CHAPTER X

THIRD STAY IN ENGLAND

1509-14

Third stay in England: 1509-14--No information about two years

of Erasmus's life: 1509 summer, till 1511 spring--Poverty--

Erasmus at Cambridge--Relations with Badius, the Paris

publisher--A mistake profitable to Johannes Froben at Basle--

Erasmus leaves England: 1514--_Julius Exclusus_--Epistle

against war

From the moment when Erasmus, back from Italy in the early summer of

1509, is hidden from view in the house of More, to write the _Praise of

Folly_, until nearly two years later when he comes to view again on the

road to Paris to have the book printed by Gilles Gourmont, every trace

of his life has been obliterated. Of the letters which during that

period he wrote and received, not a single one has been preserved.

Perhaps it was the happiest time of his life, for it was partly spent

with his tried patron, Mountjoy, and also in the house of More in that

noble and witty circle which to Erasmus appeared ideal. That house was

also frequented by the friend whom Erasmus had made during his former

sojourn in England, and whose mind was perhaps more congenial to him

than any other, Andrew Ammonius. It is not improbable that during these

months he was able to work without interruption at the studies to which

he was irresistibly attracted, without cares as to the immediate future,

and not yet burdened by excessive renown, which afterwards was to cause

him as much trouble and loss as joy.

That future was still uncertain. As soon as he no longer enjoys More's

hospitality, the difficulties and complaints recommence. Continual

poverty, uncertainty and dependence were extraordinarily galling to a

mind requiring above all things liberty. At Paris he charged Badius with

a new, revised edition of the _Adagia_, though the Aldine might still be

had there at a moderate price. The _Laus_, which had just appeared at

Gourmont's, was reprinted at Strassburg as early as 1511, with a

courteous letter by Jacob Wimpfeling to Erasmus, but evidently without

his being consulted in the matter. By that time he was back in England,

had been laid up in London with a bad attack of the sweating sickness,

and thence had gone to Queens' College, Cambridge, where he had resided

before. From Cambridge he writes to Colet, 24 August 1511, in a vein of

comical despair. The journey from London had been disastrous: a lame

horse, no victuals for the road, rain and thunder. 'But I am almost

pleased at this, I see the track of Christian poverty.' A chance to make

some money he does not see; he will be obliged to spend everything he

can wrest from his Maecenases--he, born under a wrathful Mercury.

This may sound somewhat gloomier than it was meant, but a few weeks

later he writes again: 'Oh, this begging; you laugh at me, I know. But I

hate myself for it and am fully determined, either to obtain some

fortune, which will relieve me from cringing, or to imitate Diogenes

altogether.' This refers to a dedication of a translation of Basilius's

Commentaries on Isaiah to John Fisher, the Bishop of Rochester.

Colet, who had never known pecuniary cares himself, did not well

understand these sallies of Erasmus. He replies to them with delicate

irony and covert rebuke, which Erasmus, in his turn, pretends not to

understand. He was now 'in want in the midst of plenty', _simul et in

media copia et in summa inopia_. That is to say, he was engaged in

preparing for Badius's press the _De copia verborum ac rerum_, formerly

begun at Paris; it was dedicated to Colet. 'I ask you, who can be more

impudent or abject than I, who for such a long time already have been

openly begging in England?'

Writing to Ammonius he bitterly regrets having left Rome and Italy; how

prosperity had smiled upon him there! In the same way he would

afterwards lament that he had not permanently established himself in

England. If he had only embraced the opportunity! he thinks. Was not

Erasmus rather one of those people whom good fortune cannot help? He

remained in trouble and his tone grows more bitter. 'I am preparing some

bait against the 1st of January, though it is pretty sure to be in

vain,' he writes to Ammonius, referring to new translations of Lucian

and Plutarch.

At Cambridge Erasmus lectured on divinity and Greek, but it brought him

little success and still less profit. The long-wished-for prebend,

indeed, had at last been given him, in the form of the rectory of

Aldington, in Kent, to which Archbishop William Warham, his patron,

appointed him in 1512. Instead of residing he was allowed to draw a

pension of twenty pounds a year. The archbishop affirms explicitly that,

contrary to his custom, he had granted this favour to Erasmus, because

he, 'a light of learning in Latin and Greek literature, had, out of love

for England, disdained to live in Italy, France, or Germany, in order to

pass the rest of his life here, with his friends'. We see how nations

already begin to vie with each other for the honour of sheltering

Erasmus.

Relief from all cares the post did not bring. Intercourse and

correspondence with Colet was a little soured under the light veil of

jests and kindness by his constant need of money. Seeking new resources

by undertaking new labours, or preparing new editions of his old books,

remained a hard necessity for Erasmus. The great works upon which he had

set his heart, and to which he had given all his energies at Cambridge,

held out no promise of immediate profit. His serious theological labours

ranked above all others; and in these hard years, he devoted his best

strength to preparation for the great edition of Jerome's works and

emendation of the text of the New Testament, a task inspired, encouraged

and promoted by Colet.

