OPERATIC NOTES.

[Illustration: Patti commence la Patti-série.]

_Tuesday._--Grand night. Memorable for _rentrée_ of ADELINA PATTI. She

has been absent from C. G. Opera many years. Welcome little stranger!

Absence makes hearts fonder, and so Big Heart of Big House, crowded

right up to tipmost topmost, goes out to ADELINA PATTI reappearing

as radiant _Violetta_, the Consumptive Cocotte and heroine of _La

Traviata_. Quite in best Tra-la-la-viata form is our PATTI to-night.

The knowing ones observe high keys politely transposed to suit

ADELINA. But what manager could refuse to _put down the notes_ when

ADELINA agrees to sing? All come in early. Upper parts of House at

Lowest prices either breakfasted or lunched on doorstep, waiting for

Warbler to commence. Warbler begins 8.30 sharp. "8.30 sharp" maybe,

but Warbler neither sharp nor flat; in perfect tune. DE LUCIA first

rate as poor, spoony little _Alfredo_; and ANCONA admirable as Old

Original G. G., _i.e._, _Georgy Germont_. "_Pura siccome_," and

"_Parigi o cara_," old friends all, come out as fresh as ever, or

fresher. Get story rather mixed up with that of _Manon_, which in some

respects it resembles: _Violetta_ evidently _Manon's_ niece, or first

cousin. Touchingly sympathetic acting on part of Mlle. BAUERMEISTER as

the nurse (draught, &c., every hour, prescriptions carefully made up)

attending on the suffering soprano. _Annina_ deeply touched by

sad meeting between _Alfred_, "such a Daisy,"--or, such a

"Lack-a-Daisy,"--and his sweet _Violet_.

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Punch, or the London Charivari, Vol. 108, June 22nd, 1895 · 第 10 / 29 题