Two hundred dollars. You can try that dressmaking business if you

want to, Ella.

ELLA

[_Looks at check._

Two hundred dollars!

JANE

You needn’t thank me.

ELLA

That ain’t it. I was just wonderin’ what’s come over you all of a

sudden.

[_Ben enters._

JANE

It’s my birthday, that’s all. Did you know it was my birthday, Ben?

BEN (_carelessly_)

Is it? I shoveled them damned paths!

[_He crosses and sits by fire._

JANE

Ella’s going into the dressmaking business, Ben.

BEN (_moodily_)

What of it?

ELLA

That’s what I say. It ain’t much of a business.

[_She exits at right; outside it grows to dusk._

JANE

Are you tired?

BEN

Maybe.

[_He stretches his feet out toward fire._

JANE

You’ve done a lot of work to-day.

BEN

And every day.

JANE

I don’t suppose you know how much good it’s done you, how well you

look!

BEN

Beauty’s only skin deep.

JANE

Folks change, even in a few weeks, outside and in. Hard work don’t

hurt anybody.

BEN

I got chilblains on my feet. The damned shoes are stiffer than they

ever was.

JANE

Icebound, you said. Maybe it don’t have to be like that. Sometimes,

just lately, it’s seemed to me that if folks would try, things

needn’t be so bad. All of ’em try, I mean, for themselves, and for

everybody else.

BEN

If I was you, I’d go out somewheres and hire a hall.

JANE

If you’d put some pork fat on those shoes to-night, your feet

wouldn’t hurt so bad.

BEN

Maybe.

[_He sits looking moodily into the fire. After a moment’s hesitation,

Jane crosses and sits in the chair beside his, the evening shadows

deepen around them but the glow from the fire lights their faces._

JANE

I’m lonesome to-night. We always made a lot of birthdays when I was a

girl.

BEN

Some do.

JANE

Your mother didn’t. She found me once trying, the day I was fifteen.

I remember how she laughed at me.

BEN

All the Jordans have got a sense of humor.

JANE

She wasn’t a Jordan, not until she married your father.

BEN

When a woman marries into a family, she mostly shuts her eyes and

jumps in all over.

JANE

Your mother was the best of the whole lot of you. Anyway, I think so.

BEN

I _know_ it. I always thought a lot of her, in spite of our being

relations.

JANE

She loved you, Ben.

BEN

She left me without a dollar, knowin’ I was going to State’s Prison,

and what I’d be by the time I get out.

JANE

Maybe some day you’ll understand why she did it.

BEN

Because she thought you’d take better care of the money than any of

the rest of us.

JANE

And you hate me because of that, the way all the rest of the Jordans

do?

BEN

Sometimes.

JANE (_sadly_)

I suppose it’s natural.

BEN

But I ain’t such a fool as Henry, and the women folks. They think

you took advantage and fooled her into what she did. I thought so at

first, now I don’t.

JANE

What do you think now, Ben?

BEN

She’d watched you; she knew you were worth mor’n all of us in a lump.

I know it, too, but some way it riles me worse than if you wasn’t.

JANE

That’s silly!

BEN (_with growing resentment_)

Don’t you suppose I know what you’ve been doin’ to me. Tryin’ to make

a man of me. Tryin’ to help me. Standing up to me and fightin’ me

every day, tryin’ to teach me to be decent. Workin’ over me like I

was a baby, or somethin’, and you was tryin’ to teach me how to walk.

Gettin’ me so upset that every time I don’t do what I ought to do, I

get all het up inside; I never was so damned uncomfortable in all my

life.

JANE

And I never was so happy.

BEN

I s’pose God knew what he was about when he made women.

JANE

Of course he did.

BEN

Anyhow, he gave ’em the best of it, all right.

JANE

You don’t mean that! You _can’t_!

BEN

I do. Let a man get miserable, and he is miserable. A woman ain’t

really happy no other way.

JANE

Maybe you think I’m having an easier time right now than you are.

BEN

I know it.

JANE

They all hate me, and they all want something, all the time. I can’t

say yes, and it’s hard to always say no. Then there’s the farm, big,

and poor, and all worked out. The Jordans have been taking their

living out of this soil for more than a hundred years, and never

putting anything back.

BEN

Just themselves, that’s all.

JANE

Worked right, like they do out West, this place could be what it

ought to be. How can I do that; it needs a man.

BEN

I been thinkin’ lately things could be done a whole lot different.

