How Mary Browne makes confession, though not by creed a Romanist;
and how those who receive it are far removed from being holy
fathers!--Moreover, I would have you see there is more acting off
the stage than on it.
Monica's week at Aghyohillbeg is drawing to a close. The day has dawned
that is to usher in at even the famous representation of "The School for
Scandal," as given by Miss Fitzgerald, Captain Cobbett, etc.
The whole house is topsy-turvy, no room being sacred from the actors and
actresses (save the mark!), and all the servants are at their wit's end.
There have been men down from the Gayety Theatre, Dublin, who have seen
about the stage, and there have been other men from the village of
Rossmoyne to help in the decoration of the ballroom, and between these
two different sets of men an incessant war has been raging for many
days.
Now at last the house is comparatively quiet, and, as four o'clock
strikes, Madam O'Connor finds herself in her own special den (the only
spot that has not been disturbed), with a tea-equipage before her, and
all her ladies-in-waiting round her.
These ladies, for the most part, are looking full of suppressed
excitement, and are in excellent spirits and irreproachable tea-gowns.
Mary Browne, who has developed into a general favorite, is making some
laughing remark about Lord Rossmoyne, who, with all the other men, is
absent.
"D'ye know what it is, Mary?" says Madam O'Connor, in her unchecked
brogue; "you might do something else with Rossmoyne besides making game
of him."
"What?" says Mary Browne.
"Marry him, to be sure. A young woman like you, with more money than you
know what to do with, ought to have a protector. Faith, you needn't
laugh, for it's only common sense I'm talking. Tenants, and the new
laws, will play the mischief with your soft heart and your estate, if
you don't get some one to look after them both."
"Well?" says Mary Browne.
"Well, there's Rossmoyne, as I said before, actually going a begging for
a wife. Why not take him?"
"I don't care about beggars," says Miss Browne, with a slight smile. "I
am not one of those who think them picturesque."
"He isn't a beggar in any other sense than the one I have mentioned. He
is a very good match. Think of it, now."
"I am thinking. Indeed, ever since my first day here I been thinking how
deeply attached he is to Mrs. Bohun. Forgive me, Mrs. Bohun."
Olga laughs lightly. There is something about this plain girl that
repels the idea of offence.
"What on earth put that idea into your head?" says her hostess, opening
her eyes, who talks too much both in season and out of it to be able to
see all the by-play going on around her. "You aren't setting your cap at
him, are you, Olga my dear?"
"Indeed, no," says Olga, still laughing. "How could so absurd a notion
have got into _any_body's head?"
"How, indeed?" says Monica, gayly.
"There's Owen Kelly, then; though he isn't as well off as Rossmoyne,
still he will be worth looking after by and by, when the old man drops
off. He's as good hearted a fellow as ever lived, when you know what
he's at,--which isn't often, to do him justice. It struck me he was very
civil to you last night."
"He was," says Miss Browne, whose merriment is on the increase. "But I
never met any one who wasn't civil to me: so I found him commonplace
enough. Ah! if he had only been uncivil, now!"
"Well, there he is, at all events," says Madam O'Connor, sententiously.
"I hope he's comfortable," says Miss Browne, kindly, "I shan't try to
make him less so, at least. Why don't you recommend Mr. Desmond or Mr.
Ronayne to my notice?" with a mischievous glance at Monica and Olga
Bohun.
"I'm afraid they are done for," says Madam, laughing now herself. "And I
only hope that handsome boy Ronayne isn't laying up sorrow for himself
and living in a fool's paradise. Indeed, Olga, pretty as you are, I'll
be very angry with you if I hear you have been playing fast and loose
with him."
The old lady shakes her head grimly at Mrs. Bohun, who pretends to be
crushed beneath her glance.
"To prevent you offering me any more suitors," says Mary Browne,
steadily, but with a rising blush, "I may as well tell you that I am
engaged to be married."
"Good gracious, my dear! then why didn't you say so before?" says Madam,
sitting bolt upright and letting her _pince-nez_ fall unheeded into her
lap.
"I really don't know; but I daresay because you took it for granted I
wasn't."
"Mary," says Mrs. Herrick, speaking for the first time, and for the
first time, too, calling Miss Browne by her Christian name, "tell us all
about it."
"Yes, _do_," says Monica, and all the women draw their chairs
instinctively a degree closer to the heroine of the hour, and betray in
her a warm interest. After all, what can equal a really good
love-affair?
