At one time he stood a chance of being made groom of the stole, which

would have given him the privilege of putting the king’s shirt on his

Majesty: but to hold that office it was necessary to be either prince or

peer. Now, to create a peer is a serious thing; it is to create a

peerage, and that makes many people jealous. It is a favour; a favour

which gives the king one friend and a hundred enemies, without taking

into account that the one friend becomes ungrateful. James II., from

policy, was indisposed to create peerages, but he transferred them

freely. The transfer of a peerage produces no sensation. It is simply

the continuation of a name. The order is little affected by it.

The goodwill of royalty had no objection to raise Lord David Dirry-Moir

to the Upper House so long as it could do so by means of a substituted

peerage. Nothing would have pleased his majesty better than to transform

Lord David Dirry-Moir, lord by courtesy, into a lord by right.

III.

The opportunity occurred.

One day it was announced that several things had happened to the old

exile, Lord Clancharlie, the most important of which was that he was

dead. Death does just this much good to folks: it causes a little talk

about them. People related what they knew, or what they thought they

knew, of the last years of Lord Linnæus. What they said was probably

legend and conjecture. If these random tales were to be credited, Lord

Clancharlie must have had his republicanism intensified towards the end

of his life, to the extent of marrying (strange obstinacy of the exile!)

Ann Bradshaw, the daughter of a regicide; they were precise about the

name. She had also died, it was said, but in giving birth to a boy. If

these details should prove to be correct, his child would of course be

the legitimate and rightful heir of Lord Clancharlie. These reports,

however, were extremely vague in form, and were rumours rather than

facts. Circumstances which happened in Switzerland, in those days, were

as remote from the England of that period as those which take place in

China from the England of to-day. Lord Clancharlie must have been

fifty-nine at the time of his marriage, they said, and sixty at the

birth of his son, and must have died shortly after, leaving his infant

orphaned both of father and mother. This was possible, perhaps, but

improbable. They added that the child was beautiful as the day,--just as

we read in all the fairy tales. King James put an end to these rumours,

evidently without foundation, by declaring, one fine morning, Lord David

Dirry-Moir sole and positive heir _in default of legitimate issue_, and

by his royal pleasure, of Lord Linnæus Clancharlie, his natural father,

_the absence of all other issue and descent being established_, patents

of which grant were registered in the House of Lords. By these patents

the king instituted Lord David Dirry-Moir in the titles, rights, and

prerogatives of the late Lord Linnæus Clancharlie, on the sole

condition that Lord David should wed, when she attained a marriageable

age, a girl who was, at that time, a mere infant a few months old, and

whom the king had, in her cradle, created a duchess, no one knew exactly

why; or, rather, every one knew why. This little infant was called the

Duchess Josiana.

The English fashion then ran on Spanish names. One of Charles II.’s

bastards was called Carlos, Earl of Plymouth. It is likely that Josiana

was a contraction for Josefa-y-Ana. Josiana, however, may have been a

name--the feminine of Josias. One of Henry VIII.’s gentlemen was called

Josias du Passage.

It was to this little duchess that the king granted the peerage of

Clancharlie. She was a peeress till there should be a peer; the peer

should be her husband. The peerage was founded on a double castleward,

the barony of Clancharlie and the barony of Hunkerville; besides, the

barons of Clancharlie were, in recompense of an ancient feat of arms,

and by royal licence, Marquises of Corleone, in Sicily.

Peers of England cannot bear foreign titles; there are, nevertheless,

exceptions; thus--Henry Arundel, Baron Arundel of Wardour, was, as well

as Lord Clifford, a Count of the Holy Roman Empire, of which Lord Cowper

is a prince. The Duke of Hamilton is Duke of Chatelherault, in France;

Basil Fielding, Earl of Denbigh, is Count of Hapsburg, of Lauffenberg,

and of Rheinfelden, in Germany. The Duke of Marlborough was Prince of

Mindelheim, in Suabia, just as the Duke of Wellington was Prince of

Waterloo, in Belgium. The same Lord Wellington was a Spanish Duke of

Ciudad Rodrigo, and Portuguese Count of Vimiera.

There were in England, and there are still, lands both noble and common.

The lands of the Lords of Clancharlie were all noble. These lands,

burghs, bailiwicks, fiefs, rents, freeholds, and domains, adherent to

the peerage of Clancharlie-Hunkerville, belonged provisionally to Lady

Josiana, and the king declared that, once married to Josiana, Lord David

Dirry-Moir should be Baron Clancharlie.

Besides the Clancharlie inheritance, Lady Josiana had her own fortune.

She possessed great wealth, much of which was derived from the gifts of

_Madame sans queue_ to the Duke of York. _Madame sans queue_ is short

for Madame. Henrietta of England, Duchess of Orleans, the lady of

highest rank in France after the queen, was thus called.

IV.

Having prospered under Charles and James, Lord David prospered under

William. His Jacobite feeling did not reach to the extent of following

James into exile. While he continued to love his legitimate king, he had

the good sense to serve the usurper; he was, moreover, although

sometimes disposed to rebel against discipline, an excellent officer. He

passed from the land to the sea forces, and distinguished himself in the

White Squadron. He rose in it to be what was then called captain of a

light frigate. Altogether he made a very fine fellow, carrying to a

great extent the elegancies of vice: a bit of a poet, like every one

else; a good servant of the state, a good servant to the prince;

assiduous at feasts, at galas, at ladies’ receptions, at ceremonies,

and in battle; servile in a gentlemanlike way; very haughty; with

eyesight dull or keen, according to the object examined; inclined to

integrity; obsequious or arrogant, as occasion required; frank and

sincere on first acquaintance, with the power of assuming the mask

afterwards; very observant of the smiles and frowns of the royal humour;

careless before a sword’s point; always ready to risk his life on a sign

from his Majesty with heroism and complacency, capable of any insult but

of no impoliteness; a man of courtesy and etiquette, proud of kneeling

at great regal ceremonies; of a gay valour; a courtier on the surface, a

paladin below; quite young at forty-five. Lord David sang French songs,

an elegant gaiety which had delighted Charles II. He loved eloquence and

fine language. He greatly admired those celebrated discourses which are

called the funeral orations of Bossuet.

From his mother he had inherited almost enough to live on, about £10,000

a year. He managed to get on with it--by running into debt. In

magnificence, extravagance, and novelty he was without a rival. Directly

he was copied he changed his fashion. On horseback he wore loose boots

of cow-hide, which turned over, with spurs. He had hats like nobody

else’s, unheard-of lace, and bands of which he alone had the pattern.

CHAPTER III.

THE DUCHESS JOSIANA.

Towards 1705, although Lady Josiana was twenty-three and Lord David

forty-four, the wedding had not yet taken place, and that for the best

reasons in the world. Did they hate each other? Far from it; but what

cannot escape from you inspires you with no haste to obtain it. Josiana

wanted to remain free, David to remain young. To have no tie until as

late as possible appeared to him to be a prolongation of youth.

Middle-aged young men abounded in those rakish times. They grew gray as

young fops. The wig was an accomplice: later on, powder became the

auxiliary. At fifty-five Lord Charles Gerrard, Baron Gerrard, one of the

Gerrards of Bromley, filled London with his successes. The young and

pretty Duchess of Buckingham, Countess of Coventry, made a fool of

herself for love of the handsome Thomas Bellasys, Viscount Falconberg,

who was sixty-seven. People quoted the famous verses of Corneille, the

septuagenarian, to a girl of twenty--“_Marquise, si mon visage_.” Women,

too, had their successes in the autumn of life. Witness Ninon and

Marion. Such were the models of the day.

Josiana and David carried on a flirtation of a particular shade. They

did not love, they pleased, each other. To be at each other’s side

sufficed them. Why hasten the conclusion? The novels of those days

carried lovers and engaged couples to that kind of stage which was the

most becoming. Besides, Josiana, while she knew herself to be a bastard,

felt herself a princess, and carried her authority over him with a high

tone in all their arrangements. She had a fancy for Lord David. Lord

David was handsome, but that was over and above the bargain. She

considered him to be fashionable.

To be fashionable is everything. Caliban, fashionable and magnificent,

would distance Ariel, poor. Lord David was handsome, so much the better.

The danger in being handsome is being insipid; and that he was not. He

betted, boxed, ran into debt. Josiana thought great things of his

horses, his dogs, his losses at play, his mistresses. Lord David, on his

side, bowed down before the fascinations of the Duchess Josiana--a

maiden without spot or scruple, haughty, inaccessible, and audacious. He

addressed sonnets to her, which Josiana sometimes read. In these sonnets

he declared that to possess Josiana would be to rise to the stars, which

did not prevent his always putting the ascent off to the following year.

He waited in the antechamber outside Josiana’s heart; and this suited

the convenience of both. At court all admired the good taste of this

delay. Lady Josiana said, “It is a bore that I should be obliged to

marry Lord David; I, who would desire nothing better than to be in love

with him!”

Josiana was “the flesh.” Nothing could be more resplendent. She was very

tall--too tall. Her hair was of that tinge which might be called red

gold. She was plump, fresh, strong, and rosy, with immense boldness and

wit. She had eyes which were too intelligible. She had neither lovers

nor chastity. She walled herself round with pride. Men! oh, fie! a god

only would be worthy of her, or a monster. If virtue consists in the

protection of an inaccessible position, Josiana possessed all possible

virtue, but without any innocence. She disdained intrigues; but she

would not have been displeased had she been supposed to have engaged in

some, provided that the objects were uncommon, and proportioned to the

merits of one so highly placed. She thought little of her reputation,

but much of her glory. To appear yielding, and to be unapproachable, is

perfection. Josiana felt herself majestic and material. Hers was a

cumbrous beauty. She usurped rather than charmed. She trod upon hearts.

She was earthly. She would have been as much astonished at being proved

to have a soul in her bosom as wings on her back. She discoursed on

Locke; she was polite; she was suspected of knowing Arabic.

To be “the flesh” and to be woman are two different things. Where a

woman is vulnerable, on the side of pity, for instance, which so readily

turns to love, Josiana was not. Not that she was unfeeling. The ancient

comparison of flesh to marble is absolutely false. The beauty of flesh

consists in not being marble: its beauty is to palpitate, to tremble, to

blush, to bleed, to have firmness without hardness, to be white without

being cold, to have its sensations and its infirmities; its beauty is to

be life, and marble is death.

Flesh, when it attains a certain degree of beauty, has almost a claim to

the right of nudity; it conceals itself in its own dazzling charms as in

a veil. He who might have looked upon Josiana nude would have perceived

her outlines only through a surrounding glory. She would have shown

herself without hesitation to a satyr or a eunuch. She had the

self-possession of a goddess. To have made her nudity a torment, ever

eluding a pursuing Tantalus, would have been an amusement to her.

The king had made her a duchess, and Jupiter a Nereid--a double

irradiation of which the strange, brightness of this creature was

composed. In admiring her you felt yourself becoming a pagan and a

lackey. Her origin had been bastardy and the ocean. She appeared to have

emerged from the foam. From the stream had risen the first jet of her

destiny; but the spring was royal. In her there was something of the

wave, of chance, of the patrician, and of the tempest. She was well read

and accomplished. Never had a passion approached her, yet she had

sounded them all. She had a disgust for realizations, and at the same

time a taste for them. If she had stabbed herself, it would, like

Lucretia, not have been until afterwards. She was a virgin stained with

every defilement in its visionary stage. She was a possible Astarte in a

real Diana. She was, in the insolence of high birth, tempting and

inaccessible. Nevertheless, she might find it amusing to plan a fall for

herself. She dwelt in a halo of glory, half wishing to descend from it,

and perhaps feeling curious to know what a fall was like. She was a

little too heavy for her cloud. To err is a diversion. Princely

unconstraint has the privilege of experiment, and what is frailty in a

plebeian is only frolic in a duchess. Josiana was in everything--in

birth, in beauty, in irony, in brilliancy--almost a queen. She had felt

a moment’s enthusiasm for Louis de Bouffles, who used to break

horseshoes between his fingers. She regretted that Hercules was dead.

She lived in some undefined expectation of a voluptuous and supreme

ideal.

Morally, Josiana brought to one’s mind the line--

“Un beau torse de femme en hydre se termine.”

Hers was a noble neck, a splendid bosom, heaving harmoniously over a

royal heart, a glance full of life and light, a countenance pure and

haughty, and who knows? below the surface was there not, in a

semi-transparent and misty depth, an undulating, supernatural

prolongation, perchance deformed and dragon-like--a proud virtue ending

in vice in the depth of dreams.

II.

With all that she was a prude.

It was the fashion.

Remember Elizabeth.

Elizabeth was of a type that prevailed in England for three

centuries--the sixteenth, seventeenth, and eighteenth. Elizabeth was

more than English--she was Anglican. Hence the deep respect of the

Episcopalian Church for that queen--respect resented by the Church of

Rome, which counterbalanced it with a dash of excommunication. In the

mouth of Sixtus V., when anathematizing Elizabeth, malediction turned to

madrigal. “_Un gran cervello di principessa_,” he says. Mary Stuart,

less concerned with the church and more with the woman part of the

question, had little respect for her sister Elizabeth, and wrote to her

as queen to queen and coquette to prude: “Your disinclination to

marriage arises from your not wishing to lose the liberty of being made

love to.” Mary Stuart played with the fan, Elizabeth with the axe. An

uneven match. They were rivals, besides, in literature. Mary Stuart

composed French verses; Elizabeth translated Horace. The ugly Elizabeth

decreed herself beautiful; liked quatrains and acrostics; had the keys

of towns presented to her by cupids; bit her lips after the Italian

fashion, rolled her eyes after the Spanish; had in her wardrobe three

thousand dresses and costumes, of which several were for the character

of Minerva and Amphitrite; esteemed the Irish for the width of their

shoulders; covered her farthingale with braids and spangles; loved

roses; cursed, swore, and stamped; struck her maids of honour with her

clenched fists; used to send Dudley to the devil; beat Burleigh, the

Chancellor, who would cry--poor old fool! spat on Matthew; collared

Hatton; boxed the ears of Essex; showed her legs to Bassompierre; and

was a virgin.

