CHAPTER VIII

Over the Mountain

Babbo rose to his feet. In the darkening room his eyes gleamed in

pride. "I have goose flesh! I cannot believe it could be! Today a

letter is come. Tomorrow our Giorgio goes over the mountain. To please

Signor Ramalli," he declared, "he must arrive in Siena tomorrow."

Plans were quickly made. It was decided that in his new importance

Giorgio should not walk the long way to Casalino to catch the autobus

that would carry him to the train at Sant' Angelo, and thence to Siena.

Instead, the entire family would drive him in the donkey cart directly

to Sant' Angelo, where they could all bid him good-bye at the railway

station.

It happened just so. Even Pippa took part, giving out a steamwhistle

bray that nearly drowned the conductor's cry of "Ready!"

As the train pulled away, Giorgio leaned far out the window, waving

his satchel. Wistfully, he watched Mamma and Babbo, Teria and Emilio

climb into the donkey cart, and his eyes held them there together until

nothing was left, nothing but a tiny blur against the yellow of the

station. Then that, too, was gone.

Hands still clutching his satchel, he kept right on standing in the

aisle, staring out at the fast-moving landscape. And all at once the

hollow pain in his stomach left him, and he faced the bigness of his

adventure. It was as though the rushing wind and the chugging engine

were taking possession of him, lifting him out of himself, over the

mountain, and into a new world.

The cone of Mount Amiata loomed ahead with clouds toppling along its

ridges, and streams spilling whitely down its face and into the river

below. Still at the open window, he could feel the train laboring on

its long climb from the valley of the Orcia to the folded hills. He

saw with surprise that it was not just one valley, but a succession of

countless hills and vales. Like an earthworm the train wriggled through

them, and up through a wilderness of boulders broken only by tufts of

broom and brush.

He saw the kilns of charcoal burners, and a goat girl knitting as she

watched her flock, and he saw stunted sheep scrabbling upward toward

the mountain pastures. He was glad he was not a sheep, nibbling his

slow way to the top. And he was gladder still when the desert of rock

gave way to dark forests of chestnut trees, and then to beech, and then

to scrub pine. The little hills were ridges now, and as fast as the

train could make the turns it pushed on up steeper and steeper ascents

until it reached the summit, the bleak bare summit where the sharp wind

held a bitterness that made his eyes weep.

"Boy!" The voice of an old woman startled him. "Close that window, if

you please. My old bones shudder with the cold. Besides, your face

grows red and smudged."

Giorgio quickly closed the window, wiped his face on his new

handkerchief, and found a seat. He placed his satchel between his legs

and tirelessly scanned the horizon as the train began to roll down

out of the high country. Every frowning castle in the distance, every

bold fortress, every hamlet he mistook for the city of his dream. But

when at last he caught his first glimpse, he knew it for Siena, yet

was unprepared for its splendor. In the clearness of early evening the

jewel-like city rose up on the shoulders of three hills, its slender

towers jutting into the sky. They were like none he had ever seen. One

was shining white with stripings of black, like a zebra; the others

were pink and carmine, or was this rosy color a trick of the setting

sun?

His heart raced. He felt her ancientness at once. Here were

battlemented walls, and pinnacled domes, and steeples piled high and

higher--all jumbled, yet ordered.

Siena! Siena!

* * * * *

It was the hour of early evening when the train pulled into the

station. Giorgio was first to jump out. He hurried through the groups

of waiting people, impatient to find Signor Ramalli. Searching faces,

hoping to see one he dared ask directions, he threaded the network of

narrow streets. The people seemed different to him, like figures in a

painting. He wondered if they might even speak a different language!

Slight-built as he was, he kept clumsily bumping into the passers-by.

Each time he tried to work up his courage to ask, but no one took

notice of him. It was like walking in sleep until a deep-timbered voice

broke into it.

"Young lad! Come here!" The voice belonged to the

Chief-of-the-Town-Guards. He was an enormous man, handsome in a dark

blue uniform with gold epaulets. "Young lad, you will find better the

walking if you move with, not against, the promenaders. Now," he asked

solicitously, "can I help you?"

Giorgio felt a surge of relief. They spoke the same language! "Signor

Ramalli," he burst out, "his house I must find. If you please!"

The Chief-of-the-Guards looked down from his great height. "To find

Signor Ramalli's house," he said, "you have only to follow your nose."

"My nose?"

"Yes," he laughed, "your nose. You go down and down the Via

Fontebranda, and when your nose is stinging with the stench of animal

hides in brine, then you are there. Almost." He held onto Giorgio with

one white-gloved hand while with the other he stopped an autobus to let

by a team of scrawny horses drawing a load of wood.

"Feed the bony beasts," he cried to the portly driver, "instead of

yourself!"

Then he turned again to Giorgio. "Now, young man, after the smell from

the slaughterhouse you will run into a new smell of lye and bleach from

the public laundry. Then turn in at the next doorway, and there you

are!"

Giorgio hesitated. "But _my_ Signor Ramalli must have a stable."

"Yes, yes, I know," the Chief replied in friendly annoyance. "It is as

I said. Through the bad smells you must go until you come to the nice

fragrance of horses and hay. You see, lad, the house of the Ramallis is

at the end of the street, with magnificent vista of the valley beyond."

No directions were ever given more clearly. Down, down the Via

Fontebranda Giorgio hurried half-running, not to get past the cow hides

in brine, but because the descent was almost perpendicular.

Just as the Chief had said, the last door belonged to the Ramallis. The

family of three welcomed him as if he were a son come home. They were

in the dining room, and at once the mother and daughter arose to set an

extra place.