"Go on, my dear," says Madam O'Connor, who is always full of life where
romance is concerned. "I hope it is a good marriage."
"The best in the world, for me," says Mary Browne, simply, "though he
hasn't a penny in the world but what he earns."
As she makes this awful confession, she isn't in the least confused, but
smiles brightly.
"Well, Mary, I must say I wouldn't have believed it of you," says Madam.
"I would," says Monica, hastily laying her hand on one of Mary's. "It is
just like her. After all, what has money got to do with it? Is he
_nice_, Mary?"
"So nice!" says Mary, who seems quite glad to talk about him, "and as
ugly as myself," with a little enjoyable laugh, "so we can't call each
other bad names; and his name is Peter, which of course will be
considered another drawback, though I like the name myself. And we are
very fond of each other--I have no doubt about that: and that is all, I
think."
"No, it is not all," says Madam O'Connor, severely. "May I ask when you
met this young man?"
"I must take the sting out of your tone at once, Gertrude," says her
cousin, pleasantly, "by telling you that we were engaged long _before_
poor Richard died." (Richard was the scampish brother by whose death she
inherited all.)
"Then why didn't you marry him?" says Madam.
"I was going to,--in fact, we were going to run away," says Miss Browne,
with intense enjoyment at the now remote thought,--"doesn't it sound
absurd?--when--when the news about Dick reached us, and then I could not
bring myself to leave my father, no matter how unpleasant my home be."
"What is he?" asks Olga, with a friendly desire to know.
"A doctor. In rather good practice, too, in Dublin. He is very clever,"
says Miss Browne, telling her story so genially, so comfortably, that
all their hearts go out to her, and Madam O'Connor grows lost in a
revery about what will be the handsomest and most suitable thing to give
"Peter" as a wedding-present. As she cannot get beyond a case of
dissecting-knives, this revery is short.
"Perhaps if you saw some one else you might change your mind," she says,
a new thought entering her head (of course there would be a difficulty
about offering dissecting-knives to a barrister or quiet country
gentleman).
"I have had five proposals this year already," says Miss Browne,
quietly, "but, if I could be a princess by doing so, I would not give up
Peter."
"Mary Browne, come here and give me a kiss," says Madam O'Connor, with
tears in her eyes. "You are the best girl I know, and I always said it.
I only hope your Peter knows the extent of his luck."
Miss Browne having to leave the room some few minutes later Olga raises
herself from the lounging position she has been in, with her hands
clasped behind her head, and says, slowly,--
"I don't think she is so plain, after all."
"Neither do I," says Monica, eagerly, "there is something so sweet about
her expression."
"I am perfectly certain that man Peter is awfully in love with her,"
says Mrs. Herrick solemnly, "and that without the slightest thought of
her money."
"What would he think of her money for?" says Madam O'Connor, testily,
who had firmly believed him a fortune-hunter only two minutes ago.
"Isn't she a jewel in herself?"
"By the bye, where is our Bella all this time?" says Olga, suddenly.
"It now occurs to me that of course we have been missing her all this
time."
"I know," says Monica, mysteriously: "she is _asleep_,--getting herself
up for her Lady Teazle. I was running along the corridor, outside her
room, half an hour ago, when her mother came out on tiptoe and implored
me to go gently, lest I should wake her."
"Gentle dove," says Mrs. Herrick.
"I shall go and dance the _can-can_ up and down that corridor this
moment," says Mrs. Bohun, rising to her feet with fell determination in
her eye.
"I think you had all better go to your rooms and get ready for dinner.
It is painfully early to-night," says Madam, "on account of all this
nonsense of Olga's. But no dressing mind, as I have told the men to come
as they are. There will be plenty of that by and by."
One by one they all dwindle away at the word of command, Olga, true to
her word, making such a clatter as she passes Miss Fitzgerald's door as
might readily be classed with those noises popularly supposed to be able
to wake the silent dead. Whether it wakes Miss Fitzgerald is unknown to
all save her mother and her maid.
It makes Monica laugh, however who, sitting in her own room, is gazing
with dreamy delight at the pretty gown Miss Priscilla has ordered from
Mrs. Sim's for her all the way from Dublin, and which has been spread
upon her bed by Olga's maid, Mrs. Bohun having insisted on sharing that
delightful young person with her ever since her first night at
Aghyohillbeg.