What she did for Bassompierre the Queen of Sheba had done for

Solomon;[11] consequently she was right, Holy Writ having created the

precedent. That which is biblical may well be Anglican. Biblical

precedent goes so far as to speak of a child who was called Ebnehaquem

or Melilechet--that is to say, the Wise Man’s son.

Why object to such manners? Cynicism is at least as good as hypocrisy.

Nowadays England, whose Loyola is named Wesley, casts down her eyes a

little at the remembrance of that past age. She is vexed at the memory,

yet proud of it.

These fine ladies, moreover, knew Latin. From the 16th century this had

been accounted a feminine accomplishment. Lady Jane Grey had carried

fashion to the point of knowing Hebrew. The Duchess Josiana Latinized.

Then (another fine thing) she was secretly a Catholic; after the manner

of her uncle, Charles II., rather than her father, James II. James II.

had lost his crown for his Catholicism, and Josiana did not care to risk

her peerage. Thus it was that while a Catholic amongst her intimate

friends and the refined of both sexes, she was outwardly a Protestant

for the benefit of the riffraff.

This is the pleasant view to take of religion. You enjoy all the good

things belonging to the official Episcopalian church, and later on you

die, like Grotius, in the odour of Catholicity, having the glory of a

mass being said for you by le Père Petau.

Although plump and healthy, Josiana was, we repeat, a perfect prude.

At times her sleepy and voluptuous way of dragging out the end of her

phrases was like the creeping of a tiger’s paws in the jungle.

The advantage of prudes is that they disorganize the human race. They

deprive it of the honour of their adherence. Beyond all, keep the human

species at a distance. This is a point of the greatest importance.

When one has not got Olympus, one must take the Hôtel de Rambouillet.

Juno resolves herself into Araminta. A pretension to divinity not

admitted creates affectation. In default of thunderclaps there is

impertinence. The temple shrivels into the boudoir. Not having the power

to be a goddess, she is an idol.

There is besides, in prudery, a certain pedantry which is pleasing to

women. The coquette and the pedant are neighbours. Their kinship is

visible in the fop. The subtile is derived from the sensual. Gluttony

affects delicacy, a grimace of disgust conceals cupidity. And then woman

feels her weak point guarded by all that casuistry of gallantry which

takes the place of scruples in prudes. It is a line of circumvallation

with a ditch. Every prude puts on an air of repugnance. It is a

protection. She will consent, but she disdains--for the present.

Josiana had an uneasy conscience. She felt such a leaning towards

immodesty that she was a prude. The recoils of pride in the direction

opposed to our vices lead us to those of a contrary nature. It was the

excessive effort to be chaste which made her a prude. To be too much on

the defensive points to a secret desire for attack; the shy woman is not

strait-laced. She shut herself up in the arrogance of the exceptional

circumstances of her rank, meditating, perhaps, all the while, some

sudden lapse from it.

It was the dawn of the eighteenth century. England was a sketch of what

France was during the regency. Walpole and Dubois are not unlike.

Marlborough was fighting against his former king, James II., to whom it

was said he had sold his sister, Miss Churchill. Bolingbroke was in his

meridian, and Richelieu in his dawn. Gallantry found its convenience in

a certain medley of ranks. Men were equalized by the same vices as they

were later on, perhaps, by the same ideas. Degradation of rank, an

aristocratic prelude, began what the revolution was to complete. It was

not very far off the time when Jelyotte was seen publicly sitting, in

broad daylight, on the bed of the Marquise d’Epinay. It is true (for

manners re-echo each other) that in the sixteenth century Smeton’s

nightcap had been found under Anne Boleyn’s pillow.

If the word woman signifies fault, as I forget what Council decided,

never was woman so womanlike as then. Never, covering her frailty by her

charms, and her weakness by her omnipotence, has she claimed absolution

more imperiously. In making the forbidden the permitted fruit, Eve fell;

in making the permitted the forbidden fruit, she triumphs. That is the

climax. In the eighteenth century the wife bolts out her husband. She

shuts herself up in Eden with Satan. Adam is left outside.

III.

All Josiana’s instincts impelled her to yield herself gallantly rather

than to give herself legally. To surrender on the score of gallantry

implies learning, recalls Menalcas and Amaryllis, and is almost a

literary act. Mademoiselle de Scudéry, putting aside the attraction of

ugliness for ugliness’ sake, had no other motive for yielding to

Pélisson.

The maiden a sovereign, the wife a subject, such was the old English

notion. Josiana was deferring the hour of this subjection as long as she

could. She must eventually marry Lord David, since such was the royal

pleasure. It was a necessity, doubtless; but what a pity! Josiana

appreciated Lord David, and showed him off. There was between them a

tacit agreement neither to conclude nor to break off the engagement.

They eluded each other. This method of making love, one step in advance

and two back, is expressed in the dances of the period, the minuet and

the gavotte.

It is unbecoming to be married--fades one’s ribbons and makes one look

old. An espousal is a dreary absorption of brilliancy. A woman handed

over to you by a notary, how commonplace! The brutality of marriage

creates definite situations; suppresses the will; kills choice; has a

syntax, like grammar; replaces inspiration by orthography; makes a

dictation of love; disperses all life’s mysteries; diminishes the rights

both of sovereign and subject; by a turn of the scale destroys the

charming equilibrium of the sexes, the one robust in bodily strength,

the other all-powerful in feminine weakness--strength on one side,

beauty on the other; makes one a master and the other a servant, while

without marriage one is a slave, the other a queen.

To make Love prosaically decent, how gross! to deprive it of all

impropriety, how dull!

Lord David was ripening. Forty; ’tis a marked period. He did not

perceive this, and in truth he looked no more than thirty. He considered

it more amusing to desire Josiana than to possess her. He possessed

others. He had mistresses. On the other hand, Josiana had dreams.

The Duchess Josiana had a peculiarity, less rare than it is supposed.

One of her eyes was blue and the other black. Her pupils were made for

love and hate, for happiness and misery. Night and day were mingled in

her look.

Her ambition was this--to show herself capable of impossibilities. One

day she said to Swift, “You people fancy that you know what scorn is.”

“You people” meant the human race.

She was a skin-deep Papist. Her Catholicism did not exceed the amount

necessary for fashion. She would have been a Puseyite in the present

day. She wore great dresses of velvet, satin, or moire, some composed of

fifteen or sixteen yards of material, with embroideries of gold and

silver; and round her waist many knots of pearls, alternating with other

precious stones. She was extravagant in gold lace. Sometimes she wore an

embroidered cloth jacket like a bachelor. She rode on a man’s saddle,

notwithstanding the invention of side-saddles, introduced into England

in the fourteenth century by Anne, wife of Richard II. She washed her

face, arms, shoulders, and neck, in sugar-candy, diluted in white of

egg, after the fashion of Castile. There came over her face, after any

one had spoken wittily in her presence, a reflective smile of singular

grace. She was free from malice, and rather good-natured than otherwise.

CHAPTER IV.

THE LEADER OF FASHION.

Josiana was bored. The fact is so natural as to be scarcely worth

mentioning.

Lord David held the position of judge in the gay life of London. He was

looked up to by the nobility and gentry. Let us register a glory of Lord

David’s. He was daring enough to wear his own hair. The reaction against

the wig was beginning. Just as in 1824 Eugene Deveria was the first to

allow his beard to grow, so in 1702 Prince Devereux was the first to

risk wearing his own hair in public disguised by artful curling. For to

risk one’s hair was almost to risk one’s head. The indignation was

universal. Nevertheless Prince Devereux was Viscount Hereford, and a

peer of England. He was insulted, and the deed was well worth the

insult. In the hottest part of the row Lord David suddenly appeared

without his wig and in his own hair. Such conduct shakes the foundations

of society. Lord David was insulted even more than Viscount Hereford. He

held his ground. Prince Devereux was the first, Lord David Dirry-Moir

the second. It is sometimes more difficult to be second than first. It

requires less genius, but more courage. The first, intoxicated by the

novelty, may ignore the danger; the second sees the abyss, and rushes

into it. Lord David flung himself into the abyss of no longer wearing a

wig. Later on these lords found imitators. Following these two

revolutionists, men found sufficient audacity to wear their own hair,

and powder was introduced as an extenuating circumstance.

In order to establish, before we pass on, an important period of

history, we should remark that the first blow in the war of wigs was

really struck by a Queen, Christina of Sweden, who wore man’s clothes,

and had appeared in 1680, in her hair of golden brown, powdered, and

brushed up from her head. She had, besides, says Misson, a slight beard.

The Pope, on his part, by a bull of March 1694, had somewhat let down

the wig, by taking it from the heads of bishops and priests, and in

ordering churchmen to let their hair grow.

Lord David, then, did not wear a wig, and did wear cowhide boots. Such

great things made him a mark for public admiration. There was not a club

of which he was not the leader, not a boxing match in which he was not

desired as referee. The referee is the arbitrator.

He had drawn up the rules of several clubs in high life. He founded

several resorts of fashionable society, of which one, the Lady Guinea,

was still in existence in Pall Mall in 1772. The Lady Guinea was a club

in which all the youth of the peerage congregated. They gamed there. The

lowest stake allowed was a rouleau of fifty guineas, and there was never

less than 20,000 guineas on the table. By the side of each player was a

little stand on which to place his cup of tea, and a gilt bowl in which

to put the rouleaux of guineas. The players, like servants when cleaning

knives, wore leather sleeves to save their lace, breastplates of leather

to protect their ruffles, shades on their brows to shelter their eyes

from the great glare of the lamps, and, to keep their curls in order,

broad-brimmed hats covered with flowers. They were masked to conceal

their excitement, especially when playing the game of _quinze_. All,

moreover, had their coats turned the wrong way, for luck. Lord David was

a member of the Beefsteak Club, the Surly Club, and of the Splitfarthing

Club, of the Cross Club, the Scratchpenny Club, of the Sealed Knot, a

Royalist Club, and of the Martinus Scribblerus, founded by Swift, to

take the place of the Rota, founded by Milton.

Though handsome, he belonged to the Ugly Club. This club was dedicated

to deformity. The members agreed to fight, not about a beautiful woman,

but about an ugly man. The hall of the club was adorned by hideous

portraits--Thersites, Triboulet, Duns, Hudibras, Scarron; over the

chimney was Æsop, between two men, each blind of an eye, Cocles and

Camoëns (Cocles being blind of the left, Camoëns of the right eye), so

arranged that the two profiles without eyes were turned to each other.

The day that the beautiful Mrs. Visart caught the small pox the Ugly

Club toasted her. This club was still in existence in the beginning of

the nineteenth century, and Mirabeau was elected an honorary member.

Since the restoration of Charles II. revolutionary clubs had been

abolished. The tavern in the little street by Moorfields, where the

Calf’s Head Club was held, had been pulled down; it was so called

because on the 30th of January, the day on which the blood of Charles I.

flowed on the scaffold, the members had drunk red wine out of the skull

of a calf to the health of Cromwell. To the republican clubs had

succeeded monarchical clubs. In them people amused themselves with

decency.

* * * * *

There was the Hell-fire Club, where they played at being impious. It was

a joust of sacrilege. Hell was at auction there to the highest bidder in

blasphemy.

There was the Butting Club, so called from its members butting folks

with their heads. They found some street porter with a wide chest and a

stupid countenance. They offered him, and compelled him, if necessary,

to accept a pot of porter, in return for which he was to allow them to

butt him with their heads four times in the chest, and on this they

betted. One day a man, a great brute of a Welshman named Gogangerdd,

expired at the third butt. This looked serious. An inquest was held, and

the jury returned the following verdict: “Died of an inflation of the

heart, caused by excessive drinking.” Gogangerdd had certainly drunk the

contents of the pot of porter.

There was the Fun Club. _Fun_ is like _cant_, like _humour_, a word

which is untranslatable. Fun is to farce what pepper is to salt. To get

into a house and break a valuable mirror, slash the family portraits,

poison the dog, put the cat in the aviary, is called “cutting a bit of

fun.” To give bad news which is untrue, whereby people put on mourning

by mistake, is fun. It was fun to cut a square hole in the Holbein at

Hampton Court. Fun would have been proud to have broken the arm of the

Venus of Milo. Under James II. a young millionaire lord who had during

the night set fire to a thatched cottage--a feat which made all London

burst with laughter--was proclaimed the King of Fun. The poor devils in

the cottage were saved in their night clothes. The members of the Fun

Club, all of the highest aristocracy, used to run about London during

the hours when the citizens were asleep, pulling the hinges from the

shutters, cutting off the pipes of pumps, filling up cisterns, digging

up cultivated plots of ground, putting out lamps, sawing through the

beams which supported houses, breaking the window panes, especially in

the poor quarters of the town. It was the rich who acted thus towards

the poor. For this reason no complaint was possible. That was the best

of the joke. Those manners have not altogether disappeared. In many

places in England and in English possessions--at Guernsey, for

instance--your house is now and then somewhat damaged during the night,

or a fence is broken, or the knocker twisted off your door. If it were

poor people who did these things, they would be sent to jail; but they

are done by pleasant young gentlemen.

