As to bees, I do know that they circle to find landmarks. After years

spent in hunting, or "lining bees," as we call the sport in Maine, I

can speak with no uncertain knowledge. The power to circle in search of

landmarks is limited. If a bee is carried too far from its hive, beyond

its power to circle and find landmarks, it is lost and never returns

to the hive. I have proved this time after time. The carrier-pigeon's

power to circle is a most remarkable feature, but nevertheless it has

its limit. Pigeons that are used for long-distance flight are trained

over the whole distance in short flights, so the bird may become

familiar with landmarks.

Our dogs and cats that return to us when carried sightless to a

distance, may return through the sense of smell. Cape Ann fishermen

tell me that dogs scent the land fifty miles at sea. If we grant to

animals the power of observation which we possess, and then take into

consideration their keen sense of smell, we can account for many things

that seem mysterious. However, dogs and cats are lost every day in the

week.

Nest building is said to be instinctive, but I shall have to take

exceptions to the statement. I do not deny that the art is hereditary,

and that a young bird confined might essay to build something for a

nest, but I do deny that the selection of straws is under the influence

of instinct. I believe young birds examine the nest in which they are

reared intelligently, and are educated by their parents in part in

the selection of material. I once saw an old catbird give her young

daughter a lesson in nest building. The young catbird had carried a

large quantity of rootlets from my garden to a patch of catbrier. She

had placed it so loosely that a good breeze would have upset the whole

affair. While I was looking on wondering what the bird would do if the

wind should rise, the old catbird, the young bird's mother, happened

along to inspect the work.

[Illustration]

The moment she saw the shaky structure she tumbled it on to the ground.

Then she laid a foundation that no breeze could dislodge. Her selection

of rootlets long enough to bridge the spaces was something wonderful.

I did not see her make a mistake. If she picked up a rootlet a hair's

breadth short, she dropped it for another of the right length. After

she had laid a secure foundation, she left the young bird to her own

skill and judgment. When the bird had completed the nest, it was as

large as a four-quart measure. It was made up of varied materials.

Newspaper and cloth afforded the larger amount. A departure was the

skin of a garter snake woven into the brim. A few years ago I found a

catbird's nest ornamented with a snake-skin, and the two instances are

the only ones of all my observations.

[Illustration: WOOD THRUSH.]

[Illustration]

To read some of our books on ornithology, would lead one to suppose

that birds of the same species constructed nests exactly alike, but

the fact is, that no two nests are alike. A bird will improve in nest

building, usually, with age. I have a little friend, a chestnut-sided

warbler, that has constructed twenty-three nests since I made her

acquaintance. As I remember them the last nest is the neatest and most

substantial. Some have been made almost wholly of rags. Chickadees have

adopted cotton-batting, and call for it if I neglect to keep it in the

dooryard. It often happens that birds select new material, if handy,

instead of hunting the usual nest building material. If birds were

guided by instinct and did not exercise reason, they would select the

same nesting material year after year. The habit would be so securely

fixed that the bird would not be tempted to use new material, no

matter how plentiful or handy it might be. The fact that birds readily

accommodate themselves to new surroundings, is proof positive that

they possess the power to reason. I found a nest, last season, of the

wood-thrush, which was a complete departure from the usual nest. The

bulk of the nest was composed of moss, sphagnum. It was placed on some

bushes of the black-alder which the snow had bent down. Instead of mud

the bird had used a black soil, and the nest was lined with horsehair.

The horsehair, moss, and black mold were all near the nest. If I had

found the nest after the young had left it, it would have proved a

puzzle for me. As it was, the old bird was on the nest when I found it

and so gave me the clue.

[Illustration]

Young birds are taught to sing by the old males. This is true of the

birds that have come under my observation. Even the grouse teaches the

young to drum. This is done soon after dark in the fall of the year.

From my hammock I often hear these lessons. The old grouse makes the

woods ring with his drumming. Then he rests while the young grouse try

a hand. Their efforts are not a success, and the old bird again shows

them how to do it. Some nights this will go on for two hours.

There is a test that any one can try, to prove that song is

educational and not instinctive.