Yet Aunt Priscilla will not be here to-night to see her favorite niece
dressed in her charming present.
At the last moment, not two hours agone, had come a letter from Moyne to
Madame O'Connor telling how Miss Penelope had been seized by a bad
neuralgic headache and was in such pain that Miss Priscilla could not
find it in her heart to leave her. Kit, escorted by Terence, would
arrive, however, in time for the opening act; and it would be impossible
to say how disappointed the two old ladies were (which indeed was the
strict truth), and they hoped all would be successful, etc., etc.
With a remorseful pang, Monica acknowledges to herself now that she had
felt a secret gladness when first the news had been retailed to her by
Madame O'Connor. A sense of being under an obligation to that dire
neuralgic headache, is oppressing her. It is wicked of her, and most
cruel, but the secret exultation cannot be denied.
And see how the case stands. Poor Aunt Penelope in vile suffering, Aunt
Priscilla enduring bitter disappointment,--for she had, as Monica well
knew, set her heart on witnessing these theatricals,--and Monica herself
actually glad and light at heart _because_ of the misfortunes that have
befallen them. Alas! how fiendish it all sounds!
And again, to add to the iniquity of it, for how slight a cause has she
welcomed the discomfiture of her best friends! For a few dances with
their enemy, a freedom for happy smiles and unrestrained glances,--_all_
to be made over to the enemy. For how, with Miss Priscilla's reproachful
angry eyes upon her, could she have waltzed or smiled or talked with a
Desmond?
And what is to be the end of it all? A vague feeling of terror compasses
her round about as she dwells on her forbidden lover. Will she have to
give him up at the last?--it must be either him or Aunt Priscilla; and
she owes so much to Aunt Priscilla; while to him--oh, no! she owes him
nothing; of course he is only--only--and yet----
A bell sounds in the distance; she starts and glances at the tiny clock
upon her chimney-piece. Yes, it is almost six, and dinner will be ready
in ten minutes. And afterwards comes "The School for Scandal," and after
that the tableaux, and after that again dancing,--delights threefold for
happy eighteen. Her spirits rise; her fears fall; self-contempt,
remorse, regret, all sink into insignificance, and with a beating heart
she coils afresh her tinted hair, and twines some foreign beads about
her slender throat to make herself a shade more lovable in the eyes of
the man she must not encourage, and whose very existence she has been
forbidden to acknowledge.
* * * * *
The curtain has risen, has fallen and risen again, and now has descended
for the last time. A flutter--is it rapture or relief?--trembles through
the audience. "The School for Scandal" has come to a timely end!
I selfishly forbear from giving my readers a lengthened account of it,
as they (unless any of the Aghyohillbeg party takes up this book) have
mercy--that is, unfortunately, been debarred by fate from ever
witnessing a performance such as this, that certainly, without servile
flattery, may be termed unique. Words (that is, _my_ words) would fail
to give an adequate idea of it, and so from very modesty I hold my pen.
"It was marvellous," says Sir Mark Gore, who is paying a flying visit to
Lord Rossmoyne. He says this with the profoundest solemnity, and
perhaps a little melancholy. His expression is decidedly pensive.
"It was indeed wonderful," says the old rector, in perfect good faith.
And wonderful it was indeed. Anything so truly remarkable, I may safely
declare, was never seen in this or any other generation.
Miss Fitzgerald's Lady Teazle left nothing to be desired, save perhaps
an earlier fall of the curtain, while Captain Cobbett's Joseph Surface
was beyond praise. This is the strict truth. He was indeed the more
happy in his representation of the character in that he gave his
audience a Joseph they never had seen and never would see again on any
stage, unless Captain Cobbett could kindly be induced by them to try it
on some other occasion.
A few ignorant people, indeed, who plainly found such a splendid
rendering of the part too much for their intellectual capacity, were
seized with a laughter profane, if smothered, whenever the talented
captain made his appearance, giving the rest of the company (who could
see them shaking behind their fans) to understand that they at least
were "not for Joe,"--that is, Captain Cobbett's Joe. But the majority
very properly took no notice of these Philistines, and indeed rebuked
them by maintaining an undisturbed gravity to the very end.
Sir Peter (Mr. Ryde) was most sumptuously arrayed. Nothing could exceed
the magnificence of his attire. Upon an amateur stage, startling
habiliments copied from a remote period are always attractive, and Mr.
