“To-morrow,” was the prompt answer. “Time goes on crutches till I marry

Hero.”

“Give her a week, my dear son,” said Leonato, and Claudio's heart

thumped with joy.

“And now,” said the amiable Don Pedro, “we must find a wife for Signor

Benedick. It is a task for Hercules.”

“I will help you,” said Leonato, “if I have to sit up ten nights.”

Then Hero spoke. “I will do what I can, my lord, to find a good husband

for Beatrice.”

Thus, with happy laughter, ended the masquerade which had given Claudio

a lesson for nothing.

Borachio cheered up Don John by laying a plan before him with which he

was confident he could persuade both Claudio and Don Pedro that Hero was

a fickle girl who had two strings to her bow. Don John agreed to this

plan of hate.

Don Pedro, on the other hand, had devised a cunning plan of love.

“If,” he said to Leonato, “we pretend, when Beatrice is near enough to

overhear us, that Benedick is pining for her love, she will pity him,

see his good qualities, and love him. And if, when Benedick thinks we

don't know he is listening, we say how sad it is that the beautiful

Beatrice should be in love with a heartless scoffer like Benedick, he

will certainly be on his knees before her in a week or less.”

So one day, when Benedick was reading in a summer-house, Claudio sat

down outside it with Leonato, and said, “Your daughter told me something

about a letter she wrote.”

“Letter!” exclaimed Leonato. “She will get up twenty times in the night

and write goodness knows what. But once Hero peeped, and saw the words

'Benedick and Beatrice' on the sheet, and then Beatrice tore it up.”

“Hero told me,” said Claudio, “that she cried, 'O sweet Benedick!'”

Benedick was touched to the core by this improbable story, which he was

vain enough to believe. “She is fair and good,” he said to himself.

“I must not seem proud. I feel that I love her. People will laugh, of

course; but their paper bullets will do me no harm.”

At this moment Beatrice came to the summerhouse, and said, “Against my

will, I have come to tell you that dinner is ready.”

“Fair Beatrice, I thank you,” said Benedick.

“I took no more pains to come than you take pains to thank me,” was the

rejoinder, intended to freeze him.

But it did not freeze him. It warmed him. The meaning he squeezed out of

her rude speech was that she was delighted to come to him.

Hero, who had undertaken the task of melting the heart of Beatrice, took

no trouble to seek an occasion. She simply said to her maid Margaret one

day, “Run into the parlor and whisper to Beatrice that Ursula and I are

talking about her in the orchard.”

Having said this, she felt as sure that Beatrice would overhear what was

meant for her ears as if she had made an appointment with her cousin.

In the orchard was a bower, screened from the sun by honeysuckles, and

Beatrice entered it a few minutes after Margaret had gone on her errand.

“But are you sure,” asked Ursula, who was one of Hero's attendants,

“that Benedick loves Beatrice so devotedly?”

“So say the Prince and my betrothed,” replied Hero, “and they wished me

to tell her, but I said, 'No! Let Benedick get over it.'”

“Why did you say that?”

“Because Beatrice is unbearably proud. Her eyes sparkle with disdain and

scorn. She is too conceited to love. I should not like to see her making

game of poor Benedick's love. I would rather see Benedick waste away

like a covered fire.”

“I don't agree with you,” said Ursula. “I think your cousin is too

clear-sighted not to see the merits of Benedick.” “He is the one man in

Italy, except Claudio,” said Hero.

The talkers then left the orchard, and Beatrice, excited and tender,

stepped out of the summer-house, saying to herself, “Poor dear Benedick,

be true to me, and your love shall tame this wild heart of mine.”

We now return to the plan of hate.

The night before the day fixed for Claudio's wedding, Don John entered

a room in which Don Pedro and Claudio were conversing, and asked Claudio

if he intended to be married to-morrow.

“You know he does!” said Don Pedro.

“He may know differently,” said Don John, “when he has seen what I will

show him if he will follow me.”

They followed him into the garden; and they saw a lady leaning out of

Hero's window talking love to Borachio.

Claudio thought the lady was Hero, and said, “I will shame her for it

to-morrow!” Don Pedro thought she was Hero, too; but she was not Hero;

she was Margaret.

Don John chuckled noiselessly when Claudio and Don Pedro quitted the

garden; he gave Borachio a purse containing a thousand ducats.

The money made Borachio feel very gay, and when he was walking in the

street with his friend Conrade, he boasted of his wealth and the giver,

and told what he had done.

