Chapter XXVI.

Lord Arleigh stared at the packet which his wife had given him, and

again and again read the words that were inscribed on it: "A wedding

present from Philippa, Duchess of Hazlewood to Lord Arleigh. To be read

alone on his wedding-day." What could it mean? Philippa at times took

strange caprices into her head. This seemed to be one of the strangest.

He held the letter in his hand, a strange presentiment of evil creeping

over him which he could not account for. From the envelope came a sweet

scent, which the duchess always used. It was so familiar to him that for

a few minutes it brought her vividly before him--he could have fancied

her standing near him. Then he remembered the strange words: "To be read

alone." What could that mean? That the letter contained something that

his young wife must not see or hear.

He looked at her. She had seemingly forgotten all about the packet, and

stood now, with a smile on her face, before one of the finest pictures

in the gallery, wrapt in a dream of delight. There could not be anything

in the letter affecting her. Still, as Philippa had written so

pointedly, it would be better perhaps for him to heed her words.

"Madaline, my darling," he said, sinking on to an ottoman, "you have

taken no tea. You would like some. Leave me here alone for half an hour.

I want to think."

She did what she had never done voluntarily before. She went up to him,

and clasped her arms round his neck. She bent her blushing face over

his, and the caress surprised as much as it delighted him--she was so

shyly demonstrative.

"What are you going to think about, Norman? Will it be of me?"

"Of whom else should I think on my wedding-day, if not of my wife?" he

asked.

"I should be jealous if your thoughts went anywhere else," replied

Madaline. "There is a daring speech, Norman. I never thought I should

make such a one."

"Your daring is very delightful, Madaline; let me hear more of it."

She laughed the low, happy, contented laugh that sounded like sweetest

music in his ears.

"I will dare to say something else, Norman, if you will promise not to

think it uncalled for. I am very happy, my darling husband--I love you

very much, and I thank you for your love."

"Still better," he said, kissing the beautiful, blushing face. "Now go,

Madaline. I understand the feminine liking for a cup of tea."

"Shall I send one to you?" she asked.

"No," he replied, laughingly. "You may teach me to care about tea in

time. I do not yet."

He was still holding the letter in his hand, and the faint perfume was

like a message from Philippa, reminding him that the missive was still

unread.

"I shall not be long," said Madaline. She saw that for some reason or

other he wanted to be alone.

"You will find me here," he returned. "This is a favorite Book of mine.

I shall not leave it until you return."

The nook was a deep bay window from which there was a magnificent view

of the famous beeches. Soft Turkish cushions and velvet lounges filled

it, and near it hung one of Titian's most gorgeous pictures--a dark-eyed

woman with a ruby necklace. The sun's declining rays falling on the

rubies, made them appear like drops of blood. It was a grand picture,

one that had been bought by the lords of Beechgrove, and the present

Lord Arleigh took great delight in it.

He watched the long folds of Madaline's white dress, as she passed along

the gallery, and then the hangings fell behind her. Once more he held up

the packet.

"A wedding present from Philippa, Duchess of Hazlewood, to Lord

Arleigh."

Whatever mystery it contained should be solved at once. He broke the

seal; the envelope contained a closely-written epistle. He looked at it

in wonder. What could Philippa have to write to him about? The letter

began as follows:

"A wedding present from Philippa, Duchess of Hazlewood, to Norman, Lord

Arleigh. You will ask what it is? My answer is, my revenge--well

planned, patiently awaited.

"You have read the lines:

"'Heaven has no rage like love to hatred turned,

Nor hell a fury like a woman scorned.'

They are true. Fire, fury, and hatred rage now in my heart as I write

this to you. You have scorned me--this is my revenge. I am a proud

woman--I have lowered my pride to you. My lips have never willfully

uttered a false word; still they have lied to you. I loved you once,

Norman, and on the day my love died I knew that nothing could arise from

its ashes. I loved you with a love passing that of most women; and it

was not all my fault. I was taught to love you--the earliest memory of

my life is having been taught to love you.

"You remember, too. It may have been injudicious, imprudent, foolish,

yet while I was taught to think, to read, to sing, I was also taught to

consider myself your 'little wife.' Hundreds of times have you given me

that name, while we walked together as children--you with your arm about

my neck, I proud of being called your 'little wife.'