The most fashionable of the clubs was presided over by an emperor, who

wore a crescent on his forehead, and was called the Grand Mohawk. The

Mohawk surpassed the Fun. Do evil for evil’s sake was the programme. The

Mohawk Club had one great object--to injure. To fulfil this duty all

means were held good. In becoming a Mohawk the members took an oath to

be hurtful. To injure at any price, no matter when, no matter whom, no

matter where, was a matter of duty. Every member of the Mohawk Club was

bound to possess an accomplishment. One was “a dancing master;” that is

to say he made the rustics frisk about by pricking the calves of their

legs with the point of his sword. Others knew how to make a man sweat;

that is to say, a circle of gentlemen with drawn rapiers would surround

a poor wretch, so that it was impossible for him not to turn his back

upon some one. The gentleman behind him chastised him for this by a

prick of his sword, which made him spring round; another prick in the

back warned the fellow that one of noble blood was behind him, and so

on, each one wounding him in his turn. When the man, closed round by the

circle of swords and covered with blood, had turned and danced about

enough, they ordered their servants to beat him with sticks, to change

the course of his ideas. Others “hit the lion”--that is, they gaily

stopped a passenger, broke his nose with a blow of the fist, and then

shoved both thumbs into his eyes. If his eyes were gouged out, he was

paid for them.

Such were, towards the beginning of the eighteenth century, the pastimes

of the rich idlers of London. The idlers of Paris had theirs. M. de

Charolais was firing his gun at a citizen standing on his own threshold.

In all times youth has had its amusements.

Lord David Dirry-Moir brought into all these institutions his

magnificent and liberal spirit. Just like any one else, he would gaily

set fire to a cot of woodwork and thatch, and just scorch those within;

but he would rebuild their houses in stone. He insulted two ladies. One

was unmarried--he gave her a portion; the other was married--he had her

husband appointed chaplain.

Cockfighting owed him some praiseworthy improvements. It was marvellous

to see Lord David dress a cock for the pit. Cocks lay hold of each other

by the feathers, as men by the hair. Lord David, therefore, made his

cock as bald as possible. With a pair of scissors he cut off all the

feathers from the tail and from the head to the shoulders, and all those

on the neck. So much less for the enemy’s beak, he used to say. Then he

extended the cock’s wings, and cut each feather, one after another, to a

point, and thus the wings were furnished with darts. So much for the

enemy’s eyes, he would say. Then he scraped its claws with a penknife,

sharpened its nails, fitted it with spurs of sharp steel, spat on its

head, spat on its neck, anointed it with spittle, as they used to rub

oil over athletes; then set it down in the pit, a redoubtable champion,

exclaiming, “That’s how to make a cock an eagle, and a bird of the

poultry yard a bird of the mountain.”

Lord David attended prize-fights, and was their living law. On occasions

of great performances it was he who had the stakes driven in and ropes

stretched, and who fixed the number of feet for the ring. When he was a

second, he followed his man step by step, a bottle in one hand, a sponge

in the other, crying out to him to _hit hard_, suggesting stratagems,

advising him as he fought, wiping away the blood, raising him when

overthrown, placing him on his knee, putting the mouth of the bottle

between his teeth, and from his own mouth, filled with water, blowing a

fine rain into his eyes and ears--a thing which reanimates even a dying

man. If he was referee, he saw that there was no foul play, prevented

any one, whosoever he might be, from assisting the combatants, excepting

the seconds, declare the man beaten who did not fairly face his

opponent, watched that the time between the rounds did not exceed half a

minute, prevented butting, and declared whoever resorted to it beaten,

and forbade a man’s being hit when down. All this science, however, did

not render him a pedant, nor destroy his ease of manner in society.

When he was referee, rough, pimple-faced, unshorn friends of either

combatant never dared to come to the aid of their failing man, nor, in

order to upset the chances of the betting, jumped over the barrier,

entered the ring, broke the ropes, pulled down the stakes, and violently

interposed in the battle. Lord David was one of the few referees whom

they dared not thrash.

No one could train like him. The pugilist whose trainer he consented to

become was sure to win. Lord David would choose a Hercules--massive as a

rock, tall as a tower--and make him his child. The problem was to turn

that human rock from a defensive to an offensive state. In this he

excelled. Having once adopted the Cyclops, he never left him. He became

his nurse; he measured out his wine, weighed his meat, and counted his

hours of sleep. It was he who invented the athlete’s admirable rules,

afterwards reproduced by Morley. In the mornings, a raw egg and a glass

of sherry; at twelve, some slices of a leg of mutton, almost raw, with

tea; at four, toast and tea; in the evening, pale ale and toast; after

which he undressed his man, rubbed him, and put him to bed. In the

street he never allowed him to leave his sight, keeping him out of every

danger--runaway horses, the wheels of carriages, drunken soldiers,

pretty girls. He watched over his virtue. This maternal solicitude

continually brought some new perfection into the pupil’s education. He

taught him the blow with the fist which breaks the teeth, and the twist

of the thumb which gouges out the eye. What could be more touching?

Thus he was preparing himself for public life to which he was to be

called later on. It is no easy matter to become an accomplished

gentleman.

Lord David Dirry-Moir was passionately fond of open-air exhibitions, of

shows, of circuses with wild beasts, of the caravans of mountebanks, of

clowns, tumblers, merrymen, open-air farces, and the wonders of a fair.

The true noble is he who smacks of the people. Therefore it was that

Lord David frequented the taverns and low haunts of London and the

Cinque Ports. In order to be able at need, and without compromising his

rank in the white squadron, to be cheek-by-jowl with a topman or a

calker, he used to wear a sailor’s jacket when he went into the slums.

For such disguise his not wearing a wig was convenient; for even under

Louis XIV. the people kept to their hair like the lion to his mane.

This gave him great freedom of action. The low people whom Lord David

used to meet in the stews, and with whom he mixed, held him in high

esteem, without ever dreaming that he was a lord. They called him

Tom-Jim-Jack. Under this name he was famous and very popular amongst the

dregs of the people. He played the blackguard in a masterly style: when

necessary, he used his fists. This phase of his fashionable life was

highly appreciated by Lady Josiana.

CHAPTER V.

QUEEN ANNE.

I.

Above this couple there was Anne, Queen of England. An ordinary woman

was Queen Anne. She was gay, kindly, august--to a certain extent. No

quality of hers attained to virtue, none to vice. Her stoutness was

bloated, her fun heavy, her good-nature stupid. She was stubborn and

weak. As a wife she was faithless and faithful, having favourites to

whom she gave up her heart, and a husband for whom she kept her bed. As

a Christian she was a heretic and a bigot. She had one beauty--the

well-developed neck of a Niobe. The rest of her person was indifferently

formed. She was a clumsy coquette and a chaste one. Her skin was white

and fine; she displayed a great deal of it. It was she who introduced

the fashion of necklaces of large pearls clasped round the throat. She

had a narrow forehead, sensual lips, fleshy cheeks, large eyes, short

sight. Her short sight extended to her mind. Beyond a burst of merriment

now and then, almost as ponderous as her anger, she lived in a sort of

taciturn grumble and a grumbling silence. Words escaped from her which

had to be guessed at. She was a mixture of a good woman and a

mischievous devil. She liked surprises, which is extremely woman-like.

Anne was a pattern--just sketched roughly--of the universal Eve. To that

sketch had fallen that chance, the throne. She drank. Her husband was a

Dane, thoroughbred. A Tory, she governed by the Whigs--like a woman,

like a mad woman. She had fits of rage. She was violent, a brawler.

Nobody more awkward than Anne in directing affairs of state. She allowed

events to fall about as they might chance. Her whole policy was

cracked. She excelled in bringing about great catastrophes from little

causes. When a whim of authority took hold of her, she called it giving

a stir with the poker. She would say with an air of profound thought,

“No peer may keep his hat on before the king except De Courcy, Baron

Kingsale, an Irish peer;” or, “It would be an injustice were my husband

not to be Lord High Admiral, since my father was.” And she made George

of Denmark High Admiral of England and of all her Majesty’s plantations.

She was perpetually perspiring bad humour; she did not explain her

thought, she exuded it. There was something of the Sphinx in this goose.

She rather liked fun, teasing, and practical jokes. Could she have made

Apollo a hunchback, it would have delighted her. But she would have left

him a god. Good-natured, her ideal was to allow none to despair, and to

worry all. She had often a rough word in her mouth; a little more, and

she would have sworn like Elizabeth. From time to time she would take

from a man’s pocket, which she wore in her skirt, a little round box, of

chased silver, on which was her portrait, in profile, between the two

letters Q.A.; she would open this box, and take from it, on her finger,

a little pomade, with which she reddened her lips, and, having coloured

her mouth, would laugh. She was greedily fond of the flat Zealand

gingerbread cakes. She was proud of being fat.

More of a Puritan than anything else, she would, nevertheless, have

liked to devote herself to stage plays. She had an absurd academy of

music, copied after that of France. In 1700 a Frenchman, named

Foretroche, wanted to build a royal circus at Paris, at a cost of

400,000 francs, which scheme was opposed by D’Argenson. This Forteroche

passed into England, and proposed to Queen Anne, who was immediately

charmed by the idea, to build in London a theatre with machinery, with a

fourth under-stage finer than that of the King of France. Like Louis

XIV., she liked to be driven at a gallop. Her teams and relays would

sometimes do the distance between London and Windsor in less than an

hour and a quarter.

II.

In Anne’s time no meeting was allowed without the permission of two

justices of the peace. The assembly of twelve persons, were it only to

eat oysters and drink porter, was a felony. Under her reign, otherwise

relatively mild, pressing for the fleet was carried on with extreme

violence--a gloomy evidence that the Englishman is a subject rather than

a citizen. For centuries England suffered under that process of tyranny

which gave the lie to all the old charters of freedom, and out of which

France especially gathered a cause of triumph and indignation. What in

some degree diminishes the triumph is, that while sailors were pressed

in England, soldiers were pressed in France. In every great town of

France, any able-bodied man, going through the streets on his business,

was liable to be shoved by the crimps into a house called the oven.

There he was shut up with others in the same plight; those fit for

service were picked out, and the recruiters sold them to the officers.

In 1695 there were thirty of these ovens in Paris.

The laws against Ireland, emanating from Queen Anne, were atrocious.

Anne was born in 1664, two years before the great fire of London, on

which the astrologers (there were some left, and Louis XIV. was born

with the assistance of an astrologer, and swaddled in a horoscope)

predicted that, being the elder sister of fire, she would be queen. And

so she was, thanks to astrology and the revolution of 1688. She had the

humiliation of having only Gilbert, Archbishop of Canterbury, for

godfather. To be godchild of the Pope was no longer possible in England.

A mere primate is but a poor sort of godfather. Anne had to put up with

one, however. It was her own fault. Why was she a Protestant?

Denmark had paid for her virginity (_virginitas empta_, as the old

charters expressed it) by a dowry of £6,250 a year, secured on the

bailiwick of Wardinburg and the island of Fehmarn. Anne followed,

without conviction, and by routine, the traditions of William. The

English under that royalty born of a revolution possessed as much

liberty as they could lay hands on between the Tower of London, into

which they put orators, and the pillory, into which they put writers.

Anne spoke a little Danish in her private chats with her husband, and a

little French in her private chats with Bolingbroke. Wretched gibberish;

but the height of English fashion, especially at court, was to talk

French. There was never a _bon mot_ but in French. Anne paid a deal of

attention to her coins, especially to copper coins, which are the low

and popular ones; she wanted to cut a great figure on them. Six

farthings were struck during her reign. On the back of the first three

she had merely a throne struck, on the back of the fourth she ordered a

triumphal chariot, and on the back of the sixth a goddess holding a

sword in one hand and an olive branch in the other, with the scroll,

_Bello et pace_. Her father, James II., was candid and cruel; she was

brutal.

At the same time she was mild at bottom. A contradiction which only

appears such. A fit of anger metamorphosed her. Heat sugar and it will

boil.

Anne was popular. England liked feminine rulers. Why? France excludes

them. There is a reason at once. Perhaps there is no other. With English

historians Elizabeth embodies grandeur, Anne good-nature. As they will.

Be it so. But there is nothing delicate in the reigns of these women.

The lines are heavy. It is gross grandeur and gross good-nature. As to

their immaculate virtue, England is tenacious of it, and we are not

going to oppose the idea. Elizabeth was a virgin tempered by Essex;

Anne, a wife complicated by Bolingbroke.

III.

One idiotic habit of the people is to attribute to the king what they do

themselves. They fight. Whose the glory? The king’s. They pay. Whose the

generosity? The king’s. Then the people love him for being so rich. The

king receives a crown from the poor, and returns them a farthing. How

generous he is! The colossus which is the pedestal contemplates the

pigmy which is the statue. How great is this myrmidon! he is on my back.