A watchman overheard them, and thought that a man who had been paid a

thousand ducats for villainy was worth taking in charge. He therefore

arrested Borachio and Conrade, who spent the rest of the night in

prison.

Before noon of the next day half the aristocrats in Messina were at

church. Hero thought it was her wedding day, and she was there in her

wedding dress, no cloud on her pretty face or in her frank and shining

eyes.

The priest was Friar Francis.

Turning to Claudio, he said, “You come hither, my lord, to marry this

lady?” “No!” contradicted Claudio.

Leonato thought he was quibbling over grammar. “You should have said,

Friar,” said he, “'You come to be married to her.'”

Friar Francis turned to Hero. “Lady,” he said, “you come hither to be

married to this Count?” “I do,” replied Hero.

“If either of you know any impediment to this marriage, I charge you to

utter it,” said the Friar.

“Do you know of any, Hero?” asked Claudio. “None,” said she.

“Know you of any, Count?” demanded the Friar. “I dare reply for him,

'None,'” said Leonato.

Claudio exclaimed bitterly, “O! what will not men dare say! Father,”

he continued, “will you give me your daughter?” “As freely,” replied

Leonato, “as God gave her to me.”

“And what can I give you,” asked Claudio, “which is worthy of this

gift?” “Nothing,” said Don Pedro, “unless you give the gift back to the

giver.”

“Sweet Prince, you teach me,” said Claudio. “There, Leonato, take her

back.”

These brutal words were followed by others which flew from Claudio, Don

Pedro and Don John.

The church seemed no longer sacred. Hero took her own part as long as

she could, then she swooned. All her persecutors left the church, except

her father, who was befooled by the accusations against her, and cried,

“Hence from her! Let her die!”

But Friar Francis saw Hero blameless with his clear eyes that probed the

soul. “She is innocent,” he said; “a thousand signs have told me so.”

Hero revived under his kind gaze. Her father, flurried and angry, knew

not what to think, and the Friar said, “They have left her as one dead

with shame. Let us pretend that she is dead until the truth is declared,

and slander turns to remorse.”

“The Friar advises well,” said Benedick. Then Hero was led away into a

retreat, and Beatrice and Benedick remained alone in the church.

Benedick knew she had been weeping bitterly and long. “Surely I do

believe your fair cousin is wronged,” he said. She still wept.

“Is it not strange,” asked Benedick, gently, “that I love nothing in the

world as well as you?”

“It were as possible for me to say I loved nothing as well as you,” said

Beatrice, “but I do not say it. I am sorry for my cousin.”

“Tell me what to do for her,” said Benedick. “Kill Claudio.”

“Ha! not for the wide world,” said Benedick. “Your refusal kills me,”

said Beatrice. “Farewell.”

“Enough! I will challenge him,” cried Benedick.

During this scene Borachio and Conrade were in prison. There they were

examined by a constable called Dogberry.

The watchman gave evidence to the effect that Borachio had said that he

had received a thousand ducats for conspiring against Hero.

Leonato was not present at this examination, but he was nevertheless now

thoroughly convinced Of Hero's innocence. He played the part of bereaved

father very well, and when Don Pedro and Claudio called on him in a

friendly way, he said to the Italian, “You have slandered my child to

death, and I challenge you to combat.”

“I cannot fight an old man,” said Claudio.

“You could kill a girl,” sneered Leonato, and Claudio crimsoned.

Hot words grew from hot words, and both Don Pedro and Claudio were

feeling scorched when Leonato left the room and Benedick entered.

“The old man,” said Claudio, “was like to have snapped my nose off.”

“You are a villain!” said Benedick, shortly. “Fight me when and with

what weapon you please, or I call you a coward.”

Claudio was astounded, but said, “I'll meet you. Nobody shall say I

can't carve a calf's head.”

Benedick smiled, and as it was time for Don Pedro to receive officials,

the Prince sat down in a chair of state and prepared his mind for

justice.

The door soon opened to admit Dogberry and his prisoners.

“What offence,” said Don Pedro, “are these men charged with?”

Borachio thought the moment a happy one for making a clean breast of it.

He laid the whole blame on Don John, who had disappeared. “The lady Hero

being dead,” he said, “I desire nothing but the reward of a murderer.”

Claudio heard with anguish and deep repentance.

Upon the re-entrance of Leonato be said to him, “This slave makes clear

your daughter's innocence. Choose your revenge.

