ACT I A Room in the House of Senator Chalmers

ACT II Rooms of Howard Knox at Hotel Waltham

ACT III A Room in the Washington House of Anthony Starkweather

ACT IV Same as Act I

Time of Play, To-Day, in Washington, D. C. It Occurs in Twenty

Hours

CHARACTERS

Margaret Chalmers

Howard Knox

Thomas Chalmers

Master Thomas Chalmers

Ellery Jackson Hubbard

Anthony Starkweather

Mrs Starkweather

Connie Starkweather

Felix Dobleman

Linda Davis

Julius Rutland

John Gieford

Matsu Sakari

Dolores Ortega

Senator Dowsett Mrs Dowsett

Housekeeper, Servs

Wife of Senator Chalmers

A Congressman from Oregon

A United States Senator and several times millionaire

Son of Margaret and Senator Chalmers

A Journalist

A great magnate, and father of Margaret Chalmers

His wife

Their younger daughter

Secretary to Anthony Starkweather

Maid to Margaret Chalmers

Episcopalian Minister

Labor Agitator

Secretary of Japanese Embassy

Wife of Peruvian Minister

Agents, etc

ACTORS' DESCRIPTION OF CHARACTERS

Margaret Chalmers. Twenty-seven years of age; a strong, mature

woman, but quite feminine where her heart or sense of beauty are

concerned. Her eyes are wide apart. Has a dazzling smile, which

she knows how to use on occasion. Also, on occasion, she can be

firm and hard, even cynical An intellectual woman, and at the

same time a very womanly woman, capable of sudden tendernesses,

flashes of emotion, and abrupt actions. She is a finished product

of high culture and refinement, and at the same time possesses

robust vitality and instinctive right-promptings that augur well

for the future of the race.

Howard Knox. He might have been a poet, but was turned

politician. Inflamed with love for humanity. Thirty-five years

of age. He has his vision, and must follow it. He has suffered

ostracism because of it, and has followed his vision in spite

of abuse and ridicule. Physically, a well-built, powerful man.

Strong-featured rather than handsome. Very much in earnest, and,

despite his university training, a trifle awkward in carriage and

demeanor, lacking in social ease. He has been elected to Congress

on a reform ticket, and is almost alone in fight he is making.

He has no party to back him, though he has a following of a few

independents and insurgents.

Thomas Chalmers. Forty-five to fifty years of age. Iron-gray

mustache. Slightly stout. A good liver, much given to Scotch

and soda, with a weak heart. Is liable to collapse any time. If

anything, slightly lazy or lethargic in his emotional life.

One of the "owned" senators representing a decadent New England

state, himself master of the state political machine. Also, he is

nobody's fool. He possesses the brain and strength of

character to play his part. His most distinctive feature is his

temperamental opportunism.

Master Thomas Chalmers. Six years of age. Sturdy and healthy

despite his grandmother's belief to the contrary.

Ellery Jackson Hubbard. Thirty-eight to forty years of age.

Smooth-shaven. A star journalist with a national reputation; a

large, heavy-set man, with large head, large hands--everything

about him is large. A man radiating prosperity, optimism

and selfishness. Has no morality whatever. Is a conscious

individualist, cold-blooded, pitiless, working only for himself,

and believing in nothing but himself.

Anthony Starkweather. An elderly, well preserved gentleman,

slenderly built, showing all the signs of a man who has lived

clean and has been almost an ascetic. One to whom the joys of the

flesh have had little meaning. A cold, controlled man whose one

passion is for power. Distinctively a man of power. An eagle-like

man, who, by keenness of brain and force of character, has carved

out a fortune of hundreds of millions. In short, an industrial

and financial magnate of the first water and of the finest type

to be found in the United States. Essentially a moral man,

his rigid New England morality has suffered a sea change and

developed into the morality of the master-man of affairs, equally

rigid, equally uncompromising, but essentially Jesuitical in

that he believes in doing wrong that right may come of it. He

is absolutely certain that civilization and progress rest on his

shoulders and upon the shoulders of the small group of men like

him.

Mrs. Starkweather. Of the helpless, comfortably stout, elderly

type. She has not followed her husband in his moral evolution.

She is the creature of old customs, old prejudices, old New

England ethics. She is rather confused by the modern rush of

life.

Connie Starkweather. Margaret's younger sister, twenty years old.

She is nothing that Margaret is, and everything that Margaret

is not. No essential evil in her, but has no mind of her

own--hopelessly a creature of convention. Gay, laughing, healthy,

buxom--a natural product of her care-free environment.

Feux Dobleman. Private secretary to Anthony Starkweather. A young

man of correct social deportment, thoroughly and in all

things just the sort of private secretary a man like Anthony

Starkweather would have. He is a weak-souled creature, timorous,

almost effeminate.

Linda Davis. Maid to Margaret. A young woman of twenty-five or

so, blond, Scandinavian, though American-born. A cold woman,

almost featureless because of her long years of training, but

with a hot heart deep down, and characterized by an intense

devotion to her mistress. Wild horses could drag nothing from her

where her mistress is concerned.

Junus Rutland. Having no strong features about him, the type

realizes itself.

John Gifford. A labor agitator. A man of the people, rough-hewn,

narrow as a labor-leader may well be, earnest and sincere. He is

a proper, better type of labor-leader.

Matsu Sakari. Secretary of Japanese Embassy. He is the perfection

of politeness and talks classical book-English. He bows a great

deal.

Dolores Ortega. Wife of Peruvian Minister; bright and

vivacious, and uses her hands a great deal as she talks, in the

Latin-American fashion.

Senator Dowsett. Fifty years of age; well preserved.

Mrs. Dowsett. Stout and middle-aged.

ACT I

A ROOM IN THE HOUSE OF SENATOR CHALMERS

Scene. _In Senator Chalmers' home. It is four o'clock in the

afternoon, in a modern living room with appropriate furnishings.

In particular, in front, on left, a table prepared for the

serving of tea, all excepting the tea urn itself. At rear, right

of center, is main entrance to the room. Also, doorways at sides,

on left and right. Curtain discloses Chalmers and Hubbard seated

loungingly at the right front._

{Hubbard}

(_After an apparent pause for cogitation._) I can't understand why

an old wheel-horse like Elsworth should kick over the traces that

way.

{Chalmers}

Disgruntled. Thinks he didn't get his fair share of plums out of

the Tariff Committee. Besides, it's his last term. He's announced

that he's going to retire.

{Hubbard}

(_Snorting contemptuously, mimicking an old man's pompous

enunciation._) "A Resolution to Investigate the High Cost of

Living!"--old Senator Elsworth introducing a measure like that!

The old buck!---- How are you going to handle it?

{Chalmers}

It's already handled.

{Hubbard}

Yes?

{Chalmers}

(_Pulling his mustache._) Turned it over to the Committee to Audit

and Control the Contingent Expenses of the Senate.

{Hubbard}

(_Grinning his appreciation._) And you're chairman. Poor old

Elsworth. This way to the lethal chamber, and the bill's on its

way.

{Chalmers}

Elsworth will be retired before it's ever reported. In the

meantime, say after a decent interval, Senator Hodge will

introduce another resolution to investigate the high cost of

living. It will be like Elsworth's, only it won't.

{Hubbard}

(_Nodding his head and anticipating._) And it will go to the

Committee on Finance and come back for action inside of

twenty-four hours.

{Chalmers}

By the way, I see _Cartwright's Magazine_ has ceased muck-raking.

{Hubbard}

_Cartwrights_ never did muck-rake--that is, not the big

Interests--only the small independent businesses that didn't

advertise.

{Chalmers}

Yes, it deftly concealed its reactionary tendencies.

{Hubbard}

And from now on the concealment will be still more deft. I've

gone into it myself. I have a majority of the stock right now.

{Chalmers}

I thought I had noticed a subtle change in the last two numbers.

{Hubbard}

(_Nodding._) We're still going on muck-raking. We have a splendid

series on Aged Paupers, demanding better treatment and more

sanitary conditions. Also we are going to run "Barbarous

Venezuela" and show up thoroughly the rotten political management

of that benighted country.

{Chalmers}

(_Nods approvingly, and, after a pause._) And now concerning Knox.

That's what I sent for you about. His speech comes off tomorrow

per schedule. At last we've got him where we want him.

{Hubbard}

I have the ins and outs of it pretty well. Everything's arranged.

The boys have their cue, though they don't know just what's

going to be pulled off; and this time to-morrow afternoon their

dispatches will be singing along the wires.

{Chalmers}

(_Firmly and harshly._) This man Knox must be covered with

ridicule, swamped with ridicule, annihilated with ridicule.

{Hubbard}

It is to laugh. Trust the great American people for that. We'll

make those little Western editors sit up. They've been swearing

by Knox, like a little tin god. Roars of laughter for them.