A dwarf has an excellent way of being taller than a giant: it is to

perch himself on his shoulders. But that the giant should allow it,

there is the wonder; and that he should admire the height of the dwarf,

there is the folly. Simplicity of mankind! The equestrian statue,

reserved for kings alone, is an excellent figure of royalty: the horse

is the people. Only that the horse becomes transfigured by degrees. It

begins in an ass; it ends in a lion. Then it throws its rider, and you

have 1642 in England and 1789 in France; and sometimes it devours him,

and you have in England 1649, and in France 1793. That the lion should

relapse into the donkey is astonishing; but it is so. This was

occurring in England. It had resumed the pack-saddle, idolatry of the

crown. Queen Anne, as we have just observed, was popular. What was she

doing to be so? Nothing. Nothing!--that is all that is asked of the

sovereign of England. He receives for that nothing £1,250,000 a year. In

1705, England which had had but thirteen men of war under Elizabeth, and

thirty-six under James I., counted a hundred and fifty in her fleet. The

English had three armies, 5,000 men in Catalonia; 10,000 in Portugal;

50,000 in Flanders; and besides, was paying £1,666,666 a year to

monarchical and diplomatic Europe, a sort of prostitute the English

people has always had in keeping. Parliament having voted a patriotic

loan of thirty-four million francs of annuities, there had been a crush

at the Exchequer to subscribe it. England was sending a squadron to the

East Indies, and a squadron to the West of Spain under Admiral Leake,

without mentioning the reserve of four hundred sail, under Admiral Sir

Cloudesley Shovel. England had lately annexed Scotland. It was the

interval between Hochstadt and Ramillies, and the first of these

victories was foretelling the second. England, in its cast of the net at

Hochstadt, had made prisoners of twenty-seven battalions and four

regiments of dragoons, and deprived France of one hundred leagues of

country--France drawing back dismayed from the Danube to the Rhine.

England was stretching her hand out towards Sardinia and the Balearic

Islands. She was bringing into her ports in triumph ten Spanish

line-of-battle ships, and many a galleon laden with gold. Hudson Bay and

Straits were already half given over by Louis XIV. It was felt that he

was about to give up his hold over Acadia, St. Christopher, and

Newfoundland, and that he would be but too happy if England would only

tolerate the King of France fishing for cod at Cape Breton. England was

about to impose upon him the shame of demolishing himself the

fortifications of Dunkirk. Meanwhile, she had taken Gibraltar, and was

taking Barcelona. What great things accomplished! How was it possible to

refuse Anne admiration for taking the trouble of living at the period?

From a certain point of view, the reign of Anne appears a reflection of

the reign of Louis XIV. Anne, for a moment even with that king in the

race which is called history, bears to him the vague resemblance of a

reflection. Like him, she plays at a great reign; she has her

monuments, her arts, her victories, her captains, her men of letters,

her privy purse to pension celebrities, her gallery of chefs-d’oeuvre,

side by side with those of his Majesty. Her court, too, was a cortège,

with the features of a triumph, an order and a march. It was a miniature

copy of all the great men of Versailles, not giants themselves. In it

there is enough to deceive the eye; add God save the Queen, which might

have been taken from Lulli, and the ensemble becomes an illusion. Not a

personage is missing. Christopher Wren is a very passable Mansard;

Somers is as good as Lamoignon; Anne has a Racine in Dryden, a Boileau

in Pope, a Colbert in Godolphin, a Louvois in Pembroke, and a Turenne in

Marlborough. Heighten the wigs and lower the foreheads. The whole is

solemn and pompous, and the Windsor of the time has a faded resemblance

to Marly. Still the whole was effeminate, and Anne’s Père Tellier was

called Sarah Jennings. However, there is an outline of incipient irony,

which fifty years later was to turn to philosophy, in the literature of

the age, and the Protestant Tartuffe is unmasked by Swift just in the

same way as the Catholic Tartuffe is denounced by Molière. Although the

England of the period quarrels and fights France, she imitates her and

draws enlightenment from her; and the light on the façade of England is

French light. It is a pity that Anne’s reign lasted but twelve years, or

the English would not hesitate to call it the century of Anne, as we say

the century of Louis XIV. Anne appeared in 1702, as Louis XIV. declined.

It is one of the curiosities of history, that the rise of that pale

planet coincides with the setting of the planet of purple, and that at

the moment in which France had the king Sun, England should have had the

queen Moon.

A detail to be noted. Louis XIV., although they made war with him, was

greatly admired in England. “He is the kind of king they want in

France,” said the English. The love of the English for their own liberty

is mingled with a certain acceptance of servitude for others. That

favourable regard of the chains which bind their neighbours sometimes

attains to enthusiasm for the despot next door.

To sum up, Anne rendered her people _hureux_, as the French translator

of Beeverell’s book repeats three times, with graceful reiteration at

the sixth and ninth page of his dedication and the third of his preface.

IV.

Queen Anne bore a little grudge to the Duchess Josiana, for two reasons.

Firstly, because she thought the Duchess Josiana handsome. Secondly,

because she thought the Duchess Josiana’s betrothed handsome. Two

reasons for jealousy are sufficient for a woman. One is sufficient for a

queen. Let us add that she bore her a grudge for being her sister. Anne

did not like women to be pretty. She considered it against good morals.

As for herself, she was ugly. Not from choice, however. A part of her

religion she derived from that ugliness. Josiana, beautiful and

philosophical, was a cause of vexation to the queen. To an ugly queen, a

pretty duchess is not an agreeable sister.

There was another grievance, Josiana’s “improper” birth. Anne was the

daughter of Anne Hyde, a simple gentlewoman, legitimately, but

vexatiously, married by James II. when Duke of York. Anne, having this

inferior blood in her veins, felt herself but half royal, and Josiana,

having come into the world quite irregularly, drew closer attention to

the incorrectness, less great, but really existing, in the birth of the

queen. The daughter of _mésalliance_ looked without love upon the

daughter of bastardy, so near her. It was an unpleasant resemblance.

Josiana had a right to say to Anne, “My mother was at least as good as

yours.” At court no one said so, but they evidently thought it. This was

a bore for her royal Majesty. Why this Josiana? What had put it into her

head to be born? What good was a Josiana? Certain relationships are

detrimental. Nevertheless, Anne smiled on Josiana. Perhaps she might

even have liked her, had she not been her sister.

CHAPTER VI.

BARKILPHEDRO.

It is useful to know what people do, and a certain surveillance is wise.

Josiana had Lord David watched by a little creature of hers, in whom she

reposed confidence, and whose name was Barkilphedro.

Lord David had Josiana discreetly observed by a creature of his, of whom

he was sure, and whose name was Barkilphedro.

Queen Anne, on her part, kept herself secretly informed of the actions

and conduct of the Duchess Josiana, her bastard sister, and of Lord

David, her future brother-in-law by the left hand, by a creature of

hers, on whom she counted fully, and whose name was Barkilphedro.

This Barkilphedro had his fingers on that keyboard--Josiana, Lord David,

a queen. A man between two women. What modulations possible! What

amalgamation of souls!

Barkilphedro had not always held the magnificent position of whispering

into three ears.

He was an old servant of the Duke of York. He had tried to be a

churchman but had failed. The Duke of York, an English and a Roman

prince, compounded of royal Popery and legal Anglicanism, had his

Catholic house and his Protestant house, and might have pushed

Barkilphedro in one or the other hierarchy; but he did not judge him to

be Catholic enough to make him almoner, or Protestant enough to make him

chaplain. So that between two religions, Barkilphedro found himself with

his soul on the ground.

Not a bad posture, either, for certain reptile souls.

Certain ways are impracticable, except by crawling flat on the belly.

An obscure but fattening servitude had long made up Barkilphedro’s whole

existence. Service is something; but he wanted power besides. He was,

perhaps, about to reach it when James II. fell. He had to begin all over

again. Nothing to do under William III., a sullen prince, and exercising

in his mode of reigning a prudery which he believed to be probity.

Barkilphedro, when his protector, James II., was dethroned, did not

lapse all at once into rags. There is a something which survives deposed

princes, and which feeds and sustains their parasites. The remains of

the exhaustible sap causes leaves to live on for two or three days on

the branches of the uprooted tree; then, all at once, the leaf yellows

and dries up: and thus it is with the courtier.

Thanks to that embalming which is called legitimacy, the prince himself,

although fallen and cast away, lasts and keeps preserved; it is not so

with the courtier, much more dead than the king. The king, beyond there,

is a mummy; the courtier, here, is a phantom. To be the shadow of a

shadow is leanness indeed. Hence Barkilphedro became famished. Then he

took up the character of a man of letters.

But he was thrust back even from the kitchens. Sometimes he knew not

where to sleep. “Who will give me shelter?” he would ask. He struggled

on. All that is interesting in patience in distress he possessed. He

had, besides, the talent of the termite--knowing how to bore a hole from

the bottom to the top. By dint of making use of the name of James II.,

of old memories, of fables of fidelity, of touching stories, he pierced

as far as the Duchess Josiana’s heart.

Josiana took a liking to this man of poverty and wit, an interesting

combination. She presented him to Lord Dirry-Moir, gave him a shelter in

the servants’ hall among her domestics, retained him in her household,

was kind to him, and sometimes even spoke to him. Barkilphedro felt

neither hunger nor cold again. Josiana addressed him in the second

person; it was the fashion for great ladies to do so to men of letters,

who allowed it. The Marquise de Mailly received Roy, whom she had never

seen before, in bed, and said to him, “C’est toi qui as fait l’Année

galante! Bonjour.” Later on, the men of letters returned the custom. The

day came when Fabre d’Eglantine said to the Duchesse de Rohan, “N’est-tu

pas la Chabot?”

For Barkilphedro to be “thee’d” and “thou’d” was a success; he was

overjoyed by it. He had aspired to this contemptuous familiarity. “Lady

Josiana thees-and-thous me,” he would say to himself. And he would rub

his hands. He profited by this theeing-and-thouing to make further way.

He became a sort of constant attendant in Josiana’s private rooms; in no

way troublesome; unperceived; the duchess would almost have changed her

shift before him. All this, however, was precarious. Barkilphedro was

aiming at a position. A duchess was half-way; an underground passage

which did not lead to the queen was having bored for nothing.

One day Barkilphedro said to Josiana,--

“Would your Grace like to make my fortune?”.

“What dost thou want?”

“An appointment.”

“An appointment? for thee!”

“Yes, madam.”

“What an idea! _thou_ to ask for an appointment! thou, who art good for

nothing.”

“That’s just the reason.”

Josiana burst out laughing.

“Among the offices to which thou art unsuited, which dost thou desire?”

“That of cork drawer of the bottles of the ocean.”

Josiana’s laugh redoubled.

“What meanest thou? Thou art fooling.”

“No, madam.”

“To amuse myself, I shall answer you seriously,” said the duchess. “What

dost thou wish to be? Repeat it.”

“Uncorker of the bottles of the ocean.”

“Everything is possible at court. Is there an appointment of that kind?”

“Yes, madam.”

“This is news to me. Go on.”

“There is such an appointment.”

“Swear it on the soul which thou dost not possess.”

“I swear it.”

“I do not believe thee.”

“Thank you, madam.”

“Then thou wishest? Begin again.”

“To uncork the bottles of the ocean.”

“That is a situation which can give little trouble. It is like grooming

a bronze horse.”

“Very nearly.”

“Nothing to do. Well ’tis a situation to suit thee. Thou art good for

that much.”

“You see I am good for something.”

“Come! thou art talking nonsense. Is there such an appointment?”

Barkilphedro assumed an attitude of deferential gravity. “Madam, you had

an august father, James II., the king, and you have an illustrious

brother-in-law, George of Denmark, Duke of Cumberland; your father was,

and your brother is, Lord High Admiral of England--”

“Is what thou tellest me fresh news? I know all that as well as thou.”

“But here is what your Grace does not know. In the sea there are three

kinds of things: those at the bottom, _lagan_; those which float,

_flotsam_; those which the sea throws up on the shore, _jetsam_.”

“And then?”

“These three things--_lagan_, _flotsam_, and _jetsam_--belong to the

Lord High Admiral.”

“And then?”

“Your Grace understands.”

“No.”

“All that is in the sea, all that sinks, all that floats, all that is

cast ashore--all belongs to the Admiral of England.”

“Everything! Really? And then?”

“Except the sturgeon, which belongs to the king.”

“I should have thought,” said Josiana, “all that would have belonged to

Neptune.”

“Neptune is a fool. He has given up everything. He has allowed the

English to take everything.”

“Finish what thou wert saying.”

“‘Prizes of the sea’ is the name given to such _treasure trove_.”

“Be it so.”

“It is boundless: there is always something floating, something being

cast up. It is the contribution of the sea--the tax which the ocean pays

to England.”

“With all my heart. But pray conclude.”

“Your Grace understands that in this way the ocean creates a

department.”

“Where?”

“At the Admiralty.”

“What department?”

“The Sea Prize Department.”

“Well?”

“The department is subdivided into three offices--Lagan, Flotsam, and

Jetsam--and in each there is an officer.”

“And then?”

“A ship at sea writes to give notice on any subject to those on

land--that it is sailing in such a latitude; that it has met a sea

monster; that it is in sight of shore; that it is in distress; that it

is about to founder; that it is lost, etc. The captain takes a bottle,

puts into it a bit of paper on which he has written the information,

corks up the flask, and casts it into the sea. If the bottle goes to the

bottom, it is in the department of the lagan officer; if it floats, it

is in the department of the flotsam officer; if it be thrown upon shore,

it concerns the jetsam officer.”

“And wouldst thou like to be the jetsam officer?”

“Precisely so.”

“And that is what thou callest uncorking the bottles of the ocean?”

“Since there is such an appointment.”

“Why dost thou wish for the last-named place in preference to both the

others?”

“Because it is vacant just now.”

“In what does the appointment consist?”