“Leonato,” said Don Pedro, humbly, “I am ready for any penance you may

impose.”

“I ask you both, then,” said Leonato, “to proclaim my daughter's

innocence, and to honor her tomb by singing her praise before it. As for

you, Claudio, I have this to say: my brother has a daughter so like Hero

that she might be a copy of her. Marry her, and my vengeful feelings

die.”

“Noble sir,” said Claudio, “I am yours.” Claudio then went to his room

and composed a solemn song. Going to the church with Don Pedro and his

attendants, he sang it before the monument of Leonato's family. When he

had ended he said, “Good night, Hero. Yearly will I do this.”

He then gravely, as became a gentleman whose heart was Hero's, made

ready to marry a girl whom he did not love. He was told to meet her in

Leonato's house, and was faithful to his appointment.

He was shown into a room where Antonio (Leonato's brother) and several

masked ladies entered after him. Friar Francis, Leonato, and Benedick

were present.

Antonio led one of the ladies towards Claudio.

“Sweet,” said the young man, “let me see your face.”

“Swear first to marry her,” said Leonato.

“Give me your hand,” said Claudio to the lady; “before this holy friar I

swear to marry you if you will be my wife.”

“Alive I was your wife,” said the lady, as she drew off her mask.

“Another Hero!” exclaimed Claudio.

“Hero died,” explained Leonato, “only while slander lived.”

The Friar was then going to marry the reconciled pair, but Benedick

interrupted him with, “Softly, Friar; which of these ladies is

Beatrice?”

Hereat Beatrice unmasked, and Benedick said, “You love me, don't you?”

“Only moderately,” was the reply. “Do you love me?”

“Moderately,” answered Benedick.

“I was told you were well-nigh dead for me,” remarked Beatrice.

“Of you I was told the same,” said Benedick.

“Here's your own hand in evidence of your love,” said Claudio, producing

a feeble sonnet which Benedick had written to his sweetheart. “And

here,” said Hero, “is a tribute to Benedick, which I picked out of the

pocket of Beatrice.”

“A miracle!” exclaimed Benedick. “Our hands are against our hearts!

Come, I will marry you, Beatrice.”

“You shall be my husband to save your life,” was the rejoinder.

Benedick kissed her on the mouth; and the Friar married them after he

had married Claudio and Hero.

“How is Benedick the married man?” asked Don Pedro.

“Too happy to be made unhappy,” replied Benedick. “Crack what jokes you

will. As for you, Claudio, I had hoped to run you through the body, but

as you are now my kinsman, live whole and love my cousin.”

“My cudgel was in love with you, Benedick, until to-day,” said Claudio;

but, “Come, come, let's dance,” said Benedick.

And dance they did. Not even the news of the capture of Don John was

able to stop the flying feet of the happy lovers, for revenge is not

sweet against an evil man who has failed to do harm.

ROMEO AND JULIET

Once upon a time there lived in Verona two great families named Montagu

and Capulet. They were both rich, and I suppose they were as sensible,

in most things, as other rich people. But in one thing they were

extremely silly. There was an old, old quarrel between the two families,

and instead of making it up like reasonable folks, they made a sort of

pet of their quarrel, and would not let it die out. So that a Montagu

wouldn't speak to a Capulet if he met one in the street--nor a Capulet

to a Montagu--or if they did speak, it was to say rude and unpleasant

things, which often ended in a fight. And their relations and

servants were just as foolish, so that street fights and duels and

uncomfortablenesses of that kind were always growing out of the

Montagu-and-Capulet quarrel.

Now Lord Capulet, the head of that family, gave a party-- a grand supper

and a dance--and he was so hospitable that he said anyone might come to

it except (of course) the Montagues. But there was a young Montagu named

Romeo, who very much wanted to be there, because Rosaline, the lady he

loved, had been asked. This lady had never been at all kind to him, and

he had no reason to love her; but the fact was that he wanted to love

somebody, and as he hadn't seen the right lady, he was obliged to love

the wrong one. So to the Capulet's grand party he came, with his friends

Mercutio and Benvolio.

Old Capulet welcomed him and his two friends very kindly--and young

Romeo moved about among the crowd of courtly folk dressed in their

velvets and satins, the men with jeweled sword hilts and collars, and

the ladies with brilliant gems on breast and arms, and stones of price

set in their bright girdles. Romeo was in his best too, and though he

wore a black mask over his eyes and nose, everyone could see by his

mouth and his hair, and the way he held his head, that he was twelve

times handsomer than anyone else in the room.

