When she had driven away, I found myself beside a lame old man, with

whiskers, and delightful eyes, who continued to smile after the carriage

had quite vanished. Noticing, perhaps, that I, too, was smiling, he

said: "'Tes a funny thing, tu, when a maid like that gets married--makes

you go all of a tremble--so it du." And to my nod he added: "Brave bit

o' sunshine--we'll miss her hereabout; not a doubt of it. We ain't got

another one like that."

"Was that her father?" I asked, for the want of something to say. With a

sharpish look at my face, he shook his head.

"No, she an't got no parents, Mr. Mara bein' her uncle, as you may say.

No, she an't got no parents," he repeated, and there was something ill

at ease, yet juicy, about his voice, as though he knew things that he

would not tell.

Since there was nothing more to wait for, I went up to the little inn,

and ordered bread and cheese. The male congregation was whetting its

whistle noisily within, but, as a stranger, I had the verandah to

myself, and, finishing my simple lunch in the March sunlight, I paid and

started on. Taking at random one of the three lanes that debouched from

the bottom of the green, I meandered on between high banks, happy in the

consciousness of not knowing at all where it would lead me--that

essential of a country ramble. Except one cottage in a bottom and one

farm on a rise, I passed nothing, nobody. The spring was late in these

parts, the buds had hardly formed as yet on any trees, and now and then

between the bursts of sunlight a few fine specks of snow would come

drifting past me on the wind. Close to a group of pines at a high

corner, the lane dipped sharply down to a long farm-house standing back

in its yard, where three carts were drawn up, and an empty waggonette

with its shafts in the air. And suddenly, by some broken daffodils on

the seats and confetti on the ground, I perceived that I had stumbled on

the bride's home, where the wedding feast was, no doubt, in progress.

Gratifying but by no means satisfying my curiosity by gazing at the

lichened stone and thatch of the old house, at the pigeons, pigs, and

hens at large between it and the barns, I passed on down the lane, which

turned up steeply to the right beside a little stream. To my left was a

long larch wood, to my right rough fields with many trees. The lane

finished at a gate below the steep moorside crowned by a rocky tor. I

stood there leaning on the top bar, debating whether I should ascend or

no. The bracken had, most of it, been cut in the autumn, and not a

hundred yards away the furze was being swaled; the little blood-red

flames and the blue smoke, the yellow blossoms of the gorse, the

sunlight, and some flecks of drifting snow were mingled in an amazing

tangle of colour.

I had made up my mind to ascend the tor, and was pushing through the

gate, when suddenly I saw a woman sitting on a stone under the wall

bordering the larch wood. She was holding her head in her hands, rocking

her body to and fro; and her eyes were evidently shut, for she had not

noticed me. She wore a blue serge dress; her hat reposed beside her, and

her dark hair was straggling about her face. That face, all blowsy and

flushed, was at once wild and stupefied. A face which has been

beautiful, coarsened and swollen by life and strong emotion, is a

pitiful enough sight. Her dress, hat, and the way her hair had been done

were redolent of the town, and of that unnameable something which clings

to women whose business it is to attract men. And yet there was a

gipsyish look about her, as though she had not always been of the town.

The sight of a woman's unrestrained distress in the very heart of

untouched nature is so rare that one must be peculiar to remain unmoved.

And there I stood, not knowing what on earth to do. She went on rocking

herself to and fro, her stays creaking, and a faint moaning sound coming

from her lips; and suddenly she drooped over her lap, her hands fallen

to her sides, as though she had gone into a kind of coma. How go on and

leave her thus; yet how intrude on what did not seem to me mere physical

suffering?

In that quandary I stood and watched. This corner was quite sheltered

from the wind, the sun almost hot, and the breath of the swaling reached

one in the momentary calms. For three full minutes she had not moved a

finger; till, beginning to think she had really fainted, I went up to

her. From her drooped body came a scent of heat, and of stale violet

powder, and I could see, though the east wind had outraddled them,

traces of rouge on her cheeks and lips; their surface had a sort of

swollen defiance, but underneath, as it were, a wasted look. Her

breathing sounded faint and broken.

