CHAPTER I

Transcriber's Notes:

1. Page scan source: Google Books

https://books.google.com/books?id=8YtBAQAAMAAJ

(Library of the University of Illinois)

2. The diphthong oe is represented by [oe].

SERVANTS OF SIN

BY THE SAME AUTHOR

ROMANCES

IN THE DAY OF ADVERSITY

ACROSS THE SALT SEAS

THE CLASH OF ARMS

DENOUNCED

THE SCOURGE OF GOD

THE HISPANIOLA PLATE

FORTUNE'S MY FOE

A GENTLEMAN ADVENTURER

THE DESERT SHIP

NOVELS OF TO-DAY

A BITTER HERITAGE

HIS OWN ENEMY

THE SILENT SHORE

THE SEAFARERS

SERVANTS OF SIN

A ROMANCE

BY

JOHN BLOUNDELLE-BURTON

"HOW DOTH THE CITY SIT SOLITARY THAT WAS

FULL OF PEOPLE! NOW IS SHE BECOME AS A

WIDOW! SHE THAT WAS GREAT AMONG THE

NATIONS AND PRINCESS AMONG THE PROVINCES."

METHUEN & CO.

36 ESSEX STREET W.C.

LONDON

1900

_Dramatised and produced for copyright purposes in London, May 1st_,

1900. _Licensed for production by the Lord Chamberlain, and entered at

Stationers' Hall as a Drama in IV. Acts_.

TO

MY FRIEND

ERNEST FOSTER

CONTENTS

CHAP.

I. Monsieur le Duc.

II. Les Demoiselles Montjoie at Home.

III. The Romance of Monsieur Vandecque.

IV. A Sister of Mercy.

V. The Duke's Desire

VI. The Duke's Bride.

VII. Man And Wife.

VIII. The Street Of The Holy Apostles.

IX. Alone.

X. The Prison of St. Martin des Champs.

XI. The Condemned.

XII. Marseilles.

XIII. "My Wife! What Wife? I have no Wife."

XIV. Where is the Man?

XV. The Pest.

XVI. "I had not Lived till now, could sorrow kill."

XVII. An Aristocratic Resort.

XVIII. "The Abandoned Orphan"--Prologue

XIX. "The Abandoned Orphan"--Drama

XX. "The Way to Dusty Death"

XXI. A Night Ride.

XXII. The Stricken City.

XXIII. Within the Walls.

XXIV. A Discovery.

XXV. Face to Face.

XXVI. "Revenge--Bitter! Ere Long Back on Itself Recoils!"

XXVII. "I Love Her!--She is my Wife."

XXVIII. The Walled-up Doors.

XXIX. Asleep or Awake.

XXX. "If after Every Tempest come such Calms!"

SERVANTS OF SIN

CHAPTER I

MONSIEUR LE DUC

Lifting aside the heavy tapestry that hung down in front of the window

of the tourelle which formed an angle of the room--a window from which

the Bastille might be seen frowning over the Quartier St. Antoine, a

third of a mile away--the man shrugged his shoulders, uttered a

peevish exclamation, and muttered, next:

"Snow! Snow! Snow! Always snow! Curse the snow!" Then he turned back

into the room, letting the curtain fall behind him, and seated himself

once more in a heavy fauteuil opposite the great fireplace, up the

chimney of which the logs roared in a cheerful blaze.

"Hard winters, now," he muttered once more, still thinking of the

weather outside; "always hard winters in Paris now. 'Twas so when I

rode back here after the campaign in Spain was over. When I rode

back," he repeated, "a year ago." He paused, reflecting; then

continued:

"Ay, a year ago. Why! so it was. A year ago to-day. A year this very

day. The last day of December. Ay, the bells were ringing from Notre

Dame, St. Roch--the Tour St. Jacques. To welcome in the New Year.

Almost, it seemed, judging by the events of the next few weeks, to

welcome me to my inheritance. To my inheritance! Yet, how far off that

inheritance seemed once! As far off as the love of those curs, my

relatives, was then."

He let himself sink farther and farther into the deep recesses of the

huge fauteuil as thus he mused, stretched out his long legs towards

the fire, stretched out, too, a long arm and a long, slim brown hand

towards where a flask of tokay stood, with a goblet by its side;

poured out a draught and drank it down.