Ryde did all he knew in this line, giving even to the ordinary Sir Peter
of our old-fashioned knowledge certain garments in vogue quite a century
before he could possibly have been born. This gave a charming wildness
to his character, a devil-may-care sort of an air, that exactly suited
his gay and festive mood. After all, why should Sir Peter be old and
heavy? why indeed?
The effect was altogether charming. That there were a few disagreeable
people who said they would have liked to know what he was _at_ (_such_ a
phrase, you know!), what he _meant_, in fact, and who declared that, as
a mere simple matter of choice, they liked to hear a word now and again
from an actor, goes without telling. There are troublesome people in
every grade of society,--gnats that _will_ sting. Silence is golden, as
all the world knows; and Mr. Ryde is of it: so of course he forgot his
part whenever he could, and left out all the rest!
This he did with a systematic carefulness very praiseworthy in so young
a man.
On the whole, therefore, you will see that the affair was an
unprecedented success; and if some did go away puzzled as to whether it
was a burlesque or a tragedy, nobody was to blame for their obtuseness.
There certainly are scenes in this admirable comedy not provocative of
laughter; but such was the bad taste of Madam O'Connor that she joined
in with the Philistines mentioned farther back, and laughed straight
through the piece from start to finish, until the tears ran down her
cheeks.
She said afterwards she was hysterical, and Olga Bohun, who was quite as
bad as she, said, "_no wonder_."
Now, however, it is all over, and the actors and actresses have
disappeared, to make way for the gauze, the electric light, and the
tableaux; whilst the audience is making itself happy with iced champagne
and conversation, kind and otherwise (very much otherwise), about the
late performance.
Olga Bohun, who is looking all that the heart of man can desire in white
lace and lilies, leaving the impromptu theatre, goes in search of
Hermia, who, with Owen Kelly, is to appear in the opening tableau. She
makes her way to the temporary green-room, an inner hall, hidden from
the outer world by means of a hanging velvet curtain, and with a
staircase at the lower end that leads to some of the upper corridors.
Here she finds Ulic Ronayne, Miss Browne, Monica, Desmond, and Kelly.
She has barely time to say something trivial to Miss Browne, when a pale
light appearing at the top of the staircase attracts the attention of
all below. Instinctively they raise their eyes towards it, and see a
tall figure clad in white descending the stairs slowly and with a
strange sweet gravity. Is it an angel come to visit them, or Hermia
Herrick?
It resolves itself into Hermia at last, but a beautiful Hermia,--a
lovely apparition,--a woman indeed still, but "with something of an
angel-light" playing in her dark eyes and round her dusky head. Always a
distinguished-looking woman, if too cold for warmer praise, she is now
at least looking supremely beautiful.
She is dressed as Galatea, in a clinging garment of the severest Greek
style, with no jewels upon her neck, and with her exquisite arms bare to
the shoulder. One naked sandalled foot can be seen as she comes
leisurely to them step by step. She is holding a low Etruscan lamp in
one hand upon a level with her head, and there is just the faintest
suspicion of a smile about her usually irresponsive lips.
No one speaks until her feet touch the hall, when a little murmur,
indistinct, yet distinctly admiring, arises to greet her.
"I hope I don't look foolish," she says, with as much nervousness in her
tone as can possibly be expected from her.
"Oh, Hermia, you are looking too lovely," says Olga, with a burst of
genuine enthusiasm. "Is she not, Owen?"
But Mr. Kelly makes no reply.
A slight tinge of color deepens Mrs. Herrick's complexion as she turns
to him.
"Poor Mr. Kelly!" she says, the amused flicker of a smile flitting over
her face, which has now grown pale again. "What a situation! There!
don't sully your conscience: I will let you off your lie. That is where
an old friend comes in so useful, you see."
"At all events, I don't see where the lie would come in. But, as you do,
of course I shall say nothing," says Kelly.
"What a Pygmalion!" says Olga, in high disgust. "And what a speech!
Contemptible! I don't believe any Galatea would come to life beneath
_your_ touch. It would be cold as the marble itself!"
So saying, she moves away to where Monica is standing, looking quite the
sweetest thing in the world, as
"A nun demure, of lowly port."
"She has prophesied truly," says Kelly, in a low tone, turning to Mrs.
Herrick. "I fear _my_ Galatea will never wake to life for _me_."
A subdued bell tinkles in the distance.