Signor Ramalli hooked his thumbs into his calf vest and smiled at

Giorgio. "After we eat, we give you choice of two rooms for your

sleeping quarters. One is in our home, and the other is the empty

storeroom over the stable where you can hear the slightest whinny in

the night. That room, though barer, is bigger and...."

"I would rather prefer the storeroom," Giorgio interrupted, "where I

can be closer to my horses."

It was, in fact, a tremendous room. It faced the east where the

first rays of the sun came slanting in, touching off the strings of

purple onions and garlic, and peppers, shiny red. Besides these gay

decorations there was a wide and comfortable brass bed, a trestle table

and chair, and an ancient sea chest that had been emptied for Giorgio's

clothes.

Comfortable as his room was, it was only a place to sleep. Sixteen

hours of the day he lived with his horses. There were three mares and

a gelding depending on him for all the creature comforts of food and

water, and new shoes, and warm blankets at night, and small friendly

talk.

But more, Signor Ramalli was depending on him to bring them all into

bloom for the July Palio. This was high challenge. Here he was, still a

boy in his teens, barely shoulder-high to his pupils; yet he was master

of their destiny! Ambra needed schooling in being mounted; a race could

be lost before it began. Lubiana was stubborn, always wanting her own

way. Dorina was awkward at maneuvering; she could lose the Palio at the

hairpin turns.

Imperiale, however, posed the most interesting problem. He was a

big-going fellow, part Arabian, sired by the famous Sans Souci. What he

needed was soothing words to quiet his nervous habit of biting on the

wood of his stall. He reminded Giorgio of a frightened child chewing

his fingernails.

Each day Signor Ramalli grew more pleased with Giorgio. The boy was

two persons in one--skilled trainer in the morning; stableboy in the

afternoon. He attacked the cleaning of the stalls, the oiling of the

bridle leathers, the currying and grooming with the same chin-thrust of

determination as he did the fine art of teaching.

And so, nothing was good enough for him. Morning and night, he ate at

table with the family, but this, instead of making him feel jolly,

stirred up the beginnings of homesickness. There was something about

Anna that reminded him not of his sister, Teria, but of Emilio--a kind

of puckish eagerness, wanting to know about the horses, wanting to

help, wanting to ride.

It was after supper, after darkness, that doubt and anguish and the

sharp pangs of homesickness set in in earnest. His dream of the Palio

seemed as far away as ever. "I am only an outsider," he thought as he

sat alone and forlorn on the sea chest. "I belong to no contrada, for I

am not born Sienese. There are seventeen contradas, yet no one of them

has asked me to ride. I have four horses, but I have none." He smiled

a crooked smile, recalling how he had longed to be in Siena, but now

that he was here something had gone wrong with the dream.

In humiliation and despair, his homesickness washed over him like

a wave, and he could see the Maremma where earth and sea and sky

come together, and the earth's humps that form Mount Amiata. And in

all that wild sweep the only man-made thing was the cross on the

mountain. In his loneness he closed his eyes, and there were the warm,

smoke-wreathed rooms at home, and in the smoke he saw the whole family,

clustered about a sausage hanging from the kitchen ceiling. Each in

turn was rubbing a slice of bread against it for flavor because the

meat itself had to be saved for supper. Yet in the poverty there was a

closeness and understanding he now missed. For moments he seemed unable

to breathe; it was the same tight, suffocating feeling he had known in

the cobbler's shop.

The only help was to run, run, run! Night after night this need took

possession of him. Like a colt spooked by an imaginary devil he bolted

out of his room, raced up through the canyon walls of Fontebranda,

across the busy Via di Città, down a flight of steps, and out onto the

vast and beautiful Piazza del Campo. Here he could look up above the

circle of turreted palaces and see a wide patch of sky and the same old

dipper that winked down on Monticello, and all at once he felt less

alone. Gulping and panting, he could squeeze the heaviness out of his

lungs, could breathe in cool fresh air.

Night after night he had to escape, always to the deep stillness of the

Piazza. It became his habit to stand first before the dazzling Fonte

Gaia, admiring the frieze of white marble statues in their white marble

niches, and the marble wolves spewing water into the marble pool. Then

he would face about and look across the broad shell of the amphitheater

to the Palazzo Pubblico, where the city officials worked, and his eyes

went up and up its soaring tower until he imagined he saw a bell ringer

away up there, no bigger than a spider.

He tried not to torture himself by studying the race course around the

empty shell, or wondering which contrada might some day choose him as

their fantino. Instead, his mind went back to the years before the

Palio, when men battled bulls in the square. If he half-closed his

eyes, he could array himself in coat of mail and he could see the blade

of his spear flashing silver in the moonlight as he thrust it into the

flesh of a charging bull. Then heavy with weariness, as if he had slain

a score of bulls, he trudged back to his room and slept.

But in sleep he could not wear the blinders. His dreams were always of

the Palio.

As the first month wore itself out, Signor Ramalli sensed a growing

restlessness in the boy. One day he recognized it openly.

"Tomorrow," he said to Giorgio, "is a Sunday. A quick journey to

Monticello is the best cure I know for ailments like homesickness. In

a day you will come back feeling more content here. Now then, in the

morning when I get out my car to take my wife and Anna to the early

mass, I will at the same time take you to the station. My wife will

prepare for you a little lunch to carry, and I will buy you a ticket,

both ways."

He held out his hand. Giorgio put his small calloused one inside the

great warmth of the Signore's and felt it close around his with a clasp

so strong it made him blink. Giorgio's heart leaped in joy.

Gaudenzia, Pride of the Palio · 第 8 / 31 章