SCENE 2

A plainly furnished room; bed, table, sofa. Fédya alone.

_A knock at the door. A woman's voice outside._ Why have you locked

yourself in, Theodore Vasílyevich? Fédya! Open ...!

FÉDYA [gets up and unlocks door] That's right! Thank you for coming.

It's dull, terribly dull!

MÁSHA. Why didn't you come to us? Been drinking again? Eh, eh! And after

you'd promised!

FÉDYA. D'you know, I've no money!

MÁSHA. And why have I taken it into my head to care for you!

FÉDYA. Másha!

MÁSHA. Well, what about "Másha, Másha"? If you were really in love,

you'd have got a divorce long ago. They themselves asked you to. You say

you don't love her, but all the same you keep to her! I see you don't

wish ...

FÉDYA. But you know why I don't wish!

MÁSHA. That's all rubbish. People say quite truly that you're an empty

fellow.

FÉDYA. What can I say to you? That your words hurt me, you know without

being told!

MÁSHA. Nothing hurts you!

FÉDYA. You know that the one joy I have in life is your love.

MÁSHA. _My_ love--yes; but yours doesn't exist.

FÉDYA. All right. I'm not going to assure you. Besides, what's the good?

You know!

MÁSHA. Fédya; why torment me?

FÉDYA. Which of us torments?

MÁSHA [cries] You are unkind!

FÉDYA [goes up and embraces her] Másha! What's it all about? Stop that.

One must live, and not whine. It doesn't suit you at all, my lovely one!

MÁSHA. You do love me?

FÉDYA. Whom else could I love?

MÁSHA. Only me? Well then, read what you have been writing.

FÉDYA. It will bore you.

MÁSHA. It's you who wrote it, so it's sure to be good.

FÉDYA. Well then listen. [Reads] "One day, late in autumn, my friend and

I agreed to meet on the Murýgin fields, where there was a close thicket

with many young birds in it. The day was dull, warm, and quiet. The

mist ..."

Enter two old gipsies, Másha's parents, Iván Makárovich and Nastásia

Ivánovna.

NASTÁSIA [stepping up to her daughter] Here you are then, you damned

runaway sheep! [To Fédya] My respects to you, sir! [To Másha] Is that

how you treat us, eh?

IVÁN [to Fédya] It's wrong, sir, what you're doing! You're ruining the

wench! Oh, but it's wrong ... You're doing a dirty deed.

NASTÁSIA. Put on your shawl! March at once!... Running away like this!

What can I say to the choir? Gallivanting with a beggar--what can you

get out of him?

MÁSHA. I don't gallivant! I love this gentleman, that's all. I've not

left the choir. I'll go on singing, and what ...

IVÁN. Say another word, and I'll pull the hair off your head!...

Slut!... Who behaves like that? Not your father, nor your mother, nor

your aunt!... It's bad, sir! We were fond of you--often and often we

sang to you without pay. We pitied you, and what have you done?

NASTÁSIA. You've ruined our daughter for nothing ... our own, our only

daughter, the light of our eyes, our priceless jewel--you've trodden her

into the mire, that's what you've done! You've no conscience.

FÉDYA. Nastásia Ivánovna, you suspect me falsely. Your daughter is like

a sister to me. I care for her honour. You must think no evil ... but I

love her! What is one to do?

IVÁN. But you didn't love her when you had money! If you'd then

subscribed ten thousand roubles or so to the choir, you might have had

her honourably. But now you've squandered everything, and carry her off

by stealth! It's a shame, sir, a shame!

MÁSHA. He has not carried me off! I came to him myself, and if you take

me away now, I shall come back again. I love him, and there's an end of

it! My love is stronger than all your locks ... I won't!

NASTÁSIA. Come, Másha dearest! Come, my own! Don't sulk. You've done

wrong, and now come along.

IVÁN. Now then, you've talked enough! March! [Seizes her hand] Excuse

us, sir! [Exit the three gipsies].

Enter Prince Abrézkov.

PRINCE ABRÉZKOV. Excuse me. I have been an unwilling witness of an

unpleasant scene....

FÉDYA. Whom have I the honour?... [Recognises the Prince] Ah, Prince

Abrézkov! [They shake hands].

PRINCE ABRÉZKOV. An unwilling witness of an unpleasant scene. I should

have been glad not to hear, but having overheard it, I consider it my

duty to tell you so. I was directed here, and had to wait at the door

for those people to come out--more particularly as their very loud

voices rendered my knocking inaudible.

FÉDYA. Yes, yes--please take a seat. Thank you for telling me: it gives

me the right to explain that scene to you. I don't mind what you may

think of me, but I should like to tell you that the reproaches you heard

addressed to that girl, that gipsy singer, were unjust. That girl is as

morally pure as a dove; and my relations with her are those of a friend.

There may be a tinge of romance in them, but it does not destroy the

purity--the honour--of the girl. That is what I wished to tell you; but

what is it you want of me? In what way can I be of service?

PRINCE ABRÉZKOV. In the first place, I ...

FÉDYA. Forgive me, Prince. My present social standing is such, that my

former slight acquaintance with you does not entitle me to a visit from

you, unless you have some business with me. What is it?

PRINCE ABRÉZKOV. I won't deny it. You have guessed right. I have

business with you; but I beg you to believe that the alteration in your

position in no wise affects my attitude towards you.

FÉDYA. I am sure of it.

