CHAPTER II

SITUATED in the heart of the farming section of the State, with its

fertile soil, its equable climate, its forests of pine trees,

Central City was one of the flourishing towns of South Georgia. Its

population was between eight and ten thousand, of which some four

thousand were Negroes. The wealth and prosperity of the town

depended not so much on the town itself as it did on the farmers of

the fertile lands surrounding it. To Central City they came on

Saturday afternoons to sell their cotton, their corn, their hogs and

cows, and to buy in turn sugar, cloth, coffee, farming-implements,

shoes, and amusement. It was divided into four nearly equal sections

by the intersection of the tracks of the Central of Georgia Railroad

and of the Georgia, Southern and Florida Railway. Drowsy, indolent

during the first six days of the week, Central City awoke on

Saturday morning for "goin't town" day with its bustle and

excitement and lively trade. Then the broad dustiness of Lee Street

was disturbed by the Fords and muddied wagons of farmers, white and

black. In the wagons were usually splint-bottom chairs or boards

stretched from side to side, occupied by scrawny, lanky "po' whites"

with a swarm of children to match, clad in single-piece garments,

once red in colour and now, through many washings with lye soap, an

indeterminate reddish brown. Or, if the driver was a Negro, he

generally was surrounded by just as many little black offspring,

clad also in greyish or reddish-brown garments, and scrambling over

the farm products being brought to town for sale or exchange for the

simple and few store products needed. And beside him the usually

buxom, ample-bodied wife, clad in her finest and most gaudy clothing

to celebrate the trip to town looked forward to eagerly all the

week.

Crowded were the streets with vehicles and the sidewalks with the

jostling, laughing, loudly talking throng of humans. After the

noonday whistle had blown signalling release to the hordes of whites

working in the cotton mill over beyond the tracks, the crowd was

augmented considerably, the new-comers made up of those who had

deserted the country districts, discouraged by the hard life of

farming, by rainy and unprofitable seasons, by the ravages of the

boll weevil and of landlords, both working dire distress on poor

white and black alike. Discouraged, they had come to "the city" to

work at small wages in the cotton mill.

All the trading done on these days did not take place over the

counters of the stores that lined Lee Street. In the dirty little

alleyways from off the main street, men with furtive eyes but bold

ways dispensed synthetic gin, "real" rye whisky, and more often

"white mule," as the moonshine corn whisky is called. Bottles were

tilted and held to the mouth a long time and later the scene would

be enlivened by furious but shortlived fights. Guns, knives, all

sorts of weapons appeared with miraculous speed—the quarrel was

settled, the wounded or killed removed, and the throng forgot the

incident in some new joyous and usually commonplace or sordid

adventure.

When darkness began to approach, the wagons and Fords, loaded with

merchandise for the next week, and with the children clutching

sticky and brightly coloured candies, began to rumble countrywards,

and Central City by nightfall had resumed its sleepy, indolent, and

deserted manner.

From the corner where Oglethorpe Avenue crossed Lee Street and where

stood the monument to the Confederate Dead, the business section

extended up Lee Street for three blocks. Here the street was

dignified with a narrow "park," some twenty feet in width, which ran

the length of the business thoroughfare. Over beyond the monument

lay the section of Central City where lived the more well-to-do of

its white inhabitants. Georgia Avenue was here the realm of the

socially elect. Shaded by elms, it numbered several more or less

pretentious homes of two stories, some of brick, the majority of

frame structure. Here were the homes of Roy Ewing, president of the

local Chamber of Commerce and owner of Ewing's General Merchandise

Emporium; of George Baird, president of the Bank of Central City; of

Fred Griswold, occupying the same relation to Central City's other

bank, the Smith County Farmers' Bank; of Ralph Minor, owner and

manager of the Bon Ton Store.

Here too were the wives of these men, busying themselves with their

household duties and the minor social life of the community. In the

morning they attended to the many details of housekeeping; in the

afternoon and early evening they sat on their front porches or

visited neighbours or went for a ride. Placid, uneventful, stupid

lives they led with no other interests than the petty affairs of a

small and unprogressive town.