"As a child, I loved you better than anything else in the wide

world--better than my mother, my home, my friends; and my love grew with

my growth. I prided myself on my unbroken troth to you. I earned the

repute of being cold and heartless, because I could think of no one but

you. No compliments pleased me, no praise flattered me; I studied,

learned, cultivated every gift Heaven had given me--all for your sake. I

thought of no future, but with you, no life but with you, no love but

for you; I had no dreams apart from you. I was proud when they talked of

my beauty; that you should have a fair wife delighted me.

"When you returned home I quite expected that you were coming to claim

me as your wife--I thought that was what brought you to England. I

remember the day you came. Ah, well, revenge helps me to live, or I

should die! The first tones of your voice, the first clasp of your hand,

the first look of your eyes chilled me with sorrow and disappointment.

Yet I hoped against hope. I thought you were shy, perhaps more reserved

than of yore. I thought everything and anything except that you had

ceased to love me; I would have believed anything rather than that you

were not going to fulfill our ancient contract, and make me your wife. I

tried to make you talk of old times--you were unwilling; you seemed

confused, embarrassed I read all those signs aright; still I hoped

against hope. I tried to win you--I tried all that love, patience,

gentleness, and consideration could do.

"What women bear, and yet live on! Do you know that every moment of that

time was full of deadly torture to me, deadly anguish? Ah, me, the very

memory of it distresses me! Every one spoke to me as though our

engagement was a certainty, and our marriage settled. Yet to me there

came, very slowly, the awful conviction that you had ignored, or had

forgotten the old ties. I fought against that conviction. I would not

entertain it. Then came for me the fatal day when I heard you tell the

Duchess of Aytoun that you had never seen the woman you would care to

make your wife. I heard your confession, but would not give in; I clung

to the idea of winning your love, even after I had hoped against hope,

and tried to make you care for me. At last came the night out on the

balcony, when I resolved to risk all, to ask you for your love--do you

remember it? You were advocating the cause of another; I asked you why

you did not speak for yourself. You must have known that my woman's

heart was on fire--you must have seen that my whole soul was in my

speech, yet you told me in cold, well-chosen words that you had only a

brother's affection for me. On that night, for the first time, I

realized the truth that, come what might, you would never love me--that

you had no idea of carrying out the old contract--that your interest in

me was simply a kindly, friendly one. On that night, when I realized

that truth, the better part of me died; my love--the love of my

life--died; my hopes--the life-long hopes--died; the best, truest,

noblest part of me died.

"When you had gone away, when I was left alone, I fell on my knees and

swore to be revenged. I vowed vengeance against you, no matter what it

might cost. Again let me quote to you the lines:

"'Heaven has no rage like love to hatred turned,

Nor hell a fury like a woman scorned.'

You scorned me--you must suffer for it. I swore to be revenged, but how

was I to accomplish my desire? I could not see any way in which it was

possible for me to make you suffer. I could not touch your heart, your

affections, your fortune. The only thing that I could touch was your

pride. Through your pride, your keen sensitiveness I decided to stab

you; and I have succeeded! I recovered my courage and my pride together,

made you believe that all that had passed had been jest, and then I told

you that I was going to marry the duke.

"I will say no more of my love or my sorrow. I lived only for vengeance,

but how my object was to be effected I could not tell. I thought of many

plans, they were all worthless--they could not hurt you as you had hurt

me. At last, one day, quite accidentally I took up 'The Lady of Lyons,'

and read it through. That gave me an idea of what my revenge should be

like. Do you begin to suspect what this present is that the Duchess of

Hazlewood intends making to you on your wedding-day?"

As he read on his face grew pale. What could it mean--this reference to

"The Lady of Lyons?" That was the story of a deceitful marriage--surely

all unlike his own.

"You are wondering. Turn the page and you shall read that, when an idea

once possesses a woman's mind, she has no rest until it is carried out.

I had none. My vengeance was mapped out for me--it merely required

filling in. Let me show you how it was filled up--how I have lied to

you, who to another have never uttered a false word.

"Years ago we had a maid whom my mother liked very much. She was gentle,

well-mannered, and well-bred for her station in life. She left us, and

went to some other part of England. She married badly--a handsome,

reckless ne'er-do-well, who led her a most wretched life.