Presently amid the dancers he saw a lady so beautiful and so lovable

that from that moment he never again gave one thought to that Rosaline

whom he had thought he loved. And he looked at this other fair lady, as

she moved in the dance in her white satin and pearls, and all the world

seemed vain and worthless to him compared with her. And he was saying

this, or something like it, when Tybalt, Lady Capulet's nephew, hearing

his voice, knew him to be Romeo. Tybalt, being very angry, went at

once to his uncle, and told him how a Montagu had come uninvited to the

feast; but old Capulet was too fine a gentleman to be discourteous to

any man under his own roof, and he bade Tybalt be quiet. But this young

man only waited for a chance to quarrel with Romeo.

In the meantime Romeo made his way to the fair lady, and told her in

sweet words that he loved her, and kissed her. Just then her mother sent

for her, and then Romeo found out that the lady on whom he had set his

heart's hopes was Juliet, the daughter of Lord Capulet, his sworn foe.

So he went away, sorrowing indeed, but loving her none the less.

Then Juliet said to her nurse:

“Who is that gentleman that would not dance?”

“His name is Romeo, and a Montagu, the only son of your great enemy,”

answered the nurse.

Then Juliet went to her room, and looked out of her window, over the

beautiful green-grey garden, where the moon was shining. And Romeo was

hidden in that garden among the trees--because he could not bear to go

right away without trying to see her again. So she--not knowing him to

be there--spoke her secret thought aloud, and told the quiet garden how

she loved Romeo.

And Romeo heard and was glad beyond measure. Hidden below, he looked

up and saw her fair face in the moonlight, framed in the blossoming

creepers that grew round her window, and as he looked and listened, he

felt as though he had been carried away in a dream, and set down by some

magician in that beautiful and enchanted garden.

“Ah--why are you called Romeo?” said Juliet. “Since I love you, what

does it matter what you are called?”

“Call me but love, and I'll be new baptized--henceforth I never will be

Romeo,” he cried, stepping into the full white moonlight from the shade

of the cypresses and oleanders that had hidden him.

She was frightened at first, but when she saw that it was Romeo himself,

and no stranger, she too was glad, and, he standing in the garden below

and she leaning from the window, they spoke long together, each one

trying to find the sweetest words in the world, to make that pleasant

talk that lovers use. And the tale of all they said, and the sweet music

their voices made together, is all set down in a golden book, where you

children may read it for yourselves some day.

And the time passed so quickly, as it does for folk who love each other

and are together, that when the time came to part, it seemed as though

they had met but that moment-- and indeed they hardly knew how to part.

“I will send to you to-morrow,” said Juliet.

And so at last, with lingering and longing, they said good-bye.

Juliet went into her room, and a dark curtain bid her bright window.

Romeo went away through the still and dewy garden like a man in a dream.

The next morning, very early, Romeo went to Friar Laurence, a priest,

and, telling him all the story, begged him to marry him to Juliet

without delay. And this, after some talk, the priest consented to do.

So when Juliet sent her old nurse to Romeo that day to know what he

purposed to do, the old woman took back a message that all was well,

and all things ready for the marriage of Juliet and Romeo on the next

morning.

The young lovers were afraid to ask their parents' consent to their

marriage, as young people should do, because of this foolish old quarrel

between the Capulets and the Montagues.

And Friar Laurence was willing to help the young lovers secretly,

because he thought that when they were once married their parents

might soon be told, and that the match might put a happy end to the old

quarrel.

So the next morning early, Romeo and Juliet were married at Friar

Laurence's cell, and parted with tears and kisses. And Romeo promised to

come into the garden that evening, and the nurse got ready a rope-ladder

to let down from the window, so that Romeo could climb up and talk to

his dear wife quietly and alone.

But that very day a dreadful thing happened.

Tybalt, the young man who had been so vexed at Romeo's going to the

Capulet's feast, met him and his two friends, Mercutio and Benvolio, in

the street, called Romeo a villain, and asked him to fight. Romeo had no

wish to fight with Juliet's cousin, but Mercutio drew his sword, and

he and Tybalt fought. And Mercutio was killed. When Romeo saw that this

friend was dead, he forgot everything except anger at the man who had

killed him, and he and Tybalt fought till Tybalt fell dead.

So, on the very day of his wedding, Romeo killed his dear Juliet's

cousin, and was sentenced to be banished. Poor Juliet and her young

husband met that night indeed; he climbed the rope-ladder among the

flowers, and found her window, but their meeting was a sad one, and they

parted with bitter tears and hearts heavy, because they could not know

when they should meet again.