Go into the woods inhabited by the wood-thrush, and sit down and

listen. It will soon be evident that you have invited yourself to a

bird's singing school.

[Illustration]

In a party of summer residents from Magnolia, there was one lady who

told me she had no patience with my views on song. That a bird would

sing, anyway, because it had a throat adapted to song. She said that

when I heard birds sing out of season, I would claim that they were

teaching their young, when in fact they were only exercising their

voices without a thought of teaching. When they were ready to return

to Magnolia, I offered to show them a path through the woods, a new

way to them. When I had reached a spot where I knew there was a family

of wood-thrushes, I ordered a rest. When we had become quiet the old

thrush tuned up and gave us the song. It is a short song, but loud,

clear, and flute-like. There was no wind, and the song appeared to be

sweeter and louder than usual. When the old thrush had ceased, one

young bird after another took up the strain. Some would give one note,

others two or three notes. Some notes would be hoarse, others would be

shrill. After awhile the birds would forget the lesson and drop out one

after the other. When all were silent, the old thrush would again give

them the right pitch and tone, and again the young thrushes tried to

imitate the singer. For two hours we sat there and listened. The lady

had to admit that the old bird was giving the young birds a lesson. Yet

she claimed that the thrush was an exception. I was glad that she was

ready to admit that one bird of a species was intelligent. I told her

that when she had devoted two hours to all the other birds she would be

converted to my faith.

[Illustration: THE HERMIT THRUSH.]

[Illustration]

Of all the thrushes the Hermit is my favorite. Not because he is

a namesake, but for the reason that his is one of the beautiful

bird-songs woven into the memory of my boyhood days. I see him here

only in migration. The last of March or first of April, I see the bird,

and hear the sweet "Tu-le, tu-li-le." A beautiful strain, but only the

prelude to the true song, which is seldom heard away from their summer

home. Years ago I wrote the following description of the song of the

hermit-thrush :

"To me the song of the hermit-thrush is the sweetest sound in nature.

It is not a plaintive, pensive, or tender strain, but satisfies the

senses and clings to the memory like the recollection of some great joy.

"I shall never forget a song I once heard in the woods of northern

Maine. I was in a bark-peeling camp at the time. A rainy day had sent

the crew to their homes in the settlement until the next morning; and I

was left alone.

"The rain poured down in torrents. The wind howled and roared through

the tree-tops, flinging great sheets of water on to the bark roof of

the camp. My spirits were depressed and gloomy. Financial troubles, the

loss of a cherished home, had disheartened me, and life seemed hardly

worth living.

[Illustration]

"Just before night the rain suddenly ceased. The sun burst through

the clouds, and the wind completely died out. Save for the sound of

dropping water, the forest was silent and solemn. A glowing sunset,

painting all the clouds of the western sky, aroused me from my

miserable thoughts. Just then the song of the hermit-thrush floated up

from a neighboring swamp. Clear and pure the flute-like notes slowly

echoed through the silent woods. The moist and hollow atmosphere

magnified the slightest sound, and I could distinguish the fine trills

which form a part of this famous song. '_O, phee-re-al, phee-re-al!_'

represents the strain as near as I can give it in words.

"I would that I were able to express in fitting language the

feelings with which I am inspired when I listen to the song of the

hermit-thrush. It satisfies my sense of the beautiful as no other

song can. And yet I am never quite satisfied. There is something I do

not understand. Something beyond me, a shadowy mystery. After I have

listened to the strain, and while its memory still lingers, I find

myself longing to know the whole secret of its charm. However, years

ago I settled the matter in my mind and note-book, as the following

entry will show: 'The song of the hermit-thrush is the Spirit of Nature

chanting the mystery of life. When the mystery is solved we shall

understand the song.'

[Illustration]

"Day faded into twilight, and twilight into night, and still that

exalted anthem solemnly pealed through the forest. It was after ten

o'clock when the strain died out in a few broken notes.

"Thanks to the hermit-thrush, my thoughts were turned into a new

and healthy channel. I fell asleep that night on my fragrant bed of

fir-boughs, at peace with the whole world."