{Chalmers}

Do you do anything yourself?

{Hubbard}

Trust me. I have my own article for Cartwright's blocked out.

They're holding the presses for it. I shall wire it along

hot-footed to-morrow evening. Say----?

{Chalmers}

(_After a pause._) Well?

{Hubbard}

Wasn't it a risky thing to give him his chance with that speech?

{Chalmers}

It was the only feasible thing. He never has given us an opening.

Our service men have camped on his trail night and day. Private

life as unimpeachable as his public life. But now is our chance.

The gods have given him into our hands. That speech will do more

to break his influence--

{Hubbard}

(_Interrupting._) Than a Fairbanks cocktail.

(_Both laugh._) But don't forget that this Knox is a live wire.

Somebody might get stung. Are you sure, when he gets up to make

that speech, that he won't be able to back it up?

{Chalmers}

No danger at all.

{Hubbard}

But there are hooks and crooks by which facts are sometimes

obtained.

{Chalmers}

(_Positively._) Knox has nothing to go on but suspicions and hints,

and unfounded assertions from the yellow press.

(_Man-servant enters, goes to tea-table, looks it over, and makes

slight rearrangements._) (_Lowering his voice._) He will make

himself a laughing stock. His charges will turn into boomerangs.

His speech will be like a sheet from a Sunday supplement, with

not a fact to back it up. (_Glances at Servant._) We'd better be

getting out of here. They're going to have tea.

(_The Servant, however, makes exit._) Come to the library and have

a high-ball. (_They pause as Hubbard speaks._)

{Hubbard}

(_With quiet glee._) And to-morrow Ali Baba gets his.

{Chalmers}

Ali Baba?

{Hubbard}

That's what your wife calls him--Knox.

{Chalmers}

Oh, yes, I believe I've heard it before. It's about time he

hanged himself, and now we've given him the rope.

{Hubbard}

(_Sinking voice and becoming deprecatingly confidential. _)

Oh, by the way, just a little friendly warning, Senator Chalmers.

Not so fast and loose up New York way. That certain lady, not to

be mentioned--there's gossip about it in the New York newspaper

offices. Of course, all such stories are killed. But be discreet,

be discreet If Gherst gets hold of it, he'll play it up against

the Administration in all his papers.

(_Chalmers, who throughout this speech is showing a growing

resentment, is about to speak, when voices are heard without and

he checks himself._)

(_Enter. Mrs. Starkweather, rather flustered and imminently in

danger of a collapse, followed by Connie Starkweather, fresh,

radiant, and joyous._)

{Mrs. Starkweather}

(_With appeal and relief._)

Oh----Tom!

(_Chalmers takes her hand sympathetically and protectingly._)

{Connie}

(_Who is an exuberant young woman, bursts forth._) Oh,

brother-in-law! Such excitement! That's what's the matter with

mother. We ran into a go-cart. Our chauffeur was not to blame. It

was the woman's fault. She tried to cross just as we were turning

the corner. But we hardly grazed it. Fortunately the baby was

not hurt--only spilled. It was ridiculous. (_Catching sight of

Hubbard._) Oh, there you are, Mr. Hubbard. How de do.

(_Steps half way to meet him and shakes hands with him._) (_Mrs.

Starkweather looks around helplessly for a chair, and Chalmers

conducts her to one soothingly._)

{Mrs. Starkweather}

Oh, it was terrible! The little child might have been killed. And

such persons love their babies, I know.

{Connie}

(_To Chalmers._) Has father come? We were to pick him up here.

Where's Madge?

{Mrs. Starkweather}

(_Espying Hubbard, faintly._) Oh, there is Mr. Hubbard.

(_Hubbard comes to her and shakes hands._) I simply can't get

used to these rapid ways of modern life. The motor-car is the

invention of the devil. Everything is _too_ quick. When I was

a girl, we lived sedately, decorously. There was time for

meditation and repose. But in this age there is time for nothing.

How Anthony keeps his head is more than I can understand. But,

then, Anthony is a wonderful man.

{Hubbard}

I am sure Mr. Starkweather never lost his head in his life.

{Chalmers}

Unless when he was courting you, mother.

{Mrs. Starkweather}

(_A trifle grimly._) I'm not so sure about that.

{Connie}

(_Imitating a grave, business-like enunciation._) Father probably

conferred first with his associates, then turned the affair over

for consideration by his corporation lawyers, and, when they

reported no flaws, checked the first spare half hour in his

notebook to ask mother if she would have him.

(_They laugh._) And looked at his watch at least twice while he was

proposing.

{Mrs. Starkweather}

Anthony was not so busy then as all that.

{Hubbard}

He hadn't yet taken up the job of running the United States.

{Mrs. Starkweather}

I'm sure I don't know what he is running, but he is a very busy

man--business, politics, and madness; madness, politics, and

business.

(_She stops breathlessly and glances at tea-table._) Tea. I should

like a cup of tea. Connie, I shall stay for a cup of tea, and

then, if your father hasn't come, we'll go home. (_To Chalmers._)

Where is Tommy?

{Chalmers}

Out in the car with Madge.

(_Glances at tea-table and consults watch._) She should be back

now.

{Connie}

Mother, you mustn't stay long. I have to dress.

{Chalmers}

Oh, yes, that dinner.

(_Yawns._) I wish I could loaf to-night.

{Connie}

(_Explaining to Hubbard._) The Turkish Charge d'Affaires--I never

can remember his name. But he's great fun--a positive joy. He's

giving the dinner to the British Ambassador.

{Mrs. Starkweather}

(_Starting forward in her chair and listening intently._) There's

Tommy, now.

(_Voices of Margaret Chalmers and of Tommy heard from without.

Hers is laughingly protesting, while Tommy's is gleefully

insistent._) (_Margaret and Tommy appear and pause just outside

door, holding each other's hands, facing each other, too immersed

in each other to be aware of the presence of those inside the

room. Margaret and Tommy are in street costume._)

{Tommy} (_Laughing._)

But mama.

{Margaret}

(_Herself laughing, but shaking her head._) No. Tommy First--

{Margaret}

No; you must run along to Linda, now, mother's boy. And we'll

talk about that some other time.

(_Tommy notices for the first time that there are persons in the

room. He peeps in around the door and espies Mrs. Starkweather.

At the same moment, impulsively, he withdraws his hands and runs

in to Mrs. Starkweather._)

{Tommy}

(_Who is evidently fond of his grandmother._) Grandma!

(_They embrace and make much of each other._)

(_Margaret enters, appropriately greeting the others--a kiss

(_maybe_) to Connie, and a slightly cold handshake to Hubbard._)

{Margaret}

(_To Chalmers._) Now that you're here, Tom, you mustn't run away.

(_Greets Mrs. Starkweather._)

{Mrs. Starkweather}

(_Turning Tommy's face to the light and looking at it anxiously._)

A trifle thin, Margaret.

{Margaret}

On the contrary, mother----

{Mrs. Starkweather}

(_To Chalmers._) Don't you think so, Tom?

{Connie}

(_Aside to Hubbard._) Mother continually worries about his health.

{Hubbard}

A sturdy youngster, I should say.

{Tommy}

(_To Chalmers._) I'm an Indian, aren't I, daddy?

{Chalmers}

(_Nodding his head emphatically._) And the stoutest-hearted in the

tribe.

(_Linda appears in doorway, evidently looking for Tommy, and

Chalmers notices her._) There's Linda looking for you, young stout

heart.

{Margaret}

Take Tommy, Linda. Run along, mother's boy.

{Tommy}

Come along, grandma. I want to show you something.

(_He catches Mrs. Starkweather by the hand. Protesting, but highly

pleased, she allows him to lead her to the door, where he extends

his other hand to Linda. Thus, pausing in doorway, leading a

woman by either hand, he looks back at Margaret._) (_Roguishly._)

Remember, mama, we're going to scout in a little while.

{Margaret}

(_Going to Tommy, and bending down with her arms around him._)

No, Tommy. Mama has to go to that horrid dinner to-night. But

to-morrow we'll play.

(_Tommy is cast down and looks as if he might pout._) Where is my

little Indian now?

{Hubbard}

Be an Indian, Tommy.

{Tommy}

(_Brightening up._)

All right, mama. To-morrow.----if you can't find time to-day.

(_Margaret kisses him._) (_Exit Tommy, Mrs. Starkweather, and Linda,

Tommy leading them by a hand in each of theirs._)

{Chalmers}

(_Nodding to Hubbard, in low voice to Hubbard and starting to make

exit to right._) That high-ball.

(_Hubbard disengages himself from proximity of Connie, and starts

to follow._)

{Connie}

(_Reproachfully._) If you run away, I won't stop for tea.

