"Annie had improved wonderful. It wasn't jest her looks, for she

always was as pretty as a picture, but she was as nice-mannered,

well-behaved a gyirl as you'd want to see. There was jest as much

difference betwixt her then and what she used to be as there is

betwixt a tame fox and a wild one. Of course the wildness is all

there, but it's kind o' covered up under a lot o' cute little tricks

and ways; and that's the way it was with Annie. Squire Elrod's pew was

jest across the aisle from Old Man Bob's, and I could see Dick

watchin' her durin' church time. But Annie never looked one way nor

the other. She set there with her hands folded and her eyes straight

before her, and nobody ever would 'a' thought that she'd been ridin'

horses bare-back and climbin' eight-rail fences ever since she could

walk, mighty near.

"When she come back from school in June it was the same thing over

again, Old Man Bob braggin' on her and everybody sayin' how sweet and

pretty she was. Dick began to wait on her right away, and before long

folks was sayin' that they was made for each other, especially as

their farms jined. That's a fool notion, but you can't git it out o'

some people's heads.

"Things went on this way for two or three years, Annie goin' and

comin' and gittin' prettier all the time, and Dick waitin' on her

whenever she was at home and carryin' on between times with every

gyirl in the neighborhood. At last she come home for good, and Dick

dropped all the others in a hurry and set out in earnest to git Annie.

Folks said he was mightily in love, but accordin' to my way o'

thinkin' there wasn't any love about it. The long and the short of it

was that Annie knew how to manage him, and the other gyirls didn't.

They was always right there in the neighborhood, and it don't help a

woman to be always under a man's nose. But Annie was here and there

and everywhere, visitin' in town and in Louisville and bringin' the

town folks and the city folks home with her, and havin' dances and

picnics, and doin' all she could to make Dick jealous. And then I

always believed that Annie was jest as crazy about Dick as the rest o'

the gyirls, but she had sense enough not to let him know it. It's

human nature, you know, to want things that's hard to git. Why, if

fleas and mosquitoes was sceerce, folks would go to huntin' 'em and

makin' a big fuss over 'em. Annie made herself hard to git, and that's

why Dick wanted her instead o' Harriet Amos, that was jest as good

lookin' and better in every other way than Annie was. Everybody was

sayin' what a blessed thing it was, and now Dick would give up his

wild ways and settle down and be a comfort to the Squire in his old

age.

"Well, along in the spring, a year after Annie got through with

school, Sally Ann come to me, and says she, 'Jane, I saw somethin'

last night and it's been botherin' me ever since;' and she went on to

say how she was goin' home about dusk, and how she'd seen Dick Elrod

and little Milly Baker at the turn o' the lane that used to lead up to

Milly's house. 'They was standin' under the wild cherry tree in the

fence corner,' says she, 'and the elderberry bushes was so thick that

I could jest see Dick's head and shoulders and the top of Milly's

head, but they looked to be mighty close together, and Dick was

stoopin' over and whisperin' somethin' to her.'

"Well, that set me to thinkin', and I ricollected seein' Dick comin'

down the lane one evenin' about sunset and at the same time I'd caught

sight o' Milly walkin' away in the opposite direction. Our Mite

Society met that day, and Sally Ann and me had it up, and we all

talked it over. It come out that every woman there had seen the same

things we'd been seein', but nobody said anything about it as long as

they wasn't certain. 'Somethin' ought to be done,' says Sally Ann;

'it'd be a shame to let that pore child go to destruction right before

our eyes when a word might save her. She's fatherless, and pretty

near motherless, too,' says she.

"You see, the Bakers was tenants of old Squire Elrod's, and after

Milly's father died o' consumption the old Squire jest let 'em live on

the same as before. Mis' Elrod give 'em quiltin' and sewin' to do, and

they had their little gyarden, and managed to git along well enough.

Some folks called 'em pore white trash. They was pore enough, goodness

knows, but they was clean and hard-workin', and that's two things that

'trash' never is. I used to hear that Milly's mother come of a good

family, but she'd married beneath herself and got down in the world

like folks always do when they're cast off by their own people. Milly

had come up like a wild rose in a fence corner, and she was jest the

kind of a girl to be fooled by a man like Dick, handsome and smooth

talkin', with all the ways and manners that take women in. Em'ly

Crawford used to say it made her feel like a queen jest to see Dick

take his hat off to her. If men's manners matched their hearts, honey,

this'd be a heap easier world for women. But whenever you see a man

that's got good manners and a bad heart, you may know there's trouble

ahead for some woman.

