek

Persephone; for agricultural spirits usually reside in the earth.

Indeed the myth of Persephone well illustrates the adaptation of a

corn-spirit to the lordship (or ladyship) of Hades, and probably

represents a fusion of myths in which that of the corn-spirit was

grafted on to the already accepted lord of the place of the dead.

The daughter of the chief of Xibalba, the Kiche Hell, is also a

corn-spirit, as witness her gathering of a basket of maize where no

maize had grown before; and even Osiris, great god of the Egyptian

dead, was primarily connected with the 'agricultural interest.'

It is only in the higher stages of religion, when ethical significance

has become a _fait accompli_, that we find the god of the Otherworld

metamorphosed into a judge who disposes of the souls of men according

to their deserts. Thus we find that ethical ideas strongly affect the

mythic character of the lords of the Otherworld, and may alter them

from mere presiding demons into god-like arbiters of the fate of the

soul. Further, the introduction, evolution, or acceptance of ethical

ideas may entirely alter the scenery and geography of the Hades myth,

and from a nebulous environment of ghostly savagery the place of the

dead may on the one hand blossom into a sensuous Paradise or flash into

flame as Gehenna.

HEAVEN AND THE SKY

The manner in which Heaven, the place of bliss, came to be associated

with the sky and the region of woe with the Underworld is worthy of

brief consideration. We have seen that many various peoples--Celts,

Indians, Fijians--believed their Paradise, their 'land of heart's

desire,' to be in the west, where sinks the dying sun. To the mind

of primitive man the sun was the source of all good, the nourisher,

the giver of light; and no bliss greater than that of accompanying

him in his course through the heavens could be imagined. Man beheld

him sink and die in the waves of ocean or behind the peaks of the

great mountains, and, comparing this with the death of his own kind,

concluded that the luminary betook himself to rest in some region

beyond the verge of sea or sierra. "If the souls of the dead follow the

sun it must be to such a region," he would argue: so would arise the

concept of a Tir-nan-og, a sun-Paradise beyond the world's rim.[8]

Not thus did all religious philosophers of old time reason--not thus

the mythographers of Babylon, for example, those astrologer-priests who

watched from tower and temple the wheelings of the white host of stars

which silvered the skies above the city of Bel. These had identified

the various gods in their pantheon with the stars and heavenly bodies.

Once this had been done it is easy to understand how the gods were

conceived as dwelling in the sky. Races who believed in a Paradise

beyond the setting sun did not place their great divinities in the

sky. The Celtic gods lived in their sunset Elysium; the deities of the

Samoan tale dwell in an island Paradise. Roughly, peoples dwelling near

the western sea (Celts, West Africans, North-west American Indians,

etc.) locate their Paradise beneath the rim of ocean; peoples dwelling

at the foot of mountain ranges (Greeks, Javanese, etc.) believe the

Otherworld to be situated on their summits; while peoples dwelling

in plains or deserts (Plains Indians, Babylonians, certain Egyptian

castes, etc.) place their Heaven in the sky among the constellations.

HADES AND THE UNDERWORLD

On the other hand, the Otherworld becomes the Underworld, because of

the subterranean burial of the dead. Under the earth is the home of

the dead, and there rest their shades or spirits. The Greeks believed

Hades to be situated only twelve feet beneath the surface of the soil.

Again, the practice of burial in caverns may have assisted this belief.

The scenery of the Otherworld, from Homer to Dante, is decidedly

cavernous. The lords of Hell are frequently the gods of a conquered or

subject race, relegated to the Underworld by the policy or contempt of

the conquerors. Thus the Irish Tuatha de Danann, who dwell underground,

were once the chief gods of Ireland, and were displaced by an incoming

people; and we can trace in the gigantic figure of Osiris the primeval

god of an agricultural people placed over the popular world of the

Egyptian dead, partly perhaps by the deliberate policy of the priests

of Ra, partly by reason of his status as a corn-god, and developing

into the great ruler of the realm of the dead.

[1] See above, p. 122.

[2] _The Gods of the Egyptians_, vol. i, pp. 264-265.

[3] The writer does not recall having read this passage until a few

weeks ago, yet in a volume of verse published in 1913 he included some

stanzas the two last of which offer such a striking resemblance to the

Biblical verses just quoted that he ventures to print them here as

an example of the manner in which the imagination of men may run on

similar lines, although centuries of time separate them:

THE DEAD

Do ye hearken, ye dead, with your faces so nobly quiet,

Do ye list to the lays that are sung, and the lusts that are said,

Do ye wot of the frenzies, the fears, the desires, and the riot,

Do ye hearken, ye dead?

"O'er our lips and our hearts are the sods and the cerements spread,

But we hearken the harps and the whispers, the songs that ye sigh at,

All your manifold furies and fears do we list in our bed.

"We would rise, we would rise to partake of your doom and your diet,

But on lips and on eyes the worms and the vampires have fed,

We can kiss, we can smile not--awaiting eternity's fiat.

We hearken, we dead!"

[4] Appendix to Book III, chap. iii.

[5] I quote from my own manuscript translation of Sagahun.

[6] Brinton, _Myths of the New World._

[7] _Journal of the Indian Archipelago_, vol. iv, p. 119.

[8] Compare the recently coined (?) war phrase or idiom 'gone west.'

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