“Madam, in 1598 a tarred bottle, picked up by a man, conger-fishing on

the strand of Epidium Promontorium, was brought to Queen Elizabeth; and

a parchment drawn out of it gave information to England that Holland had

taken, without saying anything about it, an unknown country, Nova

Zembla; that the capture had taken place in June, 1596; that in that

country people were eaten by bears; and that the manner of passing the

winter was described on a paper enclosed in a musket-case hanging in the

chimney of the wooden house built in the island, and left by the

Dutchmen, who were all dead: and that the chimney was built of a barrel

with the end knocked out, sunk into the roof.”

“I don’t understand much of thy rigmarole.”

“Be it so. Elizabeth understood. A country the more for Holland was a

country the less for England. The bottle which had given the information

was held to be of importance; and thenceforward an order was issued that

anybody who should find a sealed bottle on the sea-shore should take it

to the Lord High Admiral of England, under pain of the gallows. The

admiral entrusts the opening of such bottles to an officer, who presents

the contents to the queen, if there be reason for so doing.”

“Are many such bottles brought to the Admiralty?”

“But few. But it’s all the same. The appointment exists. There is for

the office a room and lodgings at the Admiralty.”

“And for that way of doing nothing, how is one paid?”

“One hundred guineas a year.”

“And thou wouldst trouble me for that much?”

“It is enough to live upon.”

“Like a beggar.”

“As it becomes one of my sort.”

“One hundred guineas! It’s a bagatelle.”

“What keeps you for a minute, keeps us for a year. That’s the advantage

of the poor.”

“Thou shalt have the place.”

A week afterwards, thanks to Josiana’s exertions, thanks to the

influence of Lord David Dirry-Moir, Barkilphedro--safe thenceforward,

drawn out of his precarious existence, lodged, and boarded, with a

salary of a hundred guineas--was installed at the Admiralty.

CHAPTER VII.

BARKILPHEDRO GNAWS HIS WAY.

There is one thing the most pressing of all: to be ungrateful.

Barkilphedro was not wanting therein.

Having received so many benefits from Josiana, he had naturally but one

thought--to revenge himself on her. When we add that Josiana was

beautiful, great, young, rich, powerful, illustrious, while Barkilphedro

was ugly, little, old, poor, dependent, obscure, he must necessarily

revenge himself for all this as well.

When a man is made out of night, how is he to forgive so many beams of

light?

Barkilphedro was an Irishman who had denied Ireland--a bad species.

Barkilphedro had but one thing in his favour--that he had a very big

belly. A big belly passes for a sign of kind-heartedness. But his belly

was but an addition to Barkilphedro’s hypocrisy; for the man was full of

malice.

What was Barkilphedro’s age? None. The age necessary for his project of

the moment. He was old in his wrinkles and gray hairs, young in the

activity of his mind. He was active and ponderous; a sort of

hippopotamus-monkey. A royalist, certainly; a republican--who knows? a

Catholic, perhaps; a Protestant, without doubt. For Stuart, probably;

for Brunswick, evidently. To be For is a power only on the condition of

being at the same time Against. Barkilphedro practised this wisdom.

The appointment of drawer of the bottles of the ocean was not as absurd

as Barkilphedro had appeared to make out. The complaints, which would in

these times be termed declamations, of Garcia Fernandez in his

“Chart-Book of the Sea,” against the robbery of jetsam, called right of

wreck, and against the pillage of wreck by the inhabitants of the coast,

had created a sensation in England, and had obtained for the shipwrecked

this reform--that their goods, chattels, and property, instead of being

stolen by the country-people, were confiscated by the Lord High Admiral.

All the _débris_ of the sea cast upon the English shore--merchandise,

broken hulls of ships, bales, chests, etc.--belonged to the Lord High

Admiral; but--and here was revealed the importance of the place asked

for by Barkilphedro--the floating receptacles containing messages and

declarations awakened particularly the attention of the Admiralty.

Shipwrecks are one of England’s gravest cares. Navigation being her

life, shipwreck is her anxiety. England is kept in perpetual care by the

sea. The little glass bottle thrown to the waves by the doomed ship,

contains final intelligence, precious from every point of view.

Intelligence concerning the ship, intelligence concerning the crew,

intelligence concerning the place, the time, the manner of loss,

intelligence concerning the winds which have broken up the vessel,

intelligence concerning the currents which bore the floating flask

ashore. The situation filled by Barkilphedro has been abolished more

than a century, but it had its real utility. The last holder was William

Hussey, of Doddington, in Lincolnshire. The man who held it was a sort

of guardian of the things of the sea. All the closed and sealed-up

vessels, bottles, flasks, jars, thrown upon the English coast by the

tide were brought to him. He alone had the right to open them; he was

first in the secrets of their contents; he put them in order, and

ticketed them with his signature. The expression “_loger un papier au

greffe_,” still used in the Channel Islands, is thence derived. However,

one precaution was certainly taken. Not one of these bottles could be

unsealed except in the presence of two jurors of the Admiralty sworn to

secrecy, who signed, conjointly with the holder of the jetsam office,

the official report of the opening. But these jurors being held to

secrecy, there resulted for Barkilphedro a certain discretionary

latitude; it depended upon him, to a certain extent, to suppress a fact

or bring it to light.

These fragile floating messages were far from being what Barkilphedro

had told Josiana, rare and insignificant. Some times they reached land

with little delay; at others, after many years. That depended on the

winds and the currents. The fashion of casting bottles on the surface of

the sea has somewhat passed away, like that of vowing offerings, but in

those religious times, those who were about to die were glad thus to

send their last thought to God and to men, and at times these messages

from the sea were plentiful at the Admiralty. A parchment preserved in

the hall at Audlyene (ancient spelling), with notes by the Earl of

Suffolk, Grand Treasurer of England under James I., bears witness that

in the one year, 1615, fifty-two flasks, bladders, and tarred vessels,

containing mention of sinking ships, were brought and registered in the

records of the Lord High Admiral.

Court appointments are the drop of oil in the widow’s cruse, they ever

increase. Thus it is that the porter has become chancellor, and the

groom, constable. The special officer charged with the appointment

desired and obtained by Barkilphedro was invariably a confidential man.

Elizabeth had wished that it should be so. At court, to speak of

confidence is to speak of intrigue, and to speak of intrigue is to speak

of advancement. This functionary had come to be a personage of some

consideration. He was a clerk, and ranked directly after the two grooms

of the almonry. He had the right of entrance into the palace, but we

must add, what was called the humble entrance--_humilis introïtus_--and

even into the bed-chamber. For it was the custom that he should inform

the monarch, on occasions of sufficient importance, of the objects

found, which were often very curious: the wills of men in despair,

farewells cast to fatherland, revelations of falsified logs, bills of

lading, and crimes committed at sea, legacies to the crown, etc., that

he should maintain his records in communication with the court, and

should account, from time to time, to the king or queen, concerning the

opening of these ill-omened bottles. It was the black cabinet of the

ocean.

Elizabeth, who was always glad of an opportunity of speaking Latin, used

to ask Tonfield, of Coley in Berkshire, jetsam officer of her day, when

he brought her one of these papers cast up by the sea, “Quid mihi

scribit Neptunus?” (What does Neptune write me?)

The way had been eaten, the insect had succeeded. Barkilphedro

approached the queen.

This was all he wanted.

To make his fortune?

No.

To unmake that of others?

A greater happiness.

To hurt is to enjoy.

To have within one the desire of injuring, vague but implacable, and

never to lose sight of it, is not given to all.

Barkilphedro possessed that fixity of intention.

As the bulldog holds on with his jaws, so did his thought.

To feel himself inexorable gave him a depth of gloomy satisfaction. As

long as he had a prey under his teeth, or in his soul, a certainty of

evil-doing, he wanted nothing.

He was happy, shivering in the cold which his neighbour was suffering.

To be malignant is an opulence. Such a man is believed to be poor, and,

in truth, is so; but he has all his riches in malice, and prefers having

them so. Everything is in what contents one. To do a bad turn, which is

the same as a good turn, is better than money. Bad for him who endures,

good for him who does it. Catesby, the colleague of Guy Fawkes, in the

Popish powder plot, said: “To see Parliament blown upside down, I

wouldn’t miss it for a million sterling.”

What was Barkilphedro? That meanest and most terrible of things--an

envious man.

Envy is a thing ever easily placed at court.

Courts abound in impertinent people, in idlers, in rich loungers

hungering for gossip, in those who seek for needles in trusses of hay,

in triflers, in banterers bantered, in witty ninnies, who cannot do

without converse with an envious man.

What a refreshing thing is the evil spoken to you of others.

Envy is good stuff to make a spy. There is a profound analogy between

that natural passion, envy, and that social function, espionage. The spy

hunts on others’ account, like the dog. The envious man hunts on his

own, like the cat.

A fierce Myself, such is the envious man.

He had other qualities. Barkilphedro was discreet, secret, concrete. He

kept in everything and racked himself with his hate. Enormous baseness

implies enormous vanity. He was liked by those whom he amused, and hated

by all others; but he felt that he was disdained by those who hated

him, and despised by those who liked him. He restrained himself. All

his gall simmered noiselessly in his hostile resignation. He was

indignant, as if rogues had the right to be so. He was the furies’

silent prey. To swallow everything was his talent. There were deaf

wraths within him, frenzies of interior rage, black and brooding flames

unseen; he was a _smoke-consuming_ man of passion. The surface was

smiling. He was kind, prompt, easy, amiable, obliging. Never mind to

whom, never mind where, he bowed. For a breath of wind he inclined to

the earth. What a source of fortune to have a reed for a spine! Such

concealed and venomous beings are not so rare as is believed. We live

surrounded by ill-omened crawling things. Wherefore the malevolent? A

keen question! The dreamer constantly proposes it to himself, and the

thinker never resolves it. Hence the sad eye of the philosophers ever

fixed upon that mountain of darkness which is destiny, and from the top

of which the colossal spectre of evil casts handfuls of serpents over

the earth.

Barkilphedro’s body was obese and his face lean. A fat bust and a bony

countenance. His nails were channelled and short, his fingers knotted,

his thumbs flat, his hair coarse, his temples wide apart, and his

forehead a murderer’s, broad and low. The littleness of his eye was

hidden under his bushy eyebrows. His nose, long, sharp, and flabby,

nearly met his mouth. Barkilphedro, properly attired, as an emperor,

would have somewhat resembled Domitian. His face of muddy yellow might

have been modelled in slimy paste--his immovable cheeks were like putty;

he had all kinds of ugly refractory wrinkles; the angle of his jaw was

massive, his chin heavy, his ear underbred. In repose, and seen in

profile, his upper lip was raised at an acute angle, showing two teeth.

Those teeth seemed to look at you. The teeth can look, just as the eye

can bite.

Patience, temperance, continence, reserve, self-control, amenity,

deference, gentleness, politeness, sobriety, chastity, completed and

finished Barkilphedro. He culumniated those virtues by their possession.

In a short time Barkilphedro took a foothold at court.

CHAPTER VIII.

INFERI.

There are two ways of making a footing at court. In the clouds, and you

are august; in the mud, and you are powerful.

In the first case, you belong to Olympus.

In the second case, you belong to the private closet.

He who belongs to Olympus has but the thunderbolt, he who is of the

private closet has the police.

The private closet contains all the instruments of government, and

sometimes, for it is a traitor, its chastisement. Heliogabalus goes

there to die. Then it is called the latrines.

Generally it is less tragic. It is there that Alberoni admires Vendôme.

Royal personages willingly make it their place of audience. It takes the

place of the throne. Louis XIV. receives the Duchess of Burgundy there.

Philip V. is shoulder to shoulder there with the queen. The priest

penetrates into it. The private closet is sometimes a branch of the

confessional. Therefore it is that at court there are underground

fortunes--not always the least. If, under Louis XI., you would be great,

be Pierre de Rohan, Marshal of France; if you would be influential, be

Olivier le Daim, the barber; if you would, under Mary de Medicis, be

glorious, be Sillery, the Chancellor; if you would be a person of

consideration, be La Hannon, the maid; if you would, under Louis XV., be

illustrious, be Choiseul, the minister; if you would be formidable, be

Lebel, the valet. Given, Louis XIV., Bontemps, who makes his bed, is

more powerful than Louvois, who raises his armies, and Turenne, who

gains his victories. From Richelieu, take Père Joseph, and you have

Richelieu nearly empty. There is the mystery the less. His Eminence in

scarlet is magnificent; his Eminence in gray is terrible. What power in

being a worm! All the Narvaez amalgamated with all the O’Donnells do

less work than one Sõr Patrocinio.

Of course the condition of this power is littleness. If you would remain

powerful, remain petty. Be Nothingness. The serpent in repose, twisted

into a circle, is a figure at the same time of the infinite and of

naught.

One of these viper-like fortunes had fallen to Barkilphedro.

He had crawled where he wanted.

Flat beasts can get in everywhere. Louis XIV. had bugs in his bed and

Jesuits in his policy.

The incompatibility is nil.

In this world everything is a clock. To gravitate is to oscillate. One

pole is attracted to the other. Francis I. is attracted by Triboulet;

Louis XIV. is attracted by Lebel. There exists a deep affinity between

extreme elevation and extreme debasement.

It is abasement which directs. Nothing is easier of comprehension. It is

he who is below who pulls the strings. No position more convenient. He

is the eye, and has the ear. He is the eye of the government; he has the

ear of the king. To have the eye of the king is to draw and shut, at

one’s whim, the bolt of the royal conscience, and to throw into that

conscience whatever one wishes. The mind of the king is his cupboard; if

he be a rag-picker, it is his basket. The ears of kings belong not to

kings, and therefore it is that, on the whole, the poor devils are not

altogether responsible for their actions. He who does not possess his

own thought does not possess his own deed. A king obeys--what? Any evil

spirit buzzing from outside in his ear; a noisome fly of the abyss.