PRINCE ABRÉZKOV. My business is this. The son of my old friend, Anna

Dmítrievna Karénina, and she herself, have asked me to ascertain

directly from you what are your relations ... May I speak out?... your

relations with your wife, Elisabeth Andréyevna Protásova.

FÉDYA. My relations with my wife, or rather with her who _was_ my wife,

are entirely at an end.

PRINCE ABRÉZKOV. So I understood, and that is why I accepted this

difficult mission.

FÉDYA. At an end, and, I hasten to add, not by her fault, but by

mine--by my innumerable faults. She is, as she always was, quite

irreproachable.

PRINCE ABRÉZKOV. Well then, Victor Karénin, or rather his mother, asked

me to find out what your intentions are.

FÉDYA [growing excited] What intentions? I have none. I set her quite

free! Moreover, I will never disturb her peace. I know she loves Victor

Karénin. Well, let her! I consider him a very dull, but very good and

honourable man, and I think that she will, as the phrase goes, be happy

with him; and--_que le bon Dieu les bénisse_![20] That's all ...

[20] May God bless them!

PRINCE ABRÉZKOV. Yes, but we ...

FÉDYA [interrupting] And don't suppose that I feel the least bit

jealous. If I said that Victor is dull, I withdraw the remark. He is an

excellent, honourable, moral man: almost the direct opposite of myself.

And he has loved her from childhood. Perhaps she too may have loved him

when she married me--that happens sometimes! The very best love is

unconscious love. I believe she always did love him; but as an honest

woman she did not confess it even to herself. But ... a shadow of some

kind always lay across our family life--but why am I confessing to you?

PRINCE ABRÉZKOV. Please do! Believe me, my chief reason for coming to

you was my desire to understand the situation fully.... I understand

you. I understand that the shadow, as you so well express it, may have

been ...

FÉDYA. Yes, it was; and that perhaps is why I could not find

satisfaction in the family life she provided for me, but was always

seeking something, and being carried away. However, that sounds like

excusing myself. I don't want to, and can't, excuse myself. I was (I say

with assurance, _was_) a bad husband. I say _was_, because in my

consciousness I am not, and have long not been, her husband. I consider

her perfectly free. So there you have my answer to your question.

PRINCE ABRÉZKOV. Yes, but you know Victor's family, and himself too. His

relation to Elisabeth Andréyevna is, and has been all through, most

respectful and distant. He assisted her when she was in trouble ...

FÉDYA. Yes, I by my dissipation helped to draw them together. What's to

be done? It had to be so!

PRINCE ABRÉZKOV. You know the strictly Orthodox convictions of that

family. Having myself a broader outlook on things, I do not share them;

but I respect and understand them. I understand that for him, and

especially for his mother, union with a woman without a Church marriage

is unthinkable.

FÉDYA. Yes, I know his stu ... his strictness, his conservatism in these

matters. But what do they want? A divorce? I told them long ago that I

am quite willing; but the business of taking the blame on myself, and

all the lies connected with it, are very trying....[21]

[21] Under the Russian law divorce was only obtainable if ocular

evidence of adultery was forthcoming, and a great deal of perjury was

usually involved in such cases.

PRINCE ABRÉZKOV. I quite understand you, and sympathise. But how can it

be avoided? I think it might be arranged that way--but you are right. It

is dreadful, and I quite understand you.

FÉDYA [pressing the Prince's hand] Thank you, dear Prince! I always knew

you were a kind and honourable man. Tell me what to do. How am I to act?

Put yourself in my place. I am not trying to improve. I am a

good-for-nothing; but there are things I cannot do quietly. I cannot

quietly tell lies.

PRINCE ABRÉZKOV. I don't understand you! You, a capable, intelligent

man, so sensitive to what is good--how can you let yourself be so

carried away--so forget what you expect of yourself? How have you ruined

your life and come to this?

FÉDYA [forcing back tears of emotion] I have led this disorderly life

for ten years, and this is the first time a man like you has pitied me!

I have been pitied by my boon-companions, by rakes and by women; but a

reasonable, good man like you ... Thank you! How did I come to my ruin?

First, through drink. It is not that drink tastes nice; but do what I

will, I always feel I am not doing the right thing, and I feel ashamed.

I talk to you now, and feel ashamed. As for being a _Maréchal de la

noblesse_, or a Bank Director--I should feel ashamed, so ashamed! It is

only when I drink that I do not feel this shame. And music: not operas

or Beethoven, but gipsies!... That is life! Energy flows into one's

veins! And then those dear black eyes, and those smiles! And the more

delicious it is, the more ashamed one feels afterwards.

PRINCE ABRÉZKOV. How about work?

FÉDYA. I have tried it, but it's no good. I am always dissatisfied with

it--but what's the use of talking about myself! I thank you.

PRINCE ABRÉZKOV. Then what am I to say?

FÉDYA. Tell them I will do what they wish. They want to get married, and

that there should be no obstacle to their marriage?

PRINCE ABRÉZKOV. Of course.

FÉDYA. I'll do it! Tell them I will certainly do it.

PRINCE ABRÉZKOV. But when?

FÉDYA. Wait a bit. Well, say in a fortnight. Will that do?

PRINCE ABRÉZKOV. Then I may tell them so?

FÉDYA. You may. Good-bye, Prince! Thank you once again!

[Exit Prince].

FÉDYA [sits for a long time and smiles silently] That's the way, that's

the way! It must be so, must be, must be! Splendid!

Curtain.

The Live Corpse · 第 2 / 3 章