JANE

By a man, if he loved the old place-- You Jordans robbed this soil

always. Suppose one of you tried to pay it back--it would mean work

and money, for a couple of years maybe, then I guess you’d see what

gratitude meant.

BEN

It could be done; it ought to be.

JANE

By you, Ben!

BEN

No--I guess I ain’t got the judgment.

JANE

You’ve got it, if you’d learn to use it.

BEN

Anyhow, I’ve got just a month, that’s all.

JANE

Maybe you’ll have more.

BEN

I’m as good as convicted as I sit here. I’ve only got a month.

JANE

Then help me for that month. We could plan how to start out in the

spring. I’ve got books that will help us, and I can get more. We

could do a lot!

BEN

I don’t know but what we could!

JANE (_bends toward him_)

Will you shake hands on it?

[_She offers her hand._

BEN (_surprised_)

What for?

JANE

Oh, just because we never have.

BEN

We ain’t goin’ to change _everything_, are we?

JANE

One thing. We’re going to be friends.

BEN (_takes her hand awkwardly_)

You’re a good sport, game as a man, gamer maybe.

JANE

And now for the surprise.

BEN

The what!

JANE (_draws her hand away and rises_)

You’ll see. I want you to sit right here, until I open those doors.

[_She points to doors to dining room._

BEN

I wasn’t thinkin’ of movin’.

JANE

Just sit right there.

BEN

And do what?

JANE

Think.

BEN

What of?

JANE

Oh, anything--so long as it’s pleasant--of the spring that’s

coming----

BEN

In the prison down at Thomaston.

JANE

Of France then, of the family that was so good to you--of the

beautiful lady--of the daughter, if you want to, the one that was

most grown up--and of the wonderful blue dress. Just shut your eyes

and think, ’til I come back!

[_She exits through doors to dining room and closes the doors after

her. Ben sits in glow from the fire, his eyes closed. In a moment the

door at right is thrown open and Nettie stands in the doorway, the

light from the hall falling on her. She has on Jane’s blue dress and

is radiant with youth and excitement._

NETTIE

Ben! Look at me! Look, Ben!

BEN

What?

NETTIE

Look Ben!

[_He looks at her and for a moment sits in stupid wonder, then rises

slowly to his feet._

BEN

It’s--It’s Nettie!

NETTIE

Did you ever see anything so lovely, did you?

BEN

You’re--you’re a woman, Nettie!

NETTIE

Of course I am, you stupid!

BEN (_crosses down to her_)

God! How I’ve starved for somethin’ pretty to look at! God! How I’ve

starved for it!

NETTIE

That’s why I came down, I wanted you to see! I waited there in the

hall till she went out.

BEN

And you’ve been here all the time, and I haven’t so much as looked at

you!

NETTIE (_softly_)

You’ve been in trouble, Ben!

BEN

I’ll get out of that somehow! I’m going to make a fight. I ain’t

goin’ to let ’em take me now.

NETTIE

Honest, Ben?

BEN

Not now. Oh, you pretty kid! You pretty little thing!

[_He catches her fiercely in his arms._

NETTIE

You mustn’t, Ben!

BEN (_triumphant_)

Mustn’t! You don’t know me!

NETTIE

Just one then! (_She holds up her lips, and as he kisses her

ardently, the dining-room doors back of them open and Jane stands

in the doorway, looking at them. She has removed her apron and has

made some poor attempt at dressing up. Back of her we see the table

bravely spread for the festive birthday party. There is a large

turkey and other special dishes, and a round cake on which blaze

twenty-two tiny candles. They turn their heads, startled, as Jane

looks at them, and Ben tightens his arms defiantly about Nettie_) Let

me go!

BEN (_holding her and looking past her to Jane_) No! (_Then to Jane_)

Why are you looking at me like that?

NETTIE

Let me go.

BEN (_to Jane_)

To hell with your dream of grubbing in the dirt. Now I know what I

want, and I’m going to get it.

NETTIE

Let go, dear. (_She draws away_) I’m ashamed about wearin’ your

dress, Cousin Jane. I’ll take it right off.

JANE

You needn’t. I guess I don’t want it any more. (_For the first time

her eyes leave Ben’s face. She turns and steps past them to the door

at right and calls_) Supper’s ready, Ella!

