CHAPTER XXII

Speak! Speak!

Immediately after Giorgio's talk with General Barbarulli, four

bodyguards were assigned to him. They were tall, strapping

fellows--Carlo, Pinotto, Enzio, and Nello. Their eyes followed him

wherever he went. They never let him alone. Even at night he could feel

them peering at him, boring right through him in the dark.

"Am I a dog on a leash?" he asked, trying to make a joke of it.

The young men only laughed at the trapped-animal look of him. "We

attach ourselves to you," Carlo said kindly, "to prevent rival

contradas from coming with secret offers."

"But no one will! Even the Chief-of-the-Guards tells me that. He says I

have not yet seen enough Palios."

The boys agreed. "But we must also protect you from street fights,"

Enzio explained. "We must save your hands. They are small as...."

"I know." Giorgio bit his lips, then supplied the missing words. "Small

as girl's hands!"

It was scarcely any relief to swing up on Gaudenzia and ride twice a

day in the Provas. For even then he was not free. He knew that he was

being carefully observed, his every action noticed and weighed.

Why, he asked himself, did it take two Palios to teach him all the

rules and regulations leading up to the big race? He answered himself

honestly. Turbolento and Lirio, the horses he had ridden last year, had

been little more than names to him--no, they had almost been nameless.

But Gaudenzia was a part of his very life.

So now, for the first time, he was terrified by a rule that had not

really concerned him before. According to a proclamation of the Grand

Duke in 1719, the choice of the fantinos is not made final and official

until the day of the Palio. If through Giorgio's carelessness Gaudenzia

were kicked and lamed as in last year's Prova, he could be dismissed

abruptly. He had been hired, yes, but he could still be replaced, even

on the very morning of the Palio!

Thus, tortured by uncertainty, he took great care to keep Gaudenzia

clear of the other horses, and to bring her in slowly at the finish of

each Prova.

At night, however, he and Gaudenzia knew no restraints. When the moon

rode high, he took secret delight in waking his bodyguards, who slept

on mattresses in his room.

"Wake up, or I go alone!" he told the sleepy young giants.

Grumbling, they dressed and went out with him into the night. They

pounded heavily on the locked door of the stable of Onda. It was easier

to wake Gaudenzia than the sleeping barbaresco.

"Open!" shouted Giorgio, and it was the mare's stomping and pawing that

finally woke the groom. She remembered well the routine of galloping in

the dark, and the time clock in her mind said, "Now."

The city lay asleep. In the twisty streets, small yellow flames

flickered here and there before shrines to the Virgin Mary. But in the

shell of Il Campo the moon shone clear and bold.

_This_ was the real Prova! The four young men and the barbaresco,

watching in the deep moon shadow, nearly forgot themselves in awed

excitement. They were fully awake now. They wanted to shout and cheer

at the smooth-flying gallop. Around the treacherous curves Gaudenzia

went flying as if she were suspended on pulleys. Only an occasional

spark from her hoofs showed she was earthbound.

In less than an hour they were all back in bed again. For Giorgio and

Gaudenzia, sleep was sweet after the moonlight gallop.

* * * * *

July first, the day before the Palio, turned hot, with a brassy sun.

The morning Prova took place at the hour of nine. General Barbarulli

was on hand to observe, and afterward he stopped Giorgio on the way to

the stable. He looked at Gaudenzia, but not at her head. He seemed to

see only the heel that had been hurt last year.

"She goes sound?" He clipped out the questions. "She goes true? Her

legs, are they cool after the running?"

"Si, si, General."

"The Provas are nearly over, son. Already there have been four. If all

goes well in the last two, you will be fantino for the Contrada of

the Wave, and tomorrow your name will be inscribed in the archives,

officially."

Giorgio managed an anxious nod. He waited for the General's next words.

"Thus far she has not won a single Prova." Something in the man's voice

told Giorgio that he was in no way displeased.

"Tonight," he went on, "is the banquet before the Palio. As you know,

it is the great meeting of our people. You must come and you will be

seated between Captain Tortorelli and myself. Your bodyguards will

bring you at the hour of eight. From you only a short speech will be

expected."

"A speech! Me? A speech!" Giorgio grabbed a handful of Gaudenzia's mane

as if he might topple off. The bodyguards came up then to accompany him

to the stable. His lips moved drily. "A speech I must make," he mumbled

in deep misery.

* * * * *

All that afternoon Giorgio struggled with pencil and paper. As the

result of his labors he produced only three small sentences. These he

copied neatly on a clean sheet and folded it into the breast pocket of

his good suit.

Promptly at the stated hour Pinotto, Carlo, Enzio, and Nello led him

toward the church of the Wave. He felt like a prisoner on his way to

execution, as they wound in single file through the narrow streets,

through the arch of San Guiseppe, then through the doors of the church

itself, and down the wide, winding staircase into another world deep

under the sanctuary.

Giorgio stood gaping at the splendor. The banquet hall was high-vaulted

and vast. Already many people were seated in their places at the

rows of tables, but some were still standing in clusters, deep in

conversation. With the entrance of the burly guards towering over the

slight figure of Giorgio, all faces turned in his direction.

"Look! Our fantino! He comes!"