For his living other books had to serve. He had a sufficient number now,

and the printers were eager enough about them, though the profit which

the author made by them was not large. After leaving Aldus at Venice,

Erasmus had returned to the publisher who had printed for him as early

as 1505--Josse Badius, of Brabant, who, at Paris, had established the

Ascensian Press (called after his native place, Assche) and who, a

scholar himself, rivalled Aldus in point of the accuracy of his editions

of the classics. At the time when Erasmus took the _Moria_ to Gourmont,

at Paris, he had charged Badius with a new edition, still to be revised,

of the _Adagia_. Why the _Moria_ was published by another, we cannot

tell; perhaps Badius did not like it at first. From the _Adagia_ he

promised himself the more profit, but that was a long work, the

alterations and preface of which he was still waiting for Erasmus to

send. He felt very sure of his ground, for everyone knew that he,

Badius, was preparing the new edition. Yet a rumour reached him that in

Germany the Aldine edition was being reprinted. So there was some hurry

to finish it, he wrote to Erasmus in May 1512.

Badius, meanwhile, had much more work of Erasmus in hand, or on

approval: the _Copia_, which, shortly afterwards, was published by him;

the _Moria_, of which, at the same time, a new edition, the fifth,

already had appeared; the dialogues by Lucian; the Euripides and Seneca

translations, which were to follow. He hoped to add Jerome's letters to

these. For the _Adagia_ they had agreed upon a copy-fee of fifteen

guilders; for Jerome's letters Badius was willing to give the same sum

and as much again for the rest of the consignment. 'Ah, you will say,

what a very small sum! I own that by no remuneration could your genius,

industry, knowledge and labour be requited, but the gods will requite

you and your own virtue will be the finest reward. You have already

deserved exceedingly well of Greek and Roman literature; you will in

this same way deserve well of sacred and divine, and you will help your

little Badius, who has a numerous family and no earnings besides his

daily trade.'

Erasmus must have smiled ruefully on receiving Badius's letter. But he

accepted the proposal readily. He promised to prepare everything for the

press and, on 5 January 1513, he finished, in London, the preface to the

revised _Adagia_, for which Badius was waiting. But then something

happened. An agent who acted as a mediator with authors for several

publishers in Germany and France, one Francis Berckman, of Cologne, took

the revised copy of the _Adagia_ with the preface entrusted to him by

Erasmus to hand over to Badius, not to Paris, but to Basle, to Johannes

Froben, who had just, without Erasmus's leave, reprinted the Venetian

edition! Erasmus pretended to be indignant at this mistake or perfidy,

but it is only too clear that he did not regret it. Six months later he

betook himself with bag and baggage to Basle, to enter with that same

Froben into those most cordial relations by which their names are

united. Beatus Rhenanus, afterwards, made no secret of the fact that a

connection with the house of Froben, then still called Amerbach and

Froben, had seemed attractive to Erasmus ever since he had heard of the

_Adagia_ being reprinted.

Without conclusive proofs of his complicity, we do not like to accuse

Erasmus of perfidy towards Badius, though his attitude is curious, to

say the least. But we do want to commemorate the dignified tone in which

Badius, who held strict notions, as those times went, about copyright,

replied, when Berckman afterwards had come to offer him a sort of

explanation of the case. He declares himself satisfied, though Erasmus

had, since that time, caused him losses in more ways, amongst others by

printing a new edition of the _Copia_ at Strassburg. 'If, however, it is

agreeable to your interests and honour, I shall suffer it, and that with

equanimity.' Their relations were not broken off. In all this we should

not lose sight of the fact that publishing at that time was yet a quite

new commercial phenomenon and that new commercial forms and relations of

trade are wont to be characterized by uncertainty, confusion and lack of

established business morals.

The stay at Cambridge gradually became irksome to Erasmus. 'For some

months already', he writes to Ammonius in November 1513, 'we have been

leading a true snail's life, staying at home and plodding. It is very

lonely here; most people have gone for fear of the plague, but even when

they are all here, it is lonely.' The cost of sustenance is unbearable

and he makes no money at all. If he does not succeed, that winter, in

making a nest for himself, he is resolved to fly away, he does not know

where. 'If to no other end, to die elsewhere.'