"Well, us women talked it over till dark come; and I reckon if we had

app'inted a committee to look after Milly and Dick, somethin' might

have been done. But everybody's business is nobody's business, and I

thought Sally Ann would go to Milly and give her a word o' warnin',

and Sally Ann thought I'd do it, and so it went, and nothin' was said

or done at last; and before long it was all over the neighborhood that

pore little Milly was in trouble."

Aunt Jane paused, took off her glasses and wiped them carefully on a

corner of her gingham apron.

"Many's the time," she said slowly, "that I've laid awake till the

chickens crowed, blamin' myself and wonderin' how far I was

responsible for Milly's mishap. I've lived a long time since then, and

I don't worry any more about such things. There's some things that's

got to be; and when a person is all wore out tryin' to find out why

this thing happened and why that thing didn't happen, he can jest

throw himself back on the eternal decrees, and it's like layin' down

on a good soft feather bed after you've done a hard day's work. The

preachers'll tell you that every man is his brother's keeper, but

'tain't so. I ain't my brother's keeper, nor my sister's, neither.

There's jest one person I've got to keep, and that's myself.

"The Bible says, 'A word spoken in due season, how good it is!' But

when folks is in love there ain't any due season for speakin' warnin'

words to 'em. There was Emmeline Amos: her father told her if she

married Hal, he'd cut her name out o' the family Bible and leave her

clear out o' his will. But that didn't hinder her. She went right on

and married him, and lived to rue the day she did it. No, child,

there's mighty little salvation by words for folks that's in love. I

reckon if a word from me would 'a' saved Milly, the word would 'a'

been given to me, and the season too, and as they wasn't, why I hadn't

any call to blame myself.

"Abram and Sam Crawford did try to talk to Old Man Bob; but, la! you

might as well 'a' talked to the east wind. All he said was, 'If Annie

wants Dick Elrod, Annie shall have him.' That's what he'd been sayin'

ever since Annie was born. Nobody said anything to Annie, for she was

the sort o' girl who didn't care whose feelin's was tramped on, if she

jest had her own way.

"So it went on, and the weddin' day was set, and nothin' was talked

about but Annie's first-day dress and Annie's second-day dress, and

how many ruffles she had on her petticoats, and what the lace on her

nightgowns cost; and all the time there was pore Milly Baker cryin'

her eyes out night and day, and us women gittin' up all our old baby

clothes for Dick Elrod's unborn child."

Aunt Jane dropped her knitting in her lap, and gazed across the fields

as if she were seeking in the sunlit ether the faces of those who

moved and spoke in her story. A farm wagon came lumbering through the

stillness, and she gathered up the double thread of story and knitting

and went on.

"Annie always said she was goin' to have such a weddin' as the county

never had seen, and she kept her word. Old Man Bob had the house fixed

up inside and out. They sent up to Louisville for the cakes and

things, and the weddin' cake was three feet high. There was a solid

gold ring in it, and the bridesmaids cut for it; and every gyirl there

had a slice o' the bride's cake to carry home to dream on that night.

Annie's weddin' dress was white satin so heavy it stood alone, so they

said. And Old Man Bob had the whole neighborhood laughin', tellin' how

many heifers and steers it took to pay for the lace around the neck of

it.

"Annie and Dick was married in October about the time the leaves fell,

and Milly's boy was born the last o' November. Lord! Lord! what a

world this is! Old Man Bob wouldn't hear to Annie's leavin' him, so

they stayed right on in the old home place. In them days folks didn't

go a-lopin' all over creation as soon as they got married; they

settled down to housekeepin' like sensible folks ought to do. Old Lady

Elrod was as foolish over Dick as Old Man Bob was over Annie, and it

was laid down beforehand that they was to spend half the time at Old

Man Bob's and half the time at the Squire's, 'bout the worst thing

they could 'a' done. The further a young couple can git from the old

folks on both sides the better for everybody concerned. And besides,

Annie wasn't the kind of a gyirl to git along with Dick's mother. A

gyirl with the kind o' raisin' Annie'd had wasn't any fit

daughter-in-law for a particular, high-steppin' woman like Old Lady

Elrod.

