CHAPTER XI.

Lichonin was left alone. In the half-dark corridor it smelt of kerosene

fumes from the guttering little tin lamp, and of the odour of stagnant

bad tobacco. The daylight dully penetrated only near the top, from two

small glass frames, let in the roof at both ends of the corridor.

Lichonin found himself in that simultaneously weakened and elevated

mood which is so familiar to every man who has happened to be

thoroughly sleepless for a long time. It was as though he had gone out

of the limitations of everyday human life, and this life had become to

him distant and of indifference; but at the same time his thoughts and

emotions obtained a certain peaceful clarity and apathetic

distinctness, and there was a tedious and languishing allurement in

this crystal Nirvanah.

He stood near his room, leaning against the wall, and seemed to see,

feel, and hear how near him and below him were sleeping several score

of people; sleeping with the last, fast morning sleep, with open

mouths, with measured deep breathing, with a wilted pallor on their

faces, glistening from sleep; and through his head flashed the thought,

remote yet familiar since childhood, of how horrible sleeping people

are—far more horrible than dead people. Then he remembered about

Liubka. His subterranean, submerged, mysterious “I” rapidly, rapidly

whispered that he ought to drop into the room, and see if the girl were

all right, as well as make certain dispositions about tea in the

morning; but he made believe to himself that he was not at all even

thinking of this, and walked out into the street.

He walked, looking closely at everything that met his eyes, with an

idle and exact curiosity new to him; and every feature was drawn for

him in relief to such a degree that it seemed to him as though he were

feeling it with his fingers... There a peasant woman passed by. Over

her shoulder is a yoke staff, while at each end of the yoke is a large

pail of milk; her face is not young, with a net of fine wrinkles on the

temples and with two deep furrows from the nostrils to the corners of

the mouth; but her cheeks are rosy, and, probably, hard to the touch,

while her hazel eyes radiate a sprightly peasant smile. From the

movement of the heavy yoke and from the smooth walk her hips sway

rhythmically now to the left, now to the right, and in their wave-like

movements there is a coarse, sensual beauty.

“A mischievous dame, and she’s lived through a checkered life,”

reflected Lichonin. And suddenly, unexpectedly to himself, he had a

feeling for, and irresistibly desired, this woman, altogether unknown

to him, homely and not young; in all probability dirty and vulgar, but

still resembling, as it seemed to him, a large Antonovka[17] apple

which had fallen to the ground-somewhat bored by a worm, and which had

lain just a wee bit too long, but which has still preserved its bright

colour and its fragrant, winey aroma.

[17] Somewhat like a Spitzbergen, but a trifle rounder.—Trans.

Getting ahead of her, an empty, black, funereal catafalque whirled by;

with two horses in harness, and two tied behind to the little rear

columns. The torch-bearers and grave-diggers, already drunk since

morning, with red, brutish faces, with rusty opera hats on their heads,

were sitting in a disorderly heap on their uniform liveries, on the

reticular horse-blankets, on the mourning lanterns; and with rusty,

hoarse voices were roaring out some incoherent song. “They must be

hurrying to a funeral procession; or, perhaps, have even finished it

already,” reflected Lichonin; “merry fellows!” On the boulevard he came

to a stop and sat down on a small wooden bench, painted green. Two rows

of mighty centenarian chestnuts went away into the distance, merging

together somewhere afar into one straight green arrow. The prickly

large nuts were already hanging on the trees. Lichonin suddenly

recalled that at the very beginning of the spring he had been sitting

on this very boulevard, and at this very same spot. Then it had been a

calm, gentle evening of smoky purple, soundlessly falling into slumber,

just like a smiling, tired maiden. Then the stalwart chestnuts, with

their foliage—broad at the bottom and narrow toward the top—had been

strewn all over with clusters of blossoms, growing with bright, rosy,

thin cones straight to the sky; just as though some one by mistake had

taken and fastened upon all the chestnuts, as upon lustres, pink

Christmas-tree candles. And suddenly, with extraordinary

poignancy—every man sooner or later passes through this zone of inner

emotion—Lichonin felt, that here are the nuts ripening already, while

then there had been little pink blossoming candles, and that there

would be many more springs and many blossoms, but the one which had

passed no one and nothing had the power to bring back. Sadly gazing

into the depths of the retreating dense alley, he suddenly noticed that

sentimental tears were making his eyes smart.

He got up and went on farther, looking closely at everything that he

met with an incessant, sharpened, and at the same time calm attention,

just as though he were looking at the God-created world for the first

time. A gang of stone masons went past him on the pavement, and all of

them were reflected in his inner vision with an exaggerated vividness

and brilliance of colour, just as though on the frosted glass of a

camera obscura. The foreman, with a red beard, matted to one side, and

with blue austere eyes; and a tremendous young fellow, whose left eye

was swollen, and who had a spot of a dark-blue colour spreading from

the forehead to the cheekbone and from the nose to the temple; and a

young boy with a naive, country face, with a gaping mouth like a

fledgling’s, weak, moist; and an old man who, having come late, was

running after the gang at a funny, goat-like trot; and their clothes,

soiled with lime, their aprons and their chisels—all this flickered

before him in an inanimate file—a colourful, motley, but dead

cinematographic film.