This buzzing commands. A reign is a dictation.

The loud voice is the sovereign; the low voice, sovereignty. Those who

know how to distinguish, in a reign, this low voice, and to hear what it

whispers to the loud, are the real historians.

CHAPTER IX.

HATE IS AS STRONG AS LOVE.

Queen Anne had several of these low voices about her. Barkilphedro was

one.

Besides the queen, he secretly worked, influenced, and plotted upon Lady

Josiana and Lord David. As we have said, he whispered in three ears, one

more than Dangeau. Dangeau whispered in but two, in the days when,

thrusting himself between Louis XIV., in love with Henrietta, his

sister-in-law, and Henrietta, in love with Louis XIV., her

brother-in-law, he being Louis’s secretary, without the knowledge of

Henrietta, and Henrietta’s without the knowledge of Louis, he wrote the

questions and answers of both the love-making marionettes.

Barkilphedro was so cheerful, so accepting, so incapable of taking up

the defence of anybody, possessing so little devotion at bottom, so

ugly, so mischievous, that it was quite natural that a regal personage

should come to be unable to do without him. Once Anne had tasted

Barkilphedro she would have no other flatterer. He flattered her as they

flattered Louis the Great, by stinging her neighbours. “The king being

ignorant,” says Madame de Montchevreuil, “one is obliged to mock at the

savants.”

To poison the sting, from time to time, is the acme of art. Nero loves

to see Locusta at work.

Royal palaces are very easily entered; these madrepores have a way in

soon guessed at, contrived, examined, and scooped out at need by the

gnawing thing which is called the courtier. A pretext to enter is

sufficient. Barkilphedro, having found this pretext, his position with

the queen soon became the same as that with the Duchess Josiana--that of

an indispensable domestic animal. A witticism risked one day by him

immediately led to his perfect understanding of the queen and how to

estimate exactly her kindness of heart. The queen was greatly attached

to her Lord Steward, William Cavendish, Duke of Devonshire, who was a

great fool. This lord, who had obtained every Oxford degree and did not

know how to spell, one fine morning committed the folly of dying. To die

is a very imprudent thing at court, for there is then no further

restraint in speaking of you. The queen, in the presence of

Barkilphedro, lamented the event, finally exclaiming, with a sigh,--

“It is a pity that so many virtues should have been borne and served by

so poor an intellect.”

“Dieu veuille avoir son âne!” whispered Barkilphedro, in a low voice,

and in French.

The queen smiled. Barkilphedro noted the smile. His conclusion was that

biting pleased. Free licence had been given to his spite. From that day

he thrust his curiosity everywhere, and his malignity with it. He was

given his way, so much was he feared. He who can make the king laugh

makes the others tremble. He was a powerful buffoon. Every day he worked

his way forward--underground. Barkilphedro became a necessity. Many

great people honoured him with their confidence, to the extent of

charging him, when they required him, with their disgraceful

commissions.

There are wheels within wheels at court. Barkilphedro became the motive

power. Have you remarked, in certain mechanisms, the smallness of the

motive wheel?

Josiana, in particular, who, as we have explained, made use of

Barkilphedro’s talents as a spy, reposed such confidence in him that she

had not hesitated to entrust him with one of the master-keys of her

apartments, by means of which he was able to enter them at any hour.

This excessive licence of insight into private life was in fashion in

the seventeenth century. It was called “giving the key.” Josiana had

given two of these confidential keys--Lord David had one, Barkilphedro

the other. However, to enter straight into a bedchamber was, in the old

code of manners, a thing not in the least out of the way. Thence

resulted incidents. La Ferté, suddenly drawing back the bed curtains of

Mademoiselle Lafont, found inside Sainson, the black musketeer, etc.,

etc.

Barkilphedro excelled in making the cunning discoveries which place the

great in the power of the little. His walk in the dark was winding,

soft, clever. Like every perfect spy, he was composed of the inclemency

of the executioner and the patience of a micograph. He was a born

courtier. Every courtier is a noctambulist. The courtier prowls in the

night, which is called power. He carries a dark lantern in his hand. He

lights up the spot he wishes, and remains in darkness himself. What he

seeks with his lantern is not a man, it is a fool. What he finds is the

king.

Kings do not like to see those about them pretend to greatness. Irony

aimed at any one except themselves has a charm for them. The talent of

Barkilphedro consisted in a perpetual dwarfing of the peers and princes

to the advantage of her Majesty’s stature, thus increased in proportion.

The master-key held by Barkilphedro was made with two sets of wards, one

at each end, so as to open the inner apartments in both Josiana’s

favourite residences--Hunkerville House in London, Corleone Lodge at

Windsor. These two houses were part of the Clancharlie inheritance.

Hunkerville House was close to Oldgate. Oldgate was a gate of London,

which was entered by the Harwich road, and on which was displayed a

statue of Charles II., with a painted angel on his head, and beneath his

feet a carved lion and unicorn. From Hunkerville House, in an easterly

wind, you heard the peals of St. Marylebone. Corleone Lodge was a

Florentine palace of brick and stone, with a marble colonnade, built on

pilework, at Windsor, at the head of the wooden bridge, and having one

of the finest courts in England.

In the latter palace, near Windsor Castle, Josiana was within the

queen’s reach. Nevertheless, Josiana liked it.

Scarcely anything in appearance, everything in the root, such was the

influence of Barkilphedro over the queen. There is nothing more

difficult than to drag up these bad grasses of the court--they take a

deep root, and offer no hold above the surface. To root out a

Roquelaure, a Triboulet, or a Brummel, is almost impossible.

From day to day, and more and more, did the queen take Barkilphedro into

her good graces. Sarah Jennings is famous; Barkilphedro is unknown. His

existence remains ignored. The name of Barkilphedro has not reached as

far as history. All the moles are not caught by the mole-trapper.

Barkilphedro, once a candidate for orders, had studied a little of

everything. Skimming all things leaves naught for result. One may be

victim of the _omnis res scibilis_. Having the vessel of the Danaïdes in

one’s head is the misfortune of a whole race of learned men, who may be

termed the sterile. What Barkilphedro had put into his brain had left it

empty.

The mind, like nature, abhors vacuum. Into emptiness nature puts love;

the mind often puts hate. Hate occupies.

Hate for hate’s sake exists. Art for art’s sake exists in nature more

than is believed. A man hates--he must do something. Gratuitous

hate--formidable word! It means hate which is itself its own payment.

The bear lives by licking his claws. Not indefinitely, of course. The

claws must be revictualled--something must be put under them.

Hate indistinct is sweet, and suffices for a time; but one must end by

having an object. An animosity diffused over creation is exhausting,

like every solitary pleasure. Hate without an object is like a

shooting-match without a target. What lends interest to the game is a

heart to be pierced. One cannot hate solely for honour; some seasoning

is necessary--a man, a woman, somebody, to destroy. This service of

making the game interesting; of offering an end; of throwing passion

into hate by fixing it on an object; of of amusing the hunter by the

sight of his living prey; giving the watcher the hope of the smoking and

boiling blood about to flow; of amusing the bird-catcher by the

credulity of the uselessly-winged lark; of being a victim, unknowingly

reared for murder by a master-mind--all this exquisite and horrible

service, of which the person rendering it is unconscious, Josiana

rendered Barkilphedro.

Thought is a projectile. Barkilphedro had, from the first day, begun to

aim at Josiana the evil intentions which were in his mind. An intention

and a carbine are alike. Barkilphedro aimed at Josiana, directing

against the duchess all his secret malice. That astonishes you! What has

the bird done at which you fire? You want to eat it, you say. And so it

was with Barkilphedro.

Josiana could not be struck in the heart--the spot where the enigma lies

is hard to wound; but she could be struck in the head--that is, in her

pride. It was there that she thought herself strong, and that she was

weak.

Barkilphedro had found it out. If Josiana had been able to see clearly

through the night of Barkilphedro, if she had been able to distinguish

what lay in ambush behind his smile, that proud woman, so highly

situated, would have trembled. Fortunately for the tranquillity of her

sleep, she was in complete ignorance of what was in the man.

The unexpected spreads, one knows not whence. The profound depths of

life are dangerous. There is no small hate. Hate is always enormous. It

preserves its stature in the smallest being, and remains a monster. An

elephant hated by a worm is in danger.

Even before he struck, Barkilphedro felt, with joy, the foretaste of the

evil action which he was about to commit. He did not as yet know what he

was going to do to Josiana; but he had made up his mind to do something.

To have come to this decision was a great step taken. To crush Josiana

utterly would have been too great a triumph. He did not hope for so

much; but to humiliate her, lessen her, bring her grief, redden her

proud eyes with tears of rage--what a success! He counted on it.

Tenacious, diligent, faithful to the torment of his neighbour, not to

be torn from his purpose, nature had not formed him for nothing. He well

understood how to find the flaw in Josiana’s golden armour, and how to

make the blood of that Olympian flow.

What benefit, we ask again, would accrue to him in so doing? An immense

benefit--doing evil to one who had done good to him. What is an envious

man? An ungrateful one. He hates the light which lights and warms him.

Zoilus hated that benefit to man, Homer. To inflict on Josiana what

would nowadays be called vivisection--to place her, all convulsed, on

his anatomical table; to dissect her alive, at his leisure, in some

surgery; to cut her up, as an amateur, while she should scream--this

dream delighted Barkilphedro!

To arrive at this result it was necessary to suffer somewhat himself; he

did so willingly. We may pinch ourselves with our own pincers. The knife

as it shuts cuts our fingers. What does it matter? That he should

partake of Josiana’s torture was a matter of little moment. The

executioner handling the red-hot iron, when about to brand a prisoner,

takes no heed of a little burn. Because another suffers much, he suffers

nothing. To see the victim’s writhings takes all pain from the

inflicter.

Do harm, whatever happens.

To plan evil for others is mingled with an acceptance of some hazy

responsibility. We risk ourselves in the danger which we impel towards

another, because the chain of events sometimes, of course, brings

unexpected accidents. This does not stop the man who is truly malicious.

He feels as much joy as the patient suffers agony. He is tickled by the

laceration of the victim. The malicious man blooms in hideous joy. Pain

reflects itself on him in a sense of welfare. The Duke of Alva used to

warm his hands at the stake. The pile was torture, the reflection of it

pleasure. That such transpositions should be possible makes one shudder.

Our dark side is unfathomable. _Supplice exquis_ (exquisite

torture)--the expression is in Bodin[12]--has perhaps this terrible

triple sense: search for the torture; suffering of the tortured; delight

of the torturer.

Ambition, appetite--all such words signify some one sacrificed to some

one satiated. It is sad that hope should be wicked. Is it that the

outpourings of our wishes flow naturally to the direction to which we

most incline--that of evil? One of the hardest labours of the just man

is to expunge from his soul a malevolence which it is difficult to

efface. Almost all our desires, when examined, contain what we dare not

avow.

In the completely wicked man this exists in hideous perfection. So much

the worse for others, signifies so much the better for himself. The

shadows of the caverns of man’s mind.

Josiana, in a plenitude of security the fruit of ignorant pride, had a

contempt for all danger. The feminine faculty of disdain is

extraordinary. Josiana’s disdain, unreasoning, involuntary, and

confident. Barkilphedro was to her so contemptible that she would have

been astonished had any one remarked to her that such a creature

existed. She went, and came, and laughed before this man who was looking

at her with evil eyes. Thoughtful, he bided his time.

In proportion as he waited, his determination to cast a despair into

this woman’s life augmented. Inexorable high tide of malice.

In the meantime he gave himself excellent reasons for his determination.

It must not be thought that scoundrels are deficient in self-esteem.

They enter into details with themselves in their lofty monologues, and

they take matters with a high hand. How? This Josiana had bestowed

charity on him! She had thrown some crumbs of her enormous wealth to

him, as to a beggar. She had nailed and riveted him to an office which

was unworthy him. Yes; that he, Barkilphedro, almost a clergyman, of

varied and profound talent, a learned man, with the material in him for

a bishop, should have for employ the registration of nasty

patience-trying shards, that he should have to pass his life in the

garret of a register-office, gravely uncorking stupid bottles, incrusted

with all the nastiness of the sea, deciphering musty parchments, like

filthy conjuring-books, dirty wills, and other illegible stuff of the

kind, was the fault of this Josiana. Worst of all, this creature

“thee’d” and “thou’d” him! And he should not revenge himself--he should

not punish such conduct! Well, in that case there would no longer be

justice on earth!

CHAPTER X.

THE FLAME WHICH WOULD BE SEEN IF MAN WERE TRANSPARENT.

What! this woman, this extravagant thing, this libidinous dreamer, a

virgin until the opportunity occurred, this bit of flesh as yet unfreed,

this bold creature under a princess’s coronet; this Diana by pride, as

yet untaken by the first comer, just because chance had so willed it;

this bastard of a low-lived king who had not the intellect to keep his

place; this duchess by a lucky hit, who, being a fine lady, played the

goddess, and who, had she been poor, would have been a prostitute; this

lady, more or less, this robber of a proscribed man’s goods, this

overbearing strumpet, because one day he, Barkilphedro, had not money

enough to buy his dinner, and to get a lodging--she had had the

impudence to seat him in her house at the corner of a table, and to put

him up in some hole in her intolerable palace. Where? never mind where.