"A far-off love, then," he said again, "now near, and warm, and

generous. Bah!"

Looking at the man as he lay stretched in the chair and revelling in

the luxury and comfort by which he was surrounded, one might have

thought there was some incongruity between him and those surroundings.

The room--the furniture and hangings--the latter a pale blue, bordered

with fawn-coloured lace--the dainty ornaments, the picture let in the

wall above the chimney-piece, with others above the doorway and

windows--did not match with the occupant. No more than it and they

matched with a bundle of swords in one corner of it; swords of all

kinds. One, a heavy, straight, cut-and-thrust weapon; another an

English rapier with flamboyant blade and straight quillon; a third of

the Colichemarde pattern; a fourth a viperish-looking spadroon; a

fifth a German Flamberg with deadly grooved blade and long-curled

quillons.

Surely a finished swordsman this, or a man who had been one!

Looking at him one might judge that he was so still--or could be so

upon occasion.

His wig was off--it hung upon the edge of an old praying-chair that

was pushed into a corner as though of no further use; certainly of

none to the present occupant of this room--and his black-cropped hair,

his small black moustache, which looked like a dab stuck on his upper

lip--since it extended no further on either side of his face than

beneath each nostril--added to his black eyes, gave him a saturnine

expression, not to say a menacing one. For the rest, he was a

thick-set, brawny man of perhaps five-and-forty, with a deeply-tanned

complexion that looked as though it had been exposed to many a

pitiless storm and many a fierce-beating sun; a complexion that, were

it not for a whiteness beneath the eyes, which seemed to tell of late

hours and too much wine, and other things that often enough go with

wine and wassail, would have been a healthy one.

Also, it was to be noted that, in some way, his apparel scarcely

seemed suited to him. The satin coat of russet brown; the deep

waistcoat of white satin, flowered with red roses and pink daisies and

little sprays of green leaves; the white knee-breeches also of satin,

the gold-buckled shoes, matched not with the sturdy form and fierce

face. Instead of this costume _à la Régence_ one would have more

expected to see the buff jerkin of a soldier, the brass spurs at the

heels of long brown riding-boots, and, likewise, one of the great

swords now reclining in the corner buckled close to his thigh. Or else

to have seen the man sitting in some barrack guardroom with, beneath

his feet, an uncarpeted floor, and, to his hand, a pint stoop, instead

of finding him here in this highly-ornamented saloon.

"The plague seize me!" he exclaimed, using one of his favourite oaths,

"but there is no going out to-night. Nor any likelihood of anyone

coming in. I cannot go forth to gaze upon my adorable Laure; neither

Morlaix nor Sainte Foix are likely to get here."

And, after glancing out at the fast falling snow, he abandoned himself

once more to his reflections. Though, now, those reflections were

aided by the perusal of a packet of letters which he drew forth from

an escritoire standing by the side of the fireplace. A bundle of

letters all written in a woman's hand.

He knew them well enough--by heart almost; he had read them over and

over again in the past year; it was perhaps, therefore, because of

this that he now glanced at them as they came to his hand; it

happening, consequently, that the one he had commenced to peruse was

the last he had received.

It was dated not more than a week back--the night before Christmas, of

the year 1719.

"Mon ami," it commenced, "I am desolated with grief that you cannot be

with me this Christmastide. I had hoped so much that we should have

spent the last New Year's Day together before our marriage."

"Bah!" exclaimed the man, impatiently. "Before our marriage. Bah!" and

he rattled the sheet in his hand as he went on with its perusal. "I

imagine that," the letter continued, "after all which has gone before

and has been between us it will ere long take place----."

"Ah!" he broke off once more, exclaiming, "Ah! you imagine that, dear

Marquise. You imagine that. Ha! you imagine that. So be it. Yet, on my

part, I imagine something quite the contrary. I dare to imagine it

will never take place. I think not. There are others--there is one

other. Laure--Laure--Laure Vauxcelles. My beautiful Laure!

Yet--yet--I know not. Am I wise? Does she love me? Love me! No matter

about that! She will be my wife; the mother of future Desparres.