{Margaret}

Do stop, Tom. Father will be here in a few minutes.

{Connie}

A regular family party.

{Chalmers}

All right. We'll be back. We're just going to have a little talk.

(_Chalmers and Hubbard make exit to right._) (_Margaret puts her

arm impulsively around Connie--a sheerly spontaneous act of

affection--kisses her, and at same time evinces preparation to

leave._)

{Margaret}

I've got to get my things off. Won't you wait here, dear, in case

anybody comes? It's nearly time.

(_Starts toward exit to rear, but is stopped by Connie._) Madge.

(_Margaret immediately pauses and waits expectantly, smiling,

while Connie is hesitant._)

I want to speak to you about something, Madge. You don't mind?

(_Margaret, still smiling, shakes her head._) Just a warning. Not

that anybody could believe for a moment, there is anything wrong,

but----

{Margaret}

(_Dispelling a shadow of irritation that has crossed her face._)

If it concerns Tom, don't tell me, please. You know he does do

ridiculous things at times. But I don't let him worry me any

more; so don't worry me about him.

(_Connie remains silent, and Margaret grows curious._) Well?

{Connie}

It's not about Tom--

(_Pauses._) It's about you.

{Margaret}

Oh.

{Connie}

I don't know how to begin.

{Margaret}

By coming right out with it, the worst of it, all at once, first.

{Connie}

It isn't serious at all, but--well, mother is worrying about

it. You know how old-fashioned she is. And when you consider our

position--father's and Tom's, I mean--it doesn't seem just right

for you to be seeing so much of such an enemy of theirs. He

has abused them dreadfully, you know. And there's that dreadful

speech he is going to give to-morrow. You haven't seen the

afternoon papers. He has made the most terrible charges against

everybody--all of us, our friends, everybody.

{Margaret}

You mean Mr. Knox, of course. But he wouldn't harm anybody,

Connie, dear.

{Connie}

(_Bridling,_) Oh, he wouldn't? He as good as publicly called father

a thief.

{Margaret}

When did that happen? I never heard of it.

{Connie}

Well, he said that the money magnates had grown so unprincipled,

sunk so low, that they would steal a mouse from a blind kitten.

{Margaret}

I don't see what father has to do with that.

{Connie}

He meant him just the same.

{Margaret}

You silly goose. He couldn't have meant father. Father? Why,

father wouldn't look at anything less than fifty or a hundred

millions.

{Connie}

And you speak to him and make much of him when you meet him

places. You talked with him for half an hour at that Dugdale

reception. You have him here in your own house--Tom's house--when

he's such a bitter enemy of Tom's. (_During the foregoing speech,

Anthony Starkweather makes entrance from rear. His face is grave,

and he is in a brown study, as if pondering weighty problems.

At sight of the two women he pauses and surveys them. They are

unaware of his presence._)

{Margaret}

You are wrong, Connie. He is nobody's enemy. He is the truest,

cleanest, most right-seeking man I have ever seen.

{Connie}

(_Interrupting._) He is a trouble-maker, a disturber of the public

peace, a shallow-pated demagogue--

{Margaret}

(_Reprovingly._)

Now you're quoting somebody---- father, I suppose. To think of

him being so abused--poor, dear Ali Baba--

{Starkweather}

(_Clearing his throat in advertisement of his presence._) A-hem.

(_Margaret and Connie turn around abruptly and discover him._)

{Margaret}

And Connie Father!

(_Both come forward to greet him, Margaret leading._)

{Starkweather}

(_Anticipating, showing the deliberate method of the busy man

saving time by eliminating the superfluous._) Fine, thank you.

Quite well in every particular. This Ali Baba? Who is Ali Baba?

(_Margaret looks amused reproach at Connie._)

{Connie}

Mr. Howard Knox.

{Starkweather}

And why is he called Ali Baba?

{Margaret}

That is my nickname for him. In the den of thieves, you know. You

remember your Arabian Nights.

{Starkweather}

(_Severely._) I have been wanting to speak to you for some time,

Margaret, about that man. You know that I have never interfered

with your way of life since your marriage, nor with your and

Tom's housekeeping arrangements. But this man Knox. I understand

that you have even had him here in your house--

{Margaret}

(_Interrupting._) He is very liable to be here this afternoon, any

time, now.

(_Connie displays irritation at Margaret._)

{Starkweather}

(_Continuing imperturbably._) _Your_ house--_you_, my daughter, and

the wife of Senator Chalmers. As I said, I have not interfered

with you since your marriage. But this Knox affair transcends

household arrangements. It is of political importance. The man is

an enemy to our class, a firebrand. Why do you have him here?

{Margaret}

Because I like him. Because he is a man I am proud to call

"friend." Because I wish there were more men like him, many

more men like him, in the world. Because I have ever seen in him

nothing but the best and highest. And, besides, it's such good

fun to see how one virtuous man can so disconcert you captains of

industry and arbiters of destiny. Confess that you are very

much disconcerted, father, right now. He will be here in a few

minutes, and you will be more disconcerted. Why? Because it is

an affair that transcends family arrangements. And it is your

affair, not mine.

{Starkweather}

This man Knox is a dangerous character--one that I am not pleased

to see any of my family take up with. He is not a gentleman.

{Margaret}

He is a self-made man, if that is what you mean, and he certainly

hasn't any money.

{Connie}

(_Interrupting._) He says that money is theft--at least when it is

in the hands of a wealthy person.

{Starkweather}

He is uncouth--ignorant.

{Margaret}

I happen to know that he is a graduate of the University of

Oregon.

{Starkweather}

(_Sneeringly._) A cow college. But that is not what I mean. He is a

demagogue, stirring up the wild-beast passions of the people.

{Margaret}

Surely you would not call his advocacy of that child labor bill

and of the conservation of the forest and coal lands stirring up

the wild-beast passions of the people?

{Starkweather}

(_Wearily._) You don't understand. When I say he is dangerous it is

because he threatens all the stabilities, because he threatens

us who have made this country and upon whom this country and its

prosperity rest.

(_Connie, scenting trouble, walks across stage away from them._)

{Margaret}

The captains of industry--the banking magnates and the mergers?

{Starkweather}

Call it so. Call it what you will. Without us the country falls

into the hands of scoundrels like that man Knox and smashes to

ruin.

{Margaret}

(_Reprovingly._) Not a scoundrel, father.

{Starkweather}

He is a sentimental dreamer, a hair-brained enthusiast. It is the

foolish utterances of men like him that place the bomb and the

knife in the hand of the assassin.

{Margaret}

He is at least a good man, even if he does disagree with you on

political and industrial problems. And heaven knows that good men

are rare enough these days.

{Starkweather}

I impugn neither his morality nor his motives--only his

rationality. Really, Margaret, there is nothing inherently

vicious about him. I grant that. And it is precisely that which

makes him such a power for evil.

{Margaret}

When I think of all the misery and pain which he is trying to

remedy--I can see in him only a power for good. He is not working

for himself but for the many. That is why he has no money. You

have heaven alone knows how many millions--you don't; you have

worked for yourself.

{Starkweather}

I, too, work for the many. I give work to the many. I make

life possible for the many. I am only too keenly alive to the

responsibilities of my stewardship of wealth.

{Margaret}

But what of the child laborers working at the machines? Is that

necessary, O steward of wealth? How my heart has ached for them!

How I have longed to do something for them--to change conditions

so that it will no longer be necessary for the children to

toil, to have the playtime of childhood stolen away from them.

Theft--that is what it is, the playtime of the children coined

into profits. That is why I like Howard Knox. He calls theft

theft. He is trying to do something for those children. What are

you trying to do for them?

{Starkweather}

Sentiment. Sentiment. The question is too vast and complicated,

and you cannot understand. No woman can understand. That is

why you run to sentiment. That is what is the matter with this

Knox--sentiment. You can't run a government of ninety millions of

people on sentiment, nor on abstract ideas of justice and right.

{Margaret}

But if you eliminate justice and right, what remains?

{Starkweather}

This is a practical world, and it must be managed by practical

men--by thinkers, not by near-thinkers whose heads are addled

with the half-digested ideas of the French Encyclopedists and

Revolutionists of a century and a half ago.

(_Margaret shows signs of impatience--she is not particularly

perturbed by this passage-at-arms with her father, and is anxious

to get off her street things._)

Don't forget, my daughter, that your father knows the books

as well as any cow college graduate from Oregon. I, too, in my

student days, dabbled in theories of universal happiness and

righteousness, saw my vision and dreamed my dream. I did not know

then the weakness, and frailty, and grossness of the human clay.

But I grew out of that and into a man. Some men never grow out of

that stage. That is what is the trouble with Knox. He is still a

dreamer, and a dangerous one.