"I know not, and care nothing for the story of her married life, her

rights and wrongs. How she becomes of interest to you lies in the fact

that shortly after my marriage she called to see me and ask my aid. She

had been compelled to give up her home in the country and come to

London, where, with her husband and child, she was living in poverty and

misery. While she was talking to me the duke came in. I think her

patient face interested him. He listened to her story, and promised to

do something for her husband. You will wonder how this story of Margaret

Dornham concerns you. Read on. You will know in time.

"My husband having promised to assist this man, sent for him to the

house; and the result of that visit was that the man seeing a quantity

of plate about, resolved upon helping himself to a portion of it. To

make my story short, he was caught, after having broken into the house,

packed up a large parcel of plate, and filled his pockets with some of

my most valuable jewels. There was no help for it but to prosecute him,

and his sentence was, under the circumstances, none too heavy, being ten

years' penal servitude.

"Afterward I went to see his wife Margaret, and found her in desperate

circumstances; yet she had one ornament in her house--a beautiful young

girl, her daughter, so fair of face that she dazzled me. The moment I

saw her I thought of your description of your ideal--eyes like blue

hyacinths, and hair of gold. Forthwith a plan entered my mind which I

have most successfully carried out.

"I asked for the girl's name, and was told that it was Madaline--an

uncommon name for one of her class--but the mother had lived among

well-to-do people, and had caught some of their ideas. I looked at the

girl--her face was fair, sweet, pure. I felt the power of its beauty,

and only wondered that she should belong to such people at all; her

hands were white and shapely as my own, her figure was slender and

graceful. I began to talk to her, and found her well educated, refined,

intelligent--all, in fact, that one could wish.

"Little by little their story came out--it was one of a mother's pride

and glory in her only child. She worshiped her--literally worshiped her.

She had not filled the girl's mind with any nonsensical idea about being

a lady, but she had denied herself everything in order that Madaline

might be well educated. For many years Madaline had been what is called

a governess-pupil in a most excellent school. 'Let me die when I may,'

said the poor, proud mother, 'I shall leave Madaline with a fortune in

her own hands; her education will always be a fortune to her.'

"I asked her one day if she would let me take Madaline home with me for

a few hours; she seemed delighted, and consented at once. I took the

girl home, and with my own hands dressed her in one of my most becoming

toilets. Her beauty was something marvelous. She seemed to gain both

grace and dignity in her new attire. Shortly afterward, with her

mother's permission, I sent her for six months to one of the most

fashionable schools in Paris. The change wrought in her was magical; she

learned as much in that time as some girls would have learned in a

couple of years. Every little grace of manner seemed to come naturally

to her; she acquired a tone that twenty years spent in the best of

society does not give to some. Then I persuaded Vere, my husband, to

take me to Paris for a few days, telling him I wanted to see the

daughter of an old friend, who was at school there. In telling him that

I did not speak falsely--Madaline's mother had been an old friend of

mine. Then I told him that my whim was to bring Madaline home and make a

companion of her; he allowed me to do just as I pleased, asking no

questions about her parents, or anything else. I do not believe it ever

occurred to him as strange that the name of my _protégée_ and of the man

who had robbed him was the same--indeed, he seemed to have forgotten all

about the robbery. So I brought Madaline home to Vere Court, and then to

London, where I knew that you would see her. My husband never asked any

questions about her; he made no objection, no remark--everything that I

did was always well done in his eyes.

"But you will understand clearly that to you I told a lie when I said

that Madaline's mother was a poor relative of the duke's--you know now

what relationship there is between them. Even Lady Peters does not know

the truth. She fancies that Madaline is the daughter of some friend of

mine who, having fallen on evil days, has been glad to send her to me.

"Knowing you well, Norman, the accomplishment of my scheme was not

difficult. If I had brought Madaline to you and introduced her, you

might not have been charmed; the air of mystery about her attracted you.

My warning against your caring for her would, I knew, also help to

allure you. I was right in every way. I saw that you fell in love with

her at once--the first moment you saw her--and then I knew my revenge

was secured.

"I bought my husband the yacht on purpose that he might go away and

leave me to work out my plans. I knew that he could not resist the

temptation I offered. I knew also that if he remained in England he

would want to know all about Madaline before he allowed you to marry

her. If the marriage was to take place at all, it must be during his

absence. You seemed, of your own free will, Norman, to fall naturally

into the web woven for you.

"I write easily, but I found it hard to be wicked--hard to see my lost

love, my dear old companion, drift on to his ruin.