"Our summons," says Mrs. Herrick, hastily, as though grateful to it; and
presently she is standing upon a pedestal, pale motionless, with a rapt
Pygmalion at her feet, and some Pompeian vases and jugs (confiscated
from the drawing-room) in the background.
And then follow the other tableaux, and then the stage is deserted, and,
music sounding in the distant ballroom, every one rises and makes a step
in its direction, the hearts of some of the younger guests beating in
time to it.
"Where are you going?" says Ulic Ronayne, seeing Olga about to mount the
stairs once more.
"To help the others to get into civilized garb,--Hermia and Monica, I
mean. Lady Teazle I consider capable of looking after herself."
"H'm! you say that? I thought Miss Fitzgerald was a friend of yours."
"Then you thought like the baby you are. No! Women, like princes, find
few real friends. But one in a hundred can fill that character
gracefully, and Bella is _not_ that one."
She turns to run up the stairs. "Well, don't be long," says Mr. Ronayne.
"I'll be ready in a minute," she says; and in twenty-five she really
_is_.
Monica, who has had Kit to help her,--such an admiring, enthusiastic,
flattering Kit,--is soon redressed, and has run down stairs, and nearly
into Desmond's arms, who, of course, is waiting on the lowest step to
receive her. She is now waltzing with him, with a heart as light as her
feet.
Hermia's progress has been slow, but Miss Fitzgerald's slowest of all,
the elaborate toilet and its accessories taking some time to arrange
themselves; she has been annoyed, too, by Olga Bohun, during the earlier
part of the evening, and consequently feels it her duty to stay in her
room for a while and take it out of her maid. So long is she, indeed,
that Madam O'Connor (most attentive of hostesses) feels it her duty to
come upstairs to find her.
She _does_ find her, giving way to diatribes of the most virulent, that
have Olga Bohun for their theme. Mrs. Fitzgerald, standing by, is
listening to, and assisting in, the defamatory speeches.
"Hey-day! what's the matter now?" says Madam, with a _bonhommie_
completely thrown away. Miss Fitzgerald has given the reins to her
mortification, and is prepared to hunt Olga to the death.
"I think it is disgraceful the license Mrs. Bohun allows her tongue,"
she says, angrily, still smarting under the speech she had goaded Olga
into making her an hour ago. "We have just been talking about it. She
says the most wounding things, and accuses people openly of thoughts and
actions of which they would scorn to be guilty. And this, too, when her
own actions are so hopelessly faulty, so _sure_ to be animadverted upon
by all decent people."
"Yes, yes, indeed," chimes in her mother, as in duty bound. Her voice is
feeble, but her manner vicious.
"The shameful way in which she employs nasty unguents of all kinds, and
tries by every artificial means to heighten any beauty she may possess,
is too absurdly transparent not to be known by all the world," goes on
the irate Bella. "Who run may read the rouge and veloutine that cover
her face. And as for her lids, they are so blackened that they are
positively _dirty_! Yet she pretends she has handsome eyes and lashes!"
"But, my dear, she may well lay claim to her lashes. All the Egyptian
charcoal in the world could not make them long and curly. Nature is to
be thanked for them."
"You can defend her if you like," says Bella, hysterically, "but to my
mind her conduct is--is positively _immoral_. It is cheating the public
into the belief that she has a skin when she hasn't."
"But I'm sure she has: we can all see it," says Madam O'Connor, somewhat
bewildered by this sweeping remark.
"No, you can't. I defy you to see it, it is so covered with pastes and
washes, and everything; she uses every art you can conceive."
"Well, supposing she does, what then?" says Madam, stoutly. She is
dressed in black velvet and diamonds, and is looking twice as important
and rather more good-humored than usual. "I see nothing in it. My
grandmother always rouged,--put on patches as regularly as her gown.
Every one did it in those days, I suppose. And quite right, too. Why
shouldn't a woman make herself look as attractive as she can?"
"But the barefaced fashion in which she hunts down that wretched young
Ronayne," says Mrs. Fitzgerald, "is dreadful! You can't defend that,
Gertrude. I quite pity the poor lad,--drawn thus, _against his will_,
into the toils of an enchantress." Mrs. Fitzgerald pauses after this
ornate and strictly original speech, as if overcome by her own
eloquence. "I think he should be warned," she goes on presently. "A
woman like that should not be permitted to entrap a mere boy into a
marriage he will regret all his life afterwards, by means of abominable
coquetries and painted cheeks and eyes. It is horrible!"