XVII.

THE CHICKADEES

The chickadees are with me the year through. In winter they collect

into a flock and remain near the cabin, but when the snow departs, they

drift away in pairs, in search of a good nesting site. From this time,

until the young birds are large enough to fly, the chickadees come to

my cabin in pairs. The domestic life of the chickadee overflows with

love, joy, and devotion. These little birds when once mated are mated

for life. There is no divorce in the bird family, from eagles down to

humming-birds. It is a rare treat to watch a pair of chickadees in the

nesting season. I was walking along the old highway last season, when

I heard one of my chickadees calling to me. This bird had a way of

calling "Dee, dee, dee" whenever she met me in the woods. I usually

carry food along, and she would come to my hand and help herself. After

she had satisfied her appetite, she flew down the side-hill to Magnolia

Swamp. I followed her, and found her mate excavating a nest in a small

dead paper-birch. I expect that his wife told him that I was coming,

but he did not quit work for five minutes. When I had approached, he

bobbed his head out of the entrance, but instantly returned to his

work. When he did come out, he appeared hungry, and attacked a doughnut

with vigor, winding up with hemp-seed. From the way the birds attacked

food, it was evident that they would have had to seek the cabin soon,

if I had not happened along.

[Illustration]

I talk to the chickadees as I would to human beings, so when I had

seated myself on a boulder, within four feet of the nest, I told my

friends that I was making them a friendly call, and begged them to keep

right on with their work. The chickadees said something to me in reply,

and may have understood what I said to them, for they returned at

once to enlarging the hole in the birch. The hole in the paper-birch,

which formed the entrance, was one inch and one eighth in diameter, and

round as it could well be. The depth was six inches, and the birds were

at work in the bottom making the hole deeper. While the husband was

eating his breakfast, the little wife was down in the hole, and I could

hear the blows of her sharp bill. After breakfast, the husband flew to

the entrance and called to his wife. She bobbed out and he bobbed in.

Instead of resting, she occupied the time with eating hemp-seed. At

the end of three minutes, the mate appeared with a piece of dead wood

in his bill. He flung the wood one side, and disappeared calling his

mate. She flew to the entrance, and, clinging to the edge of the hole,

she reached down inside and brought up a bill-full of chippings, which

she dropped outside. This was followed up until the chippings were

exhausted. Then the male hammered away, while the female ate some more

hemp-seed. Three minutes later he came out for a rest, and the female

took his place. The birds appeared to work under a regular system, for

the little wife came to the mouth of the hole and called her husband;

he clung to the edge and reached inside for chippings, just as his wife

did. The bird inside must have passed the chippings up to the bird

outside. Quite a scheme to save labor.

[Illustration]

From time to time I visited this nest to inspect the work. When the

hole was about nine inches in depth, the birds put in the nesting

material. If these birds had not become partly domesticated, the

foundation of the nest would have been moss (_Sphagnum_), with a lining

of fur or grouse feathers. My chickadees have changed the nesting

habit, using nothing but cotton-batting for foundation and lining.

Eight eggs were laid in this nest, and every one hatched.

The flock of chickadees that have gathered at my cabin this winter for

food will number about fifty. They are so tame that they enter the

cabin and eat from the table. One bird has demonstrated to me that she

possesses a keen memory and an intelligence that is phenomenal. For

four winters she has made it a practice to rap on the window when she

is hungry, or desires to come in the cabin. Her method, followed each

day, is peculiar. She raps if I am inside, and not otherwise. If I am

sitting outside, she never approaches the window. It is evident that

she raps to attract my attention. After rapping, she goes to the door

and waits for me. If I do not respond, she returns to the window and

raps again, louder than before. She waits at the door a short time,

and if I do not come, she returns to the window and stays right there,

and raps vigorously all the time. Not only is it peculiar that she is

intelligent enough to know that she can attract my attention, but it is

also peculiar that she can remember from one winter to another how to

go through the intelligent act.