(_He pauses a moment, and then his thin lips shut grimly. But he

has just about shot his bolt._)

{Margaret}

What do you mean?

{Starkweather}

He has let himself in to give a speech to-morrow, wherein he will

be called upon to deliver the proofs of all the lurid charges he

has made against the Administration--against us, the stewards of

wealth if you please. He will be unable to deliver the proofs,

and the nation will laugh. And that will be the political end of

Mr. Ali Baba and his dream.

{Margaret}

It is a beautiful dream. Were there more like him the dream would

come true. After all, it is the dreamers that build and that

never die. Perhaps you will find that he is not so easily to be

destroyed. But I can't stay and argue with you, father. I simply

must go and get my things off.

(_To Connie._) You'll have to receive, dear. I'll be right back.

(_Julius Rutland enters. Margaret advances to meet him, shaking

his hand._) You must forgive me for deserting for a moment.

{Rutland}

(_Greeting the others._) A family council, I see.

{Margaret}

(_On way to exit at rear._) No; a discussion on dreams and

dreamers. I leave you to bear my part.

{Rutland}

(_Bowing._) With pleasure. The dreamers are the true architects.

But--a--what is the dream and who is the dreamer?

{Margaret}

(_Pausing in the doorway._) The dream of social justice, of fair

play and a square deal to everybody. The dreamer--Mr. Knox.

(_Rutland is so patently irritated, that Margaret lingers in the

doorway to enjoy._)

{Rutland}

That man! He has insulted and reviled the Church--my calling.

He--

{Connie}

(_Interrupting._) He said the churchmen stole from God. I remember

he once said there had been only one true Christian and that He

died on the Cross.

{Margaret}

He quoted that from Nietzsche.

{Starkweather}

(_To Rutland, in quiet glee._) He had you there.

{Rutland}

(_In composed fury._) Nietzsche is a blasphemer, sir. Any man who

reads Nietzsche or quotes Nietzsche is a blasphemer. It augurs

ill for the future of America when such pernicious literature has

the vogue it has.

{Margaret}

(_Interrupting, laughing._) I leave the quarrel in your hands, sir

knight. Remember--the dreamer and the dream. (_Margaret makes

exit._)

{Rutland}

(_Shaking his head._) I cannot understand what is coming over the

present generation. Take your daughter, for instance. Ten years

ago she was an earnest, sincere lieutenant of mine in all our

little charities.

{Starkweather}

Has she given charity up?

{Connie}

It's settlement work, now, and kindergartens.

{Rutland}

(_Ominously._) It's writers like Nietzsche, and men who read him,

like Knox, who are responsible.

(_Senator Dowsett and Mrs. Dowsett enter from rear._)

(_Connie advances to greet them. Rutland knows Mrs. Dowsett, and

Connie introduces him to Senator Dowsett._)

(_In the meantime, not bothering to greet anybody, evincing

his own will and way, Starkweather goes across to right front,

selects one of several chairs, seats himself, pulls a thin

note-book from inside coat pocket, and proceeds to immerse

himself in contents of same._) (_Dowsett and Rutland pair and

stroll to left rear and seat themselves, while Connie and Mrs.

Dowsett seat themselves at tea-table to left front. Connie rings

the bell for Servant._)

{Mrs. Dowsett}

(_Glancing significantly at Starkweather, and speaking in a low

voice._) That's your father, isn't it? I have so wanted to meet

him.

{Connie} (_Softly._) You know he's peculiar. He is liable to ignore

everybody here this afternoon, and get up and go away abruptly,

without saying good-bye.

{Mrs. Dowsett}

(_Sympathetically. _) Yes, I know, a man of such large affairs. He

must have so much on his mind. He is a wonderful man--my husband

says the greatest in contemporary history--more powerful than a

dozen presidents, the King of England, and the Kaiser, all rolled

into one.

(_Servant enters with tea urn and accessories, and Connie proceeds

to serve tea, all accompanied by appropriate patter--"Two lumps?"

"One, please." "Lemon;" etc._)

(_Rutland and Dowsett come forward to table for their tea, where

they remain._)

(_Connie, glancing apprehensively across at her father and

debating a moment, prepares a cup for him and a small plate

with crackers, and hands them to Dowsett, who likewise betrays

apprehensiveness._)

{Connie}

Take it to father, please, senator.

(_Note:--Throughout the rest of this act, Starkweather is like

a being apart, a king sitting on his throne. He divides the tea

function with Margaret. Men come up to him and speak with him.

He sends for men. They come and go at his bidding. The whole

attitude, perhaps unconsciously on his part, is that wherever he

may be he is master. This attitude is accepted by all the others;

forsooth, he is indeed a great man and master. The only one who

is not really afraid of him is Margaret; yet she gives in to him

in so far as she lets him do as he pleases at her afternoon tea._)

(_Dowsett carries the cup of tea and small plate across stage to

Starkweather. Starkweather does not notice him at first._)

{Connie}

(_Who has been watching._) Tea, father, won't you have a cup of

tea?

(_Through the following scene between Starkweather and Dowsett,

the latter holds cup of tea and crackers, helplessly, at a

disadvantage. At the same time Rutland is served with tea and

remains at the table, talking with the two women._)

{Starkweather}

(_Looking first at Connie, then peering into cup of tea. He grunts

refusal, and for the first time looks up into the other man's

face. He immediately closes note-book down on finger to keep the

place._) Oh, it's you. Dowsett.

(_Painfully endeavoring to be at ease._) A pleasure, Mr.

Starkweather, an entirely unexpected pleasure to meet you here. I

was not aware you frequented frivolous gatherings of this nature.

{Starkweather}

(_Abruptly and peremptorily._) Why didn't you come when you were

sent for this morning?

{Dowsett}

I was sick--I was in bed.

{Starkweather}

That is no excuse, sir. When you are sent for you are to come.

Understand? That bill was reported back. Why was it reported

back? You told Dobleman you would attend to it.

{Dowsett}

It was a slip up. Such things will happen.

{Starkweather}

What was the matter with that committee? Have you no influence

with the Senate crowd? If not, say so, and I'll get some one who

has.

{Dowsett}

(_Angrily._) I refuse to be treated in this manner, Mr.

Starkweather. I have some self-respect--

(_Starkweather grunts incredulously._) Some decency--

(_Starkweather grunts._) A position of prominence in my state.

You forget, sir, that in our state organization I occupy no mean

place.

{Starkweather}

(_Cutting him off so sharply that Dowsett drops cup and saucer._)

Don't you show your teeth to me. I can make you or break you.

That state organization of yours belongs to me.

(_Dowsett starts--he is learning something new. To hide his

feelings, he stoops to pick up cup and saucer._) Let it alone! I

am talking to you.

(_Dowsett straightens up to attention with alacrity._) (_Connie,

who has witnessed, rings for Servant._) I bought that state

organization, and paid for it. You are one of the chattels that

came along with the machine. You were made senator to obey my

orders. Understand? Do you understand?

{Dowsett}

(_Beaten._) I--I understand.

{Starkweather}

That bill is to be killed.

{Dowsett}

Yes, sir.

{Starkweather}

Quietly, no headlines about it.

(_Dowsett nods._) Now you can go.

(_Dowsett proceeds rather limply across to join group at

tea-table._) (_Chalmers and Hubbard enter from right, laughing

about something. At sight of Starkweather they immediately become

sober._) (_No hands are shaken. Starkweather barely acknowledges

Hubbard's greeting._)

{Starkweather}

Tom, I want to see you.

(_Hubbard takes his cue, and proceeds across to tea-table._)

(_Enter Servant. Connie directs him to remove broken cup and

saucer. While this is being done, Starkweather remains silent.

He consults note-book, and Chalmers stands, not quite at ease,

waiting the other's will. At the same time, patter at tea-table.

Hubbard, greeting others and accepting or declining cup of tea._)

(_Servant makes exit_).

{Starkweather}

(_Closing finger on book and looking sharply at Chalmers._) Tom,

this affair of yours in New York must come to an end. Understand?

{Chalmers}

(_Starting._) Hubbard has been talking.

{Starkweather}

No, it is not Hubbard. I have the reports from other sources.

{Chalmers}

It is a harmless affair.

{Starkweather}

I happen to know better. I have the whole record. If you wish,

I can give you every detail, every meeting. I know. There is no

discussion whatever. I want no more of it.

{Chalmers}

I never dreamed for a moment that I was--er--indiscreet.

{Starkweather}

Never forget that every indiscretion of a man in your position is

indiscreet. We have a duty, a great and solemn duty to perform.

Upon our shoulders rest the destinies of ninety million people.

If we fail in our duty, they go down to destruction. Ignorant

demagogues are working on the beast-passions of the people.