General Barbarulli signaled the bodyguards to come to the speakers'

platform. For one frozen moment Giorgio saw the scene and remembered.

Yes! There was the long table on the raised flooring, and the snow-pure

cloth spread over it, and the serious-faced men seated on one side

only. It was like the painting of the Last Supper, the one hanging

above his mother's and father's bed. Overawed, he wanted to bolt,

wanted to hide behind his bodyguards, but they were gone! They had

stepped down from the platform and melted into the crowd.

The General and Captain Tortorelli welcomed Giorgio with cordial

handshakes. Nervously, he felt for his speech in the place where his

pocket should be, but his hand felt cotton, not wool, and he looked

down and saw he had no pocket! He remembered now he was wearing the

uniform of the Wave, the white-and-blue fantino uniform which the

contrada had sent over. His speech was still in his room, in the pocket

of his good suit hanging on the peg!

The Captain shook his hand a second time. "Do not worry," he said

encouragingly. "All good fantinos are nervous. Those who joke have a

gross heart." Then he introduced Giorgio to the vicar, the chancellor,

the captain's assistant, the steward, and all the councilors.

When the food was served, Giorgio ate, though he hardly knew what he

ate. His ears heard the stirring battle songs of defiance, of threats,

but all the while his mind was trying to recall those three little

sentences he had painstakingly written down. They were gone from him.

Gone as completely as if some other hand had formed them.

"We are all united in the warm atmosphere of this dinner. In joy and

friendship...."

"Oh, Mamma mia!" breathed Giorgio, dropping his fork with a clatter.

"The speeches, they begin!"

"We of the Wave," the General was intoning, "regard this, our

banquet hall, as our other home, our other hearth-place of Love and

Brotherhood. Many of our families have separated for the Palio, each

member having gone back to the contrada where he was born. In their

place, many of us are hosts to some kinsman or friend. So first we

greet and welcome those who are our guests."

Of one accord the _contradaioli_ applauded.

The General smiled affably. "The Palio lifts us out of the everyday

life," he continued. "We are caught up in the golden net of hope, of

ambition, of glory. In four hundred years the magnificent colors of the

Wave--blue for the billows and white for the foam--have won thirty-nine

victories! Will Gaudenzia and Giorgio make it forty?"

"Si! Si! Si!" Wild cries bounced from wall to wall.

Giorgio listened in an agony of suspense. He could feel his chest going

in and out against the place where his pocket and his speech should

have been. "Please, O Mother of Perpetual Help, let him talk on and on!

Let him forget I am here. Or maybe you could make an earthquake ... or

an eruption like Vesuvius...."

But the only eruption was a burst of applause as the General sat down

and Captain Tortorelli arose.

Giorgio closed his eyes.

Captain Tortorelli half-closed his eyes, too, but _he_ was in ecstasy.

"How beautiful is the Piazza of Siena with ten fantinos in battle!" His

voice resounded through the great hall. "Some call them ten assassins.

Yes, the eyes of an assassin are dangerous, but in the danger they are

fiercely beautiful."

Giorgio began to shake all over. The Captain was making a half turn

toward him, was facing him now, speaking to him, and the force of

his breath caused the hairs on Giorgio's head to quiver. "_Fate_ is

Queen of the Palio!" the voice rolled on. "We can prepare for victory,

morally and materially, but never certainly. Only Fate and the fantino

can decide between victory and defeat.

"Some tasks," he concluded, "need a big man. Others, a small one. Some

fantinos are big and strong, but some are bird-light and think more of

their mount than of their own safety. Giorgio Terni, you are such a

one." He raised his glass in a toast to the boy at his side. "Our fate

is in your hands."

"Bravo! Bravissimo!" the councilmen and contradaioli cheered. Then all

about there was a great gaping silence--full of eyes, full of question

marks. What would the boy say? What promises would he make?

"Speak! Speak!" the people shouted in encouragement.

Giorgio rose to his feet. In the dead silence he nodded to the Captain,

and then to the audience. He opened his mouth, but no sound came. He

glanced imploringly into the sea of faces, but no one could prompt

him. His eyes swept the room, took in the marble angels on either

side of the stage. Their cornucopias were sending forth pink and red

carnations, but not help. And no help came from the painted dolphin

on the wall, its mouth dripping red beads of blood as if it had been

caught by some fisherman's hook. And as he stood helpless the silence

grew deeper, until it was a roaring in his ears. In desperation he

looked upward to the vaulted ceiling, and followed the arches that came

together in a central point. It was like the chalice of an Easter lily;

no, it was more like the inside of an umbrella.

An _umbrella!_ Suddenly the face of the Umbrella Man loomed in front of

him, and in spite of his terror he felt strength welling up in him. Now

he _wanted_ to talk.

"Signori of the Wave!" he began in a voice that had an odd kind of

dignity in it. "Gaudenzia and I, we were both reared in the Maremma,

and we fit well to each other. Tomorrow we go into battle together.

Fear does not choke our courage. For us it is not victory or defeat. We

think only the one thought--"

"_Vic-to-ry! Vic-to-ry! Viva Giorgio!_"

The crowd had finished his speech for him.

Gaudenzia, Pride of the Palio · 第 22 / 31 章