[_Hannah enters at back in dining room with a plate of hot biscuits._

CURTAIN

ACT III

_Scene: Same as Act One. Parlor at the Jordans’, two months later._

_At rise the characters are grouped exactly as they were at the

opening of the play. The white slip covers, however, have been

removed from the chairs, and the backing through the window shows

partly melted snow drifts. Henry sighs; the clock strikes two. Henry

looks at his watch._

_There is a pause. The outside door slams and Ben enters and looks

about._

BEN

Well--here we all are again.

SADIE (_sadly_)

Yes.

HENRY

I ain’t been in this room before since the funeral.

SADIE

And I ain’t, and the last time before that was when father died.

EMMA

I sat right here, in the same chair I’m settin’ in now, but to your

grandfather’s funeral, right after I married Henry, I was treated

like one of the poor relations! I had to stand up.

HENRY

I remember; it made considerable trouble.

ELLA

I don’t know as it was ever what I called a cheerful room.

HENRY (_severely_)

A parlor’s where a person’s supposed to sit and think of God, and you

couldn’t expect it to be cheerful!

ELLA (_looks about_)

Seems like we’d had trouble and disgrace enough in this family

without her takin’ all the slip covers off of the chairs and sofa!

EMMA

It ain’t _right_!

SADIE

That Boston woman that’s building the house over on Elm Street ain’t

so much as goin’ to have a parlor. I stopped her right on the street

and asked her what she was plannin’ to do soon as the first of ’em

died.

EMMA

What did she say?

SADIE

Said she tried not to think about such things.

HENRY (_sternly_)

We got Atheists enough in this town right now.

BEN

Well, if Jane’s coming I wish she’d come; this ain’t exactly my idea

of pleasant company.

ELLA

She says we’re all to wait in here for Judge Bradford.

SADIE

What did she send for us for?

ELLA

I don’t know.

EMMA

Why didn’t you ask her?

ELLA

I did, and she most bit my head off.

BEN

She most bites mine off every time I see her. I must say she’s

changed, Jane has; she ain’t the same girl at all she was a few weeks

ago.

NETTIE

She’s actin’ just awful, especially to me!

SADIE

Of course, I’d be the last one to say anything against her, but----

BEN

But nothin’! There ain’t one of you here fit to tie her shoes!

SADIE

_We_ ain’t?

BEN

And I ain’t! The only difference between us is I ain’t worth much and

I know it, and you ain’t worth nothin’ and you don’t.

EMMA

I guess you’d better be careful how you talk!

NETTIE

If anybody says anything about Jane lately, that’s the way he always

talks! The worse she treats him the better he seems to like it.

SADIE

Well, I don’t know as I’m surprised more about his insultin’ the

rest of us, but it’s sort of comical his talkin’ that way about you,

Nettie.

EMMA

Nettie! What’s Nettie got to do with him?

SADIE

Oh! Excuse me! I didn’t know ’twas supposed to be a secret.

EMMA

What is?

SADIE

About the way those two have been carryin’ on together!

HENRY

What!

ELLA

Ben and Nettie!

NETTIE (_afraid_)

Stop her, Ben, can’t you?

BEN

If I knew a way to stop women like her I’d patent it and get rich!

EMMA (_sternly_)

Him and Nettie?

SADIE

They passed my house together _once_ a week ago Wednesday, _once_ the

Tuesday before that, and _twice_ the Sunday after New Year’s.

HENRY

Together!

SADIE

And Eben Tilden’s boy told Abbie Palsey that Tilly Hickson heard

Aaron Hamlin say he’d seen ’em together at the picture show!

HENRY (_to Ben_)

Is it true?

EMMA

You’ve been with him after all I told you!

BEN

It ain’t going to hurt her none just to talk to me, is it?

EMMA

Them that touches pitch gets defiled!

HENRY (_to Nettie_)

I want you to tell me everything that’s took place between you two.

SADIE

Wait!

HENRY

What?

SADIE

Orin! Leave the room!

NETTIE

He don’t have to leave the room. I don’t care who knows what happened!

HENRY

Go on then.

NETTIE

Well--Ben and I--We--Just for a few days--anyway, it was all his

fault.

BEN

She threw me down because I was going to prison.

NETTIE

He said he’d get out of it somehow, but he can’t, and I just won’t

have folks laughing at me!

BEN

It’s all right, it never meant nothin’ to her, and I guess it didn’t

mean much to me. It’s just as well it’s over.

NETTIE

It’s a whole lot better.