If they have their way, they are lost, the country is lost,

civilization is lost. We want no more Dark Ages.

{Chalmers}

Really, I never thought it was as serious as all that.

{Starkweather}

(_Shrugging shoulders and lifting eyebrows._) After all, why should

you? You are only a cog in the machine. I, and the several men

grouped with me, am the machine. You are a useful cog--too useful

to lose--

{Chalmers}

Lose?--Me?

{Starkweather}

I have but to raise my hand, any time--do you understand?--any

time, and you are lost. You control your state. Very well. But

never forget that to-morrow, if I wished, I could buy your whole

machine out from under you. I know you cannot change yourself,

but, for the sake of the big issues at stake, you must be

careful, exceedingly careful. We are compelled to work with weak

tools. You are a good liver, a flesh-pot man. You drink too

much. Your heart is weak.--Oh, I have the report of your doctor.

Nevertheless, don't make a fool of yourself, nor of us. Besides,

do not forget that your wife is my daughter. She is a strong

woman, a credit to both of us. Be careful that you are not a

discredit to her.

{Chalmers}

All right, I'll be careful. But while we are--er--on this

subject, there's something I'd like to speak to you about.

(_A pause, in which Starkweather waits non-committally._) It's

this man Knox, and Madge. He comes to the house. They are as

thick as thieves.

{Starkweather}

Yes?

{Chalmers}

(_Hastily._) Oh, not a breath of suspicion or anything of

that sort, I assure you. But it doesn't strike me as exactly

appropriate that your daughter and my wife should be friendly

with this fire-eating anarchist who is always attacking us and

all that we represent.

{Starkweather}

I started to speak with her on that subject, but was interrupted.

(_Puckers brow and thinks._) You are her husband. Why don't you

take her in hand yourself?

(_Enters Mrs. Starkweather from rear, looking about, bowing, then

locating Starkweather and proceeding toward him._)

{Chalmers}

What can I do? She has a will of her own--the same sort of a will

that you have. Besides, I think she knows about my--about some of

my--indiscretions.

{Starkweather}

(_Slyly._)

_Harmless_ indiscretions?

(_Chalmers is about to reply, but observes Mrs. Starkweather

approaching._)

{Mrs. Starkweather}

(_Speaks in a peevish, complaining voice, and during her harrangue

Starkweather immerses himself in notebook._) Oh, there you are,

Anthony. Talking politics, I suppose. Well, as soon as I get a

cup of tea we must go. Tommy is not looking as well as I could

wish. Margaret loves him, but she does not take the right care of

him. I don't know what the world is coming to when mothers do

not know how to rear their offspring. There is Margaret, with her

slum kindergartens, taking care of everybody else's children but

her own. If she only performed her church duties as eagerly!

Mr. Rutland is displeased with her. I shall give her a talking

to--only, you'd better do it, Anthony. Somehow, I have never

counted much with Margaret. She is as set in doing what she

pleases as you are. In my time children paid respect to their

parents. This is what comes of speed. There is no time for

anything. And now I must get my tea and run. Connie has to dress

for that dinner.

(_Mrs. Starkweather crosses to table, greets others

characteristically and is served with tea by Connie._)

(_Chalmers waits respectfully on Starkweather._)

{Starkweather}

(_Looking up from note-book._) That will do, Tom.

(_Chalmers is just starting across to join others, when voices are

heard outside rear entrance, and Margaret enters with Dolores

Ortega, wife of the Peruvian Minister, and Matsu Sakari,

Secretary of Japanese Legation--both of whom she has met as they

were entering the house._)

(_Chalmers changes his course, and meets the above advancing

group. He knows Dolores Ortega, whom he greets, and is introduced

to Sakari._)

(_Margaret passes on among guests, greeting them, etc. Then she

displaces Connie at tea-table and proceeds to dispense tea to the

newcomers._)

(_Groups slowly form and seat themselves about stage as follows:

Chalmers and Dolores Ortega; Rutland, Dowsett, Mrs. Starkweather;

Connie, Mr. Dowsett, and Hubbard._)

(_Chalmers carries tea to Dolores Ortega._)

(_Sakari has been lingering by table, waiting for tea and

pattering with Margaret, Chalmers, etc._)

{Margaret}

(_Handing cup to Sakari._) I am very timid in offering you this,

for I am sure you must be appalled by our barbarous methods of

making tea.

{Sakari}

(_Bowing._) It is true, your American tea, and the tea of the

English, are quite radically different from the tea in my

country. But one learns, you know. I served my apprenticeship

to American tea long years ago, when I was at Yale. It was

perplexing, I assure you--at first, only at first I really

believe that I am beginning to have a--how shall I call it?--a

tolerance for tea in your fashion.

{Margaret}

You are very kind in overlooking our shortcomings.

{Sakari}

(_Bowing._) On the contrary, I am unaware, always unaware, of any

shortcomings of this marvelous country of yours.

{Margaret}

(_Laughing._) You are incorrigibly gracious, Mr. Sakari. (_Knox

appears at threshold of rear entrance and pauses irresolutely for

a moment_)

{Sakari}

(_Noticing Knox, and looking about him to select which group he

will join._) If I may be allowed, I shall now retire and consume

this--tea.

(_Joins group composed of Connie, Mrs. Dowsett, and Hubbard._)

(_Knox comes forward to Margaret, betraying a certain awkwardness

due to lack of experience in such social functions. He greets

Margaret and those in the group nearest her._)

{Knox}

(_To Margaret._) I don't know why I come here. I do not belong. All

the ways are strange.

{Margaret}

(_Lightly, at the same time preparing his tea._) The same Ali

Baba--once again in the den of the forty thieves. But your watch

and pocket-book are safe here, really they are.

(_Knox makes a gesture of dissent at her facetiousness._) Now don't

be serious. You should relax sometimes. You live too tensely.

(_Looking at Starkweather._) There's the arch-anarch over there,

the dragon you are trying to slay.

(_Knox looks at Starkweather and is plainly perplexed._) The man

who handles all the life insurance funds, who controls more

strings of banks and trust companies than all the Rothschilds

a hundred times over--the merger of iron and steel and coal and

shipping and all the other things--the man who blocks your child

labor bill and all the rest of the remedial legislation you

advocate. In short, my father.

{Knox}

(_Looking intently at Starkweather._) I should have recognized him

from his photographs. But why do you say such things?

{Margaret}

Because they are true.

(_He remains silent._) Now, aren't they? (_She laughs._) Oh, you

don't need to answer. You know the truth, the whole bitter truth.

This _is_ a den of thieves. There is Mr. Hubbard over there, for

instance, the trusty journalist lieutenant of the corporations.

{Knox}

(_With an expression of disgust._) I know him. It was he that wrote

the Standard Oil side of the story, after having abused Standard

Oil for years in the pseudo-muck-raking magazines. He made them

come up to his price, that was all. He's the star writer on

_Cartwright's_, now, since that magazine changed its policy

and became subsidizedly reactionary. I know him--a thoroughly

dishonest man. Truly am I Ali Baba, and truly I wonder why I am

here.

{Margaret}

You are here, sir, because I like you to come.

{Knox}

We do have much in common, you and I.

{Margaret}

The future.

{Knox}

(_Gravely, looking at her with shining eyes._) I sometimes fear for

more immediate reasons than that.

(_Margaret looks at him in alarm, and at the same time betrays

pleasure in what he has said._) For you.

{Margaret}

(_Hastily._) Don't look at me that way. Your eyes are flashing.

Some one might see and misunderstand.

{Knox}

(_In confusion, awkwardly._) I was unaware that I--that I was

looking at you----in any way that----

{Margaret}

I'll tell you why you are here. Because I sent for you.

{Knox}

(_With signs of ardor._) I would come whenever you sent for me, and

go wherever you might send me.

{Margaret}

(_Reprovingly._)

Please, please---- It was about that speech. I have been hearing

about it from everybody--rumblings and mutterings and dire

prophecies. I know how busy you are, and I ought not to have

asked you to come. But there was no other way, and I was so

anxious.

{Knox}

(_Pleased._) It seems so strange that you, being what you are,

affiliated as you are, should be interested in the welfare of the

common people.

{Margaret}

(_Judicially._) I do seem like a traitor in my own camp. But as

father said a while ago, I, too, have dreamed my dream. I did it

as a girl--Plato's _Republic_, Moore's _Utopia_--I was steeped in

all the dreams of the social dreamers.

(_During all that follows of her speech, Knox is keenly

interested, his eyes glisten and he hangs on her words._)

And I dreamed that I, too, might do something to bring on the

era of universal justice and fair play. In my heart I dedicated

myself to the cause of humanity. I made Lincoln my hero-he

still is. But I was only a girl, and where was I to find

this cause?--how to work for it? I was shut in by a thousand

restrictions, hedged in by a thousand conventions. Everybody

laughed at me when I expressed the thoughts that burned in me.