Added to the stress of circumstances, the plague, reappearing again and

again, and attacks of his kidney-trouble, there came the state of war,

which depressed and alarmed Erasmus. In the spring of 1513 the English

raid on France, long prepared, took place. In co-operation with

Maximilian's army the English had beaten the French near Guinegate and

compelled Therouanne to surrender, and afterwards Tournay. Meanwhile the

Scotch invaded England, to be decisively beaten near Flodden. Their

king, James IV, perished together with his natural son, Erasmus's pupil

and travelling companion in Italy, Alexander, Archbishop of Saint

Andrews.

Crowned with martial fame, Henry VIII returned in November to meet his

parliament. Erasmus did not share the universal joy and enthusiastic

admiration. 'We are circumscribed here by the plague, threatened by

robbers; we drink wine of the worst (because there is no import from

France), but, _io triumphe!_ we are the conquerors of the world!'

His deep aversion to the clamour of war, and all it represented,

stimulated Erasmus's satirical faculties. It is true that he flattered

the English national pride by an epigram on the rout of the French near

Guinegate, but soon he went deeper. He remembered how war had impeded

his movements in Italy; how the entry of the pope-conqueror, Julius II,

into Bologna had outraged his feelings. 'The high priest Julius wages

war, conquers, triumphs and truly plays the part of Julius (Caesar)' he

had written then. Pope Julius, he thought, had been the cause of all the

wars spreading more and more over Europe. Now the Pope had died in the

beginning of the year 1513.

And in the deepest secrecy, between his work on the New Testament and

Jerome, Erasmus took revenge on the martial Pope, for the misery of the

times, by writing the masterly satire, entitled _Julius exclusus_, in

which the Pope appears in all his glory before the gate of the Heavenly

Paradise to plead his cause and find himself excluded. The theme was not

new to him; for had he not made something similar in the witty Cain

fable, by which, at one time, he had cheered a dinner-party at Oxford?

But that was an innocent jest to which his pious fellow-guests had

listened with pleasure. To the satire about the defunct Pope many would,

no doubt, also gladly listen, but Erasmus had to be careful about it.

The folly of all the world might be ridiculed, but not the worldly

propensities of the recently deceased Pope. Therefore, though he helped

in circulating copies of the manuscript, Erasmus did his utmost, for the

rest of his life, to preserve its anonymity, and when it was universally

known and had appeared in print, and he was presumed to be the author,

he always cautiously denied the fact; although he was careful to use

such terms as to avoid a formal denial. The first edition of the

_Julius_ was published at Basle, not by Froben, Erasmus's ordinary

publisher, but by Cratander, probably in the year 1518.

Erasmus's need of protesting against warfare had not been satisfied by

writing the _Julius_. In March 1514, no longer at Cambridge, but in

London, he wrote a letter to his former patron, the Abbot of Saint

Bertin, Anthony of Bergen, in which he enlarges upon the folly of waging

war. Would that a Christian peace were concluded between Christian

princes! Perhaps the abbot might contribute to that consummation through

his influence with the youthful Charles V and especially with his

grandfather Maximilian. Erasmus states quite frankly that the war has

suddenly changed the spirit of England. He would like to return to his

native country if the prince would procure him the means to live there

in peace. It is a remarkable fact and of true Erasmian naivete that he

cannot help mixing up his personal interests with his sincere

indignation at the atrocities disgracing a man and a Christian. 'The war

has suddenly altered the spirit of this island. The cost of living rises

every day and generosity decreases. Through lack of wine I nearly

perished by gravel, contracted by taking bad stuff. We are confined in

this island, more than ever, so that even letters are not carried

abroad.'

This was the first of Erasmus's anti-war writings. He expanded it into

the adage _Dulce bellum inexpertis_, which was inserted into the

_Adagia_ edition of 1515, published by Froben and afterwards also

printed separately. Hereafter we shall follow up this line of Erasmus's

ideas as a whole.

Though the summer of 1514 was to bring peace between England and France,

Erasmus had now definitely made up his mind to leave England. He sent

his trunks to Antwerp, to his friend Peter Gilles and prepared to go to

the Netherlands, after a short visit to Mountjoy at the castle of Hammes

near Calais. Shortly before his departure from London he had a curious

interview with a papal diplomat, working in the cause of peace, Count

Canossa, at Ammonius's house on the Thames. Ammonius passed him off on

Erasmus as a merchant. After the meal the Italian sounded him as to a

possible return to Rome, where he might be the first in place instead of

living alone among a barbarous nation. Erasmus replied that he lived in

a land that contained the greatest number of excellent scholars, among

whom he would be content with the humblest place. This compliment was

his farewell to England, which had favoured him so. Some days later, in

the first half of July 1514, he was on the other side of the Channel. On

three more occasions he paid short visits to England, but he lived there

no more.

[Illustration: XIII. JOHANNES FROBEN, 1522-3

Reproduced by gracious permission of H.M. The Queen]

[Illustration: XIV. THE PRINTER'S EMBLEM OF JOHANNES FROBEN]

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