"There was some people that expected a heap o' Dick after he married,

but I never did. If a man can't be faithful to a woman before he

marries her, he ain't likely to be faithful after he marries her. And

shore enough the shine wasn't off o' Annie's weddin' clothes before

Dick was back to his old ways, drinkin' and carryin' on with the women

same as ever, and the first thing we knew, him and Annie had a big

quarrel, and Old Man Bob had ordered him off the place. However, they

made it up and went over to the old Squire's to live, and things went

on well enough till Annie's baby was born. Dick had set his heart on

havin' a boy, but it turned out a girl, and as soon as they told him,

he never even asked how Annie was, but jest went out to the stable and

saddled his horse and galloped off, and nobody seen him for two days.

He needn't 'a' took on so, for the pore little thing didn't live but a

week. Annie had convulsions over Dick's leavin' her that way, and the

doctor said that was what killed the child. Annie never was the same

after this. She grieved for her child and lost her good looks, and

when she lost them, she lost Dick. It wasn't long before Dick was

livin' with his father, and she with hers. At last he went out West;

and in less than three years Annie died; and a good thing she did, for

a more soured, disappointed woman couldn't 'a' been found anywhere.

"Well, all this time Milly Baker's baby was growin' in grace, you

might say. And a finer child never was born. Milly had named him

Richard, and nature had wrote his father's name all over him. He was

the livin' image of Dick, all but the look in his eyes; that was

Milly's. Milly worshiped him, and there was few children raised any

carefuler and better than Milly Baker's boy; that was what we always

called him. Milly was nothin' but a child herself when he was born,

but all at once she appeared to turn to a woman; acted like one and

looked like one. It ain't time, honey, that makes people old; it's

experience. Some folks never git over bein' children, and some never

has any childhood; and pore little Milly's was cut short by trouble.

If she felt ashamed of herself or the child, nobody ever knew it. I

never could tell whether it was lack of sense, or whether she jest

looked at things different from the rest of us; but to see her walk in

church holding little Richard by the hand, nobody ever would 'a'

thought but what she was a lawful wife. No woman could 'a' behaved

better'n she did, I'm bound to say. She got better lookin' all the

time, but she was as steady and sober as if she'd been sixty years

old. Parson Page said once that Milly Baker had more dignity than any

woman, young or old, that he'd ever seen. It seems right queer to talk

about dignity in a pore gyirl who'd made the misstep she'd made, but I

reckon it was jest that that made us all come to treat her as if she

was as good as anybody. People can set their own price on 'emselves,

I've noticed; and if they keep it set, folks'll come up to it. Milly

didn't seem to think that she had done anything wrong; and when she

brought little Richard up for baptism there wasn't a dry eye in the

church; and when she joined the church herself there wasn't anybody

mean enough to say a word against it, not even Silas Petty.

"Squire Elrod give her the cottage rent free after her mother died,

and betwixt nursin' and doin' fine needlework she made a good livin'

for herself and the boy.

"Little Richard was a child worth workin' for from the start. Tall and

straight as a saplin', and carried himself like he owned the earth,

even when he was a little feller. It looked like all the good blood on

both sides had come out in him, and there wasn't a smarter, handsomer

boy in the county. The old Squire thought a heap of him, and nothin'

but his pride kept him from ownin' the child outright and treatin' him

like he was his own flesh and blood. Richard had an old head on young

shoulders, though he was as full o' life as any boy; and by the time

he was grown the old Squire trusted him with everything on the place

and looked to him the same as if he'd been a settled man. After Old

Lady Elrod died, he broke terrible fast, and folks used to say it was

a pitiful sight to see him when he'd be watchin' Richard overseein'

the hands and tendin' to things about the place. He'd lean on the

fence, his hands tremblin' and his face workin', thinkin' about Dick

and grievin' over him and wishin', I reckon, that Dick had been such a

man as Milly's boy was.

"All these years nobody ever heard from Dick. Once in a while

somebody'd come from town and say they'd seen somebody that had seen

somebody else, and that somebody had seen Dick way out in California

or Lord knows where, and that was all the news that ever come back.

We'd all jest about made up our minds that he was dead, when one

mornin', along in corn-plantin' time, the news was brought and spread

over the neighborhood in no time that Dick Elrod had come home and was

lyin' at the p'int of death. I remembered hearin' a hack go by on the

pike the night before, and wondered to myself what was up. I thought,

maybe, it was a runaway couple or some such matter, but it was pore

Dick comin' back to his father's house, like the Prodigal Son, after

twenty years. It takes some folks a long time, child, to git tired of

the swine and the husks.