Perhaps in the barn, perhaps in the cellar; what does it matter? A

little better than her valets, a little worse than her horses. She had

abused his distress--his, Barkilphedro’s--in hastening to do him

treacherous good; a thing which the rich do in order to humiliate the

poor, and to tie them, like curs led by a string. Besides, what did the

service she rendered him cost her? A service is worth what it costs. She

had spare rooms in her house. She came to Barkilphedro’s aid! A great

thing, indeed. Had she eaten a spoonful the less of turtle soup for it?

had she deprived herself of anything in the hateful overflowing of her

superfluous luxuries? No. She had added to it a vanity, a luxury, a good

action like a ring on her finger, the relief of a man of wit, the

patronization of a clergyman. She could give herself airs: say, “I

lavish kindness; I fill the mouths of men of letters; I am his

benefactress. How lucky the wretch was to find me out! What a patroness

of the arts I am!” All for having set up a truckle bed in a wretched

garret in the roof. As for the place in the Admiralty, Barkilphedro owed

it to Josiana; by Jove, a pretty appointment! Josiana had made

Barkilphedro what he was. She had created him. Be it so. Yes, created

nothing--less than nothing. For in his absurd situation he felt borne

down, tongue-tied, disfigured. What did he owe Josiana? The thanks due

from a hunchback to the mother who bore him deformed. Behold your

privileged ones, your folks overwhelmed with fortune, your parvenus,

your favourites of that horrid stepmother Fortune! And that man of

talent, Barkilphedro, was obliged to stand on staircases, to bow to

footmen, to climb to the top of the house at night, to be courteous,

assiduous, pleasant, respectful, and to have ever on his muzzle a

respectful grimace! Was not it enough to make him gnash his teeth with

rage! And all the while she was putting pearls round her neck, and

making amorous poses to her fool, Lord David Dirry-Moir; the hussy!

Never let any one do you a service. They will abuse the advantage it

gives them. Never allow yourself to be taken in the act of inanition.

They would relieve you. Because he was starving, this woman had found it

a sufficient pretext to give him bread. From that moment he was her

servant; a craving of the stomach, and there is a chain for life! To be

obliged is to be sold. The happy, the powerful, make use of the moment

you stretch out your hand to place a penny in it, and at the crisis of

your weakness make you a slave, and a slave of the worst kind, the slave

of an act of charity--a slave forced to love the enslaver. What infamy!

what want of delicacy! what an assault on your self-respect! Then all is

over. You are sentenced for life to consider this man good, that woman

beautiful; to remain in the back rows; to approve, to applaud, to

admire, to worship, to prostrate yourself, to blister your knees by long

genuflections, to sugar your words when you are gnawing your lips with

anger, when you are biting down your cries of fury, and when you have

within you more savage turbulence and more bitter foam than the ocean!

It is thus that the rich make prisoners of the poor.

This slime of a good action performed towards you bedaubs and bespatters

you with mud for ever.

An alms is irremediable. Gratitude is paralysis. A benefit is a sticky

and repugnant adherence which deprives you of free movement. Those

odious, opulent, and spoiled creatures whose pity has thus injured you

are well aware of this. It is done--you are their creature. They have

bought you--and how? By a bone taken from their dog and cast to you.

They have flung that bone at your head. You have been stoned as much as

benefited. It is all one. Have you gnawed the bone--yes or no? You have

had your place in the dog-kennel as well. Then be thankful--be ever

thankful. Adore your masters. Kneel on indefinitely. A benefit implies

an understood inferiority accepted by you. It means that you feel them

to be gods and yourself a poor devil. Your diminution augments them.

Your bent form makes theirs more upright. In the tones of their voices

there is an impertinent inflexion. Their family matters--their

marriages, their baptisms, their child-bearings, their progeny--all

concern you. A wolf cub is born to them. Well, you have to compose a

sonnet. You are a poet because you are low. Isn’t it enough to make the

stars fall! A little more, and they would make you wear their old shoes.

“Who have you got there, my dear? How ugly he is! Who is that man?”

“I do not know. A sort of scholar, whom I feed.”

Thus converse these idiots, without even lowering their voice. You hear,

and remain mechanically amiable. If you are ill, your masters will send

for the doctor--not their own. Occasionally they may even inquire after

you. Being of a different species from you, and at an inaccessible

height above you, they are affable. Their height makes them easy. They

know that equality is impossible. By force of disdain they are polite.

At table they give you a little nod. Sometimes they absolutely know how

your name is spelt! They only show that they are your protectors by

walking unconsciously over all the delicacy and susceptibility you

possess. They treat you with good-nature. Is all this to be borne?

No doubt he was eager to punish Josiana. He must teach her with whom she

had to deal!

O my rich gentry, because you cannot eat up everything, because opulence

produces indigestion seeing that your stomachs are no bigger than ours,

because it is, after all, better to distribute the remainder than to

throw it away, you exalt a morsel flung to the poor into an act of

magnificence. Oh, you give us bread, you give us shelter, you give us

clothes, you give us employment, and you push audacity, folly, cruelty,

stupidity, and absurdity to the pitch of believing that we are grateful!

The bread is the bread of servitude, the shelter is a footman’s bedroom,

the clothes are a livery, the employment is ridiculous, paid for, it is

true, but brutalizing.

Oh, you believe in the right to humiliate us with lodging and

nourishment, and you imagine that we are your debtors, and you count on

our gratitude! Very well; we will eat up your substance, we will devour

you alive and gnaw your heart-strings with our teeth.

This Josiana! Was it not absurd? What merit had she? She had

accomplished the wonderful work of coming into the world as a testimony

of the folly of her father and the shame of her mother. She had done us

the favour to exist, and for her kindness in becoming a public scandal

they paid her millions; she had estates and castles, warrens, parks,

lakes, forests, and I know not what besides, and with all that she was

making a fool of herself, and verses were addressed to her! And

Barkilphedro, who had studied and laboured and taken pains, and stuffed

his eyes and his brain with great books, who had grown mouldy in old

works and in science, who was full of wit, who could command armies, who

could, if he would, write tragedies like Otway and Dryden, who was made

to be an emperor--Barkilphedro had been reduced to permit this nobody to

prevent him from dying of hunger. Could the usurpation of the rich, the

hateful elect of chance, go further? They put on the semblance of being

generous to us, of protecting us, and of smiling on us, and we would

drink their blood and lick our lips after it! That this low woman of the

court should have the odious power of being a benefactress, and that a

man so superior should be condemned to pick up such bribes falling from

such a hand, what a frightful iniquity! And what social system is this

which has for its base disproportion and injustice? Would it not be best

to take it by the four corners, and to throw pell-mell to the ceiling

the damask tablecloth, and the festival, and the orgies, and the

tippling and drunkenness, and the guests, and those with their elbows on

the table, and those with their paws under it, and the insolent who give

and the idiots who accept, and to spit it all back again in the face of

Providence, and fling all the earth to the heavens? In the meantime let

us stick our claws into Josiana.

Thus dreamed Barkilphedro. Such were the ragings of his soul. It is the

habit of the envious man to absolve himself, amalgamating with his

personal grievance the public wrongs.

All the wild forms of hateful passions went and came in the intellect

of this ferocious being. At the corners of old maps of the world of the

fifteenth century are great vague spaces without shape or name, on which

are written these three words, _Hic sunt leones_. Such a dark corner is

there also in man. Passions grow and growl somewhere within us, and we

may say of an obscure portion of our souls, “There are lions here.”

Is this scaffolding of wild reasoning absolutely absurd? does it lack a

certain justice? We must confess it does not.

It is fearful to think that judgment within us is not justice. Judgment

is the relative, justice is the absolute. Think of the difference

between a judge and a just man.

Wicked men lead conscience astray with authority. There are gymnastics

of untruth. A sophist is a forger, and this forger sometimes brutalizes

good sense.

A certain logic, very supple, very implacable, and very agile, is at the

service of evil, and excels in stabbing truth in the dark. These are

blows struck by the devil at Providence.

The worst of it was that Barkilphedro had a presentiment. He was

undertaking a heavy task, and he was afraid that after all the evil

achieved might not be proportionate to the work.

To be corrosive as he was, to have within himself a will of steel, a

hate of diamond, a burning curiosity for the catastrophe, and to burn

nothing, to decapitate nothing, to exterminate nothing; to be what he

was, a force of devastation, a voracious animosity, a devourer of the

happiness of others, to have been created (for there is a creator,

whether God or devil), to have been created Barkilphedro all over, and

to inflict perhaps after all but a fillip of the finger--could this be

possible? could it be that Barkilphedro should miss his aim? To be a

lever powerful enough to heave great masses of rock, and when sprung to

the utmost power to succeed only in giving an affected woman a bump in

the forehead--to be a catapult dealing ruin on a pole-kitten! To

accomplish the task of Sisyphus, to crush an ant; to sweat all over with

hate, and for nothing at all. Would not this be humiliating, when he

felt himself a mechanism of hostility capable of reducing the world to

powder! To put into movement all the wheels within wheels, to work in

the darkness all the mechanism of a Marly machine, and to succeed

perhaps in pinching the end of a little rosy finger! He was to turn over

and over blocks of marble, perchance with the result of ruffling a

little the smooth surface of the court! Providence has a way of thus

expending forces grandly. The movement of a mountain often only

displaces a molehill.

Besides this, when the court is the dangerous arena, nothing is more

dangerous than to aim at your enemy and miss him. In the first place, it

unmasks you and irritates him; but besides and above all, it displeases

the master. Kings do not like the unskilful. Let us have no contusions,

no ugly gashes. Kill anybody, but give no one a bloody nose. He who

kills is clever, he who wounds awkward. Kings do not like to see their

servants lamed. They are displeased if you chip a porcelain jar on their

chimney-piece or a courtier in their cortège. The court must be kept

neat. Break and replace; that does not matter. Besides, all this agrees

perfectly with the taste of princes for scandal. Speak evil, do none; or

if you do, let it be in grand style.

Stab, do not scratch, unless the pin be poisoned. This would be an

extenuating circumstance, and was, we may remember, the case with

Barkilphedro.

Every malicious pigmy is a phial in which is enclosed the dragon of

Solomon. The phial is microscopic, the dragon immense. A formidable

condensation, awaiting the gigantic hour of dilation! Ennui consoled by

the premeditation of explosion! The prisoner is larger than the prison.

A latent giant! how wonderful! A minnow in which is contained a hydra.

To be this fearful magical box, to contain within him a leviathan, is to

the dwarf both a torture and a delight.

Nor would anything have caused Barkilphedro to let go his hold. He

awaited his time. Was it to come? What mattered that? He watched for it.

Self-love is mixed up in the malice of the very wicked man. To make

holes and gaps in a court fortune higher than your own, to undermine it

at all risks and perils, while encased and concealed yourself, is, we

repeat, exceedingly interesting. The player at such a game becomes

eager, even to passion. He throws himself into the work as if he were

composing an epic. To be very mean, and to attack that which is great,

is in itself a brilliant action. It is a fine thing to be a flea on a

lion.

The noble beast feels the bite, and expends his mighty anger against

the atom. An encounter with a tiger would weary him less; see how the

actors exchange their parts. The lion, humiliated, feels the sting of

the insect; and the flea can say, “I have in my veins the blood of a

lion.”

However, these reflections but half appeased the cravings of

Barkilphedro’s pride. Consolations, palliations at most. To vex is one

thing; to torment would be infinitely better. Barkilphedro had a thought

which returned to him without ceasing: his success might not go beyond

just irritating the epidermis of Josiana. What could he hope for

more--he so obscure against her so radiant? A scratch is worth but

little to him who longs to see the crimson blood of his flayed victim,

and to hear her cries as she lies before him more than naked, without

even that garment the skin! With such a craving, how sad to be

powerless!

Alas, there is nothing perfect!

However, he resigned himself. Not being able to do better, he only

dreamed half his dream. To play a treacherous trick is an object after

all.

What a man is he who revenges himself for a benefit received!

Barkilphedro was a giant among such men. Usually, ingratitude is

forgetfulness. With this man, patented in wickedness, it was fury. The

vulgar ingrate is full of ashes; what was within Barkilphedro? A

furnace--furnace walled round by hate, silence, and rancour, awaiting

Josiana for fuel. Never had a man abhorred a woman to such a point

without reason. How terrible! She was his dream, his preoccupation, his

ennui, his rage.

Perhaps he was a little in love with her.

CHAPTER XI.

BARKILPHEDRO IN AMBUSCADE.

To find the vulnerable spot in Josiana, and to strike her there, was,

for all the causes we have just mentioned, the imperturbable

determination of Barkilphedro. The wish is sufficient; the power is

required. How was he to set about it? There was the question.

Vulgar vagabonds set the scene of any wickedness they intend to commit

with care. They do not feel themselves strong enough to seize the

opportunity as it passes, to take possession of it by fair means or

foul, and to constrain it to serve them. Deep scoundrels disdain

preliminary combinations. They start from their villainies alone, merely

arming themselves all round, prepared to avail themselves of various

chances which may occur, and then, like Barkilphedro, await the

opportunity. They know that a ready-made scheme runs the risk of fitting

ill into the event which may present itself. It is not thus that a man

makes himself master of possibilities and guides them as one pleases.

You can come to no previous arrangement with destiny. To-morrow will not

obey you. There is a certain want of discipline in chance.

Therefore they watch for it, and summon it suddenly, authoritatively, on

the spot. No plan, no sketch, no rough model; no ready-made shoe

ill-fitting the unexpected. They plunge headlong into the dark. To turn

to immediate and rapid profit any circumstance that can aid him is the

quality which distinguishes the able scoundrel, and elevates the villain

into the demon. To strike suddenly at fortune, _that_ is true genius.