One of my bird-loving friends, the late "Frank Bolles," for many years

the secretary of Harvard College, was telling me of the intelligence of

the chickadees around Chocorua. I told him that my chickadees could

count four. Mr. Bolles laughed, and said: "I am quite a bird crank, but

I think I will have to draw the line at counting. What have you for

proof?" I called his attention to the method employed by the chickadees

when eating hemp-seed. Not having the stout cone bill of the finch

family, a chickadee was obliged to hold a seed between its toes and

beat off the hull, to get at the meat. A chickadee would fly into the

dooryard after a hemp-seed, then fly to a small twig, and, holding the

seed between its toes, hammer away until the meat was threshed out.

Some of the old birds would carry away as many as four seeds. These

birds let their brains save their wings. When a bird carried away four

seeds, three were usually placed in the rough bark of a limb until

wanted. I fed the chickadees, and a dozen or more were soon busy taking

seed from the dooryard. A pet bird, of long standing, was pointed out

to Mr. Bolles as one that could count four. The bird picked up four

seeds, and flew to a limb over my head. Near the bole of the tree she

deposited three seeds, and took the fourth one to a small twig, about

eight feet away. Before she got through with the first seed, I pushed

one of the three off the limb. Mr. Bolles scouted the idea that the

bird would miss the seed on the ground. After the bird had disposed

of three seeds, it hunted in the bark of the limb at first, and then

dropped to the ground and found the missing seed. If two seeds were

pushed off, the chickadee would hunt for both. Mr. Bolles admitted that

the bird could count four, and possibly more than that number if it was

necessary.

[Illustration]

Mr. Bolles was the author of several books on outdoor life. He

possessed a delightful style, reminding one of John Burroughs. I will

quote from his book, "From Blomidon to Smoky," a record of a visit to

my cabin:

"I have a friend who lives alone, summer and winter, in a tiny hut amid

the woods. The doctors told him he must die, so he escaped from them

to Nature, made his peace with her, and regained his health. To the

wild creatures of the pasture, the oak woods, and the swamps he is no

longer a man, but a faun; he is one of their own kind,--shy, alert,

silent. They, having learned to trust him, have come a little nearer to

men. I once went to his hut when he was absent, and stretched myself in

the sunlight by his tiny doorstep. Presently, two chickadees came to a

box of bird-seed, swinging from the pine-limb overhead, and fed there,

cracking the seeds one by one with their bills. Then from the swamp,

a pair of catbirds appeared, and fed upon crumbs scattered over the

ground just at my feet. A chipmunk ran back and forth past them, coming

almost within reach of my hand; soon after a song-sparrow (Wabbles)

drove away the catbirds, and then sung a little _sotto voce_ song to me

before helping itself to the crumbs. When my friend returned, he told

me the story of this song-sparrow; how he saved its life, and had been

rewarded by three years of gratitude, confidence, and affection on the

part of the brave little bird. He seemed fearful lest I should think

him overimaginative in recital, so he gave me details about the sparrow

and its ways which would have convinced a jury of the bird's identity

and strong individuality. The secret of my friend's friendship with

these birds was that, by living together, each had, by degrees, learned

to know the other."

[Illustration]

The chickadees are great bird-wags. In various ways they play tricks

on other birds. When there is hemp-seed in the box, the chickadees are

like a lot of children turned out of school. If a tree-sparrow happens

along, he takes possession by driving the other birds away. A saucy

chickadee will give the danger-call, which sounds to me like "_butcher

bird, butcher bird_." The tree-sparrow darts into the bushes and the

chickadees pile onto the seed-box. The sparrow finding that there is no

enemy about soon returns to the seed-box. Inside of three minutes the

same, or another chickadee, gives the alarm and away goes the sparrow

into the bushes. This time he knows that he has been fooled, so when

he comes back he chases the chickadee through the trees around the

dooryard. The chickadee is too quick for the sparrow; he darts this

way and that, laughing and shouting at the top of his voice. The other

chickadees do a lot of laughing and shouting too, at the same time they

attend to the seed-box. The sparrow always flies away when he hears the

danger-call. I suppose he thinks it better to be safe than to be sorry.