He had to cut across the New Kishenevsky Market. Suddenly the savoury,

greasy odour of something roasted compelled him to distend his

nostrils. Lichonin recalled that he had not eaten anything since noon

yesterday, and at once felt hunger. He turned to the right, into the

centre of the market.

In the days of his starvings—and he had had to experience them more

than once—he would come here to the market, and for the pitiful

coppers, gotten with difficulty, would buy himself bread and fried

sausage. This was in winter, oftenest of all. The huckstress, wrapped

up in a multiplicity of clothes, usually sat upon a pot of coals for

warmth; while before her, on the iron dripping-pan, hissed and crackled

the thick, home-made sausage, cut into pieces a quarter of a yard in

length, plentifully seasoned with garlic. A piece of sausage usually

cost ten kopecks, the bread two kopecks.

There were very many folk at market to-day. Even at a distance, edging

his way to the familiar, loved stall, Lichonin heard the sounds of

music. Having made his way through the crowd, which in a solid ring

surrounded one of the stalls, he saw a naive and endearing sight, which

may be seen only in the blessed south of Russia. Ten or fifteen

huckstresses, during ordinary times gossips of evil tongue and addicted

to unrestrainable swearing, inexhaustible in its verbal diversity, but

now, evidently, flattering and tender cronies, had started celebrating

even since last evening; had caroused the whole night through and now

had carried their noisy merrymaking out to the market. The hired

musicians—two fiddles, a first and a second, and a tambourine—were

strumming a monotonous but a lively, bold, daring and cunning tune.

Some of the wives were clinking glasses and kissing each other, pouring

vodka over one another; others poured it out into glasses and over the

tables; others still, clapping their palms in time with the music,

oh’d, squealed, and danced, squatting in one place. And in the middle

of the ring, upon the cobbles of the pavement, a stout woman of about

forty-five, but still handsome, with red, fleshy lips, with humid,

intoxicated, seemingly unctuous eyes, merrily sparkling from under the

high bows of black, regular, Little Russian eyebrows, was whirling

around and stamping out a tattoo on one spot. All the beauty and all

the art of her dance consisted in that she would now bow her little

head and look out provokingly from under her eyebrows, then suddenly

toss it back and let her eyelashes down and spread her hands out at her

sides; and also in that in measure with the dance her enormous breasts

swayed and quivered under her red calico waist. During the dance she

was singing, now shuffling her heels, now the toes, of her goat-skin

shoes:

“The fiddle’s playing on the street,

You can hear its bass so sweet;

My mother has me locked up neat,

My waitin’ dearie I can’t meet.”

That was the very country-wife whom Lichonin knew; the self-same who

not only had had him for a client during hard times, but had even

extended him credit. She suddenly recognized Lichonin, darted to him,

embraced him, squeezed him to her bosom and kissed him straight on his

lips with her moist, warm, thick lips. Then she spread her arms out

wide, smote one palm against the other, intertwined her fingers, and

sweetly, as only Podolian wives can do it, began to coo:

“My little master, my little silver gold trove, my lovie! You forgive a

drunken wife like me, now. Well, what of it? I’ve gone op a spree!” She

then darted at him in an attempt to kiss his hand. “But then, I know

you ain’t proud, like other gentry. Well, give me your hand,

dearie-dear; why, I want to kiss your little hand! No, no, no! I athk,

I athk you! ...” “Well, now, that’s nonsense, Aunt Glycera!” Linchonin

interrupted her, unexpectedly becoming animated. “Let’s best kiss just

so, now. Your lips are just too sweet!”

“Ah, my little sweetheart! My little bright sun, my little apple of

paradise, you,” Glycera waxed tender, “give me your lips, then! Give me

your little lips to buss, then! ...”

She pressed him warmly to her gigantean bosom and again slavered over

him with her moist, warm, Hottentot lips. After that, she seized him by

his sleeve, brought him out into the middle of the ring, and began to

walk around him with a stately, mincing step, having bent her waist

coquettishly and vociferating:

“Oh, each to his taste, I want Paraska more,

For I’ve a divel in my pants

Her skirt holds somethin’ for!”

And then suddenly she passed on, sustained by the musicians, to a most

rollicking, Little Russian, thumping GOPAK dance:

“Oh, Chook, that is too much,

You have soiled your apron too much.

Well, Prisko, don’t you fret,

Wipe it off, then, if you’re wet!

TRALALA, TRALALA ...

Sleeps, Khima, and won’t stir

That a Kossack sleeps with her,

You feel all, Khima—why deceive?

Just to yourself you make believe.

TAI, TAI, TRALALAI...”

Lichonin, completely grown merry, suddenly began jumping like a goat

about her, just like a satellite around a whirling planet—long-legged,

long-armed, stooping and altogether incongruous. His entrance was

greeted by a general but pretty friendly neighing. He was made to sit

down at the table, was helped to vodka and sausage. He, for his part,

sent a tramp he knew after beer, and, glass in hand, delivered three

absurd speeches: one about the self-determination of Ukraine; another

about the goodness of Little Russian sausage, in connection with the

beauty and domesticity of the women of Little Russia; and the third,

for some reason, about trade and industry in the south of Russia.