Mustering courage, I touched her on the arm. She raised her head and

looked up. Her eyes were the best things she had left; they must have

once been very beautiful. Bloodshot now from the wind, their wild,

stupefied look passed after a moment into the peculiar, half-bold,

half-furtive stare of women of a certain sort. She did not speak, and in

my embarrassment I drew out the flask of port I always take with me on

my rambles, and stammered:

"I beg your pardon--are you feeling faint? Would you care--?" And,

unscrewing the top, I held out the flask. She stared at it a moment

blankly, then taking it, said:

"That's kind of you. I feel to want it, tu." And, putting it to her

lips, she drank, tilting back her head. Perhaps it was the tell-tale

softness of her u's, perhaps the naturally strong lines of her figure

thus bent back, but somehow the plumage of the town bird seemed to drop

off her suddenly.

She handed back the flask, as empty as it had ever been, and said, with

a hard smile:

"I dare say you thought me funny sittin' 'ere like that."

"I thought you were ill."

She laughed without the faintest mirth, and muttered:

"I did go on, didn't I?" Then, almost fiercely, added: "I got some

reason, too. Seein' the old place again after all these years." Her dark

eyes, which the wine seemed to have cleared and boldened, swept me up

and down, taking me in, making sure perhaps whether or no she had ever

seen me, and what sort of a brute I might be. Then she said: "I was born

here. Are you from these parts?" I shook my head--"No, from the other

side of the county."

She laughed. Then, after a moment's silence, said abruptly:

"I been to a weddin'--first I've seen since I was a girl."

Some instinct kept me silent.

"My own daughter's weddin', but nobody didn't know me--not likely."

I had dropped down under the shelter of the wall on to a stone opposite,

and at those words looked at her with interest indeed. She--this

coarsened, wasted, suspiciously scented woman of the town--the mother of

that sweet, sunny child I had just seen married. And again instinctively

silent about my own presence at the wedding, I murmured:

"I thought I saw some confetti in that farmyard as I came up the lane."

She laughed again.

"Confetti--that's the little pink and white and blue things--plenty o'

that," and she added fiercely: "My own brother didn' know me--let alone

my girl. How should she?--I haven't seen her since she was a baby--she

was a laughin' little thing," and she gazed past me with that look in

the eyes as of people who are staring back into the bygone. "I guess we

was laughin' when we got her. 'Twas just here--summer-time. I 'ad the

moon in my blood that night, right enough." Then, turning her eyes on my

face, she added: "That's what a girl _will_ 'ave, you know, once in a

while, and like as not it'll du for her. Only thirty-five now, I am, an'

pretty nigh the end o' my tether. What can you expect?--I'm a gay woman.

Did for me right enough. Her father's dead, tu."

"Do you mean," I said, "because of your child?"

She nodded. "I suppose you can say that. They made me bring an order

against him. He wouldn't pay up, so he went and enlisted, an' in tu

years 'e was dead in the Boer War--so it killed him right enough. But

there she is, a sweet sprig if ever there was one. That's a strange

thing, isn't it?" And she stared straight before her in a sudden

silence. Nor could _I_ find anything to say, slowly taking in the

strangeness of this thing. That girl, so like a sunbeam, of whom the

people talked as though she were a blessing in their lives--her coming

into life to have been the ruin of the two who gave her being!

The woman went on dully: "Funny how I knew she was goin' to be

married--'twas a farmer told me--comes to me regular when he goes to

Exeter market. I always knew he came from near my old home. 'There's a

weddin' on Tuesday,' 'e says, 'I'd like to be the bridegroom at.

Prettiest, sunniest maid you ever saw'; an' he told me where she come

from, so I knew. He found me a bit funny that afternoon. But he don't

know who I am, though he used to go to school with me; I'd never tell,

not for worlds." She shook her head vehemently. "I don't know why I told

you; I'm not meself to-day, and that's a fact." At her half-suspicious,

half-appealing look, I said quickly:

"I don't know a soul about here. It's all right."

She sighed. "It was kind of you; and I feel to want to talk sometimes.

Well, after he was gone, I said to myself: 'I'll take a holiday and go

an' see my daughter married.'" She laughed--"I never had no pink and

white and blue little things myself. That was all done up for me that

night I had the moon in me blood. Ah! my father was a proper hard man.

'Twas bad enough before I had my baby; but after, when I couldn't get

the father to marry me, an' he cut an' run, proper life they led me, him

and stepmother. Cry! Didn' I cry--I was a soft-hearted thing--never went

to sleep with me eyes dry--never. 'Tis a cruel thing to make a young

girl cry."

I said quietly: "Did you run away, then?"