The young girls of Central City usually in the afternoon dressed in

all their small-town finery and strolled down to Odell's Drug Store

where the young men congregated. Having consumed a frothy soda or a

gummy, sweetish sundae, they went to the Idle Hour Moving Picture

Palace to worship at the celluloid shrine of a favourite film actor,

usually of the highly romantic type. Then the stroll homewards,

always past the Central City Hotel, a two-storied frame structure

located at the corner of Lee Street and Oglethorpe Avenue opposite

the Confederate monument. In front were arm-chairs, occupied in warm

weather, which was nearly all the year round, by travelling salesmen

or other transients. Often a sidelong glance and a fleeting,

would-be-coy smile would cause one of the chair-occupants to rise as

casually as he could feign, yawn and stretch, and with affected

nonchalance stroll down Lee Street in the wake of the smiling one. …

At the other end of Lee Street from the residential section of the

well-to-do whites, past the business section of that main artery of

the town, lay that portion known generally as "Darktown." Fringing

it were several better-than-the-average homes, neat, well painted,

comfortable-looking, fronted with smooth lawns and tidy, colourful

flower-beds. It was one of these at the corner of Lee and State

Streets that the Harpers owned and occupied.

After crossing State Street, an abrupt descent was taken by Lee

Street. Here lived in squalor and filth and abject poverty the

poorer class of Negroes. The streets were winding, unpaved lanes,

veritable seas and rivers of sticky, gummy, discouraging mud in

rainy weather, into which the wheels of vehicles sank to their hubs

if the drivers of those conveyances were indiscreet enough to drive

through them. In summer these eddying wallows of muck and filth and

mud dry up and are transformed into swirling storms of germ-laden

dust when a vagrant wind sweeps over them or a vehicle drives

through them, choking the throats of unlucky passers-by, and, to the

despair of the dusky housewives, flying through open windows. The

houses that bordered these roads were for the most part of three and

four rooms, the exteriors unpainted or whitewashed, the interiors

gloomy and smelly. But few of them had sanitary arrangements, and at

the end of the little patch of ground that was back of each of them,

in which a few discouraged vegetables strove to push their heads

above the ground, there stood another unpainted structure, small,

known as "the privy." In front there was nearly always some attempt

at flower-cultivation, the tiny beds bordered with bottles, shells,

and bits of brightly coloured glass. The ugliness of the houses in

many instances was hidden in summer-time by vines and rambler roses

that covered the porches and sometimes the fronts of the houses.

Around these houses, in the streets, everywhere, there played a

seemingly innumerable horde of black and brown and yellow children,

noisy, quarrelsome, clad usually in one-piece dresses of the same

indeterminate shade of grey or red or brown that was seen on the

country children on Saturday. In front of many of the houses, there

sat on sunny days an old and bent man or ancient woman puffing the

omnipresent corn-cob pipe. …

A half-mile westward from "Darktown," and separated from it by the

Central of Georgia Railroad tracks, stood the Central City Cotton

Spinning-Mill. Clustered around its ugly red-brick walls stood

dwellings that differed but little from those of "Darktown." Here

were the same dingy, small, unsanitary, unbeautiful, and unpainted

dwellings. Here were the same muddy or dusty unpaved streets. Here

were the same squalor and poverty and filth and abject ignorance.

There were but few superficial or recognizable differences. One was

that the children wore, instead of the brown plumpness of the Negro

children, a pale, emaciated, consumptive air because of the long

hours in the lint-laden confines of the mills. The men were long,

stooped, cadaverous-appearing. The women were sallow, unattractive,

sad-looking, each usually with the end of a snuff-stick protruding

from her mouth. The children, when they played at all, did so in

listless, wearied, uninterested, and apathetic fashion. The houses

looked even more gaunt and bare than those in the quarter which

housed the poorer Negroes, for the tiny patches of ground that

fronted the houses here in "Factoryville" were but seldom planted

with flowers. More often it was trampled down until it became a

hard, red-clay, sunbaked expanse on which the children, and dogs as

emaciated and forlorn, sometimes played.