"I never thought you were such a fool, Edith," says Madam O'Connor, with
the greatest sweetness.
"You may think as you will, Gertrude," responds Mrs. Fitzgerald, with
her faded air of juvenility sadly lost in her agitation, and shaking her
head nervously, as though afflicted with a sudden touch of palsy that
accords dismally with her youthful attire. "But I shall cling to my own
opinions. And I utterly disapprove of Mrs. Bohun."
"For me," says Bella, vindictively, "I believe her capable of
_anything_. I can't bear those women who laugh at nothing, and powder
themselves every half-hour."
"You shouldn't throw stones, Bella," says honest Madam O'Connor, now
nearly at the end of her patience. "Your glass house will be shivered if
you do. Before I took to censuring other people I'd look in a mirror, if
I were you."
"I don't understand you," says Miss Fitzgerald, turning rather pale.
"That's because you won't look in a mirror. Why, there's enough powder
on your right ear to whiten a Moor!"
"I never----" begins Bella, in a stricken tone; but Madam O'Connor stops
her.
"Nonsense! sure I'm looking at it," she says.
This hanging evidence is not to be confuted. For a moment the fair Bella
feels crushed; then she rallies nobly, and, after withering her
terrified mother with a glance, sweeps from the room, followed at a
respectful distance by Mrs. Fitzgerald, and quite closely by Madam, who
declines to see she has given offence in any way.
As they go, Mrs. Fitzgerald keeps up a gentle twitter, in the hope of
propitiating the wrathful goddess on before.
"Yes, yes, I still think young Ronayne should be warned; she is very
designing, very, and he is very soft-hearted." She had believed in young
Ronayne at one time, and had brought herself to look upon him as a
possible son-in-law, until this terrible Mrs. Bohun had cast a glamour
over him. "Yes, yes, one feels it quite one's duty to let him know how
she gets herself up. His eyes should be opened to the rouge and the
Egyptian eye-stuff."
While she is mumbling all this, they come into a square landing, off
which two rooms open. Both are brilliantly lighted and have been turned
into cosey boudoirs for the occasion.
In one of them, only half concealed by a looped curtain from those
without, stand two figures, Olga Bohun and the "poor lad" who is to have
his eyes opened.
They are as wide open at present as any one can desire, and are staring
thoughtfully at the wily widow, who is gazing back just as earnestly
into them. Both he and Olga are standing very close together beneath the
chandelier, and seem to be scanning each other's features with the
keenest scrutiny.
So remarkable is their demeanor, that not only Bella but her mother and
Madam O'Connor refrain from further motion, to gaze at them with growing
curiosity.
There is nothing sentimental about their attitude; far from it; nothing
even vaguely suggestive of tenderness. There is only an unmistakable
anxiety that deepens every instant.
"You are sure?" says Olga, solemnly. "Certain? Don't decide in a hurry.
Look again."
He looks again.
"Well, _perhaps_! A _very_ little less would be sufficient," he says,
with hesitation, standing back to examine her countenance more safely.
"There! see how careless you can be," says Olga, reproachfully. "Now,
take it off with this, but lightly, _very_ lightly."
As she speaks, she hands him her handkerchief, and, to the consternation
of the three watchers outside, he takes it, and with the gentlest touch
rubs her cheeks with it, first the one, and then the other.
When he had finished this performance, both he and she stared at the
handkerchief meditatively.
"I doubt you have taken it _all_ off," she says, plaintively. "I
couldn't have put more than that on, and surely the handkerchief has no
need of a complexion; whilst I----It must be all gone now, and I was
whiter than this bit of cambric when I put it on. Had I better run up to
my room again, or----"
"Oh, no. You are all right; indeed you are. I'd say so at once if you
weren't," says Ronayne, reassuringly. "You are looking as lovely as a
dream."
"And my eyes?"
"Are beautifully done. No one on earth could find you out," says Ulic,
comfortably; after which they both laugh merrily, and, quitting the
impromptu boudoir, go down to the ballroom.
Mrs. Fitzgerald shows a faint disposition to sob, as they pass out of
sight. Madam O'Connor is consumed with laughter.
"I don't think I should trouble myself to open 'that poor young
Ronayne's' eyes, if I were you, Edith," she says, with tears of
suppressed amusement in her eyes.
"He is lost!" says Mrs. Fitzgerald, with a groan; but whether she means
to Bella or to decency never transpires.