She nodded. "Bravest thing I ever did. Nearly broke my 'eart to leave my

baby; but 'twas that or drownin' myself. I was soft then. I went off

with a young fellow--bookmaker that used to come over to the sports

meetin', wild about me--but he never married me"--again she uttered her

hard laugh--"knew a thing worth tu o' that." Lifting her hand towards

the burning furze, she added: "I used to come up here an' help 'em

light that when I was a little girl." And suddenly she began to cry. It

was not so painful and alarming as her first distress, for it seemed

natural now.

At the side of the cart-track by the gate was an old boot thrown away,

and it served me for something to keep my eyes engaged. The dilapidated

black object among the stones and wild plants on that day of strange

mixed beauty was as incongruous as this unhappy woman herself revisiting

her youth. And there shot into my mind a vision of this spot as it might

have been that summer night when she had "the moon in her blood"--queer

phrase--and those two young creatures in the tall soft fern, in the

warmth and the darkened loneliness, had yielded to the impulse in their

blood. A brisk fluttering of snowflakes began falling from the sky still

blue, drifting away over our heads towards the blood-red flames and

smoke. They powdered the woman's hair and shoulders, and with a sob and

a laugh she held up her hand and began catching them as a child might.

"'Tis a funny day for my girl's weddin'," she said. Then with a sort of

fierceness added: "She'll never know her mother--she's in luck there,

tu!" And, grabbing her feathered hat from the ground, she got up. "I

must be gettin' back for my train, else I'll be late for an

appointment."

When she had put her hat on, rubbed her face, dusted and smoothed her

dress, she stood looking at the burning furze. Restored to her town

plumage, to her wonted bravado, she was more than ever like that old

discarded boot, incongruous.

"I'm a fool ever to have come," she said; "only upset me--and you don't

want no more upsettin' than you get, that's certain. Good-bye, and thank

you for the drink--it lusened my tongue praaper, didn't it?" She gave me

a look--not as a professional--but a human, puzzled look. "I told you my

baby was a laughin' little thing. I'm glad she's still like that. I'm

glad I've seen her." Her lips quivered for a second; then, with a faked

jauntiness, she nodded. "So long!" and passed through the gate down into

the lane.

I sat there in the snow and sunlight some minutes after she was gone.

Then, getting up, I went and stood by the burning furze. The blowing

flames and the blue smoke were alive and beautiful; but behind them they

were leaving blackened skeleton twigs.

"Yes," I thought, "but in a week or two the little green grass-shoots

will be pushing up underneath into the sun. So the world goes! Out of

destruction! It's a strange thing!"

1916.

V

TWO LOOKS

The old Director of the 'Yew Trees' Cemetery walked slowly across from

his house, to see that all was ready.

He had seen pass into the square of earth committed to his charge so

many to whom he had been in the habit of nodding, so many whose faces

even he had not known. To him it was the everyday event; yet this

funeral, one more in the countless tale, disturbed him--a sharp reminder

of the passage of time.

For twenty years had gone by since the death of Septimus Godwin, the

cynical, romantic doctor who had been his greatest friend; by whose

cleverness all had sworn, of whose powers of fascination all had

gossiped! And now they were burying his son!

He had not seen the widow since, for she had left the town at once; but

he recollected her distinctly, a tall, dark woman with bright brown

eyes, much younger than her husband, and only married to him eighteen

months before he died. He remembered her slim figure standing by the

grave, at that long-past funeral, and the look on her face which had

puzzled him so terribly--a look of--a most peculiar look!

He thought of it even now, walking along the narrow path towards his old

friend's grave--the handsomest in the cemetery, commanding from the

topmost point the whitened slope and river that lay beyond. He came to

its little private garden. Spring flowers were blossoming; the railings

had been freshly painted; and by the door of the grave wreaths awaited

the new arrival. All was in order.

The old Director opened the mausoleum with his key. Below, seen through

a thick glass floor, lay the shining coffin of the father; beneath, on

the lower tier, would rest the coffin of the son.

A gentle voice, close behind him, said:

"Can you tell me, sir, what they are doing to my old doctor's grave?"

The old Director turned, and saw before him a lady well past middle age.

He did not know her face, but it was pleasant, with faded rose-leaf

cheeks, and silvered hair under a shady hat.

"Madam, there is a funeral here this afternoon."

"Ah! Can it be his wife?"