"Well, of course, it made a big commotion, and before we'd hardly

taken it in, we heard that he'd sent for Milly, and her and Richard

had gone together up to the big house.

"Jane Ann Petty was keepin' house for the old Squire, and she told us

afterwards how it all come about.

"We had a young probationer preachin' for us that summer, and as soon

as he heard about Dick, he goes up to the big house without bein' sent

for to talk to him about his soul. I reckon he thought it'd be a

feather in his cap if he could convert a hardened sinner like Dick.

"Jane Ann said they took him into Dick's room, and he set down by the

bed and begun to lay off the plan o' salvation jest like he was

preachin' from the pulpit, and Dick listened and never took his eyes

off his face. When he got through Dick says, says he:

"'Do you mean to say that all I've got to do to keep out of hell and

get into heaven is to believe on the Lord Jesus Christ?' And Brother

Jonas, he says:

"'Yes, my dear brother, "Believe on the Lord Jesus Christ, and thou

shalt be saved. The blood of Jesus Christ, his Son, cleanseth us from

all sin."'

"And they said Dick jest laughed a curious sort o' laugh and says he:

"'It's a pretty God that'll make such a bargain as that!' And says he,

'I was born bad, I've lived bad, and I'm dyin' bad; but I ain't a

coward nor a sneak, and I'm goin' to hell for my sins like a man. Like

a man, do you hear me?'

"Jane Ann said the look in his eyes was awful; and the preacher turned

white as a sheet. It was curious talk for a death-bed; but, when you

come to think about it, it's reasonable enough. When a man's got hell

in his heart, what good is it goin' to do him to git into heaven?"

"What, indeed?" I echoed, thinking how delightful it was that Aunt

Jane and Omar Khayyam should be of one mind on this subject.

"When Dick said this the young preacher got up to go, but Dick called

him back, and says he, 'I don't want any of your preachin' or prayin',

but you stay here; there's another sort of a job for you to do.' And

then he turned around to the old Squire and says, 'Send for Milly.'

"When we all heard that Milly'd been sent for, the first thing we

thought was, 'How on earth is Milly goin' to tell Richard all he's

got to know?' I never used to think we was anything over and above the

ordinary out in our neighborhood, but when I ricollect that Richard

Elrod come up from a boy to a man without knowin' who his father was,

it seems like we must 'a' known how to hold our tongues anyhow. There

wasn't man, woman, or child that ever hinted to Milly Baker's boy that

he wasn't like other children, and so it was natural for us to wonder

how Milly was goin' to tell him. Well, it wasn't any of our business,

and we never found out. All we ever did know was that Milly and

Richard walked over to the big house together, and Richard held his

head as high as ever.

"They said that Dick give a start when Milly come into the room. I

reckon he expected to see the same little girl he'd fooled twenty

years back, and when she come walkin' in it jest took him by surprise.

"'Why, Milly,' says he, 'is this you?'

"And he held out his hand, and she walked over to the bed and laid her

hand in his. Folks that was there say it was a strange sight for any

one that remembered what them two used to be. Her so gentle and

sweet-lookin', and him all wore out with bad livin' and wasted to a

shadder of what he used to be.

"I've seen the same thing, child, over and over again. Two people'll

start out together, and after a while they'll git separated, or,

maybe, they'll live together a lifetime, and when they git to the end

o' fifteen or twenty or twenty-five years, one'll be jest where he was

when they set out, and the other'll be 'way up and 'way on, and

they're jest nothin' but strangers after all. That's the way it was

with Milly and Dick. They'd been sweethearts, and there was the child;

but the father'd gone his way and the mother'd gone hers, and now

there was somethin' between 'em like that 'great gulf' the Bible tells

about. Well, they said Dick looked up at Milly like a hungry man looks

at bread, and at last he says:

"'I'm goin' to make an honest woman of you, Milly.'

"And Milly looked him in the eyes and said as gentle and easy as if

she'd been talkin' to a sick child: 'I've always been an honest woman,

Dick.'

"This kind o' took him back again, but he says, right earnest and

pitiful, 'I want to marry you, Milly; don't refuse me. I want to do

one decent thing before I die. I've come all the way from California

just for this. Surely you'll feel better if you are my lawful wife.'

"And they said Milly thought a minute and then she says: 'I don't

believe it makes any difference with me, Dick. I've been through the

worst, and I'm used to it. But if it'll make it any easier for you,

I'll marry you. And then there's my boy; maybe it will be better for

him.'

