A NEW CONJURING COMPANY.

A report of so extraordinary a nature has just reached us, that we hasten

to be the first, as usual, to lay the outlines of it before our readers,

with the same early authenticity that has characterised all our other

communications. Mr. Yates is at present in Paris, arranging matters with

Louis Philippe and his family, to appear at the Adelphi during the ensuing

season!!

It would appear that the mania for great people wishing to strut and fret

their four hours and a quarter upon the stage is on the increase--at least

according to our friends the constituent members of the daily press.

Despite the newspaper-death of the manager of the Surrey, by which his

enemies wished to "_spargere voces in vulgum ambiguas_" to his prejudice

(which means, in plain English, to tell lies of him behind his back), we

have seen the report contradicted, that Mrs. Norton was about to appear

there in a new equestrian spectacle, with double platforms, triple studs

of Tartar hordes, and the other amphitheatrical enticers. We ourselves can

declare, that there is no foundation in the announcement, no more than in

the _on dit_ that the Countess of Blessington was engaged as a

counter-attraction, for a limited number of nights, at the Victoria; or

her lovely niece--a _power_ in herself--had been prevailed upon to make

her _début_ at the Lyceum, in a new piece of a peculiar and unprecedented

plot, which was prevented from coming off by some disagreement as to terms

between the principal parties concerned. For true theatrical intelligence,

our columns alone are to be relied upon; bright as a column of sparkling

water, overpowering as a column of English cavalry, overlooking all London

at once, as the column of the Monument, but _not_ so heavy as the column

of the Duke of York.

_Mais revenons à nos moutons_: which implies (we are again compelled to

translate, and this time it is for the benefit of those who have not been

to Boulogne), "we spoke of Louis Philippe and his family." This sagacious

monarch, foreseeing that the French were in want of some new excitement,

and grieving to find that the _pompe funèbre_ of Napoleon, and the

inauguration of his statue upon the monument of the victories that never

took place, had not made the intense impression upon the minds of his

vivacious subjects that he had intended it should produce, begins to

think, that before long a fresh _émeute_ will once more throw up the

barricades and paving-stones in the Rue St. Honoré and Boulevard des

Italiens. As such, with the prudent foresight which has hitherto directed

all his proceedings, he is naturally looking forward to the best means of

gaining an honest livelihood for himself and family, should a corrupted

national guard, or an excited St. Antoine mob take it into their heads to

dine in the Tuileries without being asked. Having read in the English

newspapers, which he regularly peruses, of the astounding performances of

the Wizard of the North at the Adelphi, more especially as regards the

"paralysing gun delusion," he commences to imagine that he is well

qualified to undertake the same responsibility, more especially from the

practice he has had in that line from pistols, rifles, fowling-pieces,

and, above all, twenty-barrel infernal machines. He has therefore offered

his services at the Adelphi, and Mr. Yates, with his accustomed energy,

and avowed propensity for French translations, has agreed to bring him

over. If we remember truly, the Wizard says in his programme, that the

secret shall die with him. We beg to inform him, in all humility, that he

deceives himself, for Louis Philippe and the Duke d'Aumale know the trick

as well as he does. They would ride through two lines of _sans culottes_,

all armed to the teeth, without the least injury. They would catch the

bullets in their teeth, and take them home as curiosities.

Orleans, from his knowledge of the English language, will probably become

the adapter of the pieces "from the French" about to be produced. The Duke

de Nemours will be engaged to play the fops in the light comedies, a line

which, it is anticipated, he will shine in; and the Prince de Joinville

can dance a capital sailor's hornpipe, which he learnt on board the _Belle

Poule_, a name which our own sailors, with an excusable disregard for

genders, converted into "The Jolly Cock." Of course, from his late

experience, d'Aumale will assist Louis Philippe, upon emergency, in the

gun trick, and, with the other attractions, a profitable season is sure to

result.

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Punch, or the London Charivari, Volume 1, September 25, 1841 · 第 53 / 67 题