"Madam, his son; a young man of only twenty."

"His son! At what time did you say?"

"At two o'clock."

"Thank you; you are very kind."

With uplifted hat, he watched her walk away. It worried him to see a

face he did not know.

All went off beautifully; but, dining that same evening with his friend,

a certain doctor, the old Director asked:

"Did you see a lady with grey hair hovering about this afternoon?"

The doctor, a tall man, with a beard still yellow, drew his guest's

chair nearer to the fire.

"I did."

"Did you remark her face? A very odd expression--a sort of--what shall I

call it?--Very odd indeed! Who is she? I saw her at the grave this

morning."

The doctor shook his head.

"Not so very odd, I think."

"Come! What do you mean by that?"

The doctor hesitated. Then, taking the decanter, he filled his old

friend's glass, and answered:

"Well, sir, you were Godwin's greatest chum--I will tell you, if you

like, the story of his death. You were away at the time, if you

remember."

"It is safe with me," said the old Director.

"Septimus Godwin," began the doctor slowly, "died on a Thursday about

three o'clock, and I was only called in to see him at two. I found him

far gone, but conscious now and then. It was a case of--but you know the

details, so I needn't go into that. His wife was in the room, and on the

bed at his feet lay his pet dog--a terrier; you may recollect, perhaps,

he had a special breed. I hadn't been there ten minutes, when a maid

came in and whispered something to her mistress. Mrs. Godwin answered

angrily, 'See him? Go down and say she ought to know better than to come

here at such a time!' The maid went, but soon came back. Could the lady

see Mrs. Godwin for just a moment? Mrs. Godwin answered that she could

not leave her husband. The maid looked frightened, and went away again.

She came back for the third time. The lady had said she must see Dr.

Godwin; it was a matter of life and death! 'Death--indeed!' exclaimed

Mrs. Godwin: 'Shameful! Go down and tell her, if she doesn't go

immediately, I will send for the police!'

"The poor maid looked at me. I offered to go down and see the visitor

myself. I found her in the dining room, and knew her at once. Never mind

her name, but she belongs to a county family not a hundred miles from

here. A beautiful woman she was then; but her face that day was quite

distorted.

"'For God's sake, Doctor,' she said, 'is there any hope?'

"I was obliged to tell her there was none.

"'Then I must see him,' she said.

"I begged her to consider what she was asking. But she held me out a

signet ring. Just like Godwin--wasn't it--that sort of Byronism, eh?

"'He sent me this,' she said, 'an hour ago. It was agreed between us

that if ever he sent that, I must come. If it were only myself I could

bear it--a woman can bear anything; but he'll die thinking I wouldn't

come, thinking I didn't care--and I would give my life for him this

minute!'

"Now, a dying man's request is sacred. I told her she should see him. I

made her follow me upstairs, and wait outside his room. I promised to

let her know if he recovered consciousness. I have never been thanked

like that, before or since.

"I went back into the bedroom. He was still unconscious, and the terrier

whining. In the next room a child was crying--the very same young man we

buried to-day. Mrs. Godwin was still standing by the bed.

"'Have you sent her away?'

"I had to say that Godwin really wished to see her. At that she broke

out:

"'I won't have her here--the wretch!'

"I begged her to control herself, and remember that her husband was a

dying man.

"'But I'm his wife,' she said, and flew out of the room."

The doctor paused, staring at the fire. He shrugged his shoulders, and

went on: "I'd have stopped her fury if I could! A dying man is not the

same as the live animal, that he must needs be wrangled over! And

suffering's sacred, even to us doctors. I could hear their voices

outside. Heaven knows what they said to each other. And there lay Godwin

with his white face and his black hair--deathly still--fine-looking

fellow he always was! Then I saw that he was coming to! The women had

begun again outside--first, the wife, sharp and scornful; then the

other, hushed and slow. I saw Godwin lift his finger and point it at the

door. I went out, and said to the woman, 'Dr. Godwin wishes to see you;

please control yourself.'

"We went back into the room. The wife followed. But Godwin had lost

consciousness again. They sat down, those two, and hid their faces. I

can see them now, one on each side of the bed, their eyes covered with

their hands, each with her claim on him, all murdered by the other's

presence; each with her torn love. H'm! What they must have suffered,

then! And all the time the child crying--the child of one of them, that

might have been the other's!"