"More than once I paused, longing to save you; more than once I drew

back, longing to tell you all. But the spirit of revenge within me was

stronger than myself--my love had turned to hate. Yet I could not quite

hate you, Norman--not quite. Once, when you appealed to my old

friendship, when you told me of your plans, I almost gave way. 'Norman!'

I cried, as you were leaving me; but when you turned again I was dumb.

"So I have taken my revenge. I, Philippa, Duchess of Hazlewood on this

your wedding-day, reveal to you the first stain on the name of

Arleigh--unvail the first blot on one of the noblest escutcheons in the

land. You have married not only a low-born girl, but the daughter of a

felon--a felon's daughter is mistress of proud Beechwood! You who

scorned Philippa L'Estrange, who had the cruelty to refuse the love of a

woman who loved you--you who looked for your ideal in the clouds, have

found it near a prison cell! The daughter of a felon will be the

mistress of the grand old house where some of the noblest ladies of the

land have ruled--the daughter of a felon will be mother of the heirs of

Arleigh. Could I have planned, prayed for, hoped for, longed for a

sweeter revenge?

"I am indifferent as to what you may do in return. I have lived for my

revenge, and now that I have tasted it life is indifferent to me. You

will, of course, write to complain to the duke, and he, with his honest

indignation justly aroused, will perhaps refuse to see me again. I care

not; my interest in life ended when my love died.

"Let me add one thing more. Madaline herself has been deceived. I told

her that you knew all her history, that I had kept nothing from you, and

that you loved her in spite of it, but that she was never to mention it

to you."

He read the letter with a burning flush on his face, which afterward

grew white as with the pallor of death; a red mist was before his eyes,

the sound of surging waters in his ears, his heart beat loud and fast.

Could it be true--oh, merciful Heaven, could it be true? At first he had

a wild hope that it was a cruel jest that Philippa was playing with him

on his wedding-day. It could not be true--his whole soul rose in

rebellion against it. Heaven was too just, too merciful--it could not

be. It was a jest. He drew his breath with a long quivering sigh--his

lips trembled; it was simply a jest to frighten him on his wedding day.

Then, one by one--slowly, sadly, surely--a whole host of circumstances

returned to his mind, making confirmation strong. He remembered

well--only too well--the scene in the balcony. He remembered the pale

starlight, the light scarf thrown over Philippa's shoulders, even the

very perfume that came from the flowers in her hair; he remembered how

her voice had trembled, how her face had shown in the faint evening

light. When she had quoted the words of _Priscilla_, the loveliest

maiden of Plymouth, she had meant them as applicable to her own

case--"Why don't you speak for yourself, John?" They came back to him

with a fierce, hissing sound, mocking his despair. She had loved him

through all--this proud, beautiful, brilliant woman for whom men of

highest rank had sighed in vain. And, knowing her pride, her

haughtiness, he could guess exactly what her love had cost her, and that

all that followed had been a mockery. On that night her love had changed

to hate. On that night she had planned this terrible revenge. Her

offering of friendship had been a blind. He thought to himself that he

had been foolish not to see it. A thousand circumstances presented

themselves to his mind. This, then, was why Madaline had so

persistently--and, to his mind, so strangely--refused his love. This was

why she had talked incessantly of the distance between them--of her own

unworthiness to be his wife. He bad thought that she alluded merely to

her poverty, whereas it was her birth and parentage she referred to.

How cleverly, how cruelly Philippa had deceived them both--Philippa, his

old friend and companion, his sister in all but name! He could see now a

thousand instances in which Madaline and himself had played at cross

purposes--a thousand instances in which the poor girl had alluded to her

parent's sin, and he had thought she was speaking of her poverty. It was

a cruel vengeance, for, before he had read the letter through, he knew

that if the story were correct, she could be his wife in name only--that

they must part. Poverty, obscurity, seemed as nothing now--but crime?

Oh, Heaven, that his name and race should be so dishonored! If he had

known the real truth, he would have died rather than have uttered one

word of love to her.

The daughter of a felon--and he had brought her to Beechgrove as

successor to a roll of noble women, each one of whom had been of noble

birth! She was the daughter of a felon--no matter how fair, how

graceful, how pure. For the first time the glory of Beechgrove was

tarnished. But it would not be for long--it could not be for long; she

must not remain. The daughter of a felon to be the mother of his

children--ah, no, not if he went childless to the grave! Better that his

name were extinct, better that the race of Arleigh should die out, than

that his children should be pointed at as children with tainted blood!