What could I do? I was only a woman. I had neither vote nor right

of utterance. I must remain silent. I must do nothing. Men, in

their lordly wisdom, did all. They voted, orated, governed. The

place for women was in the home, taking care of some lordly man

who did all these lordly things.

{Knox}

You understand, then, why I am for equal suffrage.

{Margaret}

But I learned--or thought I learned. Power, I discovered early.

My father had power. He was a magnate--I believe that is the

correct phrase. Power was what I needed. But how? I was a woman.

Again I dreamed my dream--a modified dream. Only by marriage

could I win to power. And there you have the clew to me and what

I am and have become. I met the man who was to become my husband.

He was clean and strong and an athlete, an outdoor man, a wealthy

man and a rising politician. Father told me that if I married him

he would make him the power of his state, make him governor, send

him to the United States Senate. And there you have it all.

{Knox}

Yes?---- Yes?

{Margaret}

I married. I found that there were greater forces at work than I

had ever dreamed of. They took my husband away from me and molded

him into the political lieutenant of my father. And I was without

power. I could do nothing for the cause. I was beaten. Then it

was that I got a new vision. The future belonged to the children.

There I could play my woman's part. I was a mother. Very well. I

could do no better than to bring into the world a healthy son and

bring him up to manhood healthy and wholesome, clean, noble, and

alive. Did I do my part well, through him the results would be

achieved. Through him would the work of the world be done

in making the world healthier and happier for all the human

creatures in it. I played the mother's part. That is why I left

the pitiful little charities of the church and devoted myself

to settlement work and tenement house reform, established my

kindergartens, and worked for the little men and women who come

so blindly and to whom the future belongs to make or mar.

{Knox}

You are magnificent. I know, now, why I come when you bid me

come.

{Margaret}

And then you came. You were magnificent. You were my knight of

the windmills, tilting against all power and privilege, striving

to wrest the future from the future and realize it here in the

present, now. I was sure you would be destroyed. Yet you are

still here and fighting valiantly. And that speech of yours

to-morrow--

{Chalmers}

(_Who has approached, bearing Dolores Ortega's cup._) Yes, that

speech. How do you do, Mr. Knox.

(_They shake hands._) A cup of tea, Madge. For Mrs. Ortega. Two

lumps, please.

(_Margaret prepares the cup of tea._) Everybody is excited over

that speech. You are going to give us particular fits, to-morrow,

I understand.

{Knox}

(_Smiling._) Really, no more than is deserved.

{Chalmers}

The truth, the whole truth, and nothing but the truth?

{Knox}

Precisely.

(_Receiving back cup of tea from Margaret._)

{Chalmers}

Believe me, we are not so black as we're painted. There are two

sides to this question. Like you, we do our best to do what is

right. And we hope, we still hope, to win you over to our side.

(_Knox shakes his head with a quiet smile._)

{Margaret}

Oh, Tom, be truthful. You don't hope anything of the sort. You

know you are hoping to destroy him.

{Chalmers}

(_Smiling grimly._) That is what usually happens to those who are

not won over.

(_Preparing to depart with cup of tea; speaking to Knox._) You

might accomplish much good, were you with us. Against us you

accomplish nothing, absolutely nothing.

(_Returns to Dolores Ortega._)

{Margaret}

(_Hurriedly._) You see. That is why I was anxious--why I sent

for you. Even Tom admits that they who are not won over are

destroyed. This speech is a crucial event. You know how rigidly

they rule the House and gag men like you. It is they, and they

alone, who have given you opportunity for this speech? Why?--Why?

{Knox}

(_Smiling confidently._) I know their little scheme. They have

heard my charges. They think I am going to make a firebrand

speech, and they are ready to catch me without the proofs. They

are ready in every way for me. They are going to laugh me down.

The Associated Press, the Washington correspondents--all are

ready to manufacture, in every newspaper in the land, the great

laugh that will destroy me. But I am fully prepared, I have--

{Margaret}

The proofs?

{Knox}

Yes.

{Margaret}

Now?

{Knox}

They will be delivered to me to-night--original documents,

photographs of documents, affidavits--

{Margaret}

Tell me nothing. But oh, do be careful! Be careful!

{Mrs. Dowsett}

(_Appealing to Margaret._) Do give me some assistance, Mrs.

Chalmers.

(_Indicating Sakari._) Mr. Sakari is trying to make me ridiculous.

{Margaret}

Impossible.

{Mrs. Dowsett}

But he is. He has had the effrontery--

{Chalmers}

(_Mimicking Mrs. Dowsett._) Effrontery!--O, Sakari!

{Sakari}

The dear lady is pleased to be facetious.

{Mrs. Dowsett}

He has had the effrontery to ask me to explain the cause of high

prices. Mr. Dowsett says the reason is that the people are living

so high.

{Sakari}

Such a marvelous country. They are poor because they have so much

to spend.

{Chalmers}

Are not high prices due to the increased output of gold?

{Mrs. Dowsett}

Mr. Sakari suggested that himself, and when I agreed with him he

proceeded to demolish it. He has treated me dreadfully.

{Rutland}

(_Clearing his throat and expressing himself with ponderous

unction._) You will find the solution in the drink traffic. It

is liquor, alcohol, that is undermining our industry, our

institutions, our faith in God--everything. Yearly the working

people drink greater quantities of alcohol. Naturally, through

resulting inefficiency, the cost of production is higher, and

therefore prices are higher.

{Dowsett}

Partly so, partly so. And in line with it, and in addition to it,

prices are high because the working class is no longer thrifty.

If our working class saved as the French peasant does, we would

sell more in the world market and have better times.

{Sakari} (_Bowing._) As I understand it then, the more thrifty you

are the more you save, and the more you save the more you have to

sell, the more you sell, the better the times?

{Dowsett}

Exactly so. Exactly.

{Sakari}

The less you sell, the harder are the times?

{Dowsett}

Just so.

{Sakari}

Then if the people are thrifty, and buy less, times will be

harder?

{Dowsett}

(_Perplexed._) Er--it would seem so.

{Sakari}

Then it would seem that the present bad times are due to the fact

that the people are thrifty, rather than not thrifty?

(_Dowsett is nonplussed, and Mrs. Dowsett throws up her hands in

despair._)

{Mrs. Dowsett}

(_Turning to Knox._) Perhaps you can explain to us, Mr. Knox, the

reason for this terrible condition of affairs.

(_Starkweather closes note-book on finger and listens._) (_Knox

smiles, but does not speak._)

{Dolores Ortega}

Please do, Mr. Knox. I am so dreadfully anxious to know why

living is so high now. Only this morning I understand meat went

up again.

(_Knox hesitates and looks questioningly at Margaret._)

{Hubbard}

I am sure Mr. Knox can shed new light on this perplexing problem.

{Chalmers}

Surely you, the whirlwind of oratorical swords in the House, are

not timid here--among friends.

{Knox} (_Sparring._) I had no idea that questions of such nature

were topics of conversation at affairs like this.

{Starkweather}

(_Abruptly and imperatively._) What causes the high prices?

{Knox}

(_Equally abrupt and just as positive as the other was

imperative._) _Theft_!

(_It is a sort of a bombshell he has exploded, but they receive it

politely and smilingly, even though it has shaken them up._)

{Dolores Ortega}

What a romantic explanation. I suppose everybody who has anything

has stolen it.

{Knox}

Not quite, but almost quite. Take motorcars, for example. This

year five hundred million dollars has been spent for motor-cars.

It required men toiling in the mines and foundries, women sewing

their eyes out in sweat-shops, shop girls slaving for four and

five dollars a week, little children working in the factories and

cotton-mills--all these it required to produce those five hundred

millions spent this year in motor-cars. And all this has been

stolen from those who did the work.

{Mrs. Starkweather}

I always knew those motor-cars were to blame for terrible things.

{Dolores Ortega}

But Mr. Knox, I have a motor-car.

{Knox}

Somebody's labor made that car. Was it yours?

{Dolores Ortega}

Mercy, no! I bought it---- and paid for it.

{Knox}

Then did you labor at producing something else, and exchange the

fruits of that labor for the motor-car?

(_A pause._)

You do not answer. Then I am to understand that you have a

motor-car which was made by somebody else's labor and for which

you gave no labor of your own. This I call theft. You call it

property. Yet it is theft.

{Starkweather}

(_Interrupting Dolores Ortega who was just about to speak._)

But surely you have intelligence to see the question in larger

ways than stolen motor-cars. I am a man of affairs. I don't steal

motor-cars.