However, let us see. To the Marquise." And again he regarded his

letters--flinging this one aside as though not worth the trouble of

further re-reading--and took up another. Yet it, also, seemed scarcely

to demand more consideration than that which he had accorded its

forerunner in his hands, and was also discarded; then another and

another, until he had come to the last of the little packet--that

which bore the earliest date. This commenced, however, with a vastly

different form of address than did the one of which we have seen a

portion. It opened with the pretty greeting, "My hero." And it opened,

too, with a very feminine form of rejoicing--a pæan of delight.

"At last, at last, at last, my soldier," the writer said, "at last,

thou hast come to thine own. The unhappy boy is dead; my hero, my

Alcides, is no longer the poor captain following the wars for hard

knocks; his position is assured; he is rich, the inheritor, nay, the

possessor of his great family title. I salute you, monsieur le----."

As his eyes reached those words, there came to his ears the noise of

the great bell pealing in the courtyard as though rung by one seeking

immediate entrance. Then, a moment later, the noise of lackeys

addressing one another; in another instant, the sound of a footfall in

the corridor outside--drawing nearer to the room where the man was.

Wherefore he came out of the tower with the window in it, to which he

had vainly gone, as though to observe what might be happening in the

street--knowing even as he did so that he could see nothing, since,

whoever his visitor might be, that visitor and his carriage, or

sedan-chair, had already entered the courtyard with his menials.

Then, in answer to the soft knock at the door, he bade the person come

in.

"Who is below?" he asked of the footman, thinking some friend had

kindly ventured forth on this inclement night to visit him--perhaps to

take a hand at pharaon or piquet.

"Monsieur, it is Madame la Marquise----"

"La Marquise?"

"Grignan de Poissy."

For a moment the man addressed stood still, facing his servant; his

eyes a little closed, his upper eyelids lowered somewhat; then he said

quietly:

"Show Madame la Marquise to this apartment. Or, rather, I will come

with you to welcome Madame la Marquise." While, suiting his action to

his words, he preceded the footman to the head of the great staircase

and warmly welcomed the lady who, by this time, was almost at the head

of it. Doubtless, she knew she would not be denied.

That this man had been (as the letter, which he had a few moments ago

but glanced at, said) "a poor captain following the wars" was no doubt

the fact; now, however, he was becoming a perfect courtier, and

testified that such was the case by his demeanour. With easy grace he

removed from her shoulders the great furred houppelande, or cloak,

which the ladies of the period of the Regency wore on such a night as

this, and carried it over his own arm; with equal grace he led her

into the room he had but now quitted, placed her in the great fauteuil

before the fire, and put before her feet a footstool, while he,

with great courtesy, even removed her shoes, and thus left her

silk-stockinged feet to benefit by the genial warmth thrown out by the

logs.

"I protest it is too good of you, Diane," he whispered, as he paid her

all these attentions, "too good of you to visit thus so idle an

admirer as I am. See, I, a soldier, a man used to all weathers, have

not dared to quit my own hearth on such a night as this. Yet Diane,

adorable Diane, why--why--expose yourself to the inclemency of the

night--even, almost, I might say, to the gossip of your--and of

my--menials."

"The gossip of your menials!" the lady exclaimed. "The gossip of your

menials? Will this fresh incident expose us to any further gossip, do

you suppose? It is a long while since our names have been coupled

together, Monsieur le Duc."

"Monsieur le Duc!" he repeated. "What a form of address! Monsieur le

Duc! My name to you is--has ever been--Armand."

"Ay, 'tis so," she answered, while, even as she continued speaking a

little bitterly to him, she shifted her feet upon the footstool, so

that they should get their full share of the luxurious warmth of the

fire. "'Tis so. Has been so for more years now than a woman cares to

count. Desparre," she said, addressing him shortly, "how long have we

known each other--how old am I?"

For answer he gave her a deprecatory shrug of the shoulders, as though

it were impossible such a question should be asked, or, being asked,

could possibly be answered by him; while she, her blue eyes fixed upon

his face, herself replied to the question. "It is twenty years," she

said, "since we first met."

"Alas!" with another shrug, meant this time to express a wince of

emotion.

"Yes, twenty years," she continued. "A long while, is it not? I, a

young widow then; you, Armand Desparre, a penniless porte-drapeau in

the Regiment de Bellebrune. Yet not so penniless either, if I remember

aright"--and the blue eyes looked steely now, as they gazed from

beneath their thick auburn fringe at him--"not penniless. You lived

well for an ensign absolutely without private means--rode a good

horse, could throw a main with the richest man in the regiment."