The doctor was silent, and the old Director turned towards him his

white-bearded, ruddy face, with a look as if he were groping in the

dark.

"Just then, I remember," the doctor went on suddenly, "the bells of St.

Jude's close by began to peal out for the finish of a wedding. That

brought Godwin back to life. He just looked from one woman to the other

with a queer, miserable sort of smile, enough to make your heart break.

And they both looked at him. The face of the wife--poor thing!--was as

bitter hard as a cut stone, but she sat there, without ever stirring a

finger. As for the other woman--I couldn't look at her. He beckoned to

me; but I couldn't catch his words, the bells drowned them. A minute

later he was dead.

"Life's a funny thing! You wake in the morning with your foot firm on

the ladder--One touch, and down you go! You snuff out like a candle. And

it's lucky when your flame goes out, if only one woman's flame goes out

too.

"Neither of those women cried. The wife stayed there by the bed. I got

the other one away to her carriage, down the street.--And so she was

there to-day! That explains, I think, the look you saw."

The doctor ceased, and in the silence the old Director nodded. Yes! That

explained the look he had seen on the face of that unknown woman, the

deep, unseizable, weird look. That explained the look he had seen on the

wife's face at the funeral twenty years ago!

And peering wistfully, he said:

"They looked--they looked--almost triumphant!"

Then, slowly, he rubbed his hands over his knees, with the secret

craving of the old for warmth.

1914.

VI

FAIRYLAND

It was about three o'clock, this November afternoon, when I rode down

into "Fairyland," as it is called about here. The birch-trees there are

more beautiful than any in the world; and when the clouds are streaming

over in rain-grey, and the sky soaring above in higher blue, just-seen,

those gold and silver creatures have such magical loveliness as makes

the hearts of mortals ache. The fairies, who have been driven off the

moor, alone watch them with equanimity, if they be not indeed the

birch-trees themselves--especially those little very golden ones which

have strayed out into the heather, on the far side of the glen.

"Revenge!" the fairies cried when a century ago those, whom they do not

exist just to amuse, made the new road over the moor, cutting right

through the home of twilight, that wood above the "Falls," where till

then they had always enjoyed inviolable enchantment. They trooped

forthwith in their multitudinous secrecy down into the glen, to swarm

about the old road. In half a century or so they had it almost

abandoned, save for occasional horsemen and harmless persons seeking

beauty, for whom the fairies have never had much feeling of aversion.

And now, after a hundred years, it is all theirs; the ground so golden

with leaves and bracken that the old track is nothing but a vague

hardness beneath a horse's feet, nothing but a runnel for the rains to

gather in. There is everywhere that glen scent of mouldering leaves, so

sweet when the wind comes down and stirs it, and the sun frees and

livens it. Not very many birds, perhaps because hawks are fond of

hovering here. This was once the only road up to the village, the only

communication with all that lies to the south and east! Now the fairies

have got it indeed, they have witched to skeletons all the little

bridges across the glen stream; they have mossed and thinned the gates

to wraiths. With their dapple-gold revelry in sunlight, and their dance

of pied beauty under the moon, they have made all their own.

I have ridden many times down into this glen; and slowly up among the

beeches and oaks into the lanes again, hoping and believing that, some

day, I should see a fairy take shape to my thick mortal vision; and

to-day, at last, I have seen.

I heard it first about half-way up the wood, a silvery voice piping out

very true what seemed like mortal words, not quite to be caught.

Resolved not to miss it this time, I got off quietly and tied my mare

to a tree. Then, tiptoeing in the damp leaves which did not rustle, I

stole up till I caught sight of it, from behind an oak.

It was sitting in yellow bracken as high as its head, under a birch-tree

that had a few branches still gold-feathered. It seemed to be clothed in

blue, and to be swaying as it sang. There was something in its arms, as

it might be a creature being nursed. Cautiously I slipped from that tree

to the next, till I could see its face, just like a child's,

fascinating, very, very delicate, the little open mouth poised and

shaped ever so neatly to the words it was singing; the eyes wide apart

and ever so wide open, fixed on nothing mortal. The song, and the little

body, and the spirit in the eyes, all seemed to sway--sway together,

like a soft wind that goes sough-sough, swinging, in the tops of the

ferns. And now it stretched out one arm, and now the other, beckoning in

to it those to which it was singing; so that one seemed to feel the

invisible ones stealing up closer and closer.

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