Here there was but one strong conviction, but one firm rock of faith

to which they clung—the inherent and carefully nurtured hatred of

"niggers" and a belief in their own infinite superiority over their

dark-skinned neighbours. Their gods were Tom Watson and Hoke Smith

and Tom Hardwick and other demagogic politicians and office-seekers

who came to them every two or four years and harangued them on the

necessity of their upholding white civilization by re-electing them

to office. But one appeal was needed—but one was used—and that one

always successfully. Meanwhile, their children left school and

entered the mill to work the few years that such a life gave them.

And, in the meantime, the black children they hated so-deprived by

prejudice from working in the mills, and pushed forward by often

illiterate but always ambitious black parents—went to school. …

This, in brief, was the Central City to which Kenneth had returned.

A typical Southern town—reasonably rich as wealth is measured in

that part of Georgia—rich in money and lands and cot—amazingly

ignorant in the finer things of life. Noisy, unreflective, their

wants but few and those easily satisfied. The men, self-made, with

all that that distinctly American term implies. The women concerned

only with their petty household affairs and more petty gossip and

social intercourse. But, beyond these, life was and is a closed

book. Or, more, a book that never was written or printed.

The companionship and inspiration of books was unknown. Music, even

with the omnipresent Victrola, meant only the latest bit of cheap

jazz or a Yiddish or Negro dialect song. Art, in its many forms was

considered solely for decadent, effete "furriners." Hostility would

have met the woman of the town's upper class who attempted to

exhibit any knowledge of art. Her friends would have felt that she

was trying "to put something over on them." As for any man of the

town, at best he would have been considered a "little queer in the

head," at the worst suspected of moral turpitude or perversion. But

two releases from the commonplace, monotonous life were left. The

first, liquor. Bootlegging throve. The woods around Central City

were infested with "moonshine" stills that seldom were still. The

initiated drove out to certain lonely spots, deposited under

well-known trees a jug or other container with a banknote stuck in

its mouth. One then gave a certain whistle and walked away. Soon

there would come an answering signal. One went back to the tree and

found the money gone but the container filled with a colourless or

pale-yellow liquid. … Or, the more affluent had it brought to them

in town hidden under wagon-loads of fodder or cotton.

The other and even more popular outlet of unfulfilled and suppressed

emotions was sex. Central City boasted it had no red-light district

like Macon and Savannah and Atlanta. That was true. All over the

town were protected domiciles housing slatternly women. To them went

by circuitous routes the merchants whose stores were on Lee Street.

To them went the gangs from the turpentine camps on their periodic

pilgrimages to town on pay-day. And a traveller on any of the roads

leading from the town could see, on warm evenings, automobiles

standing with engines stilled and lights dimmed on the side of the

road. Down on Harris and Butler Streets in "Darktown" were other

houses. Here were coloured women who seemed never to have to work.

Here was seldom seen a coloured man. And the children around these

houses were usually lighter in colour than in other parts of

"Darktown."

Negro fathers and mothers of comely daughters never allowed them to

go out unaccompanied after dark. There were too many dangers from

men of their own race. And even greater ones from men of the other

race. There had been too many disastrous consequences from

relaxation of vigil by certain bowed and heart-broken coloured

parents. And they had no redress at law. The laws of the State

against intermarriage saw to it that there should be none. Central

City inhabitants knew all these things. But familiarity with them

had bred the belief that they did not exist—that is, they were

thought a natural part of the town's armament against scandal. One

soon grew used to them and forgot them. The town was no worse than

any other—far better than most.

It was a rude shock to Kenneth when he began to see these things

through an entirely different pair of eyes than those with which he

had viewed them before he left Central City for the North. The

sordidness, the blatant vulgarity, the viciousness of it

all—especially the houses on Butler and Harris Streets—appalled and

sickened him. Even more was he disgusted by the complacent

acceptance of the whole miserable business by white and black alike.

On two or three occasions he tentatively mentioned it to a few of

those he had known intimately years before. Some of them laughed

indulgently—others cautioned him to leave it alone. Finding no

response, he shrugged his shoulders and dismissed the whole affair

from his mind. "It was here long before I was born," he said to

himself philosophically, "it'll probably be here long after I'm

dead, and the best thing for me to do is to stick to my own business

and let other people's morals alone."

The fire in the flint · 第 2 / 23 章