HENRY

Well--what’s passed is passed. Folks that plant the wind reap the

whirlwind! There’s no use cryin’ over spilled milk.

ORIN

Say, Mum! What do you s’pose Uncle Henry thinks he means when he says

things?

HENRY

Somehow I can’t help wishin’ you was my son for just about five

minutes.

[_Hannah and Judge Bradford enter._

HANNAH

They’re all in here, Judge.

JUDGE

Good afternoon.

HENRY

How are you, Judge?

SADIE

It’s a mild day; winter’s most over. Stop scratching yourself.

[_This last to Orin who seems to be uneasy and frequently scratches

himself._

HANNAH (_at door_)

I’ll tell her you’re here, Judge. She’ll be right down.

[_Hannah exits._

ELLA

Won’t you sit?

JUDGE

Thanks.

[_He sits by table._

HENRY

What’s it about? Why did she say we was to all be here at two o’clock?

JUDGE

She will probably be able to answer that question herself, Ben.

SADIE (_to Orin_)

Don’t.

ORIN

What?

SADIE

Scratch!

ORIN

Oh.

[_Jane enters. The Judge rises._

JUDGE

Well, Jane?

JANE

Don’t get up, Judge.

JUDGE

Will you sit here?

[_Judge turns to get a chair for Jane. Orin scratches himself. Ella

rises._

ELLA

What is the matter with this brat?

ORIN

I itch!

SADIE

It’s warm, and he’s got on his heavy flannels! He’s as clean as you

are!

[_Jane and Judge sit._

BEN

You said to heat this room up and wait here for you and the Judge.

Why? I got my stock to tend.

HENRY

It’s a bad time for me to get away from the store; What was it you

wanted of us?

JANE

I’m afraid it isn’t going to be easy to tell you.

JUDGE

Won’t you let me do it, Jane?

JANE

No. I’ve come to know that your mother didn’t really want that I

should have the Jordan money.

SADIE

What’s that?

JANE

I put it as simply as I could.

BEN

You mean a later will’s been found?

JUDGE

No.

JANE

In a way, Judge, it’s like there had. Your mother left me a letter

dated later than the will.

ELLA

Leavin’ the money different?

JANE

Tellin’ what she really wanted.

BEN

Well, what did she want?

JANE

It was like she left me all her money in trust, so I could keep it

safe until the time she was hopin’ for come, and in a way it did

come, not quite like she wanted it, but near enough so I can give up

a burden I haven’t strength enough to carry any more.

[_She stops._

JUDGE

Let me finish, Jane. Jane has asked me to draw a deed of gift, making

the Jordan property over to Ben.

BEN

Why?

JANE

She wanted you to have it.

BEN

Why didn’t she will it to me, then?

JANE

She was afraid to trust you.

BEN

Well?

JANE

You’ve learned to work; you’ll keep on working.

HENRY

You mean to say my mother wanted him to have it all?

JANE

Yes.

HENRY

I am a religious man, but there was a time when even Job gave up!

So--all our money goes to Ben--and he can’t even buy himself out of

prison!

JANE (_after a pause_)

Ben isn’t going to prison.

BEN

Why? Who’s to stop it?

JUDGE (_after a look from Jane_)

Kimbal agreed not to press the charge against you. It seems that

there were certain extenuating circumstances. A motion has been made

for the dismissal of the indictment, and it won’t be opposed.

BEN

Why did he? Who fixed this thing.

JANE

Judge Bradford did.

[_She looks at Judge._

BEN (_slowly_)

It means a lot to me. There’s things I’d like to do. I haven’t dared

to think about ’em lately--now I’ll do ’em.

[_There is a pause._

HENRY

Well, Ben, so you’ve got the money! I guess maybe it’s better than

her havin’ it; after all blood’s thicker than water! We’ll help you

any way we can and--er--of course you’ll help us.

BEN

Why will I?

HENRY

We’re brothers, Ben! We’re old Jordans!

BEN

What was we when I got back from France? There was a band met us boys

at the station. I was your brother all right that day, only somehow,

in just a little while you forgot about it. I was a Jordan when I was

hidin’ out from the police, and all that kept me from starvin’ was

the money Jane sent me! I was your brother the night mother died, and

you said you wouldn’t go my bail.

ELLA

You ain’t going to be hard, Ben!

BEN

I’m the head of the family now, ain’t I, and you can bet all you’ve

got I’m going to be a real Jordan.