Now Juliet's father, who, of course, had no idea that she was married,

wished her to wed a gentleman named Paris, and was so angry when she

refused, that she hurried away to ask Friar Laurence what she should do.

He advised her to pretend to consent, and then he said:

“I will give you a draught that will make you seem to be dead for two

days, and then when they take you to church it will be to bury you, and

not to marry you. They will put you in the vault thinking you are dead,

and before you wake up Romeo and I will be there to take care of you.

Will you do this, or are you afraid?”

“I will do it; talk not to me of fear!” said Juliet. And she went home

and told her father she would marry Paris. If she had spoken out and

told her father the truth . . . well, then this would have been a

different story.

Lord Capulet was very much pleased to get his own way, and set about

inviting his friends and getting the wedding feast ready. Everyone

stayed up all night, for there was a great deal to do, and very little

time to do it in. Lord Capulet was anxious to get Juliet married because

he saw she was very unhappy. Of course she was really fretting about her

husband Romeo, but her father thought she was grieving for the death of

her cousin Tybalt, and he thought marriage would give her something else

to think about.

Early in the morning the nurse came to call Juliet, and to dress her

for her wedding; but she would not wake, and at last the nurse cried out

suddenly--

“Alas! alas! help! help! my lady's dead! Oh, well-a-day that ever I was

born!”

Lady Capulet came running in, and then Lord Capulet, and Lord Paris, the

bridegroom. There lay Juliet cold and white and lifeless, and all their

weeping could not wake her. So it was a burying that day instead of a

marrying. Meantime Friar Laurence had sent a messenger to Mantua with a

letter to Romeo telling him of all these things; and all would have been

well, only the messenger was delayed, and could not go.

But ill news travels fast. Romeo's servant who knew the secret of the

marriage, but not of Juliet's pretended death, heard of her funeral, and

hurried to Mantua to tell Romeo how his young wife was dead and lying in

the grave.

“Is it so?” cried Romeo, heart-broken. “Then I will lie by Juliet's side

to-night.”

And he bought himself a poison, and went straight back to Verona. He

hastened to the tomb where Juliet was lying. It was not a grave, but a

vault. He broke open the door, and was just going down the stone steps

that led to the vault where all the dead Capulets lay, when he heard a

voice behind him calling on him to stop.

It was the Count Paris, who was to have married Juliet that very day.

“How dare you come here and disturb the dead bodies of the Capulets, you

vile Montagu?” cried Paris.

Poor Romeo, half mad with sorrow, yet tried to answer gently.

“You were told,” said Paris, “that if you returned to Verona you must

die.”

“I must indeed,” said Romeo. “I came here for nothing else. Good, gentle

youth--leave me! Oh, go--before I do you any harm! I love you better

than myself--go--leave me here--”

Then Paris said, “I defy you, and I arrest you as a felon,” and Romeo,

in his anger and despair, drew his sword. They fought, and Paris was

killed.

As Romeo's sword pierced him, Paris cried--

“Oh, I am slain! If thou be merciful, open the tomb, and lay me with

Juliet!”

And Romeo said, “In faith I will.”

And he carried the dead man into the tomb and laid him by the dear

Juliet's side. Then he kneeled by Juliet and spoke to her, and held

her in his arms, and kissed her cold lips, believing that she was dead,

while all the while she was coming nearer and nearer to the time of her

awakening. Then he drank the poison, and died beside his sweetheart and

wife.

Now came Friar Laurence when it was too late, and saw all that had

happened--and then poor Juliet woke out of her sleep to find her husband

and her friend both dead beside her.

The noise of the fight had brought other folks to the place too, and

Friar Laurence, hearing them, ran away, and Juliet was left alone. She

saw the cup that had held the poison, and knew how all had happened, and

since no poison was left for her, she drew her Romeo's dagger and thrust

it through her heart--and so, falling with her head on her Romeo's

breast, she died. And here ends the story of these faithful and most

unhappy lovers.

* * * * * * *

And when the old folks knew from Friar Laurence of all that had

befallen, they sorrowed exceedingly, and now, seeing all the mischief

their wicked quarrel had wrought, they repented them of it, and over the

bodies of their dead children they clasped hands at last, in friendship

and forgiveness.

PERICLES

Beautiful Stories from Shakespeare · 第 3 / 10 段