The true scoundrel strikes you from a sling with the first stone he can

pick up. Clever malefactors count on the unexpected, that senseless

accomplice of so many crimes. They grasp the incident and leap on it;

there is no better _Ars Poetica_ for this species of talent. Meanwhile

be sure with whom you have to deal. Survey the ground.

With Barkilphedro the ground was Queen Anne. Barkilphedro approached the

queen, and so close that sometimes he fancied he heard the monologues of

her Majesty. Sometimes he was present unheeded at conversations between

the sisters. Neither did they forbid his sliding in a word. He profited

by this to lessen himself--a way of inspiring confidence. Thus one day

in the garden at Hampton Court, being behind the duchess, who was behind

the queen, he heard Anne, following the fashion, awkwardly enunciating

sentiments.

“Animals are happy,” said the queen. “They run no risk of going to

hell.”

“They are there already,” replied Josiana.

This answer, which bluntly substituted philosophy for religion,

displeased the queen. If, perchance, there was depth in the observation,

Anne felt shocked.

“My dear,” said she to Josiana, “we talk of hell like a couple of

fools. Ask Barkilphedro all about it. He ought to know such things.”

“As a devil?” said Josiana.

“As a beast,” replied Barkilphedro, with a bow.

“Madam,” said the queen to Josiana, “he is cleverer than we.”

For a man like Barkilphedro to approach the queen was to obtain a hold

on her. He could say, “I hold her.” Now, he wanted a means of taking

advantage of his power for his own benefit. He had his foothold in the

court. To be settled there was a fine thing. No chance could now escape

him. More than once he had made the queen smile maliciously. This was

having a licence to shoot. But was there any preserved game? Did this

licence to shoot permit him to break the wing or the leg of one like the

sister of her Majesty? The first point to make clear was, did the queen

love her sister? One false step would lose all. Barkilphedro watched.

Before he plays the player looks at the cards. What trumps has he?

Barkilphedro began by examining the age of the two women. Josiana,

twenty-three; Anne, forty-one. So far so good. He held trumps. The

moment that a woman ceases to count by springs, and begins to count by

winters, she becomes cross. A dull rancour possesses her against the

time of which she carries the proofs. Fresh-blown beauties, perfumes for

others, are to such a one but thorns. Of the roses she feels but the

prick. It seems as if all the freshness is stolen from her, and that

beauty decreases in her because it increases in others.

To profit by this secret ill-humour, to dive into the wrinkle on the

face of this woman of forty, who was a queen, seemed a good game for

Barkilphedro.

Envy excels in exciting jealousy, as a rat draws the crocodile from its

hole.

Barkilphedro fixed his wise gaze on Anne. He saw into the queen as one

sees into a stagnant pool. The marsh has its transparency. In dirty

water we see vices, in muddy water we see stupidity; Anne was muddy

water.

Embryos of sentiments and larvæ of ideas moved in her thick brain. They

were not distinct; they had scarcely any outline. But they were

realities, however shapeless. The queen thought this; the queen desired

that. To decide what was the difficulty. The confused transformations

which work in stagnant water are difficult to study. The queen,

habitually obscure, sometimes made sudden and stupid revelations. It was

on these that it was necessary to seize. He must take advantage of them

on the moment. How did the queen feel towards the Duchess Josiana? Did

she wish her good or evil?

Here was the problem. Barkilphedro set himself to solve it. This problem

solved, he might go further.

Divers chances served Barkilphedro--his tenacity at the watch above all.

Anne was, on her husband’s side, slightly related to the new Queen of

Prussia, wife of the king with the hundred chamberlains. She had her

portrait painted on enamel, after the process of Turquet of Mayerne.

This Queen of Prussia had also a younger illegitimate sister, the

Baroness Drika.

One day, in the presence of Barkilphedro, Anne asked the Russian

ambassador some question about this Drika.

“They say she is rich?”

“Very rich.”

“She has palaces?”

“More magnificent than those of her sister, the queen.”

“Whom will she marry?”

“A great lord, the Count Gormo.”

“Pretty?”

“Charming.”

“Is she young?”

“Very young.”

“As beautiful as the queen?”

The ambassador lowered his voice, and replied,--

“More beautiful.”

“That is insolent,” murmured Barkilphedro.

The queen was silent; then she exclaimed,--

“Those bastards!”

Barkilphedro noticed the plural.

Another time, when the queen was leaving the chapel, Barkilphedro kept

pretty close to her Majesty, behind the two grooms of the almonry. Lord

David Dirry-Moir, crossing the ranks of women, made a sensation by his

handsome appearance. As he passed there was an explosion of feminine

exclamations.

“How elegant! How gallant! What a noble air! How handsome!”

“How disagreeable!” grumbled the queen.

Barkilphedro overheard this; it decided him.

He could hurt the duchess without displeasing the queen. The first

problem was solved; but now the second presented itself.

What could he do to harm the duchess? What means did his wretched

appointment offer to attain so difficult an object?

Evidently none.

CHAPTER XII.

SCOTLAND, IRELAND, AND ENGLAND.

Let us note a circumstance. Josiana had _le tour_.

This is easy to understand when we reflect that she was, although

illegitimate, the queen’s sister--that is to say, a princely personage.

To have _le tour_--what does it mean?

Viscount St. John, otherwise Bolingbroke, wrote as follows to Thomas

Lennard, Earl of Sussex:--

“Two things mark the great--in England, they have _le tour;_ in France,

_le pour_.”

When the King of France travelled, the courier of the court stopped at

the halting-place in the evening, and assigned lodgings to his Majesty’s

suite.

Amongst the gentlemen some had an immense privilege. “They have _le

pour_” says the _Journal Historique_ for the year 1694, page 6; “which

means that the courier who marks the billets puts ‘_pour_’ before their

names--as, ‘_Pour_ M. le Prince de Soubise;’ instead of which, when he

marks the lodging of one who is not royal, he does not put _pour_, but

simply the name--as, ‘Le Duc de Gesvres, le Duc de Mazarin.’” This

_pour_ on a door indicated a prince or a favourite. A favourite is worse

than a prince. The king granted _le pour_, like a blue ribbon or a

peerage.

_Avoir le tour_ in England was less glorious but more real. It was a

sign of intimate communication with the sovereign. Whoever might be, by

birth or favour, in a position to receive direct communications from

majesty, had in the wall of their bedchamber a shaft in which was

adjusted a bell. The bell sounded, the shaft opened, a royal missive

appeared on a gold plate or on a cushion of velvet, and the shaft

closed. This was intimate and solemn, the mysterious in the familiar.

The shaft was used for no other purpose. The sound of the bell announced

a royal message. No one saw who brought it. It was of course merely the

page of the king or the queen. Leicester _avait le tour_ under

Elizabeth; Buckingham under James I. Josiana had it under Anne, though

not much in favour. Never was a privilege more envied.

This privilege entailed additional servility. The recipient was more of

a servant. At court that which elevates, degrades. _Avoir le tour_ was

said in French; this circumstance of English etiquette having, probably,

been borrowed from some old French folly.

Lady Josiana, a virgin peeress as Elizabeth had been a virgin queen,

led--sometimes in the City, and sometimes in the country, according to

the season--an almost princely life, and kept nearly a court, at which

Lord David was courtier, with many others.

Not being married, Lord David and Lady Josiana could show themselves

together in public without exciting ridicule, and they did so

frequently. They often went to plays and racecourses in the same

carriage, and sat together in the same box. They were chilled by the

impending marriage, which was not only permitted to them, but imposed

upon them; but they felt an attraction for each other’s society. The

privacy permitted to the engaged has a frontier easily passed. From this

they abstained; that which is easy is in bad taste.

The best pugilistic encounters then took place at Lambeth, a parish in

which the Lord Archbishop of Canterbury has a palace though the air

there is unhealthy, and a rich library open at certain hours to decent

people.

One evening in winter there was in a meadow there, the gates of which

were locked, a fight, at which Josiana, escorted by Lord David, was

present. She had asked,--

“Are women admitted?”

And David had responded,--

“_Sunt fæminae magnates!_”

Liberal translation, “Not shopkeepers.” Literal translation, “Great

ladies exist. A duchess goes everywhere!”

This is why Lady Josiana saw a boxing match.

Lady Josiana made only this concession to propriety--she dressed as a

man, a very common custom at that period. Women seldom travelled

otherwise. Out of every six persons who travelled by the coach from

Windsor, it was rare that there were not one or two amongst them who

were women in male attire; a certain sign of high birth.

Lord David, being in company with a woman, could not take any part in

the match himself, and merely assisted as one of the audience.

Lady Josiana betrayed her quality in one way; she had an opera-glass,

then used by gentlemen only.

This encounter in the noble science was presided over by Lord Germaine,

great-grandfather, or grand-uncle, of that Lord Germaine who, towards

the end of the eighteenth century, was colonel, ran away in a battle,

was afterwards made Minister of War, and only escaped from the bolts of

the enemy, to fall by a worse fate, shot through and through by the

sarcasm of Sheridan.

Many gentlemen were betting. Harry Bellew, of Carleton, who had claims

to the extinct peerage of Bella-aqua, with Henry, Lord Hyde, member of

Parliament for the borough of Dunhivid, which is also called Launceston;

the Honourable Peregrine Bertie, member for the borough of Truro, with

Sir Thomas Colpepper, member for Maidstone; the Laird of Lamyrbau, which

is on the borders of Lothian, with Samuel Trefusis, of the borough of

Penryn; Sir Bartholomew Gracedieu, of the borough of Saint Ives, with

the Honourable Charles Bodville, who was called Lord Robartes, and who

was Custos Rotulorum of the county of Cornwall; besides many others.

Of the two combatants, one was an Irishman, named after his native

mountain in Tipperary, Phelem-ghe-Madone, and the other a Scot, named

Helmsgail.

They represented the national pride of each country. Ireland and

Scotland were about to set to; Erin was going to fisticuff Gajothel. So

that the bets amounted to over forty thousand guineas, besides the

stakes.

The two champions were naked, excepting short breeches buckled over the

hips, and spiked boots laced as high as the ankles.

Helmsgail, the Scot, was a youth scarcely nineteen, but he had already

had his forehead sewn up, for which reason they laid 2 1/3 to 1 on him.

The month before he had broken the ribs and gouged out the eyes of a

pugilist named Sixmileswater. This explained the enthusiasm he created.

He had won his backers twelve thousand pounds. Besides having his

forehead sewn up Helmsgail’s jaw had been broken. He was neatly made and

active. He was about the height of a small woman, upright, thick-set,

and of a stature low and threatening. And nothing had been lost of the

advantages given him by nature; not a muscle which was not trained to

its object, pugilism. His firm chest was compact, and brown and shining

like brass. He smiled, and three teeth which he had lost added to his

smile.

His adversary was tall and overgrown--that is to say, weak.

He was a man of forty years of age, six feet high, with the chest of a

hippopotamus, and a mild expression of face. The blow of his fist would

break in the deck of a vessel, but he did not know how to use it.

The Irishman, Phelem-ghe-Madone, was all surface, and seemed to have

entered the ring to receive rather than to give blows. Only it was felt

that he would take a deal of punishment. Like underdone beef, tough to

chew, and impossible to swallow. He was what was termed, in local slang,

raw meat. He squinted. He seemed resigned.

The two men had passed the preceding night in the same bed, and had

slept together. They had each drunk port wine from the same glass, to

the three-inch mark.

Each had his group of seconds--men of savage expression, threatening the

umpires when it suited their side. Amongst Helmsgail’s supporters was to

be seen John Gromane, celebrated for having carried an ox on his back;

and one called John Bray, who had once carried on his back ten bushels

of flour, at fifteen pecks to the bushel, besides the miller himself,

and had walked over two hundred paces under the weight. On the side of

Phelem-ghe-Madone, Lord Hyde had brought from Launceston a certain

Kilter, who lived at Green Castle, and could throw a stone weighing

twenty pounds to a greater height than the highest tower of the castle.

These three men, Kilter, Bray, and Gromane, were Cornishmen by birth,

and did honour to their county.

The other seconds were brutal fellows, with broad backs, bowed legs,

knotted fists, dull faces; ragged, fearing nothing, nearly all

jail-birds.

Many of them understood admirably how to make the police drunk. Each

profession should have its peculiar talents.

The field chosen was farther off than the bear garden, where they

formerly baited bears, bulls, and dogs; it was beyond the line of the

farthest houses, by the side of the ruins of the Priory of Saint Mary

Overy, dismantled by Henry VIII. The wind was northerly, and biting; a

small rain fell, which was instantly frozen into ice. Some gentlemen

present were evidently fathers of families, recognized as such by their

putting up their umbrellas.

On the side of Phelem-ghe-Madone was Colonel Moncreif, as umpire; and

Kilter, as second, to support him on his knee.

On the side of Helmsgail, the Honourable Pughe Beaumaris was umpire,

with Lord Desertum, from Kilcarry, as bottle-holder, to support him on

his knee.

The two combatants stood for a few seconds motionless in the ring,

whilst the watches were being compared. They then approached each other

and shook hands.

Phelem-ghe-Madone said to Helmsgail,--

“I should prefer going home.”

Helmsgail answered, handsomely,--

“The gentlemen must not be disappointed, on any account.”

Naked as they were, they felt the cold. Phelem-ghe-Madone shook. His

teeth chattered.

Dr. Eleanor Sharpe, nephew of the Archbishop of York, cried out to

them,--

“Set to, boys; it will warm you.”

The Man Who Laughs: A Romance of English History · 第 19 / 25 章