HENRY

I think, Ben----

BEN

From now on, there ain’t nobody got any right to think in this house

but just me! So run along home, the whole pack of you, and after

this, when you feel like you must come here--come separate.

ELLA

Turn us out, Ben?

BEN

Sure, why not?

NETTIE (_crosses to him. Sweetly_)

There ain’t any reason why _we_ can’t be friends, is there?

BEN

Well, I don’t know. There’s only one way I could ever get to trust

you.

NETTIE

What way, Ben?

BEN

I’d have to go to jail for five years and see if you’d wait for me!

EMMA

It’s an awful thing for a mother to have a fool for a child.

ELLA (_goes upstage with Nettie_)

Well, I must say you made a nice mess of things!

NETTIE (_exits with Ella_)

Well, I don’t care! I don’t see how anybody would expect me to be a

mind reader!

SADIE

Come, Orin--say good-by to your Uncle Ben.

ORIN

What will I do that for?

SADIE

Because I tell you to!

ORIN

Yesterday you told me he wasn’t worth speakin’ to!

SADIE

Are you going to move, you stupid little idiot.

[_She drags him out._

ORIN (_as they go_)

What did I say? You let me alone!

HENRY

I was wonderin’, Ben, how you’d feel about endorsing that note of

mine.

BEN

You was?

HENRY

Yes, I don’t know what I’m going to do about it.

BEN

As far as I care, you can go nail it on a door. (_Henry and Emma

start to exit_) No, hold on, I’ll pay it.

HENRY

You will!

BEN

Yes, I don’t know as it would do me much good at the bank, havin’ a

brother of mine in the poorhouse.

[_Ben laughs as Henry and Emma exit._

JUDGE

Well, Ben? “Uneasy lies the head that wears a crown.”

BEN (_down to stove_)

Depends on the head. Mine’s thick, I guess. Anyhow, none of them is

going to bother it. I’m boss here now.

JUDGE

You’ll find a copy here of the inventory of the estate, and other

legal papers. Everything is in order.

JANE

And my accounts, Ben; you’ll find the exact amount your mother left.

I spent some money about six weeks ago, on myself, but I’ve been

careful ever since and I’ve made up for it.

BEN

You said, Judge, she didn’t have to go by that letter of my mother’s,

if she didn’t want to? She didn’t have to give anything back at all?

JUDGE

No, she didn’t.

BEN

Then if I was you--(_to Jane_) I wouldn’t talk so much about the

little you spent on yourself. I guess to look at you it wasn’t much.

JANE

Yes, it was.

BEN

Well, we’ll fix things so you can keep on spendin’. Only let’s see

somethin’ come of it. I never was so damned sick of anything in my

life as I am of that old black dress of yours!

[_Crosses stage up and over right._

JANE

I’ve got plenty of clothes upstairs. I’m sorry now I ever bought

them, but I’ll take them with me when I go.

BEN

Go? Go where?

JANE

To Old Town. I’ve got a place there, clerking in the Pulp Mill.

BEN

You!

JANE

Yes.

BEN

But what about me?

JUDGE

Don’t you think Jane has done about enough for you?

BEN

She’s done a lot, she’s given up the money. I don’t know as I like

that; ’course I like gettin’ it, but not if she’s going away.

JANE

I couldn’t stay now, and I wouldn’t want to.

BEN

I don’t suppose you remember about plannin’ what you and me was to do

with this old farm?

JANE

I remember.

BEN

Well--then what are you going away for?

JANE

Because I couldn’t be happy here, Ben--It’s been harder than anything

I ever thought could come to anybody, the last few weeks here--and so

I’m going. (_She turns to Judge_) I’ll go upstairs and get my things.

I’ll stop at your office, Judge, on the way to the station.

JUDGE

Thank you, Jane.

BEN

You’re goin’ to-day? Before I order my new farm machinery or

anything? You’re goin’ to leave me with all this work on my hands?

JANE

Yes, Ben.

[_She exits._

BEN

Well--that’s a lesson to me! Oh, she’s a good woman! I ain’t denyin’

that--but she’s fickle!

JUDGE

You’re a fool, Ben!

BEN

I been doin’ kitchen police around this town for quite a spell now,

Judge, but from this day on I ain’t goin’ to take that sort of talk

from anybody.

JUDGE

I assure you that you won’t have to take any sort of talk at all from

me.