"'Where's the boy?' says Dick; 'I want to see him.'

"So Milly went and called Richard in. And as soon as Dick saw him he

raised up on his elbow, weak as he was, and hollered out so you could

hear him in the next room.

"'Why,' says he, 'it's myself! It's myself! Stand off there where I

can see you, boy! Why, you're the man I ought to have been and

couldn't be. These lyin' doctors,' says he, 'tell me that I haven't

got a day to live, but I'm goin' to live another lifetime in you!'

"And then he fell back, gaspin' for breath, and young Richard stood

there in the middle o' the floor with his arms folded and his face

lookin' like it was made of stone.

"As soon as Dick could speak, they said he pulled Milly down and

whispered something to her, and she went over to the chair where his

clothes was hangin' and felt in the pocket of the vest and got a

little pearl ring out. They said she shook like a leaf when she saw

it. And Dick says: 'I took it away from you, Milly, twenty years ago,

for fear you'd use it for evidence against me--scoundrel that I was;

and now I'm goin' to put it on your finger again, and the parson shall

marry us fair and square. I've got the license here under my pillow.'

And Milly leaned over and lifted him and propped him up with the

pillows, and the young parson said the ceremony over 'em, with Jane

Ann and the old Squire for witnesses.

"As soon as the parson got through, Dick says: 'Boy, won't you shake

hands with your father? I wouldn't ask you before.' But Richard never

stirred. And Milly got up and went to him and laid her hand on his arm

and says: 'My son, come and speak to your father.' And he walked up

and took Dick's pore wasted hand in his strong one, and the old Squire

set there and sobbed like a child. Jane Ann said he held on to

Richard's hand and looked at him for a long time, and then he reached

under the pillow and brought out a paper, and says he: 'It's my will;

open it after I'm gone. I've squandered a lot o' money out West, but

there's a plenty left, and that minin' stock'll make you a rich man.

It's all yours and your mother's. I wish it was more,' says he, 'for

you're a son that a king'd be proud of.'

"Them was about the last words he said. Dr. Pendleton said he wouldn't

live through the night, and sure enough he begun to sink as soon as

the young parson left, and he died the next mornin' about daybreak.

Jane Ann said jest before he died he opened his eyes and mumbled

somethin', and Milly seemed to know what he wanted, for she reached

over and put Richard's hand on hers and Dick's, and he breathed his

last jest that way.

"Milly wouldn't let a soul touch the corpse, but her and Richard. She

was a mighty good hand at layin' out the dead, and them two washed and

shrouded the body and laid it in the coffin, and the next day at the

funeral Milly walked on one side o' the old Squire and Richard on the

other, and the old man leaned on Richard like he'd found a prop for

his last days.

"I ain't much of a hand to believe in signs, but there was one thing

the day of the buryin' that I shall always ricollect. It had been

rainin' off and on all day,--a soft, misty sort o' rain that's good

for growin' things,--but while they were fillin' up the grave and

smoothin' it off, the sun broke out over in the west, and when we

turned around to leave the grave there was the brightest, prettiest

rainbow you ever saw; and when Milly and Richard got into the old

Squire's carriage and rode home with him, that rainbow was right in

front of 'em all the way home. It didn't mean much for Milly and the

Squire, but I couldn't help thinkin' it was a promise o' better things

for Richard, and maybe a hope for pore Dick.

"Milly didn't live long after this. They found her dead in her bed one

mornin'. The doctor said it was heart disease; but it's my belief that

she jest died because she thought she could do Richard a better turn

by dyin' than livin'. She'd lived for him twenty years and seen him

come into his rights, and I reckon she thought her work was done.

Dyin' for people is a heap easier'n livin' for 'em, anyhow.

"The old Squire didn't outlive Milly many years, and when he died

Richard come into all the Elrod property. You've seen the Elrod place,

ain't you, child? That white house with big pillars and porches in

front of it. It's three miles further on the pike, and folks'll drive

out there jest to look at it. I've heard 'em call it a 'colonial

mansion,' or some such name as that. It was all run down when Richard

come into possession of it, but now it's one o' the finest places in

the whole state. That's the way it is with families: one generation'll

tear down and another generation'll build up. Richard's buildin' up

all that his father tore down, and I'm in hopes his work'll last for

many a day."

Aunt Jane of Kentucky · 第 5 / 13 段