{Knox}

(_Smiling._) Not concrete little motor-cars, no. You do things on a

large scale.

{Starkweather}

Steal?

{Knox}

(_Shrugging his shoulders._) If you will have it so.

{Starkweather}

I am like a certain gentleman from Missouri. You've got to show

me.

{Knox}

And I'm like the man from Texas. It's got to be put in my hand.

{Starkweather}

I shift my residence at once to Texas. Put it in my hand that I

steal on a large scale.

{Knox}

Very well. You are the great financier, merger, and magnate. Do

you mind a few statistics?

{Starkweather}

Go ahead.

{Knox}

You exercise a controlling interest in nine billion dollars'

worth of railways; in two billion dollars' worth of industrial

concerns; in one billion dollars' worth of life insurance groups;

in one billion dollars' worth of banking groups; in two billion

dollars' worth of trust companies. Mind you, I do not say you own

all this, but that you exercise a controlling interest. That

is all that is necessary. In short, you exercise a controlling

interest in such a proportion of the total investments of the

United States, as to set the pace for all the rest. Now to my

point. In the last few years seventy billions of dollars have

been artificially added to the capitalization of the nation's

industries. By that I mean water--pure, unadulterated water. You,

the merger, know what water means. I say seventy billions. It

doesn't matter if we call it forty billions or eighty billions;

the amount, whatever it is, is a huge one. And what does seventy

billions of water mean? It means, at five per cent, that three

billions and a half must be paid for things this year, and every

year, more than things are really worth. The people who labor

have to pay this. There is theft for you. There is high prices

for you. Who put in the water? Who gets the theft of the water?

Have I put it in your hand?

{Starkweather}

Are there no wages for stewardship?

{Knox}

Call it any name you please.

{Starkweather}

Do I not make two dollars where one was before? Do I not make for

more happiness than was before I came?

{Knox}

Is that any more than the duty any man owes to his fellowman?

{Starkweather}

Oh, you unpractical dreamer. (_Returns to his note-book._)

{Rutland}

(_Throwing himself into the breach._) Where do I steal, Mr.

Knox?--I who get a mere salary for preaching the Lord's Word.

{Knox}

Your salary comes out of that water I mentioned. Do you want to

know who pays your salary? Not your parishioners. But the little

children toiling in the mills, and all the rest--all the slaves

on the wheel of labor pay you your salary.

{Rutland} I earn it.

{Knox}

They pay it.

{Mrs. Dowsett}

Why, I declare, Mr. Knox, you are worse than Mr. Sakari. You are

an anarchist.

(_She simulates shivering with fear._)

{Chalmers}

(_To Knox._) I suppose that's part of your speech to-morrow.

{Dolores Ortega}

(_Clapping her hands._) A rehearsal! He's trying it out on us!

{Sakari}

How would you remedy this--er--this theft?

(_Starkweather again closes note-book on finger and listens as

Knox begins to speak._)

{Knox}

Very simply. By changing the governmental machinery by which this

household of ninety millions of people conducts its affairs.

{Sakari}

I thought--I was taught so at Yale--that your governmental

machinery was excellent, most excellent.

{Knox}

It is antiquated. It is ready for the scrap-heap. Instead of

being our servant, it has mastered us. We are its slaves. All the

political brood of grafters and hypocrites have run away with it,

and with us as well. In short, from the municipalities up, we are

dominated by the grafters. It is a reign of theft.

{Hubbard}

But any government is representative of its people. No people

is worthy of a better government than it possesses. Were it

worthier, it would possess a better government.

(_Starkweather nods his head approvingly._)

{Knox}

That is a lie. And I say to you now that the average morality and

desire for right conduct of the people of the United States is

far higher than that of the government which misrepresents it.

The people are essentially worthy of a better government than

that which is at present in the hands of the politicians, for the

benefit of the politicians and of the interests the politicians

represent. I wonder, Mr. Sakari, if you have ever heard the story

of the four aces.

{Sakari}

I cannot say that I have.

{Knox}

Do you understand the game of poker?

{Sakari}

(_Considering._) Yes, a marvelous game. I have learned it--at Yale.

It was very expensive.

{Knox}

Well, that story reminds me of our grafting politicians.

They have no moral compunctions. They look upon theft as

right--eminently right. They see nothing wrong in the arrangement

that the man who deals the cards should give himself the best in

the deck. Never mind what he deals himself, they'll have the deal

next and make up for it.

{Dolores Ortega}

But the story, Mr. Knox. I, too, understand poker.

{Knox}

It occurred out in Nevada, in a mining camp. A tenderfoot was

watching a game of poker, He stood behind the dealer, and he saw

the dealer deal himself four aces from the bottom of the deck.

(_From now on, he tells the story in the slow, slightly drawling

Western fashion._) The tenderfoot went around to the player on the

opposite side of the table.

"Say," he says, "I just seen the dealer give himself four aces

off the bottom."

The player looked at him a moment, and said, "What of it?"

"Oh, nothing," said the tenderfoot, "only I thought you might

want to know. I tell you I seen the dealer give himself four aces

off the bottom."

"Look here, Mister," said the player, "you'd better get out of

this. You don't understand the game. It's HIS deal, ain't it?"

{Margaret}

(_Arising while they are laughing._) We've talked politics long

enough. Dolores, I want you to tell me about your new car.

{Knox}

(_As if suddenly recollecting himself._) And I must be going.

(_In a low voice to Margaret._) Do I have to shake hands with all

these people?

{Margaret}

(_Shaking her head, speaking low._) Dear delightful Ali Baba.

{Knox}

(_Glumly._) I suppose I've made a fool of myself.

{Margaret}

(_Earnestly._) On the contrary, you were delightful. I am proud of

you.

(_As Knox shakes hands with Margaret, Sakari arises and comes

forward_).

{Sakari}

I, too, must go. I have had a charming half hour, Mrs. Chalmers.

But I shall not attempt to thank you.

(_He shakes hands with Margaret._)

(_Knox and Sakari proceed to make exit to rear._)

(_Just as they go out, Servant enters, carrying card-tray, and

advances toward Starkweather._)

(_Margaret joins Dolores Ortega and Chalmers, seats herself with

them, and proceeds to talk motor-cars._)

(_Servant has reached Starkweather, who has taken a telegram from

tray, opened it, and is reading it._)

{Starkweather}

Damnation!

{Servant}

I beg your pardon, sir.

{Starkweather}

Send Senator Chalmers to me, and Mr. Hubbard.

{Servant}

Yes, sir.

(_Servant crosses to Chalmers and Hubbard, both of whom

immediately arise and cross to Starkweather._)

(_While this is being done, Margaret reassembles the three

broken groups into one, seating herself so that she can watch

Starkweather and his group across the stage._)

(_Servant lingers to receive a command from Margaret._)

(_Chalmers and Hubbard wait a moment, standing, while Starkweather

rereads telegram._)

{Starkweather}

(_Standing up._) Dobleman has just forwarded this telegram. It's

from New York--from Martinaw. There's been rottenness. My papers

and letter-files have been ransacked. It's the confidential

stenographer who has been tampered with--you remember that

middle-aged, youngish-oldish woman, Tom? That's the one.--Where's

that servant?

(_Servant is just making exit._) Here! Come here!

(_Servant comes over to Starkweather._) Go to the telephone and

call up Dobleman. Tell him to come here.

{Servant}

(_Perplexed._) I beg pardon, sir.

{Starkweather}

(_Irritably._) My secretary. At my house. Dobleman. Tell him to

come at once.

(_Servant makes exit._)

{Chalmers}

But who can be the principal behind this theft?

(_Starkweather shrugs his shoulders._)

{Hubbard}

A blackmailing device most probably. They will attempt to bleed

you--

{Chalmers}

Unless--

{Starkweather}

(_Impatiently._) Yes?

{Chalmers}

Unless they are to be used to-morrow in that speech of Knox.

(_Comprehension dawns on the faces of the other two men._)

{Mrs. Starkweather}

(_Who has arisen._) Anthony, we must go now. Are you ready? Connie

has to dress.

{Starkweather}

I am not going now. You and Connie take the car.

{Mrs. Starkweather}

You mustn't forget you are going to that dinner.

{Starkweather}

(_Wearily._) Do I ever forget?

(_Servant enters and proceeds toward Starkweather, where he

stands waiting while Mrs. Starkweather finishes the next speech.

Starkweather listens to her with a patient, stony face._)

{Mrs. Starkweather}

Oh, these everlasting politics! That is what it has been all

afternoon--high prices, graft, and theft; theft, graft, and high

prices. It is terrible. When I was a girl we did not talk of such

things. Well, come on, Connie.

{Mrs. Dowsett}

(_Rising and glancing at Dowsett._) And we must be going, too.