[_He starts for the door._

BEN

I didn’t mean that. I don’t want you to think I ain’t grateful for

all you’ve done for me.

JUDGE (_coldly_)

I have done nothing for you.

BEN

If it wasn’t for you, I’d want to die; that’s what I did want. I was

afraid of that prison, just a coward about it. Now I’m a free man,

with a big life openin’ out ahead of me--I got everything in the

world right here in my two hands, everything--and I owe it to you!

JUDGE

I am very glad to say that you don’t owe me anything. I don’t like

you, I haven’t forgiven you for what you did to your mother’s life.

Nor for a worse thing, one you haven’t brains enough to even know

you’ve done. Don’t be grateful to me, Ben, please. I think nothing

could distress me more than that.

BEN

You’ve been a good friend to me.

JUDGE

I haven’t meant to be, as I said I don’t like you. I haven’t any

faith in you. I don’t believe in this new life of yours. You made a

mess of the old one, and I think you will of the new.

BEN

No matter what you say, you can’t get away from me. I’ll be grateful

till I die. But for you I’d have gone to that damned prison!

JUDGE

But for Jane.

BEN

How Jane?

JUDGE

How Jane? Jane went your bond the day your mother died. Jane took

you in and taught you how to work, made you work, taught you

through the one decent spot in you something of a thing you’d never

know, self-respect. Worked over you, petted you, coaxed you--held

you up--Then you hurt her--but she kept on--She went herself to

Kimbal, after he had refused me, and got his help to keep you out

of prison--then, against my will, against the best that I could

do to stop her, she turns over all this to you--and goes out with

nothing--and you ask “How Jane?”

BEN

Why? Why has she done this, all this, for me?

[_The Judge looks at Ben with contempt and turns and exits. Ben is

left in deep thought. Jane comes downstairs dressed for a journey

with a hand bag, etc. She enters._

JANE

Good-by, Ben. (_She crosses to him, her hand out_) Good-by. Won’t you

say good-by?

BEN

First, there’s some things I got to know about.

JANE (_smiles_)

I guess there’s not much left for us to say, Ben.

BEN (_she crosses to door, but he gets ahead of her_)

There’s things I got to know. (_She looks at him but does not speak_)

The Judge tells me ’twas you got Kimbal to let me go free. (_He looks

at her--she half turns away_) Answer me. (_Pause_) The Judge tells

me you gave up what was yours--to me--without no other reason than

because you wanted me to have it. That’s true, ain’t it? (_Pause_)

You sent me every cent you had, when you knew mother was dying, then

you went bail for me, like he said--and did all them other things. I

don’t know as any woman ever did any more--. I want to know why!

JANE

Why do you think?

BEN

I don’t know--I sort of thought--sort of hoped----

JANE (_bravely_)

It was because I loved her, Ben----

BEN

Oh.

[_He turns away disappointed._

JANE

You’re forgetting, I guess, how long we was alone here--when you was

in France--then the months we didn’t know where you was, when the

police was looking for you--She used to make me promise if ever I

could I’d help you.

BEN

Well--all I’ve got to say is you’re no liar.

JANE

Good-by.

[_She turns to go._

BEN

Wait. (_Closes door_) Let’s see that letter you said she left for you.

JANE

No. I won’t do that. I’ve done enough; you’re free, you’ve got the

money and the farm.

BEN (_crosses in front of table and sits left of table_) They ain’t

worth a damn with you gone--I didn’t know that till just now, but

they ain’t.

JANE

It’s sort of sudden, the way you found that out.

BEN

Oh, it don’t take long for a man to get hungry--it only takes just a

minute for a man to die; you can burn down a barn quick enough, or

do a murder; it’s just living and getting old that takes a lot of

time--Can’t you stay here, Jane?

JANE

There’s Nettie.

BEN

Nettie--that couldn’t stand the gaff--that run out on me when I was

in trouble.

JANE

It doesn’t matter what folks do, if you love ’em enough.

BEN

What do you know about it? I suppose you’ve been in love a lot of

times?

JANE

No.

BEN

Then you be quiet and let an expert talk. I was lonesome and I wanted

a woman; she was pretty and I wanted to kiss her--that ain’t what I

call love.

JANE

You. You don’t even know the meaning of the word.

BEN

That don’t worry me none--I guess the feller that wrote the

dictionary was a whole lot older’n I am before he got down to the L’s.

JANE

Icebound: A Play · 第 3 / 4 段