It could never be. He would expect the dead and gone Arleighs to rise

from their graves in utter horror, he would expect some terrible curse

to fall on him, were so terrible a desecration to happen. They must

part. The girl he loved with all the passionate love of his heart, the

fair young wife whom he worshiped must go from him, and he must see her

no more. She must be his wife in name only.

He was young, and he loved her very dearly. His head fell forward on his

breast, and as bitter a sob as ever left man's lips died on his. His

wife in name only! The sweet face, the tender lips were not for him--yet

he loved her with the whole passion and force of his soul. Then he

raised his head--for he heard a sound, and knew that she was returning.

Great drops of anguish fell from his brow--over his handsome face had

come a terrible change; it had grown fierce with pain, haggard with

despair, white with sorrow.

Looking up, he saw her--she was at the other end of the gallery; he saw

the tall, slender figure and the sweeping dress--he saw the white arms

with their graceful contour, the golden hair, the radiant face--and he

groaned aloud; he saw her looking up at the pictures as she passed

slowly along--the ancestral Arleighs of whom he was so proud. If they

could have spoken, those noble women, what would they have said to this

daughter of a felon?

She paused for a few minutes to look up at her favorite, Lady Alicia,

and then she came up to him and stood before him in an the grace of her

delicate loveliness, in all the pride of her dainty beauty. She was

looking at the gorgeous Titian near him.

"Norman," she said, "the sun has turned those rubies into drops of

blood--- they looked almost terrible on the white throat. What a strange

picture! What a tragical face!"

Suddenly with outstretched arms she fell on her knees at his side.

"Oh, my darling, what has happened? What is the matter?"

She had been away from him only half an hour, yet it seemed to him ages

since he had watched her leave the gallery with a smile on her lips.

"What is it, my darling?" she cried again. "Dear Norman, you look as

though the shadow of death had passed over you. What is it?"

In another moment she had flung herself on his breast, clasped her arms

round his neck, and was kissing his pale changed face as she had never

done before.

"Norman, my darling husband, you are ill," she said--"ill, and you will

not tell me. That is why you sent me away."

He tried to unclasp her arms, but she clung the more closely to him.

"You shall not send me away. You wish to suffer in silence? Oh, my

darling, my husband, do you forget that I am your wife, for better, for

worse, in sickness and in health? You shall not suffer without my

knowledge."

"I am not ill, Madaline," he said, with a low moan. "It is not that."

"Then something has happened--you have been frightened."

He unclasped her arms from his neck--their caress was a torture to him.

"My poor darling, my poor wife, it is far worse than that. No man has

ever seen a more ghastly specter than I have seen of death in life."

She looked round in quick alarm.

"A specter!" she cried fearfully; and then something strange in his face

attracted her attention. She looked at him. "Norman," she said, slowly,

"is it--is it something about me?"

How was he to tell her? He felt that it would be easier to take her out

into the glorious light of the sunset and slay her than kill her with

the cruel words that he must speak. How was he to tell her? No physical

torture could be so great as that which he must inflict; yet he would

have given his life to save her from pain.

"It is--I am quite sure," she declared, slowly--"something about me. Oh,

Norman, what is it? I have not been away from you long. Yet no change

from fairest day to darkest night could be so great as the change in you

since I left you. You will not tell me what it is--you have taken my

arms from your neck--you do not love me!"

"Do not torture me, Madaline," he said. "I am almost mad. I cannot bear

much more."

"But what is it? What have I done? I who you send from you now am the

same Madaline whom you married this morning--whom you kissed half an

hour since. Norman, I begin to think that I am in a terrible dream."

"I would to Heaven it were a dream. I am unnerved--unmanned--I have lost

my strength, my courage, my patience, my hope. Oh, Madaline, how can I

tell you?"

The sight of his terrible agitation seemed to calm her; she took his

hand in hers.

"Do not think of me," she said--"think of yourself. I can bear what you

can bear. Let me share your trouble, whatever it may be, my husband."

He looked at the sweet, pleading face. How could he dash the light and

brightness from it? How could he slay her with the cruel story he had to

tell. Then, in a low, hoarse voice, he said:

"You must know all, and I cannot say it. Read this letter, Madeline,

and then you will understand."

Wife in Name Only · 第 26 / 40 章