(_During the following scene, which takes place around

Starkweather, Margaret is saying good-bye to her departing

guests._)

(_Mrs. Starkweather and Connie make exit._)

(_Dowsett and Mrs. Dowsett make exit._)

(_The instant Mrs. Dowsett's remark puts a complete end to Mrs.

Starkweather's speech, Starkweather, without answer or noticing

his wife, turns and interrogates Servant with a glance._)

{Servant}

Mr. Dobleman has already left some time to come here, sir.

{Starkweather}

Show him in as soon as he comes.

{Servant}

Yes, sir.

(_Servant makes exit._)

(_Margaret, Dolores Ortega, and Rutland are left in a group

together, this time around tea-table, where Margaret serves

Rutland another cup of tea. From time to time Margaret glances

curiously at the serious group of men across the stage._)

(_Starkweather is thinking hard with knitted brows. Hubbard is

likewise pondering._)

{Chalmers}

If I were certain Knox had those papers I would take him by the

throat and shake them out of him.

{Starkweather}

No foolish talk like that, Tom. This is a serious matter.

{Hubbard}

But Knox has no money. A Starkweather stenographer comes high.

{Starkweather}

There is more than Knox behind this. (_Enter Dobleman, walking

quickly and in a state of controlled excitement._)

{Dobleman}

(_To Starkweather._) You received that telegram, sir?

(_Starkweather nods._) I got the New York office--Martinaw--right

along afterward, by long distance. I thought best to follow and

tell you.

{Starkweather}

What did Martinaw say?

{Dobleman}

The files seem in perfect order.

{Starkweather}

Thank God!

(_During the following speech of Dobleman, Rutland says good-bye

to Margaret and Dolores Ortega and makes exit._)

(_Margaret and Dolores Ortega rise a minute afterward and

go toward exit, throwing curious glances at the men but not

disturbing them._)

(_Dolores Ortega makes exit._)

(_Margaret pauses in doorway a moment, giving a final anxious

glance at the men, and makes exit._)

{Dobleman}

But they are not. The stenographer, Miss Standish, has confessed.

For a long time she has followed the practice of taking two or

three letters and documents at a time away from the office. Many

have been photographed and returned. But the more important ones

were retained and clever copies returned. Martinaw says that Miss

Standish herself does not know and cannot tell which of the ones

she returned are genuine and which are copies.

{Hubbard}

Knox never did this.

{Starkweather}

Did Martinaw say whom Miss Standish was acting for?

{Dobleman}

Gherst.

(_The alarm on the three men's faces is patent._)

{Starkweather}

Gherst!

(_Pauses to think._)

{Hubbard}

Then it is not so grave after all. A yellow journal sensation is

the best Gherst can make of it. And, documents or not, the very

medium by which it is made public discredits it.

{Starkweather}

Trust Gherst for more ability than that. He will certainly

exploit them in his newspapers, but not until after Knox has

used them in his speech. Oh, the cunning dog! Never could he

have chosen a better mode and moment to strike at me, at the

Administration, at everything. That is Gherst all over. Playing

to the gallery. Inducing Knox to make this spectacular exposure

on the floor of the House just at the critical time when so many

important bills are pending.

(_To Dobleman._)

Did Martinaw give you any idea of the nature of the stolen

documents?

{Dobleman}

(_Referring to notes he has brought._) Of course I don't know

anything about it, but he spoke of the Goodyear letters--

(_Starkweather betrays by his face the gravity of the

information._)

the Caledonian letters, all the Black Rider correspondence. He

mentioned, too, (_Referring to notes._) the Astonbury and Glutz

letters. And there were others, many others, not designated.

{Starkweather}

This is terrible!

(_Recollecting himself._)

Thank you, Dobleman. Will you please return to the house at once.

Get New York again, and fullest details. I'll follow you shortly.

Have you a machine?

{Dobleman}

A taxi, sir.

{Starkweather}

All right, and be careful.

(_Dobleman makes exit_)

{Chalmers}

I don't know the import of all these letters, but I can guess,

and it does seem serious.

{Starkweather}

(_Furiously._) Serious! Let me tell you that there has been no

exposure like this in the history of the country. It means

hundreds of millions of dollars. It means more--the loss of

power. And still more, it means the mob, the great mass of the

child-minded people rising up and destroying all that I have

labored to do for them. Oh, the fools! The fools!

{Hubbard}

(_Shaking his head ominously._) There is no telling what may happen

if Knox makes that speech and delivers the proofs.

{Chalmers}

It is unfortunate. The people are restless and excited as it

is. They are being constantly prodded on by the mouthings of

the radical press, of the muck-raking magazines and of the

demagogues. The people are like powder awaiting the spark.

{Starkweather}

This man Knox is no fool, if he _is_ a dreamer. He is a shrewd

knave. He is a fighter. He comes from the West--the old pioneer

stock. His father drove an ox-team across the Plains to Oregon.

He knows how to play his cards, and never could circumstances

have placed more advantageous cards in his hands.

{Chalmers}

And nothing like this has ever touched you before.

{Starkweather}

I have always stood above the muck and ruck--clear and clean and

unassailable. But this--this is too much! It is the spark. There

is no forecasting what it may develop into.

{Chalmers}

A political turnover.

{Starkweather}

(_Nodding savagely._) A new party, a party of demagogues, in power.

Government ownership of the railways and telegraphs. A graduated

income tax that will mean no less than the confiscation of

private capital.

{Chalmers}

And all that mass of radical legislation--the Child Labor Bill,

the new Employers' Liability Act, the government control of the

Alaskan coal fields, that interference with Mexico. And that big

power corporation you have worked so hard to form.

{Starkweather}

It must not be. It is an unthinkable calamity. It means that the

very process of capitalistic development is hindered, stopped.

It means a setback of ten years in the process. It means work,

endless work, to overcome the setback. It means not alone the

passage of all this radical legislation with the consequent

disadvantages, but it means the fingers of the mob clutching at

our grip of control. It means anarchy. It means ruin and misery

for all the blind fools and led-cattle of the mass who will

strike at the very sources of their own existence and comfort.

(_Tommy enters from left, evidently playing a game, in the course

of which he is running away. By his actions he shows that he is

pursued. He intends to cross stage, but is stopped by sight of

the men. Unobserved by them, he retraces his steps and crawls

under the tea-table._)

{Chalmers}

Without doubt, Knox is in possession of the letters right now.

{Starkweather}

There is but one thing to do, and that is--get them back.

(_He looks questioningly at the two men._)

(_Margaret enters from left, in flushed and happy pursuit of

Tommy--for it is a game she is playing with him. She startles at

sight of the three men, whom she first sees as she gains the side

of the tea-table, where she pauses abruptly, resting one hand on

the table._)

{Hubbard}

I'll undertake it.

{Starkweather}

There is little time to waste. In twenty hours from now he will

be on the floor making his speech. Try mild measures first. Offer

him inducements--any inducement. I empower you to act for me. You

will find he has a price.

{Hubbard}

And if not?

{Starkweather}

Then you must get them at any cost.

{Hubbard}

(_Tentatively._) You mean--?

{Starkweather}

I mean just that. But no matter what happens, I must never be

brought in. Do you understand?

{Hubbard}

Thoroughly.

{Margaret}

(_Acting her part, and speaking with assumed gayety._) What are you

three conspiring about? (_All three men are startled._)

{Chalmers}

We are arranging to boost prices a little higher.

{Hubbard}

And so be able to accumulate more motorcars.

{Starkweather}

(_Taking no notice of Margaret and starting toward exit to rear._)

I must be going. Hubbard, you have your work cut out for you.

Tom, I want you to come with me.

{Chalmers}

(_As the three men move toward exit._) Home?

{Starkweather}

Yes, we have much to do.

{Chalmers}

Then I'll dress first and follow you.

(_Turning to Margaret._) Pick me up on the way to that dinner.

(_Margaret nods. Starkweather makes exit without speaking.

Hub-bard says good-bye to Margaret and makes exit, followed by

Chalmers._)

(_Margaret remains standing, one hand resting on table, the other

hand to her breast. She is thinking, establishing in her mind

the connection between Knox and what she has overheard, and in

process of reaching the conclusion that Knox is in danger._)

(_Tommy, having vainly waited to be discovered, crawls out

dispiritedly, and takes Margaret by the hand. She scarcely

notices him._)

{Tommy} (_Dolefully._) Don't you want to play any more? (_Margaret

does not reply_). I was a good Indian.

{Margaret}

(_Suddenly becoming aware of herself and breaking down. She stoops

and clasps Tommy in her arms, crying out, in anxiety and fear,

and from love of her boy._) Oh, Tommy! Tommy!

Curtain

Theft: A Play In Four Acts · 第 1 / 4 章