[Illustration]

Several years ago I placed a box in the top of an oak-tree, thinking

that bluebirds might be induced to nest therein. While I was nailing

the box to a limb, a pair of chickadees had overlooked the work.

These chickadees were old friends, and naturally thought that I was

making a nest for their benefit. The next day when I had returned from

the city, I found the birds engaged in carrying cotton batting into

the box. These chickadees were old and had made four nests, so the

selection of a box and cotton batting was a marked departure from the

regular nesting habit. While the little lady was sitting I made it a

practice every day to climb the tree and offer her food. When I had

turned the cover back the bird would flutter her wings as young birds

do when begging food. But the little wife would take no food from me

if her husband was present. She would call to him "_chip, chip_," and

he would hop to me for food. When he got it, he would feed his wife,

while she fluttered her wings and acted like a young bird. When eight

little chicks thrust up their open bills for food, the parents appeared

brimful of joy and happiness. They rushed around in search of food,

calling to each other all the time. I climbed the tree one day at

noontime. The young birds were full grown. I took one in my hand and

the mother said something to me in her language. I thought that she

asked me if the bird was old enough to leave the nest. I told her it

was, and the sooner they got out the better, for the nest was too small

and was hot besides. That noon I went over to Cedar Swamp, and did not

return until after sunset. When I had reached the cabin the chickadees

hopped to my shoulder and in heartrending bird language tried to tell

me that something had happened to their babies. I climbed the tree and

found the nest empty. On a boulder I had placed a pair of rubber boots

to dry One of the boots was missing. Two boys had robbed the chickadees

and had carried away the young birds in the rubber boot. The bereaved

birds remained near the cabin all night, and I did not sleep, because

they talked to me in the most pitiful language I had ever heard from a

bird. The next day I traced the wretched thieves, but the little birds

were dead.

[Illustration]

Before leaving the chickadees, I wish to mention something that has

impressed itself upon my mind, during the last eighteen years. That is,

that the chackadees would make desirable park-birds. Compare these busy

little birds with the English sparrow, and one can but feel sorry that

we imported the alien, when we already possessed the native.

A flock of my chickadees, if removed to Boston Common, would thrive

and increase rapidly, and from a small beginning all the parks of

the country could be stocked. The chickadees rear two broods in a

season, usually eight in a brood. These birds hunt the trees for insect

life, while the undesirable alien hunts the streets for indigested

food. Contrast the quarrelsome "_chirps_" of the one, with the cheery

"_chickadee, chickadee_" of the other. Then the mating-song. How it

would fit into the glorious spring mornings. This song is called the

"phœbe note of the chickadee" by many writers. The only reason that

explains why this name clings to the chickadee's song, is that some

early writer adopted it, and later writers followed suit without taking

pains to investigate. There is as great difference between the two as

there is between black and white. The song of the phœbe-bird is in

two notes, delivered in a querulous, plaintive tone, while that of

the chickadee is in three notes, as loud and cheery as the whistle of

Whittier's "Barefoot boy." "_Tea's ready_," it seems to say, with the

accent on the first syllable.

XVIII.

TRIPLEFOOT

I opened up my cabin one winter morning, at daylight, to find the

dooryard covered with two inches of light snow. A mass of fox tracks

centred about a piece of meat, which was nailed to the trunk of a

pine-tree. When the fox left, about daylight, it went down the old

highway, and this is the trail it made:

ooo ooo ooo ooo ooo

[Illustration: Triplefoot]

Two tracks started from a cluster near the meat, followed by a space,

then three tracks followed by another space, and so on, in regular

order, three tracks and a space. I had no difficulty in solving the

mystery. The fox had been trapped sometime in the past, and had

regained its liberty by the loss of a foot. The space in the trail

represented the missing foot. This fox was no stranger to my dooryard,

and months before I had named her Triplefoot, because she travelled on

three feet. She had a charmed life, for the fox-hunters had failed in

their efforts to shoot her, so far, although for over a year she was

the only fox in this locality, and the hounds hazed her night and day.

A Hermit's Wild Friends; or, Eighteen Years in the Woods · 第 10 / 11 段