Sitting alongside of Lukeriya, he was all the time trying to embrace

her around the waist, and she did not oppose this. But even his long

arms could not encompass her amazing waist. However, she clasped his

hand powerfully under the table, until it hurt, with her enormous, soft

hand, as hot as fire.

At this moment among the huckstresses, who up to now had been tenderly

kissing, certain old, unsettled quarrels and grievances flickered up.

Two of the wives, bending toward each other just like roosters ready to

enter battle, their arms akimbo, were pouring upon each other the most

choice, out-of-the-way oaths:

“Fool, stiff, daughter of a dog!” one was yelling. “Youse ain’t fit to

kiss me right here.” And, turning her back around to her foe, she

loudly slapped herself below the spine. “Right here! Here!”

While the other, infuriated, squealed in answer:

“You lie, you slut, for I am fit, I am fit!”

Lichonin utilized the minute. As though he had just recalled something,

he hurriedly jumped up from the bench and called out:

“Wait for me, Aunty Luckeriya, I’ll come in three minutes!” and dived

through the living ring of spectators.

“Master! Master!” his neighbour cried after him: “Come back the

quickest you can, now! I’ve one little word to say to you.”

Having turned the corner, he for some time racked his head trying to

recall what it was that he absolutely had to do, now, this very minute.

And again, in the very depths of his soul, he knew just what he had to

do, but he procrastinated confessing this to his own self. It was

already a clear, bright day, about nine or ten o’clock. Janitors were

watering the streets with rubber hose. Flower girls were sitting on the

squares and near the gates of the boulevards, with roses,

stock-gillyflowers and narcissi. The radiant, gay, rich southern town

was beginning to get animated. Over the pavement jolted an iron cage

filled with dogs of every possible colour, breed, and age. On the coach

box were sitting two dog-catchers, or, as they deferentially style

themselves, “the king’s dog-catchers”—i. e., hunters of stray

dogs—returning home with this morning’s catch.

“She must be awake by now,” Lichonin’s secret thought finally took

form; “but if she isn’t yet awake, then I’ll quietly lie down on the

divan and sleep a little.”

In the corridor the dying kerosene lamp emitted a dim light and smoked

as before, and the watery, murky half-light penetrated into the narrow,

long box. The door of the room had remained unlocked, after all.

Lichonin opened it without a sound and entered.

The faint, blue half-light poured in through the interstices between

the blinds and the windows. Lichonin stopped in the middle of the room

and with an intensified avidity heard the quiet, sleeping breathing of

Liubka. His lips became so hot and dry that he had to lick them

incessantly. His knees began to tremble.

“Ask if she needs anything,” suddenly darted through his head.

Like a drunkard, breathing hard, with mouth open, staggering on his

shaking legs, he walked up to the bed.

Liubka was sleeping on her back, with one bare arm stretched out along

the body, and the other on her breast. Lichonin bent nearer, to her

very face. She was breathing evenly and deeply. This breathing of her

young, healthy body was, despite sleep, pure and almost aromatic. He

cautiously ran his fingers over her bare arm and stroked her breast a

little below the clavicle. “What am I doing?” his reason suddenly cried

out within him in terror; but some one else answered for Lichonin: “But

I’m not doing anything. I only want to ask if she’s sleeping

comfortably, and whether she doesn’t want some tea.”

But Liubka suddenly awoke, opened her eyes, blinked them for a moment

and opened them again. She gave a long, long stretch, and with a

kindly, not yet fully reasoning smile, encircled Lichonin’s neck with

her warm, strong arm.

“Sweetie! Darling!” caressingly uttered the woman in a crooning voice,

somewhat hoarse from sleep. “Why, I was waiting for you and waiting,

and even became angry. And after that I fell asleep and all night long

saw you in my sleep. Come to me, my baby, my lil’ precious!” She drew

him to her, breast against breast.

Lichonin almost did not resist; he was all atremble, as from a chill,

and meaninglessly repeating in a galloping whisper with chattering

teeth:

“No, now, Liuba, don’t ... Really, don’t do that, Liuba ... Ah, let’s

drop this, Liuba ... Don’t torture me. I won’t vouch for myself ... Let

me alone, now, Liuba, for God’s sake! ...”

“My-y little silly!” she exclaimed in a laughing, joyous voice. “Come

to me, my joy!”—and, overcoming the last, altogether insignificant

opposition, she pressed his mouth to hers and kissed him hard and

warmly—kissed him sincerely, perhaps for the first and last time in her

life.

“Oh, you scoundrel! What am I doing?” declaimed some honest, prudent,

and false body in Lichonin.

“Well, now? Are you eased up a bit?” asked Liubka kindly, kissing

Lichonin’s lips for the last time. “Oh, you, my little student! ...”

Yama [The Pit], a Novel in Three Parts · 第 11 / 18 章