"Diane," he interrupted, "these suggestions, these reminiscences are

unseemly."

"Unseemly! Heavens! Yes, they are unseemly. However, no matter for

that. You are no longer a poor man. Armand Desparre is rich, he is no

more the poor marching soldier, he is Monsieur le Duc Desparre."

"More recollections," he said, with still another shrug. "Diane, we

know all this. The world, our world, knows who and what I am."

"Also our world knows, expects, that there is to be a Duchess

Desparre."

"Yes," he answered, "it knows, it expects, that."

"Expects! My God!" she exclaimed vehemently, "if it knew all it would

not only expect but insist that that duchesse should be the woman who

now bears the title of the Marquise Grignan de Poissy."

"It does not know all. Meanwhile," and his eye glanced towards the

heap of swords in the corner of the room, "who is there to insist on

what my conduct shall be--to order it to be otherwise than I choose it

shall be? Frankly, Diane, who is there to insist and make the

insistence good?"

"There are men of the De Poissy family," she replied, and her glance,

too, rested on those swords. "Desparre is not the only master of fence

in Paris."

"Chut! They are your kinsmen. I do not desire to slay them, nor, I

presume, will they desire to slay me. And, desiring, what could they

do? De Poissy himself is only a boy."

"He is the head of the house. He will not see the wife of the late

head slighted." Then, before he could make any answer to this remark,

she turned round suddenly on him and exclaimed, while again the blue

eyes looked steely through their heavy lashes:

"Who is Laure Vauxcelles?"

This question, asked with such unexpectedness, startled even the man's

cynical superciliousness, as he showed by the way in which he

stammered forth an answer that was no answer at all.

"Laure--Vauxcelles! What--what--do you know of her? She is not of

your--our--class."

"Pardon. Every woman who is well favoured is--of your class."

"What do you know of her?" he repeated, unheeding the taunt, though

with a look that might have been regarded as a menacing one.

"Only," she answered, "that which most of those who are of

your--our--class know. The gossip of the salon, the court, the Palais

Royal. Armand Desparre, I have been in Paris two days and was bidden

to the Regent's supper last night--otherwise I should have been still

at the Abbaye de Grignan dispensing New Year hospitality with the boy,

De Poissy. Instead, therefore, I was at supper in the oval room. And

de Parabére, de Sabran, de Noailles, le Duc de Richelieu--a dozen,

were there. One hears gossip in the oval room, 'specially when the

Regent has drunk sufficient of that stuff," and she nodded towards

Monsieur's still unfinished flask of tokay. "When he is asleep at the

head of his table endeavouring to--well--sleep off--shake off its

fumes ere going to his box close by to hear La Gautier sing."

"What did you hear?" Desparre asked now.

"Gossip," the Marquise answered. "Gossip. Perhaps true--perhaps idle.

God knows. The story of a man," she continued, with a shrug of her

shoulders, "no longer young, once very poor, yet always with pistoles

in his pocket, since he did not disdain to take gifts from a foolish

woman whom he had wronged and who loved him."

"Was that mentioned?"

"It was hinted at. It was known, too, by one listener, at

least--myself--to be true. A man," she continued, "now well to do,

able to gratify almost every desire he possesses. Of high position.

The story of a man," she went on with machine-like insistence, "who,

finding at last, however, one desire he is not able to gratify--the

desire of adding one more woman to his victims, and that a woman young

enough to be his daughter--is about to change his character. To

abandon that of knave, to adopt that of fool."

"Also," interrupted Monsieur le Duc, "a man who will demand from

Madame la Marquise Grignan de Poissy the name of her gossip. It is to

be desired that that gossip should be a man. Otherwise, her nephew the

Marquis Grignan de Poissy will perhaps consent to be Madame's

representative."

"To adopt the rôle of a fool," she continued, unheeding his words. "To

marry the woman--the niece of a broken-down gamester--who refuses to

become his victim. A creature bred up in the gutter!"

"Madame will allow that this--fool--is subject to no control or

criticism?"

"Madame will allow anything that Monsieur le Duc desires. Even, if he

pleases, that he is a coward and contemptible."

Servants of Sin: A Romance · 第 1 / 30 章